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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A5CF8 it is the complementary color #95A307. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A5CF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A5CF8 shade: #6F5CF3, #806EFF, #9180FF, #A292FF and #B3A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A5CF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A5CF8 shade: #6A5CF8, #594AE5, #4838D2, #3726BF and #2614AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A5CF8 shade: #6B5DF8, #955DF8, #BE5DF8, #E85DF8 and #F85DDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A5CF8 shade: #6B5DF8 and #5D5DF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A5CF8 shade matches the following richer shades: #6B5DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A5CF8 shade: #6B5DF8, #766BEA, #8178DD, #8C86CF and #9893C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A5CF8 shade: #5DA3F8, #5D79F8, #6A5DF8, #935DF8 and #BC5DF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A5CF8 shade: #220EF4, #4735F6, #6B5DF8, #8F85F9 and #B3ACFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A5CF8 shade: #6A5CF8, #F85DCC and #8EF85D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A5CF8 shade: #6A5CF8, #F86A5D and #5DF86A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A5CF8 shade: #6A5CF8, #F85DCC, #EBF85D and #5DF889

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A5CF8 shade: #6A5CF8, #F85D9D, #EBF85D and #5DF8B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 63 / 0 / 3

HEX #6A5CF8

RGB 106 92 248

HSL 245.38, 0.92%, 0.67%

LAB 48.88, 47.87, -76.38

 

Complementary color

CMYK 9 / 0 / 96 / 36

HEX #95A307

RGB 149 163 7

HSL 65.38, 0.92%, 0.33%

LAB 63.84, -21.51, 65.33

 

CMYK 54 / 62 / 0 / 5

HEX #6F5CF3

RGB 111 92 243

HSL 247.55, 0.86%, 0.66%

LAB 48.89, 47.19, -73.55

 

CMYK 50 / 57 / 0 / 0

HEX #806EFF

RGB 128 110 255

HSL 247.45, 1%, 0.72%

LAB 55.03, 43.56, -70.19

 

CMYK 43 / 50 / 0 / 0

HEX #9180FF

RGB 145 128 255

HSL 248.03, 1%, 0.75%

LAB 60.5, 36.82, -61.32

 

CMYK 36 / 43 / 0 / 0

HEX #A292FF

RGB 162 146 255

HSL 248.81, 1%, 0.79%

LAB 66.1, 30.62, -52.31

 

CMYK 30 / 36 / 0 / 0

HEX #B3A4FF

RGB 179 164 255

HSL 249.89, 1%, 0.82%

LAB 71.8, 24.97, -43.26

 

CMYK 57 / 63 / 0 / 3

HEX #6A5CF8

RGB 106 92 248

HSL 245.38, 0.92%, 0.67%

LAB 48.88, 47.87, -76.38

 

CMYK 61 / 68 / 0 / 10

HEX #594AE5

RGB 89 74 229

HSL 245.81, 0.75%, 0.59%

LAB 42.27, 49.7, -76.54

 

CMYK 66 / 73 / 0 / 18

HEX #4838D2

RGB 72 56 210

HSL 246.23, 0.63%, 0.52%

LAB 35.71, 51.56, -76.48

 

CMYK 71 / 80 / 0 / 25

HEX #3726BF

RGB 55 38 191

HSL 246.67, 0.67%, 0.45%

LAB 29.31, 53.22, -76

 

CMYK 78 / 88 / 0 / 33

HEX #2614AC

RGB 38 20 172

HSL 247.11, 0.79%, 0.38%

LAB 23.31, 54.13, -74.67

 

CMYK 57 / 63 / 0 / 3

HEX #6B5DF8

RGB 107 93 248

HSL 245.42, 0.92%, 0.67%

LAB 49.17, 47.46, -75.9

 

CMYK 40 / 63 / 0 / 3

HEX #955DF8

RGB 149 93 248

HSL 261.68, 0.92%, 0.67%

LAB 52.94, 55.14, -69.59

 

CMYK 23 / 63 / 0 / 3

HEX #BE5DF8

RGB 190 93 248

HSL 277.55, 0.92%, 0.67%

LAB 57.61, 63.83, -61.83

 

CMYK 6 / 63 / 0 / 3

HEX #E85DF8

RGB 232 93 248

HSL 293.81, 0.92%, 0.67%

LAB 63.15, 73.32, -52.68

 

CMYK 0 / 63 / 10 / 3

HEX #F85DDE

RGB 248 93 222

HSL 310.06, 0.92%, 0.67%

LAB 64.21, 72.97, -36.39

 

CMYK 57 / 63 / 0 / 3

HEX #6B5DF8

RGB 107 93 248

HSL 245.42, 0.92%, 0.67%

LAB 49.17, 47.46, -75.9

 

CMYK 63 / 63 / 0 / 3

HEX #5D5DF8

RGB 93 93 248

HSL 240, 0.92%, 0.67%

LAB 48.18, 45.32, -77.56

 

CMYK 57 / 63 / 0 / 3

HEX #6B5DF8

RGB 107 93 248

HSL 245.42, 0.92%, 0.67%

LAB 49.17, 47.46, -75.9

 

CMYK 57 / 63 / 0 / 3

HEX #6B5DF8

RGB 107 93 248

HSL 245.42, 0.92%, 0.67%

LAB 49.17, 47.46, -75.9

 

CMYK 50 / 54 / 0 / 8

HEX #766BEA

RGB 118 107 234

HSL 245.2, 0.75%, 0.67%

LAB 52.18, 37.13, -63.14

 

