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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A90F0 it is the complementary color #956F0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A90F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A90F0 shade: #6F90EB, #80A2FE, #91B4FF, #A2C6FF and #B3D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A90F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A90F0 shade: #6A90F0, #597EDD, #486CCA, #375AB7 and #2648A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A90F0 shade: #6A90F0, #6A6CF0, #8C6AF0, #B06AF0 and #D46AF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A90F0 shade: #6A90F0, #6A6CF0 and #6A6AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A90F0 shade matches the following richer shades: #6A90F0 and #5D8AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A90F0 shade: #6A90F0, #7796E3, #849BD5, #92A1C8 and #9FA7BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A90F0 shade: #6ADAF0, #6AB6F0, #6A92F0, #6A6EF0 and #896AF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A90F0 shade: #1F58E8, #4474EC, #6A90F0, #90ACF4 and #B5C8F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A90F0 shade: #6A90F0, #E26AF0 and #C8F06A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A90F0 shade: #6A90F0, #F06A92 and #92F06A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A90F0 shade: #6A90F0, #E26AF0, #F0C86A and #77F06A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A90F0 shade: #6A90F0, #F06AD5, #F0C86A and #6AF085

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

Complementary color

CMYK 0 / 26 / 90 / 42

HEX #956F0F

RGB 149 111 15

HSL 42.99, 0.82%, 0.32%

LAB 49.24, 6.78, 52.56

 

CMYK 53 / 39 / 0 / 8

HEX #6F90EB

RGB 111 144 235

HSL 224.03, 0.76%, 0.68%

LAB 61.07, 13.92, -49.53

 

CMYK 50 / 36 / 0 / 0

HEX #80A2FE

RGB 128 162 254

HSL 223.81, 0.98%, 0.75%

LAB 67.71, 12.96, -49.37

 

CMYK 43 / 29 / 0 / 0

HEX #91B4FF

RGB 145 180 255

HSL 220.91, 1%, 0.78%

LAB 73.47, 7.06, -40.82

 

CMYK 36 / 22 / 0 / 0

HEX #A2C6FF

RGB 162 198 255

HSL 216.77, 1%, 0.82%

LAB 79.21, 1.54, -31.85

 

CMYK 30 / 15 / 0 / 0

HEX #B3D8FF

RGB 179 216 255

HSL 210.79, 1%, 0.85%

LAB 84.95, -3.39, -22.97

 

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

CMYK 60 / 43 / 0 / 13

HEX #597EDD

RGB 89 126 221

HSL 223.18, 0.66%, 0.61%

LAB 54.31, 15.73, -52.54

 

CMYK 64 / 47 / 0 / 21

HEX #486CCA

RGB 72 108 202

HSL 223.38, 0.55%, 0.54%

LAB 47.45, 17.28, -52.77

 

CMYK 70 / 51 / 0 / 28

HEX #375AB7

RGB 55 90 183

HSL 223.59, 0.54%, 0.47%

LAB 40.48, 19.21, -53.02

 

CMYK 77 / 56 / 0 / 36

HEX #2648A4

RGB 38 72 164

HSL 223.81, 0.62%, 0.4%

LAB 33.41, 21.63, -53.23

 

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

CMYK 56 / 55 / 0 / 6

HEX #6A6CF0

RGB 106 108 240

HSL 239.1, 0.82%, 0.68%

LAB 51.93, 36.03, -66.96

 

CMYK 42 / 56 / 0 / 6

HEX #8C6AF0

RGB 140 106 240

HSL 255.22, 0.82%, 0.68%

LAB 54.21, 44.1, -63.13

 

CMYK 27 / 56 / 0 / 6

HEX #B06AF0

RGB 176 106 240

HSL 271.34, 0.82%, 0.68%

LAB 57.87, 52.44, -57.06

 

CMYK 12 / 56 / 0 / 6

HEX #D46AF0

RGB 212 106 240

HSL 287.46, 0.82%, 0.68%

LAB 62.17, 61.35, -49.97

 

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

CMYK 56 / 55 / 0 / 6

HEX #6A6CF0

RGB 106 108 240

HSL 239.1, 0.82%, 0.68%

LAB 51.93, 36.03, -66.96

 

CMYK 56 / 56 / 0 / 6

HEX #6A6AF0

RGB 106 106 240

HSL 240, 0.82%, 0.68%

LAB 51.45, 37.22, -67.72

 

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

CMYK 63 / 45 / 0 / 1

HEX #5D8AFD

RGB 93 138 253

HSL 223.13, 0.98%, 0.68%

LAB 59.52, 19.87, -61.97

 

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

CMYK 48 / 34 / 0 / 11

HEX #7796E3

RGB 119 150 227

HSL 222.78, 0.66%, 0.68%

LAB 62.74, 9.79, -42.42

 

