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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A5CBA it is the complementary color #95A345. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A5CBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A5CBA shade: #6F5CB5, #806EC8, #9180DB, #A292EE and #B3A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A5CBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A5CBA shade: #6A5CBA, #594AA7, #483894, #372681 and #26146E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A5CBA shade: #6B5DBB, #845DBB, #9D5DBB, #B75DBB and #BB5DA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A5CBA shade: #6B5DBB and #5D5DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A5CBA shade matches the following richer shades: #6B5DBB, #5E4ACD, #5138E0 and #4425F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A5CBA shade: #6B5DBB, #786FA8, #858296, #929483 and #9FA771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A5CBA shade: #5D82BB, #5D69BB, #695DBB, #825DBB and #9B5DBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A5CBA shade: #463A8B, #5546A8, #6B5DBB, #857AC7 and #A097D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A5CBA shade: #6A5CBA, #BB5D9B and #76BB5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A5CBA shade: #6A5CBA, #BB695D and #5DBB69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A5CBA shade: #6A5CBA, #BB5D9B, #AEBB5D and #5DBB7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A5CBA shade: #6A5CBA, #BB5D7F, #AEBB5D and #5DBB98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 51 / 0 / 27

HEX #6A5CBA

RGB 106 92 186

HSL 248.94, 0.41%, 0.55%

LAB 44.61, 29.22, -47.96

 

Complementary color

CMYK 9 / 0 / 58 / 36

HEX #95A345

RGB 149 163 69

HSL 68.94, 0.41%, 0.45%

LAB 64.17, -18.66, 46.22

 

CMYK 39 / 49 / 0 / 29

HEX #6F5CB5

RGB 111 92 181

HSL 252.81, 0.38%, 0.54%

LAB 44.76, 29.03, -44.77

 

CMYK 36 / 45 / 0 / 22

HEX #806EC8

RGB 128 110 200

HSL 252, 0.45%, 0.61%

LAB 51.74, 27.98, -44.57

 

CMYK 34 / 42 / 0 / 14

HEX #9180DB

RGB 145 128 219

HSL 251.21, 0.56%, 0.68%

LAB 58.58, 27.04, -44.4

 

CMYK 32 / 39 / 0 / 7

HEX #A292EE

RGB 162 146 238

HSL 250.43, 0.73%, 0.75%

LAB 65.29, 26.21, -44.28

 

CMYK 30 / 36 / 0 / 0

HEX #B3A4FF

RGB 179 164 255

HSL 249.89, 1%, 0.82%

LAB 71.8, 24.97, -43.26

 

CMYK 43 / 51 / 0 / 27

HEX #6A5CBA

RGB 106 92 186

HSL 248.94, 0.41%, 0.55%

LAB 44.61, 29.22, -47.96

 

CMYK 47 / 56 / 0 / 35

HEX #594AA7

RGB 89 74 167

HSL 249.68, 0.39%, 0.47%

LAB 37.5, 30.55, -48.24

 

CMYK 51 / 62 / 0 / 42

HEX #483894

RGB 72 56 148

HSL 250.43, 0.45%, 0.4%

LAB 30.26, 32.07, -48.53

 

CMYK 57 / 71 / 0 / 49

HEX #372681

RGB 55 38 129

HSL 251.21, 0.54%, 0.33%

LAB 22.94, 33.76, -48.72

 

CMYK 65 / 82 / 0 / 57

HEX #26146E

RGB 38 20 110

HSL 252, 0.69%, 0.25%

LAB 15.69, 35.34, -48.53

 

CMYK 43 / 50 / 0 / 27

HEX #6B5DBB

RGB 107 93 187

HSL 248.94, 0.41%, 0.55%

LAB 45, 29.15, -47.9

 

CMYK 29 / 50 / 0 / 27

HEX #845DBB

RGB 132 93 187

HSL 264.89, 0.41%, 0.55%

LAB 47.39, 35.59, -43.95

 

CMYK 16 / 50 / 0 / 27

HEX #9D5DBB

RGB 157 93 187

HSL 280.85, 0.41%, 0.55%

LAB 50.2, 42.49, -39.33

 

CMYK 2 / 50 / 0 / 27

HEX #B75DBB

RGB 183 93 187

HSL 297.45, 0.41%, 0.55%

LAB 53.48, 49.86, -33.95

 

CMYK 0 / 50 / 12 / 27

HEX #BB5DA5

RGB 187 93 165

HSL 314.04, 0.41%, 0.55%

LAB 53.07, 47.2, -21.76

 

CMYK 43 / 50 / 0 / 27

HEX #6B5DBB

RGB 107 93 187

HSL 248.94, 0.41%, 0.55%

LAB 45, 29.15, -47.9

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 43 / 50 / 0 / 27

HEX #6B5DBB

RGB 107 93 187

HSL 248.94, 0.41%, 0.55%

LAB 45, 29.15, -47.9

 

CMYK 54 / 64 / 0 / 20

HEX #5E4ACD

RGB 94 74 205

HSL 249.16, 0.57%, 0.55%

LAB 40.71, 43.14, -65.33

 

CMYK 64 / 75 / 0 / 12

HEX #5138E0

RGB 81 56 224

HSL 248.93, 0.73%, 0.55%

LAB 37.77, 56.75, -81.12

 

CMYK 72 / 85 / 0 / 5

HEX #4425F2

RGB 68 37 242

HSL 249.07, 0.89%, 0.55%

LAB 35.91, 68.96, -94.45

 

CMYK 43 / 50 / 0 / 27

HEX #6B5DBB

RGB 107 93 187

HSL 248.94, 0.41%, 0.55%

LAB 45, 29.15, -47.9

 

