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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A8ECC it is the complementary color #957133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A8ECC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A8ECC shade: #6F8EC7, #80A0DA, #91B2ED, #A2C4FF and #B3D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A8ECC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A8ECC shade: #6A8ECC, #597CB9, #486AA6, #375893 and #264680

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A8ECC shade: #6A8ECC, #6A74CC, #7B6ACC, #956ACC and #B06ACC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A8ECC shade: #6A8ECC, #6A74CC and #6A6ACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A8ECC shade matches the following richer shades: #6A8ECC, #5A8ADC, #4A86EC and #3A81FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A8ECC shade: #6A8ECC, #7A92BC, #8B97AC, #9B9B9C and #AB9F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A8ECC shade: #6AC4CC, #6AAACC, #6A90CC, #6A76CC and #796ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A8ECC shade: #3A63AA, #4C77C1, #6A8ECC, #89A5D6 and #A8BDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A8ECC shade: #6A8ECC, #BA6ACC and #B7CC6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A8ECC shade: #6A8ECC, #CC6A90 and #90CC6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A8ECC shade: #6A8ECC, #BA6ACC, #CCA66A and #7CCC6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A8ECC shade: #6A8ECC, #CC6AC0, #CCA66A and #6ACC76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

Complementary color

CMYK 0 / 24 / 66 / 42

HEX #957133

RGB 149 113 51

HSL 37.96, 0.49%, 0.39%

LAB 50.02, 7.24, 39.04

 

CMYK 44 / 29 / 0 / 22

HEX #6F8EC7

RGB 111 142 199

HSL 218.86, 0.44%, 0.61%

LAB 58.83, 4.23, -32.93

 

CMYK 41 / 27 / 0 / 15

HEX #80A0DA

RGB 128 160 218

HSL 218.67, 0.55%, 0.68%

LAB 65.59, 3.71, -32.97

 

CMYK 39 / 25 / 0 / 7

HEX #91B2ED

RGB 145 178 237

HSL 218.48, 0.72%, 0.75%

LAB 72.21, 3.27, -33.03

 

CMYK 36 / 23 / 0 / 0

HEX #A2C4FF

RGB 162 196 255

HSL 218.06, 1%, 0.82%

LAB 78.68, 2.62, -32.66

 

CMYK 30 / 16 / 0 / 0

HEX #B3D6FF

RGB 179 214 255

HSL 212.37, 1%, 0.85%

LAB 84.43, -2.34, -23.77

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 52 / 33 / 0 / 27

HEX #597CB9

RGB 89 124 185

HSL 218.13, 0.41%, 0.54%

LAB 51.88, 5.21, -35.92

 

CMYK 57 / 36 / 0 / 35

HEX #486AA6

RGB 72 106 166

HSL 218.3, 0.39%, 0.47%

LAB 44.86, 6.14, -36

 

CMYK 63 / 40 / 0 / 42

HEX #375893

RGB 55 88 147

HSL 218.48, 0.46%, 0.4%

LAB 37.66, 7.33, -36.12

 

CMYK 70 / 45 / 0 / 50

HEX #264680

RGB 38 70 128

HSL 218.67, 0.54%, 0.33%

LAB 30.28, 8.95, -36.28

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 48 / 43 / 0 / 20

HEX #6A74CC

RGB 106 116 204

HSL 233.88, 0.49%, 0.61%

LAB 51.74, 19.99, -46.95

 

CMYK 40 / 48 / 0 / 20

HEX #7B6ACC

RGB 123 106 204

HSL 250.41, 0.49%, 0.61%

LAB 50.54, 30.17, -48.77

 

CMYK 27 / 48 / 0 / 20

HEX #956ACC

RGB 149 106 204

HSL 266.33, 0.49%, 0.61%

LAB 53.01, 36.99, -44.7

 

CMYK 14 / 48 / 0 / 20

HEX #B06ACC

RGB 176 106 204

HSL 282.86, 0.49%, 0.61%

LAB 55.99, 44.51, -39.81

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 48 / 43 / 0 / 20

HEX #6A74CC

RGB 106 116 204

HSL 233.88, 0.49%, 0.61%

LAB 51.74, 19.99, -46.95

 

CMYK 48 / 48 / 0 / 20

HEX #6A6ACC

RGB 106 106 204

HSL 240, 0.49%, 0.61%

LAB 49.17, 26.08, -51.05

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 59 / 37 / 0 / 14

HEX #5A8ADC

RGB 90 138 220

HSL 217.85, 0.65%, 0.61%

LAB 57.58, 8.36, -46.78

 

CMYK 69 / 43 / 0 / 7

HEX #4A86EC

RGB 74 134 236

HSL 217.78, 0.81%, 0.61%

LAB 56.65, 13.47, -57.23

 

