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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A97DB it is the complementary color #956824. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A97DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A97DB shade: #6F97D6, #80A9E9, #91BBFC, #A2CDFF and #B3DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A97DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A97DB shade: #6A97DB, #5985C8, #4873B5, #3761A2 and #264F8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A97DB shade: #6B97DB, #6B79DB, #7B6BDB, #996BDB and #B76BDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A97DB shade: #6B97DB, #6B79DB and #6B6BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A97DB shade matches the following richer shades: #6B97DB, #5C94EA and #4D91F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A97DB shade: #6B97DB, #7A9ACC, #889DBD, #97A0AE and #A6A39F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A97DB shade: #6BD3DB, #6BB5DB, #6B98DB, #6B7ADB and #7A6BDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A97DB shade: #2F6AC4, #4980D3, #6B97DB, #8CAEE3 and #ADC6EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A97DB shade: #6A97DB, #C46BDB and #C4DB6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A97DB shade: #6A97DB, #DB6B98 and #98DB6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A97DB shade: #6A97DB, #C46BDB, #DBAE6B and #81DB6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A97DB shade: #6A97DB, #DB6BCF, #DBAE6B and #6BDB76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 31 / 0 / 14

HEX #6A97DB

RGB 106 151 219

HSL 216.11, 0.61%, 0.64%

LAB 61.92, 3.79, -39.33

 

Complementary color

CMYK 0 / 30 / 76 / 42

HEX #956824

RGB 149 104 36

HSL 36.11, 0.61%, 0.36%

LAB 47.52, 11.55, 43.55

 

CMYK 48 / 29 / 0 / 16

HEX #6F97D6

RGB 111 151 214

HSL 216.7, 0.56%, 0.64%

LAB 61.97, 3.44, -36.45

 

CMYK 45 / 27 / 0 / 9

HEX #80A9E9

RGB 128 169 233

HSL 216.57, 0.7%, 0.71%

LAB 68.64, 2.86, -36.47

 

CMYK 42 / 26 / 0 / 1

HEX #91BBFC

RGB 145 187 252

HSL 216.45, 0.95%, 0.78%

LAB 75.19, 2.36, -36.52

 

CMYK 36 / 20 / 0 / 0

HEX #A2CDFF

RGB 162 205 255

HSL 212.26, 1%, 0.82%

LAB 81.05, -2.22, -29.02

 

CMYK 30 / 13 / 0 / 0

HEX #B3DFFF

RGB 179 223 255

HSL 205.26, 1%, 0.85%

LAB 86.79, -7.04, -20.19

 

CMYK 52 / 31 / 0 / 14

HEX #6A97DB

RGB 106 151 219

HSL 216.11, 0.61%, 0.64%

LAB 61.92, 3.79, -39.33

 

CMYK 56 / 34 / 0 / 22

HEX #5985C8

RGB 89 133 200

HSL 216.22, 0.5%, 0.57%

LAB 55.14, 4.62, -39.36

 

CMYK 60 / 36 / 0 / 29

HEX #4873B5

RGB 72 115 181

HSL 216.33, 0.43%, 0.5%

LAB 48.23, 5.66, -39.43

 

CMYK 66 / 40 / 0 / 36

HEX #3761A2

RGB 55 97 162

HSL 216.45, 0.49%, 0.43%

LAB 41.17, 6.98, -39.53

 

CMYK 73 / 45 / 0 / 44

HEX #264F8F

RGB 38 79 143

HSL 216.57, 0.58%, 0.35%

LAB 33.96, 8.73, -39.64

 

CMYK 51 / 31 / 0 / 14

HEX #6B97DB

RGB 107 151 219

HSL 216.43, 0.61%, 0.64%

LAB 61.98, 4.02, -39.24

 

CMYK 51 / 45 / 0 / 14

HEX #6B79DB

RGB 107 121 219

HSL 232.5, 0.61%, 0.64%

LAB 53.94, 21.82, -51.95

 

