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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A4233 it is the complementary color #95BDCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A4233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A4233 shade: #6F422E, #805441, #916654, #A27867 and #B38A7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A4233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A4233 shade: #6A4233, #593020, #481E0D, #370C00 and #260000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A4233 shade: #6A4233, #6A3333 and #6A3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A4233 shade: #6A4233, #6A5133, #6A6033, #666A33 and #576A33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A4233 shade matches the following richer shades: #6A4233, #773C26, #843619, #91310D and #9D2B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A4233 shade: #6A4233, #5D4840, #514E4C, #445359 and #375966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A4233 shade: #6A3342, #6A3333, #6A4233, #6A5033 and #6A5F33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A4233 shade: #331F18, #4E3125, #6A4233, #865340 and #A2654E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A4233 shade: #6A4233, #506A33 and #333A6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A4233 shade: #6A4233, #336A42 and #42336A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A4233 shade: #6A4233, #506A33, #335B6A and #4D336A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A4233 shade: #6A4233, #406A33, #335B6A and #5D336A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

Complementary color

CMYK 27 / 7 / 0 / 20

HEX #95BDCC

RGB 149 189 204

HSL 196.36, 0.35%, 0.69%

LAB 74.28, -9.85, -11.91

 

CMYK 0 / 41 / 59 / 56

HEX #6F422E

RGB 111 66 46

HSL 18.46, 0.41%, 0.31%

LAB 32.86, 17.26, 20.33

 

CMYK 0 / 34 / 49 / 50

HEX #805441

RGB 128 84 65

HSL 18.1, 0.33%, 0.38%

LAB 40.1, 15.98, 18.57

 

CMYK 0 / 30 / 42 / 43

HEX #916654

RGB 145 102 84

HSL 17.7, 0.27%, 0.45%

LAB 47.19, 14.93, 17.06

 

CMYK 0 / 26 / 36 / 36

HEX #A27867

RGB 162 120 103

HSL 17.29, 0.24%, 0.52%

LAB 54.13, 14.05, 15.75

 

CMYK 0 / 23 / 32 / 30

HEX #B38A7A

RGB 179 138 122

HSL 16.84, 0.27%, 0.59%

LAB 60.93, 13.3, 14.57

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 0 / 46 / 64 / 65

HEX #593020

RGB 89 48 32

HSL 16.84, 0.47%, 0.24%

LAB 24.77, 16.92, 18.26

 

CMYK 0 / 58 / 82 / 72

HEX #481E0D

RGB 72 30 13

HSL 17.29, 0.69%, 0.17%

LAB 17.16, 18.69, 20.11

 

CMYK 0 / 78 / 100 / 78

HEX #370C00

RGB 55 12 0

HSL 13.09, 1%, 0.11%

LAB 9.6, 20.58, 14.87

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 0 / 52 / 52 / 58

HEX #6A3333

RGB 106 51 51

HSL 0, 0.35%, 0.31%

LAB 28.57, 24.49, 11.37

 

CMYK 0 / 52 / 52 / 58

HEX #6A3333

RGB 106 51 51

HSL 0, 0.35%, 0.31%

LAB 28.57, 24.49, 11.37

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 0 / 24 / 52 / 58

HEX #6A5133

RGB 106 81 51

HSL 32.73, 0.35%, 0.31%

LAB 36.34, 6.29, 21.59

 

CMYK 0 / 9 / 52 / 58

HEX #6A6033

RGB 106 96 51

HSL 49.09, 0.35%, 0.31%

LAB 40.69, -2.72, 26.99

 

CMYK 4 / 0 / 52 / 58

HEX #666A33

RGB 102 106 51

HSL 64.36, 0.35%, 0.31%

LAB 43.32, -10.33, 30.08

 

CMYK 18 / 0 / 52 / 58

HEX #576A33

RGB 87 106 51

HSL 80.73, 0.35%, 0.31%

LAB 42.11, -16.97, 28.34

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 0 / 50 / 68 / 53

HEX #773C26

RGB 119 60 38

HSL 16.3, 0.52%, 0.31%

LAB 32.47, 23.73, 24.98

 

CMYK 0 / 59 / 81 / 48

HEX #843619

RGB 132 54 25

HSL 16.26, 0.68%, 0.31%

LAB 33.17, 31.82, 33.73

 

CMYK 0 / 66 / 91 / 43

HEX #91310D

RGB 145 49 13

HSL 16.36, 0.84%, 0.31%

LAB 34.49, 38.98, 41.4

 

