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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A6A07 it is the complementary color #9595F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A6A07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A6A07 shade: #6F6A02, #807C15, #918E28, #A2A03B and #B3B24E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A6A07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A6A07 shade: #6A6A07, #595800, #484600, #373400 and #262200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A6A07 shade: #696906, #694E06, #693406, #691906 and #690606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A6A07 shade: #696906, #4E6906, #346906, #196906 and #06690E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A6A07 shade matches the following richer shades: #696906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A6A07 shade: #696906, #60600F, #575718, #4E4E21 and #45452B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A6A07 shade: #693406, #694F06, #696906, #4F6906 and #346906

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A6A07 shade: #1B1B01, #424204, #696906, #909009 and #B7B70B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A6A07 shade: #6A6A07, #06691A and #410669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A6A07 shade: #6A6A07, #066969 and #690669

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A6A07 shade: #6A6A07, #06691A, #060669 and #690655

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A6A07 shade: #6A6A07, #066938, #060669 and #690638

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 93 / 58

HEX #6A6A07

RGB 106 106 7

HSL 60, 0.88%, 0.22%

LAB 43.34, -11.12, 47.86

 

Complementary color

CMYK 40 / 40 / 0 / 3

HEX #9595F8

RGB 149 149 248

HSL 240, 0.88%, 0.78%

LAB 65.48, 23.73, -49.53

 

CMYK 0 / 5 / 98 / 56

HEX #6F6A02

RGB 111 106 2

HSL 57.25, 0.96%, 0.22%

LAB 43.79, -8.84, 49.6

 

CMYK 0 / 3 / 84 / 50

HEX #807C15

RGB 128 124 21

HSL 57.76, 0.72%, 0.29%

LAB 50.76, -10.26, 51.31

 

CMYK 0 / 2 / 72 / 43

HEX #918E28

RGB 145 142 40

HSL 58.29, 0.57%, 0.36%

LAB 57.58, -11.4, 51.66

 

CMYK 0 / 1 / 64 / 36

HEX #A2A03B

RGB 162 160 59

HSL 58.83, 0.47%, 0.43%

LAB 64.27, -12.28, 51.14

 

CMYK 0 / 1 / 56 / 30

HEX #B3B24E

RGB 179 178 78

HSL 59.41, 0.4%, 0.5%

LAB 70.85, -12.99, 50.22

 

CMYK 0 / 0 / 93 / 58

HEX #6A6A07

RGB 106 106 7

HSL 60, 0.88%, 0.22%

LAB 43.34, -11.12, 47.86

 

CMYK 0 / 1 / 100 / 65

HEX #595800

RGB 89 88 0

HSL 59.33, 1%, 0.17%

LAB 36.18, -9.43, 43.61

 

CMYK 0 / 3 / 100 / 72

HEX #484600

RGB 72 70 0

HSL 58.33, 1%, 0.14%

LAB 28.79, -7.46, 37.41

 

CMYK 0 / 5 / 100 / 78

HEX #373400

RGB 55 52 0

HSL 56.73, 1%, 0.11%

LAB 21.09, -5.37, 29.45

 

CMYK 0 / 11 / 100 / 85

HEX #262200

RGB 38 34 0

HSL 53.68, 1%, 0.07%

LAB 12.96, -3.11, 19.08

 

CMYK 0 / 0 / 94 / 59

HEX #696906

RGB 105 105 6

HSL 60, 0.89%, 0.22%

LAB 42.94, -11.07, 47.74

 

CMYK 0 / 26 / 94 / 59

HEX #694E06

RGB 105 78 6

HSL 43.64, 0.89%, 0.22%

LAB 34.93, 4.78, 41.48

 

CMYK 0 / 50 / 94 / 59

HEX #693406

RGB 105 52 6

HSL 27.88, 0.89%, 0.22%

LAB 28.04, 20.61, 36.11

 

CMYK 0 / 76 / 94 / 59

HEX #691906

RGB 105 25 6

HSL 11.52, 0.89%, 0.22%

LAB 22.69, 34.56, 31.1

 

CMYK 0 / 94 / 94 / 59

HEX #690606

RGB 105 6 6

HSL 0, 0.89%, 0.22%

LAB 20.62, 40.39, 28.87

 

CMYK 0 / 0 / 94 / 59

HEX #696906

RGB 105 105 6

HSL 60, 0.89%, 0.22%

LAB 42.94, -11.07, 47.74

 

CMYK 26 / 0 / 94 / 59

HEX #4E6906

RGB 78 105 6

HSL 76.36, 0.89%, 0.22%

LAB 40.79, -23.63, 45.11

 

CMYK 50 / 0 / 94 / 59

HEX #346906

RGB 52 105 6

HSL 92.12, 0.89%, 0.22%

LAB 39.32, -33.97, 43.29

 

CMYK 76 / 0 / 94 / 59

HEX #196906

RGB 25 105 6

HSL 108.48, 0.89%, 0.22%

LAB 38.42, -41.33, 42.17

 

CMYK 94 / 0 / 87 / 59

HEX #06690E

RGB 6 105 14

HSL 124.85, 0.89%, 0.22%

LAB 38.15, -43.53, 39.69

 

CMYK 0 / 0 / 94 / 59

HEX #696906

RGB 105 105 6

HSL 60, 0.89%, 0.22%

LAB 42.94, -11.07, 47.74

 

CMYK 0 / 0 / 94 / 59

HEX #696906

RGB 105 105 6

HSL 60, 0.89%, 0.22%

LAB 42.94, -11.07, 47.74

 

