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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A5693 it is the complementary color #95A96C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A5693. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A5693 shade: #6F568E, #8068A1, #917AB4, #A28CC7 and #B39EDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A5693. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A5693 shade: #6A5693, #594480, #48326D, #37205A and #260E47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A5693 shade: #6A5693, #7B5693, #8B5693, #93568B and #93567B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A5693 shade: #6A5693, #5A5693 and #565693

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A5693 shade matches the following richer shades: #6A5693, #6443A6, #5D30B9, #571DCC and #500ADF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A5693 shade: #6A5693, #716980, #777C6D, #7E8F5A and #84A247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A5693 shade: #566493, #595693, #6A5693, #7A5693 and #8A5693

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A5693 shade: #45385F, #584779, #6A5693, #7F6BA8 and #9585B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A5693 shade: #6A5693, #935674 and #5B9356

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A5693 shade: #6A5693, #936A56 and #56936A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A5693 shade: #6A5693, #935674, #809356 and #569376

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A5693 shade: #6A5693, #935661, #809356 and #569388

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

Complementary color

CMYK 12 / 0 / 36 / 34

HEX #95A96C

RGB 149 169 108

HSL 79.67, 0.26%, 0.54%

LAB 66.4, -17.47, 29.22

 

CMYK 22 / 39 / 0 / 44

HEX #6F568E

RGB 111 86 142

HSL 266.79, 0.25%, 0.45%

LAB 41.2, 22.25, -27.23

 

CMYK 20 / 35 / 0 / 37

HEX #8068A1

RGB 128 104 161

HSL 265.26, 0.23%, 0.52%

LAB 48.34, 21.48, -27.29

 

CMYK 19 / 32 / 0 / 29

HEX #917AB4

RGB 145 122 180

HSL 263.79, 0.28%, 0.59%

LAB 55.31, 20.79, -27.39

 

CMYK 19 / 30 / 0 / 22

HEX #A28CC7

RGB 162 140 199

HSL 262.37, 0.35%, 0.66%

LAB 62.14, 20.18, -27.51

 

CMYK 18 / 28 / 0 / 15

HEX #B39EDA

RGB 179 158 218

HSL 261, 0.45%, 0.74%

LAB 68.82, 19.62, -27.66

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 30 / 47 / 0 / 50

HEX #594480

RGB 89 68 128

HSL 261, 0.31%, 0.38%

LAB 33.6, 22.91, -30.77

 

CMYK 34 / 54 / 0 / 57

HEX #48326D

RGB 72 50 109

HSL 262.37, 0.37%, 0.31%

LAB 26.05, 23.99, -30.89

 

CMYK 39 / 64 / 0 / 65

HEX #37205A

RGB 55 32 90

HSL 263.79, 0.48%, 0.24%

LAB 18.29, 25.2, -31

 

CMYK 46 / 80 / 0 / 72

HEX #260E47

RGB 38 14 71

HSL 265.26, 0.67%, 0.17%

LAB 10.42, 26.29, -30.89

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 16 / 41 / 0 / 42

HEX #7B5693

RGB 123 86 147

HSL 276.39, 0.26%, 0.46%

LAB 42.72, 27.28, -27.76

 

CMYK 5 / 41 / 0 / 42

HEX #8B5693

RGB 139 86 147

HSL 292.13, 0.26%, 0.46%

LAB 44.59, 32.42, -24.71

 

CMYK 0 / 41 / 5 / 42

HEX #93568B

RGB 147 86 139

HSL 307.87, 0.26%, 0.46%

LAB 45.25, 33.48, -18.81

 

CMYK 0 / 41 / 16 / 42

HEX #93567B

RGB 147 86 123

HSL 323.61, 0.26%, 0.46%

LAB 44.64, 30.63, -10.07

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 39 / 41 / 0 / 42

HEX #5A5693

RGB 90 86 147

HSL 243.93, 0.26%, 0.46%

LAB 39.47, 17.25, -33.1

 

CMYK 41 / 41 / 0 / 42

HEX #565693

RGB 86 86 147

HSL 240, 0.26%, 0.46%

LAB 39.14, 16.13, -33.64

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 40 / 60 / 0 / 35

HEX #6443A6

RGB 100 67 166

HSL 260, 0.42%, 0.46%

LAB 36.89, 37.01, -48.58

 

CMYK 50 / 74 / 0 / 27

HEX #5D30B9

RGB 93 48 185

HSL 259.71, 0.59%, 0.46%

LAB 33.87, 51.17, -64.83

 

CMYK 57 / 86 / 0 / 20

HEX #571DCC

RGB 87 29 204

HSL 259.89, 0.75%, 0.46%

LAB 32.4, 63.18, -78.42

 