CMYK 29 / 34 / 0 / 34

HEX #786FA8

RGB 120 111 168

HSL 249.47, 0.25%, 0.55%

LAB 49.72, 16.55, -29.29

 

CMYK 11 / 13 / 0 / 41

HEX #858296

RGB 133 130 150

HSL 249, 0.09%, 0.55%

LAB 55.23, 5.27, -10.3

 

CMYK 1 / 0 / 11 / 42

HEX #929483

RGB 146 148 131

HSL 67.06, 0.07%, 0.55%

LAB 60.72, -3.88, 8.74

 

CMYK 5 / 0 / 32 / 35

HEX #9FA771

RGB 159 167 113

HSL 68.89, 0.23%, 0.55%

LAB 66.67, -11.81, 27.04

 

CMYK 50 / 30 / 0 / 27

HEX #5D82BB

RGB 93 130 187

HSL 216.38, 0.41%, 0.55%

LAB 53.9, 3.2, -33.89

 

CMYK 50 / 44 / 0 / 27

HEX #5D69BB

RGB 93 105 187

HSL 232.34, 0.41%, 0.55%

LAB 47, 18.41, -44.78

 

CMYK 44 / 50 / 0 / 27

HEX #695DBB

RGB 105 93 187

HSL 247.66, 0.41%, 0.55%

LAB 44.83, 28.66, -48.19

 

CMYK 30 / 50 / 0 / 27

HEX #825DBB

RGB 130 93 187

HSL 263.62, 0.41%, 0.55%

LAB 47.19, 35.06, -44.29

 

CMYK 17 / 50 / 0 / 27

HEX #9B5DBB

RGB 155 93 187

HSL 279.57, 0.41%, 0.55%

LAB 49.96, 41.93, -39.72

 

CMYK 50 / 58 / 0 / 45

HEX #463A8B

RGB 70 58 139

HSL 248.89, 0.41%, 0.39%

LAB 29.89, 27.52, -43.61

 

CMYK 49 / 58 / 0 / 34

HEX #5546A8

RGB 85 70 168

HSL 249.18, 0.41%, 0.47%

LAB 36.25, 32.43, -50.88

 

CMYK 43 / 50 / 0 / 27

HEX #6B5DBB

RGB 107 93 187

HSL 248.94, 0.41%, 0.55%

LAB 45, 29.15, -47.9

 

CMYK 33 / 39 / 0 / 22

HEX #857AC7

RGB 133 122 199

HSL 248.57, 0.41%, 0.63%

LAB 55.1, 21.97, -38.65

 

CMYK 24 / 28 / 0 / 17

HEX #A097D3

RGB 160 151 211

HSL 249, 0.41%, 0.71%

LAB 65.21, 16.1, -29.49

 

CMYK 43 / 51 / 0 / 27

HEX #6A5CBA

RGB 106 92 186

HSL 248.94, 0.41%, 0.55%

LAB 44.61, 29.22, -47.96

 

CMYK 0 / 50 / 17 / 27

HEX #BB5D9B

RGB 187 93 155

HSL 320.43, 0.41%, 0.55%

LAB 52.69, 45.59, -16.49

 

CMYK 37 / 0 / 50 / 27

HEX #76BB5D

RGB 118 187 93

HSL 104.04, 0.41%, 0.55%

LAB 69.6, -39.4, 40.58

 

CMYK 43 / 51 / 0 / 27

HEX #6A5CBA

RGB 106 92 186

HSL 248.94, 0.41%, 0.55%

LAB 44.61, 29.22, -47.96

 

CMYK 0 / 44 / 50 / 27

HEX #BB695D

RGB 187 105 93

HSL 7.66, 0.41%, 0.55%

LAB 53.45, 31.44, 21.14

 

CMYK 50 / 0 / 44 / 27

HEX #5DBB69

RGB 93 187 105

HSL 127.66, 0.41%, 0.55%

LAB 68.67, -45.31, 33.13

 

CMYK 43 / 51 / 0 / 27

HEX #6A5CBA

RGB 106 92 186

HSL 248.94, 0.41%, 0.55%

LAB 44.61, 29.22, -47.96

 

CMYK 0 / 50 / 17 / 27

HEX #BB5D9B

RGB 187 93 155

HSL 320.43, 0.41%, 0.55%

LAB 52.69, 45.59, -16.49

 

CMYK 7 / 0 / 50 / 27

HEX #AEBB5D

RGB 174 187 93

HSL 68.3, 0.41%, 0.55%

LAB 73.11, -18.34, 45.64

 

CMYK 50 / 0 / 34 / 27

HEX #5DBB7C

RGB 93 187 124

HSL 139.79, 0.41%, 0.55%

LAB 68.98, -42.06, 23.58

 

CMYK 43 / 51 / 0 / 27

HEX #6A5CBA

RGB 106 92 186

HSL 248.94, 0.41%, 0.55%

LAB 44.61, 29.22, -47.96

 

CMYK 0 / 50 / 32 / 27

HEX #BB5D7F

RGB 187 93 127

HSL 338.3, 0.41%, 0.55%

LAB 51.75, 41.6, -1.31

 

CMYK 7 / 0 / 50 / 27

HEX #AEBB5D

RGB 174 187 93

HSL 68.3, 0.41%, 0.55%

LAB 73.11, -18.34, 45.64

 

CMYK 50 / 0 / 19 / 27

HEX #5DBB98

RGB 93 187 152

HSL 157.66, 0.41%, 0.55%

LAB 69.57, -36.31, 9.26

 

Description

Color code: HEX #6A5CBA | qconv.com Color code: HEX #6A5CBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 92 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 92 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 51 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 51% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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