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Color name
HEX #6AB9CD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AB9CD it is the complementary color #954632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AB9CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AB9CD shade: #6FB9C8, #80CBDB, #91DDEE, #A2EFFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AB9CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AB9CD shade: #6AB9CD, #59A7BA, #4895A7, #378394 and #267181

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AB9CD shade: #69B9CD, #699ECD, #6983CD, #6A69CD and #8569CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AB9CD shade: #69B9CD, #699ECD, #6983CD and #6969CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AB9CD shade matches the following richer shades: #69B9CD, #59C2DD, #49CCED and #39D5FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AB9CD shade: #69B9CD, #79AFBD, #8AA6AD, #9A9C9D and #AA928C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AB9CD shade: #69CDAC, #69CDC6, #69B9CD, #699ECD and #6984CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AB9CD shade: #3994AB, #4AAAC2, #69B9CD, #88C7D7 and #A7D6E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AB9CD shade: #6AB9CD, #9169CD and #CDB969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AB9CD shade: #6AB9CD, #CD69B9 and #B9CD69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AB9CD shade: #6AB9CD, #9169CD, #CD7D69 and #A5CD69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AB9CD shade: #6AB9CD, #AF69CD, #CD7D69 and #87CD69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 10 / 0 / 20

HEX #6AB9CD

RGB 106 185 205

HSL 192.12, 0.5%, 0.61%

LAB 70.99, -18.93, -17.63

 

Complementary color

CMYK 0 / 53 / 66 / 42

HEX #954632

RGB 149 70 50

HSL 12.12, 0.5%, 0.39%

LAB 39.58, 31.59, 27.5

 

CMYK 45 / 8 / 0 / 22

HEX #6FB9C8

RGB 111 185 200

HSL 190.11, 0.45%, 0.61%

LAB 71.04, -19.1, -14.79

 

CMYK 42 / 7 / 0 / 14

HEX #80CBDB

RGB 128 203 219

HSL 190.55, 0.56%, 0.68%

LAB 77.53, -19.17, -15.27

 

CMYK 39 / 7 / 0 / 7

HEX #91DDEE

RGB 145 221 238

HSL 190.97, 0.73%, 0.75%

LAB 83.92, -19.22, -15.73

 

CMYK 36 / 6 / 0 / 0

HEX #A2EFFF

RGB 162 239 255

HSL 190.32, 1%, 0.82%

LAB 90.15, -19.73, -15.22

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 48 / 10 / 0 / 20

HEX #6AB9CD

RGB 106 185 205

HSL 192.12, 0.5%, 0.61%

LAB 70.99, -18.93, -17.63

 

CMYK 52 / 10 / 0 / 27

HEX #59A7BA

RGB 89 167 186

HSL 191.75, 0.41%, 0.54%

LAB 64.41, -18.71, -17.16

 

CMYK 57 / 11 / 0 / 35

HEX #4895A7

RGB 72 149 167

HSL 191.37, 0.4%, 0.47%

LAB 57.72, -18.4, -16.66

 

CMYK 63 / 11 / 0 / 42

HEX #378394

RGB 55 131 148

HSL 190.97, 0.46%, 0.4%

LAB 50.9, -17.94, -16.12

 

CMYK 71 / 12 / 0 / 49

HEX #267181

RGB 38 113 129

HSL 190.55, 0.54%, 0.33%

LAB 43.96, -17.25, -15.52

 

CMYK 49 / 10 / 0 / 20

HEX #69B9CD

RGB 105 185 205

HSL 192, 0.5%, 0.61%

LAB 70.95, -19.16, -17.7

 

CMYK 49 / 23 / 0 / 20

HEX #699ECD

RGB 105 158 205

HSL 208.2, 0.5%, 0.61%

LAB 63.23, -4.63, -29.5

 

CMYK 49 / 36 / 0 / 20

HEX #6983CD

RGB 105 131 205

HSL 224.4, 0.5%, 0.61%

LAB 55.73, 11.02, -41.21

 

CMYK 48 / 49 / 0 / 20

HEX #6A69CD

RGB 106 105 205

HSL 240.6, 0.5%, 0.61%

LAB 48.98, 26.99, -51.93

 

CMYK 35 / 49 / 0 / 20

HEX #8569CD

RGB 133 105 205

HSL 256.8, 0.5%, 0.61%

LAB 51.26, 33.57, -48.15

 

CMYK 49 / 10 / 0 / 20

HEX #69B9CD

RGB 105 185 205

HSL 192, 0.5%, 0.61%

LAB 70.95, -19.16, -17.7

 

CMYK 49 / 23 / 0 / 20

HEX #699ECD

RGB 105 158 205

HSL 208.2, 0.5%, 0.61%

LAB 63.23, -4.63, -29.5

 

CMYK 49 / 36 / 0 / 20

HEX #6983CD

RGB 105 131 205

HSL 224.4, 0.5%, 0.61%

LAB 55.73, 11.02, -41.21

 

CMYK 49 / 49 / 0 / 20

HEX #6969CD

RGB 105 105 205

HSL 240, 0.5%, 0.61%

LAB 48.9, 26.77, -52.05

 

CMYK 49 / 10 / 0 / 20

HEX #69B9CD

RGB 105 185 205

HSL 192, 0.5%, 0.61%

LAB 70.95, -19.16, -17.7

 

CMYK 60 / 12 / 0 / 13

HEX #59C2DD

RGB 89 194 221

HSL 192.27, 0.66%, 0.61%

LAB 73.5, -22.46, -22.6

 

CMYK 69 / 14 / 0 / 7

HEX #49CCED

RGB 73 204 237

HSL 192.07, 0.82%, 0.61%

LAB 76.51, -25.21, -26.68

 