CMYK 44 / 51 / 0 / 14

HEX #7B6BDB

RGB 123 107 219

HSL 248.57, 0.61%, 0.64%

LAB 51.66, 33.83, -55.52

 

CMYK 30 / 51 / 0 / 14

HEX #996BDB

RGB 153 107 219

HSL 264.64, 0.61%, 0.64%

LAB 54.45, 41.17, -50.9

 

CMYK 16 / 51 / 0 / 14

HEX #B76BDB

RGB 183 107 219

HSL 280.71, 0.61%, 0.64%

LAB 57.75, 49.07, -45.46

 

CMYK 51 / 31 / 0 / 14

HEX #6B97DB

RGB 107 151 219

HSL 216.43, 0.61%, 0.64%

LAB 61.98, 4.02, -39.24

 

CMYK 51 / 45 / 0 / 14

HEX #6B79DB

RGB 107 121 219

HSL 232.5, 0.61%, 0.64%

LAB 53.94, 21.82, -51.95

 

CMYK 51 / 51 / 0 / 14

HEX #6B6BDB

RGB 107 107 219

HSL 240, 0.61%, 0.64%

LAB 50.4, 30.29, -57.61

 

CMYK 51 / 31 / 0 / 14

HEX #6B97DB

RGB 107 151 219

HSL 216.43, 0.61%, 0.64%

LAB 61.98, 4.02, -39.24

 

CMYK 61 / 37 / 0 / 8

HEX #5C94EA

RGB 92 148 234

HSL 216.34, 0.77%, 0.64%

LAB 61.13, 7.43, -48.94

 

CMYK 69 / 42 / 0 / 3

HEX #4D91F8

RGB 77 145 248

HSL 216.14, 0.92%, 0.64%

LAB 60.43, 11.47, -57.8

 

CMYK 51 / 31 / 0 / 14

HEX #6B97DB

RGB 107 151 219

HSL 216.43, 0.61%, 0.64%

LAB 61.98, 4.02, -39.24

 

CMYK 40 / 25 / 0 / 20

HEX #7A9ACC

RGB 122 154 204

HSL 216.59, 0.45%, 0.64%

LAB 63.02, 1.65, -29.19

 

CMYK 28 / 17 / 0 / 26

HEX #889DBD

RGB 136 157 189

HSL 216.23, 0.29%, 0.64%

LAB 64.18, 0.03, -18.95

 

CMYK 13 / 8 / 0 / 32

HEX #97A0AE

RGB 151 160 174

HSL 216.52, 0.12%, 0.64%

LAB 65.57, -0.29, -8.35

 

CMYK 0 / 2 / 4 / 35

HEX #A6A39F

RGB 166 163 159

HSL 34.29, 0.04%, 0.64%

LAB 67.13, 0.34, 2.45

 

CMYK 51 / 4 / 0 / 14

HEX #6BD3DB

RGB 107 211 219

HSL 184.29, 0.61%, 0.64%

LAB 78.94, -27.96, -13.23

 

CMYK 51 / 17 / 0 / 14

HEX #6BB5DB

RGB 107 181 219

HSL 200.36, 0.61%, 0.64%

LAB 70.38, -12.66, -26.22

 

CMYK 51 / 31 / 0 / 14

HEX #6B98DB

RGB 107 152 219

HSL 215.89, 0.61%, 0.64%

LAB 62.25, 3.44, -38.81

 

CMYK 51 / 44 / 0 / 14

HEX #6B7ADB

RGB 107 122 219

HSL 231.96, 0.61%, 0.64%

LAB 54.2, 21.21, -51.53

 

CMYK 44 / 51 / 0 / 14

HEX #7A6BDB

RGB 122 107 219

HSL 248.04, 0.61%, 0.64%

LAB 51.57, 33.6, -55.66

 