CMYK 0 / 0 / 84 / 62

HEX #60600F

RGB 96 96 15

HSL 60, 0.73%, 0.22%

LAB 39.39, -10.07, 42.09

 

CMYK 0 / 0 / 72 / 66

HEX #575718

RGB 87 87 24

HSL 60, 0.57%, 0.22%

LAB 35.81, -8.82, 34.95

 

CMYK 0 / 0 / 58 / 69

HEX #4E4E21

RGB 78 78 33

HSL 60, 0.41%, 0.22%

LAB 32.21, -7.17, 26.27

 

CMYK 0 / 0 / 38 / 73

HEX #45452B

RGB 69 69 43

HSL 60, 0.23%, 0.22%

LAB 28.63, -4.8, 15.75

 

CMYK 0 / 50 / 94 / 59

HEX #693406

RGB 105 52 6

HSL 27.88, 0.89%, 0.22%

LAB 28.04, 20.61, 36.11

 

CMYK 0 / 25 / 94 / 59

HEX #694F06

RGB 105 79 6

HSL 44.24, 0.89%, 0.22%

LAB 35.22, 4.17, 41.7

 

CMYK 0 / 0 / 94 / 59

HEX #696906

RGB 105 105 6

HSL 60, 0.89%, 0.22%

LAB 42.94, -11.07, 47.74

 

CMYK 25 / 0 / 94 / 59

HEX #4F6906

RGB 79 105 6

HSL 75.76, 0.89%, 0.22%

LAB 40.86, -23.19, 45.2

 

CMYK 50 / 0 / 94 / 59

HEX #346906

RGB 52 105 6

HSL 92.12, 0.89%, 0.22%

LAB 39.32, -33.97, 43.29

 

CMYK 0 / 0 / 96 / 89

HEX #1B1B01

RGB 27 27 1

HSL 60, 0.93%, 0.05%

LAB 9.15, -4.64, 13.19

 

CMYK 0 / 0 / 94 / 74

HEX #424204

RGB 66 66 4

HSL 60, 0.89%, 0.14%

LAB 26.91, -7.97, 33.96

 

CMYK 0 / 0 / 94 / 59

HEX #696906

RGB 105 105 6

HSL 60, 0.89%, 0.22%

LAB 42.94, -11.07, 47.74

 

CMYK 0 / 0 / 94 / 44

HEX #909009

RGB 144 144 9

HSL 60, 0.88%, 0.3%

LAB 57.94, -13.93, 60.32

 

CMYK 0 / 0 / 94 / 28

HEX #B7B70B

RGB 183 183 11

HSL 60, 0.89%, 0.38%

LAB 72.2, -16.67, 72.42

 

CMYK 0 / 0 / 93 / 58

HEX #6A6A07

RGB 106 106 7

HSL 60, 0.88%, 0.22%

LAB 43.34, -11.12, 47.86

 

CMYK 94 / 0 / 75 / 59

HEX #06691A

RGB 6 105 26

HSL 132.12, 0.89%, 0.22%

LAB 38.23, -42.56, 35.4

 

CMYK 38 / 94 / 0 / 59

HEX #410669

RGB 65 6 105

HSL 275.76, 0.89%, 0.22%

LAB 16.86, 43.09, -43.19

 

CMYK 0 / 0 / 93 / 58

HEX #6A6A07

RGB 106 106 7

HSL 60, 0.88%, 0.22%

LAB 43.34, -11.12, 47.86

 

CMYK 94 / 0 / 0 / 59

HEX #066969

RGB 6 105 105

HSL 180, 0.89%, 0.22%

LAB 39.85, -24.61, -7.26

 

CMYK 0 / 94 / 0 / 59

HEX #690669

RGB 105 6 105

HSL 300, 0.89%, 0.22%

LAB 24.17, 49.92, -31.01

 

CMYK 0 / 0 / 93 / 58

HEX #6A6A07

RGB 106 106 7

HSL 60, 0.88%, 0.22%

LAB 43.34, -11.12, 47.86

 

CMYK 94 / 0 / 75 / 59

HEX #06691A

RGB 6 105 26

HSL 132.12, 0.89%, 0.22%

LAB 38.23, -42.56, 35.4

 

CMYK 94 / 94 / 0 / 59

HEX #060669

RGB 6 6 105

HSL 240, 0.89%, 0.22%

LAB 10.48, 38.26, -53.96

 

CMYK 0 / 94 / 19 / 59

HEX #690655

RGB 105 6 85

HSL 312.12, 0.89%, 0.22%

LAB 22.96, 46.81, -19.71

 

CMYK 0 / 0 / 93 / 58

HEX #6A6A07

RGB 106 106 7

HSL 60, 0.88%, 0.22%

LAB 43.34, -11.12, 47.86

 

CMYK 94 / 0 / 47 / 59

HEX #066938

RGB 6 105 56

HSL 150.3, 0.89%, 0.22%

LAB 38.6, -38.03, 20.45

 

CMYK 94 / 94 / 0 / 59

HEX #060669

RGB 6 6 105

HSL 240, 0.89%, 0.22%

LAB 10.48, 38.26, -53.96

 

CMYK 0 / 94 / 47 / 59

HEX #690638

RGB 105 6 56

HSL 329.7, 0.89%, 0.22%

LAB 21.65, 43.28, -1.87

 

Description

Color code: HEX #6A6A07 | qconv.com Color code: HEX #6A6A07 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 106 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 106 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 93 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 93% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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