CMYK 42 / 46 / 0 / 13

HEX #8178DD

RGB 129 120 221

HSL 245.35, 0.6%, 0.67%

LAB 55.4, 28.15, -50.64

 

CMYK 32 / 35 / 0 / 19

HEX #8C86CF

RGB 140 134 207

HSL 244.93, 0.43%, 0.67%

LAB 59.1, 19.01, -36.88

 

CMYK 21 / 24 / 0 / 24

HEX #9893C1

RGB 152 147 193

HSL 246.52, 0.27%, 0.67%

LAB 62.84, 11.63, -23.13

 

CMYK 63 / 34 / 0 / 3

HEX #5DA3F8

RGB 93 163 248

HSL 212.9, 0.92%, 0.67%

LAB 65.98, 3.49, -48.96

 

CMYK 63 / 51 / 0 / 3

HEX #5D79F8

RGB 93 121 248

HSL 229.16, 0.92%, 0.67%

LAB 54.84, 28.49, -66.73

 

CMYK 57 / 63 / 0 / 3

HEX #6A5DF8

RGB 106 93 248

HSL 245.03, 0.92%, 0.67%

LAB 49.09, 47.3, -76.02

 

CMYK 41 / 63 / 0 / 3

HEX #935DF8

RGB 147 93 248

HSL 260.9, 0.92%, 0.67%

LAB 52.74, 54.74, -69.93

 

CMYK 24 / 63 / 0 / 3

HEX #BC5DF8

RGB 188 93 248

HSL 276.77, 0.92%, 0.67%

LAB 57.36, 63.39, -62.24

 

CMYK 86 / 94 / 0 / 4

HEX #220EF4

RGB 34 14 244

HSL 245.22, 0.91%, 0.51%

LAB 32.23, 74.64, -101.78

 

CMYK 71 / 78 / 0 / 4

HEX #4735F6

RGB 71 53 246

HSL 245.6, 0.91%, 0.59%

LAB 38.79, 63.7, -91.92

 

CMYK 57 / 63 / 0 / 3

HEX #6B5DF8

RGB 107 93 248

HSL 245.42, 0.92%, 0.67%

LAB 49.17, 47.46, -75.9

 

CMYK 43 / 47 / 0 / 2

HEX #8F85F9

RGB 143 133 249

HSL 245.17, 0.91%, 0.75%

LAB 61.18, 31.8, -56.94

 

CMYK 29 / 31 / 0 / 2

HEX #B3ACFB

RGB 179 172 251

HSL 245.32, 0.91%, 0.83%

LAB 73.58, 19.53, -38.31

 

CMYK 57 / 63 / 0 / 3

HEX #6A5CF8

RGB 106 92 248

HSL 245.38, 0.92%, 0.67%

LAB 48.88, 47.87, -76.38

 

CMYK 0 / 63 / 18 / 3

HEX #F85DCC

RGB 248 93 204

HSL 317.03, 0.92%, 0.67%

LAB 63.46, 70.39, -27.43

 

CMYK 43 / 0 / 63 / 3

HEX #8EF85D

RGB 142 248 93

HSL 101.03, 0.92%, 0.67%

LAB 88.77, -57.05, 63.07

 

CMYK 57 / 63 / 0 / 3

HEX #6A5CF8

RGB 106 92 248

HSL 245.38, 0.92%, 0.67%

LAB 48.88, 47.87, -76.38

 

CMYK 0 / 57 / 63 / 3

HEX #F86A5D

RGB 248 106 93

HSL 5.03, 0.92%, 0.67%

LAB 62.55, 53.52, 34.65

 

CMYK 63 / 0 / 57 / 3

HEX #5DF86A

RGB 93 248 106

HSL 125.03, 0.92%, 0.67%

LAB 87.24, -68.2, 55.37

 

CMYK 57 / 63 / 0 / 3

HEX #6A5CF8

RGB 106 92 248

HSL 245.38, 0.92%, 0.67%

LAB 48.88, 47.87, -76.38

 

CMYK 0 / 63 / 18 / 3

HEX #F85DCC

RGB 248 93 204

HSL 317.03, 0.92%, 0.67%

LAB 63.46, 70.39, -27.43

 

CMYK 5 / 0 / 63 / 3

HEX #EBF85D

RGB 235 248 93

HSL 65.03, 0.92%, 0.67%

LAB 94.14, -23.61, 70.44

 

CMYK 63 / 0 / 45 / 3

HEX #5DF889

RGB 93 248 137

HSL 137.03, 0.92%, 0.67%

LAB 87.62, -63.98, 41.41

 

CMYK 57 / 63 / 0 / 3

HEX #6A5CF8

RGB 106 92 248

HSL 245.38, 0.92%, 0.67%

LAB 48.88, 47.87, -76.38

 

CMYK 0 / 63 / 37 / 3

HEX #F85D9D

RGB 248 93 157

HSL 335.23, 0.92%, 0.67%

LAB 61.84, 64.6, -3

 

CMYK 5 / 0 / 63 / 3

HEX #EBF85D

RGB 235 248 93

HSL 65.03, 0.92%, 0.67%

LAB 94.14, -23.61, 70.44

 

CMYK 63 / 0 / 26 / 3

HEX #5DF8B7

RGB 93 248 183

HSL 154.84, 0.92%, 0.67%

LAB 88.39, -55.62, 19.35

 

Description

Color code: HEX #6A5CF8 | qconv.com Color code: HEX #6A5CF8 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 92 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 92 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 63 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 63% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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