CMYK 77 / 49 / 0 / 1

HEX #3A81FC

RGB 58 129 252

HSL 218.04, 0.97%, 0.61%

LAB 55.71, 20.24, -67.62

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 35 / 22 / 0 / 26

HEX #7A92BC

RGB 122 146 188

HSL 218.18, 0.33%, 0.61%

LAB 60.18, 1.85, -24.58

 

CMYK 19 / 12 / 0 / 33

HEX #8B97AC

RGB 139 151 172

HSL 218.18, 0.17%, 0.61%

LAB 62.17, 0.29, -12.41

 

CMYK 1 / 1 / 0 / 39

HEX #9B9B9C

RGB 155 155 156

HSL 240, 0.01%, 0.61%

LAB 64.01, 0.2, -0.53

 

CMYK 0 / 7 / 19 / 33

HEX #AB9F8B

RGB 171 159 139

HSL 37.5, 0.16%, 0.61%

LAB 66, 0.99, 12.02

 

CMYK 48 / 4 / 0 / 20

HEX #6AC4CC

RGB 106 196 204

HSL 184.9, 0.49%, 0.61%

LAB 74.13, -24.78, -12.36

 

CMYK 48 / 17 / 0 / 20

HEX #6AAACC

RGB 106 170 204

HSL 200.82, 0.49%, 0.61%

LAB 66.65, -11.28, -23.68

 

CMYK 48 / 29 / 0 / 20

HEX #6A90CC

RGB 106 144 204

HSL 216.73, 0.49%, 0.61%

LAB 59.32, 3.3, -35.02

 

CMYK 48 / 42 / 0 / 20

HEX #6A76CC

RGB 106 118 204

HSL 232.65, 0.49%, 0.61%

LAB 52.26, 18.78, -46.12

 

CMYK 41 / 48 / 0 / 20

HEX #796ACC

RGB 121 106 204

HSL 249.18, 0.49%, 0.61%

LAB 50.37, 29.67, -49.06

 

CMYK 66 / 42 / 0 / 33

HEX #3A63AA

RGB 58 99 170

HSL 218.04, 0.49%, 0.45%

LAB 42.35, 9.14, -42.38

 

CMYK 61 / 38 / 0 / 24

HEX #4C77C1

RGB 76 119 193

HSL 217.95, 0.49%, 0.53%

LAB 50.19, 8.08, -43.23

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 36 / 23 / 0 / 16

HEX #89A5D6

RGB 137 165 214

HSL 218.18, 0.48%, 0.69%

LAB 67.34, 2.24, -28

 

CMYK 25 / 16 / 0 / 12

HEX #A8BDE1

RGB 168 189 225

HSL 217.89, 0.49%, 0.77%

LAB 76.17, 0.73, -20.35

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 9 / 48 / 0 / 20

HEX #BA6ACC

RGB 186 106 204

HSL 288.98, 0.49%, 0.61%

LAB 57.18, 47.35, -37.85

 

CMYK 10 / 0 / 48 / 20

HEX #B7CC6A

RGB 183 204 106

HSL 72.86, 0.49%, 0.61%

LAB 78.63, -21.92, 46.14

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 0 / 48 / 29 / 20

HEX #CC6A90

RGB 204 106 144

HSL 336.73, 0.49%, 0.61%

LAB 57.23, 43.04, -3

 

CMYK 29 / 0 / 48 / 20

HEX #90CC6A

RGB 144 204 106

HSL 96.73, 0.49%, 0.61%

LAB 76.16, -36.52, 42.56

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 9 / 48 / 0 / 20

HEX #BA6ACC

RGB 186 106 204

HSL 288.98, 0.49%, 0.61%

LAB 57.18, 47.35, -37.85

 

CMYK 0 / 19 / 48 / 20

HEX #CCA66A

RGB 204 166 106

HSL 36.73, 0.49%, 0.61%

LAB 70.28, 6.32, 36.2

 

CMYK 39 / 0 / 48 / 20

HEX #7CCC6A

RGB 124 204 106

HSL 108.98, 0.49%, 0.61%

LAB 75.15, -43.21, 41.07

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 0 / 48 / 6 / 20

HEX #CC6AC0

RGB 204 106 192

HSL 307.35, 0.49%, 0.61%

LAB 58.93, 50.38, -28.12

 

CMYK 0 / 19 / 48 / 20

HEX #CCA66A

RGB 204 166 106

HSL 36.73, 0.49%, 0.61%

LAB 70.28, 6.32, 36.2

 

CMYK 48 / 0 / 42 / 20

HEX #6ACC76

RGB 106 204 118

HSL 127.35, 0.49%, 0.61%

LAB 74.55, -46.82, 34.14

 

Description

Color code: HEX #6A8ECC | qconv.com Color code: HEX #6A8ECC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 142 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 142 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 30 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 30% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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