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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A53F6 it is the complementary color #95AC09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A53F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A53F6 shade: #6F53F1, #8065FF, #9177FF, #A289FF and #B39BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A53F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A53F6 shade: #6A53F6, #5941E3, #482FD0, #371DBD and #260BAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A53F6 shade: #6C55F6, #9755F6, #C255F6, #EE55F6 and #F655D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A53F6 shade: #6C55F6 and #5555F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A53F6 shade matches the following richer shades: #6C55F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A53F6 shade: #6C55F6, #7663E7, #8072D9, #8B80CA and #958FBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A53F6 shade: #5595F6, #556AF6, #6A55F6, #9555F6 and #C055F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A53F6 shade: #2C0CEC, #4A2EF4, #6C55F6, #8E7CF8 and #B0A3FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A53F6 shade: #6A53F6, #F655C0 and #80F655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A53F6 shade: #6A53F6, #F66A55 and #55F66A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A53F6 shade: #6A53F6, #F655C0, #E0F655 and #55F68A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A53F6 shade: #6A53F6, #F65590, #E0F655 and #55F6BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 66 / 0 / 4

HEX #6A53F6

RGB 106 83 246

HSL 248.47, 0.9%, 0.65%

LAB 46.85, 52.3, -78.57

 

Complementary color

CMYK 13 / 0 / 95 / 33

HEX #95AC09

RGB 149 172 9

HSL 68.47, 0.9%, 0.35%

LAB 66.45, -25.93, 67.1

 

CMYK 54 / 66 / 0 / 5

HEX #6F53F1

RGB 111 83 241

HSL 250.63, 0.85%, 0.64%

LAB 46.87, 51.62, -75.73

 

CMYK 50 / 60 / 0 / 0

HEX #8065FF

RGB 128 101 255

HSL 250.52, 1%, 0.7%

LAB 53.08, 48.66, -73.36

 

CMYK 43 / 53 / 0 / 0

HEX #9177FF

RGB 145 119 255

HSL 251.47, 1%, 0.73%

LAB 58.45, 41.96, -64.61

 

CMYK 36 / 46 / 0 / 0

HEX #A289FF

RGB 162 137 255

HSL 252.71, 1%, 0.77%

LAB 63.99, 35.73, -55.66

 

CMYK 30 / 39 / 0 / 0

HEX #B39BFF

RGB 179 155 255

HSL 254.4, 1%, 0.8%

LAB 69.64, 30.01, -46.63

 

CMYK 57 / 66 / 0 / 4

HEX #6A53F6

RGB 106 83 246

HSL 248.47, 0.9%, 0.65%

LAB 46.85, 52.3, -78.57

 

CMYK 61 / 71 / 0 / 11

HEX #5941E3

RGB 89 65 227

HSL 248.89, 0.74%, 0.57%

LAB 40.33, 53.98, -78.59

 

CMYK 65 / 77 / 0 / 18

HEX #482FD0

RGB 72 47 208

HSL 249.32, 0.63%, 0.5%

LAB 33.91, 55.52, -78.3

 

CMYK 71 / 85 / 0 / 26

HEX #371DBD

RGB 55 29 189

HSL 249.75, 0.73%, 0.43%

LAB 27.75, 56.55, -77.4

 

CMYK 78 / 94 / 0 / 33

HEX #260BAA

RGB 38 11 170

HSL 250.19, 0.88%, 0.35%

LAB 22.14, 56.32, -75.41

 

CMYK 56 / 65 / 0 / 4

HEX #6C55F6

RGB 108 85 246

HSL 248.57, 0.9%, 0.65%

LAB 47.42, 51.51, -77.64

 

CMYK 39 / 65 / 0 / 4

HEX #9755F6

RGB 151 85 246

HSL 264.6, 0.9%, 0.65%

LAB 51.53, 59.08, -70.76

 

CMYK 21 / 65 / 0 / 4

HEX #C255F6

RGB 194 85 246

HSL 280.62, 0.9%, 0.65%

LAB 56.7, 67.86, -62.15

 

CMYK 3 / 65 / 0 / 4

HEX #EE55F6

RGB 238 85 246

HSL 297.02, 0.9%, 0.65%

LAB 62.78, 77.43, -52.09

 

CMYK 0 / 65 / 15 / 4

HEX #F655D2

RGB 246 85 210

HSL 313.42, 0.9%, 0.65%

LAB 62.29, 73.79, -32.66

 

CMYK 56 / 65 / 0 / 4

HEX #6C55F6

RGB 108 85 246

HSL 248.57, 0.9%, 0.65%

LAB 47.42, 51.51, -77.64

 

CMYK 65 / 65 / 0 / 4

HEX #5555F6

RGB 85 85 246

HSL 240, 0.9%, 0.65%

LAB 45.75, 48.25, -80.44

 

CMYK 56 / 65 / 0 / 4

HEX #6C55F6

RGB 108 85 246

HSL 248.57, 0.9%, 0.65%

LAB 47.42, 51.51, -77.64

 

CMYK 56 / 65 / 0 / 4

HEX #6C55F6

RGB 108 85 246

HSL 248.57, 0.9%, 0.65%

LAB 47.42, 51.51, -77.64

 

CMYK 49 / 57 / 0 / 9

HEX #7663E7

RGB 118 99 231

HSL 248.64, 0.73%, 0.65%

LAB 50.15, 40.92, -64.74

 