CMYK 64 / 96 / 0 / 13

HEX #500ADF

RGB 80 10 223

HSL 259.72, 0.91%, 0.46%

LAB 32.37, 71.76, -89.49

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 12 / 18 / 0 / 50

HEX #716980

RGB 113 105 128

HSL 260.87, 0.1%, 0.46%

LAB 45.87, 8, -11.61

 

CMYK 4 / 0 / 12 / 51

HEX #777C6D

RGB 119 124 109

HSL 80, 0.06%, 0.46%

LAB 51.2, -4.8, 7.55

 

CMYK 12 / 0 / 37 / 44

HEX #7E8F5A

RGB 126 143 90

HSL 79.25, 0.23%, 0.46%

LAB 56.9, -15.48, 26.22

 

CMYK 19 / 0 / 56 / 36

HEX #84A247

RGB 132 162 71

HSL 79.78, 0.39%, 0.46%

LAB 62.68, -24.98, 43.24

 

CMYK 41 / 32 / 0 / 42

HEX #566493

RGB 86 100 147

HSL 226.23, 0.26%, 0.46%

LAB 43.06, 7.33, -27.48

 

CMYK 39 / 41 / 0 / 42

HEX #595693

RGB 89 86 147

HSL 242.95, 0.26%, 0.46%

LAB 39.39, 16.97, -33.23

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 17 / 41 / 0 / 42

HEX #7A5693

RGB 122 86 147

HSL 275.41, 0.26%, 0.46%

LAB 42.61, 26.96, -27.95

 

CMYK 6 / 41 / 0 / 42

HEX #8A5693

RGB 138 86 147

HSL 291.15, 0.26%, 0.46%

LAB 44.47, 32.1, -24.91

 

CMYK 27 / 41 / 0 / 63

HEX #45385F

RGB 69 56 95

HSL 260, 0.26%, 0.3%

LAB 26.5, 15.14, -21.15

 

CMYK 27 / 41 / 0 / 53

HEX #584779

RGB 88 71 121

HSL 260.4, 0.26%, 0.38%

LAB 33.9, 18.79, -25.94

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 24 / 36 / 0 / 34

HEX #7F6BA8

RGB 127 107 168

HSL 259.67, 0.26%, 0.54%

LAB 49.32, 21.1, -29.88

 

CMYK 19 / 27 / 0 / 28

HEX #9585B7

RGB 149 133 183

HSL 259.2, 0.26%, 0.62%

LAB 58.59, 16.38, -24.02

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 0 / 41 / 21 / 42

HEX #935674

RGB 147 86 116

HSL 330.49, 0.26%, 0.46%

LAB 44.4, 29.47, -6.17

 

CMYK 38 / 0 / 41 / 42

HEX #5B9356

RGB 91 147 86

HSL 115.08, 0.26%, 0.46%

LAB 55.85, -31.18, 26.61

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 0 / 28 / 41 / 42

HEX #936A56

RGB 147 106 86

HSL 19.67, 0.26%, 0.46%

LAB 48.49, 13.69, 17.69

 

CMYK 41 / 0 / 28 / 42

HEX #56936A

RGB 86 147 106

HSL 139.67, 0.26%, 0.46%

LAB 55.97, -29.22, 15.65

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 0 / 41 / 21 / 42

HEX #935674

RGB 147 86 116

HSL 330.49, 0.26%, 0.46%

LAB 44.4, 29.47, -6.17

 

CMYK 13 / 0 / 41 / 42

HEX #809356

RGB 128 147 86

HSL 78.69, 0.26%, 0.46%

LAB 58.16, -17.3, 30.04

 

CMYK 41 / 0 / 20 / 42

HEX #569376

RGB 86 147 118

HSL 151.48, 0.26%, 0.46%

LAB 56.24, -26.71, 9.23

 

CMYK 28 / 41 / 0 / 42

HEX #6A5693

RGB 106 86 147

HSL 259.67, 0.26%, 0.46%

LAB 40.94, 21.97, -30.69

 

CMYK 0 / 41 / 34 / 42

HEX #935661

RGB 147 86 97

HSL 349.18, 0.26%, 0.46%

LAB 43.83, 26.65, 4.59

 

CMYK 13 / 0 / 41 / 42

HEX #809356

RGB 128 147 86

HSL 78.69, 0.26%, 0.46%

LAB 58.16, -17.3, 30.04

 

CMYK 41 / 0 / 7 / 42

HEX #569388

RGB 86 147 136

HSL 169.18, 0.26%, 0.46%

LAB 56.71, -22.5, -0.39

 

Description

Color code: HEX #6A5693 | qconv.com Color code: HEX #6A5693 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 86 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 86 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 41 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 41% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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