CMYK 38 / 27 / 0 / 16

HEX #849BD5

RGB 132 155 213

HSL 222.96, 0.49%, 0.68%

LAB 64.28, 6.25, -32.2

 

CMYK 27 / 20 / 0 / 22

HEX #92A1C8

RGB 146 161 200

HSL 223.33, 0.33%, 0.68%

LAB 66.34, 3.53, -21.72

 

CMYK 15 / 11 / 0 / 27

HEX #9FA7BB

RGB 159 167 187

HSL 222.86, 0.17%, 0.68%

LAB 68.46, 1.32, -11.22

 

CMYK 56 / 9 / 0 / 6

HEX #6ADAF0

RGB 106 218 240

HSL 189.85, 0.82%, 0.68%

LAB 81.56, -25.87, -20.49

 

CMYK 56 / 24 / 0 / 6

HEX #6AB6F0

RGB 106 182 240

HSL 205.97, 0.82%, 0.68%

LAB 71.43, -7.21, -36.04

 

CMYK 56 / 39 / 0 / 6

HEX #6A92F0

RGB 106 146 240

HSL 222.09, 0.82%, 0.68%

LAB 61.58, 13.26, -51.49

 

CMYK 56 / 54 / 0 / 6

HEX #6A6EF0

RGB 106 110 240

HSL 238.21, 0.82%, 0.68%

LAB 52.41, 34.83, -66.18

 

CMYK 43 / 56 / 0 / 6

HEX #896AF0

RGB 137 106 240

HSL 253.88, 0.82%, 0.68%

LAB 53.94, 43.44, -63.59

 

CMYK 87 / 62 / 0 / 9

HEX #1F58E8

RGB 31 88 232

HSL 222.99, 0.81%, 0.52%

LAB 42.91, 36.47, -77.3

 

CMYK 71 / 51 / 0 / 7

HEX #4474EC

RGB 68 116 236

HSL 222.86, 0.82%, 0.6%

LAB 51.58, 23.71, -65.38

 

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

CMYK 41 / 30 / 0 / 4

HEX #90ACF4

RGB 144 172 244

HSL 223.2, 0.82%, 0.76%

LAB 70.85, 8.25, -38.96

 

CMYK 27 / 19 / 0 / 3

HEX #B5C8F7

RGB 181 200 247

HSL 222.73, 0.8%, 0.84%

LAB 80.65, 3.8, -25.26

 

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

CMYK 6 / 56 / 0 / 6

HEX #E26AF0

RGB 226 106 240

HSL 293.73, 0.82%, 0.68%

LAB 63.97, 64.87, -47

 

CMYK 17 / 0 / 56 / 6

HEX #C8F06A

RGB 200 240 106

HSL 77.91, 0.82%, 0.68%

LAB 89.69, -32.49, 59.43

 

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

CMYK 0 / 56 / 39 / 6

HEX #F06A92

RGB 240 106 146

HSL 342.09, 0.82%, 0.68%

LAB 62.43, 55.29, 4.05

 

CMYK 39 / 0 / 56 / 6

HEX #92F06A

RGB 146 240 106

HSL 102.09, 0.82%, 0.68%

LAB 86.74, -51.37, 55.25

 

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

CMYK 6 / 56 / 0 / 6

HEX #E26AF0

RGB 226 106 240

HSL 293.73, 0.82%, 0.68%

LAB 63.97, 64.87, -47

 

CMYK 0 / 17 / 56 / 6

HEX #F0C86A

RGB 240 200 106

HSL 42.09, 0.82%, 0.68%

LAB 82.31, 3.23, 51.67

 

CMYK 50 / 0 / 56 / 6

HEX #77F06A

RGB 119 240 106

HSL 114.18, 0.82%, 0.68%

LAB 85.65, -59.21, 53.7

 

CMYK 56 / 40 / 0 / 6

HEX #6A90F0

RGB 106 144 240

HSL 222.99, 0.82%, 0.68%

LAB 61.05, 14.45, -52.34

 

CMYK 0 / 56 / 11 / 6

HEX #F06AD5

RGB 240 106 213

HSL 312.09, 0.82%, 0.68%

LAB 64.67, 64.07, -30.72

 

CMYK 0 / 17 / 56 / 6

HEX #F0C86A

RGB 240 200 106

HSL 42.09, 0.82%, 0.68%

LAB 82.31, 3.23, 51.67

 

CMYK 56 / 0 / 45 / 6

HEX #6AF085

RGB 106 240 133

HSL 132.09, 0.82%, 0.68%

LAB 85.54, -58.86, 40.79

 

Description

Color code: HEX #6A90F0 | qconv.com Color code: HEX #6A90F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 144 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 144 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 40 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 40% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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