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Color name
HEX #6A59B9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A59B9 it is the complementary color #95A646. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A59B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A59B9 shade: #6F59B4, #806BC7, #917DDA, #A28FED and #B3A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A59B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A59B9 shade: #6A59B9, #5947A6, #483593, #372380 and #26116D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A59B9 shade: #6A59B9, #8459B9, #9E59B9, #B859B9 and #B959A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A59B9 shade: #6A59B9 and #5959B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A59B9 shade matches the following richer shades: #6A59B9, #5E46CC, #5233DF and #4520F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A59B9 shade: #6A59B9, #766CA6, #837F93, #8F9280 and #9BA56D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A59B9 shade: #597CB9, #5963B9, #6959B9, #8359B9 and #9C59B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A59B9 shade: #463887, #5645A5, #6A59B9, #8476C5 and #9E93D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A59B9 shade: #6A59B9, #B95996 and #70B959

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A59B9 shade: #6A59B9, #B96959 and #59B969

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A59B9 shade: #6A59B9, #B95996, #A9B959 and #59B97C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A59B9 shade: #6A59B9, #B95979, #A9B959 and #59B999

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

Complementary color

CMYK 10 / 0 / 58 / 35

HEX #95A646

RGB 149 166 70

HSL 70.63, 0.41%, 0.46%

LAB 65.05, -20.1, 46.74

 

CMYK 38 / 51 / 0 / 29

HEX #6F59B4

RGB 111 89 180

HSL 254.51, 0.38%, 0.53%

LAB 43.97, 30.56, -45.44

 

CMYK 36 / 46 / 0 / 22

HEX #806BC7

RGB 128 107 199

HSL 253.7, 0.45%, 0.6%

LAB 50.95, 29.48, -45.24

 

CMYK 33 / 43 / 0 / 15

HEX #917DDA

RGB 145 125 218

HSL 252.9, 0.56%, 0.67%

LAB 57.8, 28.52, -45.07

 

CMYK 32 / 40 / 0 / 7

HEX #A28FED

RGB 162 143 237

HSL 252.13, 0.72%, 0.75%

LAB 64.52, 27.67, -44.95

 

CMYK 30 / 37 / 0 / 0

HEX #B3A1FF

RGB 179 161 255

HSL 251.49, 1%, 0.82%

LAB 71.07, 26.65, -44.39

 

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

CMYK 46 / 57 / 0 / 35

HEX #5947A6

RGB 89 71 166

HSL 251.37, 0.4%, 0.46%

LAB 36.71, 32.09, -48.92

 

CMYK 51 / 64 / 0 / 42

HEX #483593

RGB 72 53 147

HSL 252.13, 0.47%, 0.39%

LAB 29.49, 33.6, -49.18

 

CMYK 57 / 73 / 0 / 50

HEX #372380

RGB 55 35 128

HSL 252.9, 0.57%, 0.32%

LAB 22.21, 35.21, -49.3

 

CMYK 65 / 84 / 0 / 57

HEX #26116D

RGB 38 17 109

HSL 253.7, 0.73%, 0.25%

LAB 15.05, 36.55, -48.93

 

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

CMYK 29 / 52 / 0 / 27

HEX #8459B9

RGB 132 89 185

HSL 266.88, 0.41%, 0.54%

LAB 46.38, 37.38, -44.39

 

CMYK 15 / 52 / 0 / 27

HEX #9E59B9

RGB 158 89 185

HSL 283.13, 0.41%, 0.54%

LAB 49.39, 44.48, -39.43

 

CMYK 1 / 52 / 0 / 27

HEX #B859B9

RGB 184 89 185

HSL 299.38, 0.41%, 0.54%

LAB 52.77, 51.76, -33.89

 

CMYK 0 / 52 / 13 / 27

HEX #B959A1

RGB 185 89 161

HSL 315, 0.41%, 0.54%

LAB 51.87, 47.92, -21.28

 

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

CMYK 52 / 52 / 0 / 27

HEX #5959B9

RGB 89 89 185

HSL 240, 0.41%, 0.54%

LAB 42.42, 26.84, -50.96

 

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

CMYK 54 / 66 / 0 / 20

HEX #5E46CC

RGB 94 70 204

HSL 250.75, 0.57%, 0.54%

LAB 39.78, 45.12, -66.27

 

CMYK 63 / 77 / 0 / 13

HEX #5233DF

RGB 82 51 223

HSL 250.81, 0.73%, 0.54%

LAB 36.91, 58.98, -81.96

 

CMYK 71 / 87 / 0 / 5

HEX #4520F2

RGB 69 32 242

HSL 250.57, 0.89%, 0.54%

LAB 35.42, 70.71, -95.27

 