CMYK 0 / 73 / 100 / 38

HEX #9D2B00

RGB 157 43 0

HSL 16.43, 1%, 0.31%

LAB 35.78, 45.6, 48.27

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 0 / 23 / 31 / 64

HEX #5D4840

RGB 93 72 64

HSL 16.55, 0.18%, 0.31%

LAB 32.55, 7.61, 8.21

 

CMYK 0 / 4 / 6 / 68

HEX #514E4C

RGB 81 78 76

HSL 24, 0.03%, 0.31%

LAB 33.39, 0.82, 1.62

 

CMYK 24 / 7 / 0 / 65

HEX #445359

RGB 68 83 89

HSL 197.14, 0.13%, 0.31%

LAB 34.27, -4.32, -5.45

 

CMYK 46 / 13 / 0 / 60

HEX #375966

RGB 55 89 102

HSL 196.6, 0.3%, 0.31%

LAB 35.82, -8.47, -11.34

 

CMYK 0 / 52 / 38 / 58

HEX #6A3342

RGB 106 51 66

HSL 343.64, 0.35%, 0.31%

LAB 28.97, 26.31, 2.06

 

CMYK 0 / 52 / 52 / 58

HEX #6A3333

RGB 106 51 51

HSL 0, 0.35%, 0.31%

LAB 28.57, 24.49, 11.37

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 0 / 25 / 52 / 58

HEX #6A5033

RGB 106 80 51

HSL 31.64, 0.35%, 0.31%

LAB 36.06, 6.9, 21.23

 

CMYK 0 / 10 / 52 / 58

HEX #6A5F33

RGB 106 95 51

HSL 48, 0.35%, 0.31%

LAB 40.39, -2.13, 26.63

 

CMYK 0 / 39 / 53 / 80

HEX #331F18

RGB 51 31 24

HSL 15.56, 0.36%, 0.15%

LAB 14.11, 8.69, 8.75

 

CMYK 0 / 37 / 53 / 69

HEX #4E3125

RGB 78 49 37

HSL 17.56, 0.36%, 0.23%

LAB 23.51, 11.59, 13.05

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 0 / 38 / 52 / 47

HEX #865340

RGB 134 83 64

HSL 16.29, 0.35%, 0.39%

LAB 40.61, 19.09, 19.99

 

CMYK 0 / 38 / 52 / 36

HEX #A2654E

RGB 162 101 78

HSL 16.43, 0.35%, 0.47%

LAB 48.93, 22.05, 23.28

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 25 / 0 / 52 / 58

HEX #506A33

RGB 80 106 51

HSL 88.36, 0.35%, 0.31%

LAB 41.61, -19.94, 27.62

 

CMYK 52 / 45 / 0 / 58

HEX #333A6A

RGB 51 58 106

HSL 232.36, 0.35%, 0.31%

LAB 26.07, 11.82, -29.05

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 52 / 0 / 38 / 58

HEX #336A42

RGB 51 106 66

HSL 136.36, 0.35%, 0.31%

LAB 40.25, -27.99, 17.02

 

CMYK 38 / 52 / 0 / 58

HEX #42336A

RGB 66 51 106

HSL 256.36, 0.35%, 0.31%

LAB 25.46, 20.72, -29.94

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 25 / 0 / 52 / 58

HEX #506A33

RGB 80 106 51

HSL 88.36, 0.35%, 0.31%

LAB 41.61, -19.94, 27.62

 

CMYK 52 / 14 / 0 / 58

HEX #335B6A

RGB 51 91 106

HSL 196.36, 0.35%, 0.31%

LAB 36.42, -9.51, -12.94

 

CMYK 27 / 52 / 0 / 58

HEX #4D336A

RGB 77 51 106

HSL 268.36, 0.35%, 0.31%

LAB 26.69, 24, -27.9

 

CMYK 0 / 38 / 52 / 58

HEX #6A4233

RGB 106 66 51

HSL 16.36, 0.35%, 0.31%

LAB 32.26, 15.5, 16.31

 

CMYK 40 / 0 / 52 / 58

HEX #406A33

RGB 64 106 51

HSL 105.82, 0.35%, 0.31%

LAB 40.63, -26.22, 26.2

 

CMYK 52 / 14 / 0 / 58

HEX #335B6A

RGB 51 91 106

HSL 196.36, 0.35%, 0.31%

LAB 36.42, -9.51, -12.94

 

CMYK 12 / 52 / 0 / 58

HEX #5D336A

RGB 93 51 106

HSL 285.82, 0.35%, 0.31%

LAB 28.73, 29, -24.54

 

Description

Color code: HEX #6A4233 | qconv.com Color code: HEX #6A4233 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 66 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 66 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 52 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 52% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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