CMYK 76 / 46 / 0 / 23

HEX #2F6AC4

RGB 47 106 196

HSL 216.24, 0.61%, 0.48%

LAB 45.49, 12.68, -52.52

 

CMYK 65 / 39 / 0 / 17

HEX #4980D3

RGB 73 128 211

HSL 216.09, 0.61%, 0.56%

LAB 53.55, 8.23, -48.15

 

CMYK 51 / 31 / 0 / 14

HEX #6B97DB

RGB 107 151 219

HSL 216.43, 0.61%, 0.64%

LAB 61.98, 4.02, -39.24

 

CMYK 38 / 23 / 0 / 11

HEX #8CAEE3

RGB 140 174 227

HSL 216.55, 0.61%, 0.72%

LAB 70.45, 1.49, -30.33

 

CMYK 26 / 16 / 0 / 8

HEX #ADC6EB

RGB 173 198 235

HSL 215.81, 0.61%, 0.8%

LAB 79.2, -0.29, -21.1

 

CMYK 52 / 31 / 0 / 14

HEX #6A97DB

RGB 106 151 219

HSL 216.11, 0.61%, 0.64%

LAB 61.92, 3.79, -39.33

 

CMYK 11 / 51 / 0 / 14

HEX #C46BDB

RGB 196 107 219

HSL 287.68, 0.61%, 0.64%

LAB 59.31, 52.59, -42.89

 

CMYK 11 / 0 / 51 / 14

HEX #C4DB6B

RGB 196 219 107

HSL 72.32, 0.61%, 0.64%

LAB 83.68, -24.04, 51.93

 

CMYK 52 / 31 / 0 / 14

HEX #6A97DB

RGB 106 151 219

HSL 216.11, 0.61%, 0.64%

LAB 61.92, 3.79, -39.33

 

CMYK 0 / 51 / 31 / 14

HEX #DB6B98

RGB 219 107 152

HSL 335.89, 0.61%, 0.64%

LAB 59.75, 48.63, -3.7

 

CMYK 31 / 0 / 51 / 14

HEX #98DB6B

RGB 152 219 107

HSL 95.89, 0.61%, 0.64%

LAB 80.96, -40.34, 48.02

 

CMYK 52 / 31 / 0 / 14

HEX #6A97DB

RGB 106 151 219

HSL 216.11, 0.61%, 0.64%

LAB 61.92, 3.79, -39.33

 

CMYK 11 / 51 / 0 / 14

HEX #C46BDB

RGB 196 107 219

HSL 287.68, 0.61%, 0.64%

LAB 59.31, 52.59, -42.89

 

CMYK 0 / 21 / 51 / 14

HEX #DBAE6B

RGB 219 174 107

HSL 35.89, 0.61%, 0.64%

LAB 73.8, 8.33, 40.41

 

CMYK 41 / 0 / 51 / 14

HEX #81DB6B

RGB 129 219 107

HSL 108.21, 0.61%, 0.64%

LAB 79.84, -47.88, 46.4

 

CMYK 52 / 31 / 0 / 14

HEX #6A97DB

RGB 106 151 219

HSL 216.11, 0.61%, 0.64%

LAB 61.92, 3.79, -39.33

 

CMYK 0 / 51 / 5 / 14

HEX #DB6BCF

RGB 219 107 207

HSL 306.43, 0.61%, 0.64%

LAB 61.72, 56.79, -32.14

 

CMYK 0 / 21 / 51 / 14

HEX #DBAE6B

RGB 219 174 107

HSL 35.89, 0.61%, 0.64%

LAB 73.8, 8.33, 40.41

 

CMYK 51 / 0 / 46 / 14

HEX #6BDB76

RGB 107 219 118

HSL 125.89, 0.61%, 0.64%

LAB 79.1, -52.67, 39.96

 

Description

Color code: HEX #6A97DB | qconv.com Color code: HEX #6A97DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 151 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 151 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 31 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 31% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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