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

CMYK 29 / 35 / 0 / 35

HEX #766CA6

RGB 118 108 166

HSL 250.34, 0.25%, 0.54%

LAB 48.67, 17.22, -29.78

 

CMYK 11 / 14 / 0 / 42

HEX #837F93

RGB 131 127 147

HSL 252, 0.08%, 0.54%

LAB 54.14, 5.65, -10.21

 

CMYK 2 / 0 / 12 / 43

HEX #8F9280

RGB 143 146 128

HSL 70, 0.08%, 0.54%

LAB 59.85, -4.44, 9.17

 

CMYK 6 / 0 / 34 / 35

HEX #9BA56D

RGB 155 165 109

HSL 70.71, 0.24%, 0.54%

LAB 65.74, -12.89, 27.89

 

CMYK 52 / 33 / 0 / 27

HEX #597CB9

RGB 89 124 185

HSL 218.13, 0.41%, 0.54%

LAB 51.88, 5.21, -35.92

 

CMYK 52 / 46 / 0 / 27

HEX #5963B9

RGB 89 99 185

HSL 233.75, 0.41%, 0.54%

LAB 45.01, 20.59, -46.8

 

CMYK 43 / 52 / 0 / 27

HEX #6959B9

RGB 105 89 185

HSL 250, 0.41%, 0.54%

LAB 43.73, 30.51, -48.79

 

CMYK 29 / 52 / 0 / 27

HEX #8359B9

RGB 131 89 185

HSL 266.25, 0.41%, 0.54%

LAB 46.28, 37.12, -44.57

 

CMYK 16 / 52 / 0 / 27

HEX #9C59B9

RGB 156 89 185

HSL 281.88, 0.41%, 0.54%

LAB 49.15, 43.92, -39.83

 

CMYK 48 / 59 / 0 / 47

HEX #463887

RGB 70 56 135

HSL 250.63, 0.41%, 0.37%

LAB 29.11, 27.52, -42.4

 

CMYK 48 / 58 / 0 / 35

HEX #5645A5

RGB 86 69 165

HSL 250.63, 0.41%, 0.46%

LAB 35.89, 32.34, -49.66

 

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

CMYK 33 / 40 / 0 / 23

HEX #8476C5

RGB 132 118 197

HSL 250.63, 0.41%, 0.62%

LAB 53.91, 23.52, -39.39

 

CMYK 25 / 30 / 0 / 18

HEX #9E93D2

RGB 158 147 210

HSL 250.48, 0.41%, 0.7%

LAB 63.99, 17.54, -30.83

 

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

CMYK 0 / 52 / 19 / 27

HEX #B95996

RGB 185 89 150

HSL 321.88, 0.41%, 0.54%

LAB 51.45, 46.19, -15.44

 

CMYK 39 / 0 / 52 / 27

HEX #70B959

RGB 112 185 89

HSL 105.63, 0.41%, 0.54%

LAB 68.65, -41, 41.32

 

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

CMYK 0 / 43 / 52 / 27

HEX #B96959

RGB 185 105 89

HSL 10, 0.41%, 0.54%

LAB 53.1, 30.28, 22.94

 

CMYK 52 / 0 / 43 / 27

HEX #59B969

RGB 89 185 105

HSL 130, 0.41%, 0.54%

LAB 67.9, -45.54, 32.12

 

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

CMYK 0 / 52 / 19 / 27

HEX #B95996

RGB 185 89 150

HSL 321.88, 0.41%, 0.54%

LAB 51.45, 46.19, -15.44

 

CMYK 9 / 0 / 52 / 27

HEX #A9B959

RGB 169 185 89

HSL 70, 0.41%, 0.54%

LAB 72.13, -19.75, 46.31

 

CMYK 52 / 0 / 33 / 27

HEX #59B97C

RGB 89 185 124

HSL 141.88, 0.41%, 0.54%

LAB 68.22, -42.22, 22.53

 

CMYK 43 / 52 / 0 / 27

HEX #6A59B9

RGB 106 89 185

HSL 250.63, 0.41%, 0.54%

LAB 43.82, 30.75, -48.64

 

CMYK 0 / 52 / 35 / 27

HEX #B95979

RGB 185 89 121

HSL 340, 0.41%, 0.54%

LAB 50.5, 42.18, 0.4

 

CMYK 9 / 0 / 52 / 27

HEX #A9B959

RGB 169 185 89

HSL 70, 0.41%, 0.54%

LAB 72.13, -19.75, 46.31

 

CMYK 52 / 0 / 17 / 27

HEX #59B999

RGB 89 185 153

HSL 160, 0.41%, 0.54%

LAB 68.84, -36.12, 7.65

 

Description

Color code: HEX #6A59B9 | qconv.com Color code: HEX #6A59B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 89 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 89 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 52 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 52% 0% 27% C M Y K

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Provide designers and agencies with accurate color values.

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