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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A8009 it is the complementary color #957FF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A8009. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A8009 shade: #6F8004, #809217, #91A42A, #A2B63D and #B3C850

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A8009. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A8009 shade: #6A8009, #596E00, #485C00, #374A00 and #263800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A8009 shade: #6A8008, #807608, #805608, #803508 and #801508

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A8009 shade: #6A8008, #4A8008, #298008, #098008 and #088028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A8009 shade matches the following richer shades: #6A8008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A8009 shade: #6A8008, #637514, #5C6A1F, #555F2A and #4E5435

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A8009 shade: #805608, #807608, #6A8008, #4A8008 and #2A8008

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A8009 shade: #2A3303, #4A5A06, #6A8008, #8AA70B and #AACD0E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A8009 shade: #6A8009, #088036 and #660880

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A8009 shade: #6A8009, #086A80 and #80086A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A8009 shade: #6A8009, #088036, #1E0880 and #800852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A8009 shade: #6A8009, #08805A, #1E0880 and #80082E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 93 / 50

HEX #6A8009

RGB 106 128 9

HSL 71.09, 0.87%, 0.27%

LAB 50.12, -22.78, 52.86

 

Complementary color

CMYK 39 / 48 / 0 / 4

HEX #957FF6

RGB 149 127 246

HSL 251.09, 0.87%, 0.73%

LAB 60.09, 35.85, -57

 

CMYK 13 / 0 / 97 / 50

HEX #6F8004

RGB 111 128 4

HSL 68.23, 0.94%, 0.26%

LAB 50.48, -20.66, 54.25

 

CMYK 12 / 0 / 84 / 43

HEX #809217

RGB 128 146 23

HSL 68.78, 0.73%, 0.33%

LAB 57.28, -21.79, 56.4

 

CMYK 12 / 0 / 74 / 36

HEX #91A42A

RGB 145 164 42

HSL 69.34, 0.59%, 0.4%

LAB 63.95, -22.67, 57.07

 

CMYK 11 / 0 / 66 / 29

HEX #A2B63D

RGB 162 182 61

HSL 69.92, 0.5%, 0.48%

LAB 70.51, -23.34, 56.83

 

CMYK 11 / 0 / 60 / 22

HEX #B3C850

RGB 179 200 80

HSL 70.5, 0.52%, 0.55%

LAB 76.96, -23.86, 56.12

 

CMYK 17 / 0 / 93 / 50

HEX #6A8009

RGB 106 128 9

HSL 71.09, 0.87%, 0.27%

LAB 50.12, -22.78, 52.86

 

CMYK 19 / 0 / 100 / 57

HEX #596E00

RGB 89 110 0

HSL 71.45, 1%, 0.22%

LAB 43.18, -21.44, 48.81

 

CMYK 22 / 0 / 100 / 64

HEX #485C00

RGB 72 92 0

HSL 73.04, 1%, 0.18%

LAB 36.05, -19.87, 42.87

 

CMYK 26 / 0 / 100 / 71

HEX #374A00

RGB 55 74 0

HSL 75.41, 1%, 0.15%

LAB 28.67, -18.27, 36.7

 

CMYK 32 / 0 / 100 / 78

HEX #263800

RGB 38 56 0

HSL 79.29, 1%, 0.11%

LAB 20.98, -16.62, 28.9

 

CMYK 17 / 0 / 94 / 50

HEX #6A8008

RGB 106 128 8

HSL 71, 0.88%, 0.27%

LAB 50.12, -22.8, 53.05

 

CMYK 0 / 8 / 94 / 50

HEX #807608

RGB 128 118 8

HSL 55, 0.88%, 0.27%

LAB 48.96, -7.28, 52.92

 

CMYK 0 / 33 / 94 / 50

HEX #805608

RGB 128 86 8

HSL 39, 0.88%, 0.27%

LAB 40.02, 11.27, 46.05

 

CMYK 0 / 59 / 94 / 50

HEX #803508

RGB 128 53 8

HSL 22.5, 0.88%, 0.27%

LAB 32.15, 30.2, 40.16

 

CMYK 0 / 84 / 94 / 50

HEX #801508

RGB 128 21 8

HSL 6.5, 0.88%, 0.27%

LAB 27.14, 43.75, 36.25

 

CMYK 17 / 0 / 94 / 50

HEX #6A8008

RGB 106 128 8

HSL 71, 0.88%, 0.27%

LAB 50.12, -22.8, 53.05

 

CMYK 42 / 0 / 94 / 50

HEX #4A8008

RGB 74 128 8

HSL 87, 0.88%, 0.27%

LAB 48.15, -35.93, 50.63

 

CMYK 68 / 0 / 94 / 50

HEX #298008

RGB 41 128 8

HSL 103.5, 0.88%, 0.27%

LAB 46.88, -45.89, 49.05

 

CMYK 93 / 0 / 94 / 50

HEX #098008

RGB 9 128 8

HSL 119.5, 0.88%, 0.27%

LAB 46.33, -50.68, 48.37

 

CMYK 94 / 0 / 69 / 50

HEX #088028

RGB 8 128 40

HSL 136, 0.88%, 0.27%

LAB 46.5, -48.45, 38.13

 

CMYK 17 / 0 / 94 / 50

HEX #6A8008

RGB 106 128 8

HSL 71, 0.88%, 0.27%

LAB 50.12, -22.8, 53.05

 

CMYK 17 / 0 / 94 / 50

HEX #6A8008

RGB 106 128 8

HSL 71, 0.88%, 0.27%

LAB 50.12, -22.8, 53.05

 