CMYK 41 / 47 / 0 / 15

HEX #8072D9

RGB 128 114 217

HSL 248.16, 0.58%, 0.65%

LAB 53.64, 30.32, -51.21

 

CMYK 31 / 37 / 0 / 21

HEX #8B80CA

RGB 139 128 202

HSL 248.92, 0.41%, 0.65%

LAB 57.26, 20.93, -36.93

 

CMYK 21 / 24 / 0 / 26

HEX #958FBC

RGB 149 143 188

HSL 248, 0.25%, 0.65%

LAB 61.36, 11.79, -22.6

 

CMYK 65 / 39 / 0 / 4

HEX #5595F6

RGB 85 149 246

HSL 216.15, 0.9%, 0.65%

LAB 61.72, 9.63, -54.63

 

CMYK 65 / 57 / 0 / 4

HEX #556AF6

RGB 85 106 246

HSL 232.17, 0.9%, 0.65%

LAB 50.56, 35.72, -72.58

 

CMYK 57 / 65 / 0 / 4

HEX #6A55F6

RGB 106 85 246

HSL 247.83, 0.9%, 0.65%

LAB 47.26, 51.2, -77.91

 

CMYK 39 / 65 / 0 / 4

HEX #9555F6

RGB 149 85 246

HSL 263.85, 0.9%, 0.65%

LAB 51.31, 58.69, -71.12

 

CMYK 22 / 65 / 0 / 4

HEX #C055F6

RGB 192 85 246

HSL 279.88, 0.9%, 0.65%

LAB 56.44, 67.43, -62.58

 

CMYK 81 / 95 / 0 / 7

HEX #2C0CEC

RGB 44 12 236

HSL 248.57, 0.9%, 0.49%

LAB 31.47, 73.22, -98.48

 

CMYK 70 / 81 / 0 / 4

HEX #4A2EF4

RGB 74 46 244

HSL 248.48, 0.9%, 0.57%

LAB 37.74, 66.41, -92.54

 

CMYK 56 / 65 / 0 / 4

HEX #6C55F6

RGB 108 85 246

HSL 248.57, 0.9%, 0.65%

LAB 47.42, 51.51, -77.64

 

CMYK 43 / 50 / 0 / 3

HEX #8E7CF8

RGB 142 124 248

HSL 248.71, 0.9%, 0.73%

LAB 58.92, 36.49, -60

 

CMYK 30 / 35 / 0 / 2

HEX #B0A3FA

RGB 176 163 250

HSL 248.97, 0.9%, 0.81%

LAB 71.1, 23.47, -41.66

 

CMYK 57 / 66 / 0 / 4

HEX #6A53F6

RGB 106 83 246

HSL 248.47, 0.9%, 0.65%

LAB 46.85, 52.3, -78.57

 

CMYK 0 / 65 / 22 / 4

HEX #F655C0

RGB 246 85 192

HSL 320.12, 0.9%, 0.65%

LAB 61.56, 71.36, -23.56

 

CMYK 48 / 0 / 65 / 4

HEX #80F655

RGB 128 246 85

HSL 103.98, 0.9%, 0.65%

LAB 87.56, -61.07, 64.8

 

CMYK 57 / 66 / 0 / 4

HEX #6A53F6

RGB 106 83 246

HSL 248.47, 0.9%, 0.65%

LAB 46.85, 52.3, -78.57

 

CMYK 0 / 57 / 65 / 4

HEX #F66A55

RGB 246 106 85

HSL 7.83, 0.9%, 0.65%

LAB 62.13, 52.34, 38.47

 

CMYK 65 / 0 / 57 / 4

HEX #55F66A

RGB 85 246 106

HSL 127.83, 0.9%, 0.65%

LAB 86.45, -69.07, 54.39

 

CMYK 57 / 66 / 0 / 4

HEX #6A53F6

RGB 106 83 246

HSL 248.47, 0.9%, 0.65%

LAB 46.85, 52.3, -78.57

 

CMYK 0 / 65 / 22 / 4

HEX #F655C0

RGB 246 85 192

HSL 320.12, 0.9%, 0.65%

LAB 61.56, 71.36, -23.56

 

CMYK 9 / 0 / 65 / 4

HEX #E0F655

RGB 224 246 85

HSL 68.2, 0.9%, 0.65%

LAB 92.76, -27.51, 71.85

 

CMYK 65 / 0 / 44 / 4

HEX #55F68A

RGB 85 246 138

HSL 139.75, 0.9%, 0.65%

LAB 86.84, -64.59, 39.89

 

CMYK 57 / 66 / 0 / 4

HEX #6A53F6

RGB 106 83 246

HSL 248.47, 0.9%, 0.65%

LAB 46.85, 52.3, -78.57

 

CMYK 0 / 65 / 41 / 4

HEX #F65590

RGB 246 85 144

HSL 338.01, 0.9%, 0.65%

LAB 59.98, 65.87, 1.78

 

CMYK 9 / 0 / 65 / 4

HEX #E0F655

RGB 224 246 85

HSL 68.2, 0.9%, 0.65%

LAB 92.76, -27.51, 71.85

 

CMYK 65 / 0 / 24 / 4

HEX #55F6BB

RGB 85 246 187

HSL 158.01, 0.9%, 0.65%

LAB 87.69, -55.33, 16.29

 

Description

Color code: HEX #6A53F6 | qconv.com Color code: HEX #6A53F6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 83 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 83 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 66 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 66% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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