CMYK 15 / 0 / 83 / 54

HEX #637514

RGB 99 117 20

HSL 71.13, 0.71%, 0.27%

LAB 46.21, -19.9, 46.68

 

CMYK 13 / 0 / 71 / 58

HEX #5C6A1F

RGB 92 106 31

HSL 71.2, 0.55%, 0.27%

LAB 42.28, -16.63, 38.59

 

CMYK 11 / 0 / 56 / 63

HEX #555F2A

RGB 85 95 42

HSL 71.32, 0.39%, 0.27%

LAB 38.35, -12.81, 28.69

 

CMYK 7 / 0 / 37 / 67

HEX #4E5435

RGB 78 84 53

HSL 71.61, 0.23%, 0.27%

LAB 34.43, -8.25, 17.36

 

CMYK 0 / 33 / 94 / 50

HEX #805608

RGB 128 86 8

HSL 39, 0.88%, 0.27%

LAB 40.02, 11.27, 46.05

 

CMYK 0 / 8 / 94 / 50

HEX #807608

RGB 128 118 8

HSL 55, 0.88%, 0.27%

LAB 48.96, -7.28, 52.92

 

CMYK 17 / 0 / 94 / 50

HEX #6A8008

RGB 106 128 8

HSL 71, 0.88%, 0.27%

LAB 50.12, -22.8, 53.05

 

CMYK 42 / 0 / 94 / 50

HEX #4A8008

RGB 74 128 8

HSL 87, 0.88%, 0.27%

LAB 48.15, -35.93, 50.63

 

CMYK 67 / 0 / 94 / 50

HEX #2A8008

RGB 42 128 8

HSL 103, 0.88%, 0.27%

LAB 46.91, -45.66, 49.09

 

CMYK 18 / 0 / 94 / 80

HEX #2A3303

RGB 42 51 3

HSL 71.25, 0.89%, 0.11%

LAB 19.5, -11.5, 26.1

 

CMYK 18 / 0 / 93 / 65

HEX #4A5A06

RGB 74 90 6

HSL 71.43, 0.88%, 0.19%

LAB 35.56, -17.63, 40.7

 

CMYK 17 / 0 / 94 / 50

HEX #6A8008

RGB 106 128 8

HSL 71, 0.88%, 0.27%

LAB 50.12, -22.8, 53.05

 

CMYK 17 / 0 / 93 / 35

HEX #8AA70B

RGB 138 167 11

HSL 71.15, 0.88%, 0.35%

LAB 64.21, -28.14, 64.75

 

CMYK 17 / 0 / 93 / 20

HEX #AACD0E

RGB 170 205 14

HSL 70.99, 0.87%, 0.43%

LAB 77.42, -32.78, 75.7

 

CMYK 17 / 0 / 93 / 50

HEX #6A8009

RGB 106 128 9

HSL 71.09, 0.87%, 0.27%

LAB 50.12, -22.78, 52.86

 

CMYK 94 / 0 / 58 / 50

HEX #088036

RGB 8 128 54

HSL 143, 0.88%, 0.27%

LAB 46.65, -46.59, 31.56

 

CMYK 20 / 94 / 0 / 50

HEX #660880

RGB 102 8 128

HSL 287, 0.88%, 0.27%

LAB 25.43, 53.14, -43.75

 

CMYK 17 / 0 / 93 / 50

HEX #6A8009

RGB 106 128 9

HSL 71.09, 0.87%, 0.27%

LAB 50.12, -22.78, 52.86

 

CMYK 94 / 17 / 0 / 50

HEX #086A80

RGB 8 106 128

HSL 191, 0.88%, 0.27%

LAB 41.09, -16.9, -19.36

 

CMYK 0 / 94 / 17 / 50

HEX #80086A

RGB 128 8 106

HSL 311, 0.88%, 0.27%

LAB 28.91, 54.36, -23.86

 

CMYK 17 / 0 / 93 / 50

HEX #6A8009

RGB 106 128 9

HSL 71.09, 0.87%, 0.27%

LAB 50.12, -22.78, 52.86

 

CMYK 94 / 0 / 58 / 50

HEX #088036

RGB 8 128 54

HSL 143, 0.88%, 0.27%

LAB 46.65, -46.59, 31.56

 

CMYK 77 / 94 / 0 / 50

HEX #1E0880

RGB 30 8 128

HSL 251, 0.88%, 0.27%

LAB 15.53, 45.22, -60.4

 

CMYK 0 / 94 / 36 / 50

HEX #800852

RGB 128 8 82

HSL 323, 0.88%, 0.27%

LAB 27.77, 51.34, -9.9

 

CMYK 17 / 0 / 93 / 50

HEX #6A8009

RGB 106 128 9

HSL 71.09, 0.87%, 0.27%

LAB 50.12, -22.78, 52.86

 

CMYK 94 / 0 / 30 / 50

HEX #08805A

RGB 8 128 90

HSL 161, 0.88%, 0.27%

LAB 47.27, -39.35, 12.42

 

CMYK 77 / 94 / 0 / 50

HEX #1E0880

RGB 30 8 128

HSL 251, 0.88%, 0.27%

LAB 15.53, 45.22, -60.4

 

CMYK 0 / 94 / 64 / 50

HEX #80082E

RGB 128 8 46

HSL 341, 0.88%, 0.27%

LAB 26.62, 48.18, 12.79

 

Description

Color code: HEX #6A8009 | qconv.com Color code: HEX #6A8009 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 128 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 128 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 93 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 93% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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