CMYK 77 / 16 / 0 / 1

HEX #39D5FD

RGB 57 213 253

HSL 192.24, 0.98%, 0.61%

LAB 79.36, -26.56, -30.88

 

CMYK 49 / 10 / 0 / 20

HEX #69B9CD

RGB 105 185 205

HSL 192, 0.5%, 0.61%

LAB 70.95, -19.16, -17.7

 

CMYK 36 / 7 / 0 / 26

HEX #79AFBD

RGB 121 175 189

HSL 192.35, 0.34%, 0.61%

LAB 68.31, -14.14, -12.79

 

CMYK 20 / 4 / 0 / 32

HEX #8AA6AD

RGB 138 166 173

HSL 192, 0.18%, 0.61%

LAB 66.28, -8.07, -6.84

 

CMYK 2 / 1 / 0 / 38

HEX #9A9C9D

RGB 154 156 157

HSL 200, 0.02%, 0.61%

LAB 64.23, -0.52, -0.78

 

CMYK 0 / 14 / 18 / 33

HEX #AA928C

RGB 170 146 140

HSL 12, 0.15%, 0.61%

LAB 62.51, 7.96, 6.48

 

CMYK 49 / 0 / 16 / 20

HEX #69CDAC

RGB 105 205 172

HSL 160.2, 0.5%, 0.61%

LAB 75.85, -37.17, 7.47

 

CMYK 49 / 0 / 3 / 20

HEX #69CDC6

RGB 105 205 198

HSL 175.8, 0.5%, 0.61%

LAB 76.52, -30.95, -5.55

 

CMYK 49 / 10 / 0 / 20

HEX #69B9CD

RGB 105 185 205

HSL 192, 0.5%, 0.61%

LAB 70.95, -19.16, -17.7

 

CMYK 49 / 23 / 0 / 20

HEX #699ECD

RGB 105 158 205

HSL 208.2, 0.5%, 0.61%

LAB 63.23, -4.63, -29.5

 

CMYK 49 / 36 / 0 / 20

HEX #6984CD

RGB 105 132 205

HSL 223.8, 0.5%, 0.61%

LAB 56, 10.42, -40.78

 

CMYK 67 / 13 / 0 / 33

HEX #3994AB

RGB 57 148 171

HSL 192.11, 0.5%, 0.45%

LAB 57.07, -19.4, -19.98

 

CMYK 62 / 12 / 0 / 24

HEX #4AAAC2

RGB 74 170 194

HSL 192, 0.5%, 0.53%

LAB 65.04, -20.89, -20.7

 

CMYK 49 / 10 / 0 / 20

HEX #69B9CD

RGB 105 185 205

HSL 192, 0.5%, 0.61%

LAB 70.95, -19.16, -17.7

 

CMYK 37 / 7 / 0 / 16

HEX #88C7D7

RGB 136 199 215

HSL 192.15, 0.5%, 0.69%

LAB 76.67, -16.08, -14.36

 

CMYK 26 / 5 / 0 / 12

HEX #A7D6E1

RGB 167 214 225

HSL 191.38, 0.49%, 0.77%

LAB 82.78, -12.74, -10.41

 

CMYK 48 / 10 / 0 / 20

HEX #6AB9CD

RGB 106 185 205

HSL 192.12, 0.5%, 0.61%

LAB 70.99, -18.93, -17.63

 

CMYK 29 / 49 / 0 / 20

HEX #9169CD

RGB 145 105 205

HSL 264, 0.5%, 0.61%

LAB 52.43, 36.73, -46.22

 

CMYK 0 / 10 / 49 / 20

HEX #CDB969

RGB 205 185 105

HSL 48, 0.5%, 0.61%

LAB 75.26, -3.46, 42.93

 

CMYK 48 / 10 / 0 / 20

HEX #6AB9CD

RGB 106 185 205

HSL 192.12, 0.5%, 0.61%

LAB 70.99, -18.93, -17.63

 

CMYK 0 / 49 / 10 / 20

HEX #CD69B9

RGB 205 105 185

HSL 312, 0.5%, 0.61%

LAB 58.59, 50, -24.64

 

CMYK 10 / 0 / 49 / 20

HEX #B9CD69

RGB 185 205 105

HSL 72, 0.5%, 0.61%

LAB 79.04, -21.73, 47.14

 

CMYK 48 / 10 / 0 / 20

HEX #6AB9CD

RGB 106 185 205

HSL 192.12, 0.5%, 0.61%

LAB 70.99, -18.93, -17.63

 

CMYK 29 / 49 / 0 / 20

HEX #9169CD

RGB 145 105 205

HSL 264, 0.5%, 0.61%

LAB 52.43, 36.73, -46.22

 

CMYK 0 / 39 / 49 / 20

HEX #CD7D69

RGB 205 125 105

HSL 12, 0.5%, 0.61%

LAB 60.49, 28.91, 24.07

 

CMYK 20 / 0 / 49 / 20

HEX #A5CD69

RGB 165 205 105

HSL 84, 0.5%, 0.61%

LAB 77.69, -29.45, 45.19

 

CMYK 48 / 10 / 0 / 20

HEX #6AB9CD

RGB 106 185 205

HSL 192.12, 0.5%, 0.61%

LAB 70.99, -18.93, -17.63

 

CMYK 15 / 49 / 0 / 20

HEX #AF69CD

RGB 175 105 205

HSL 282, 0.5%, 0.61%

LAB 55.71, 44.97, -40.82

 

CMYK 0 / 39 / 49 / 20

HEX #CD7D69

RGB 205 125 105

HSL 12, 0.5%, 0.61%

LAB 60.49, 28.91, 24.07

 

CMYK 34 / 0 / 49 / 20

HEX #87CD69

RGB 135 205 105

HSL 102, 0.5%, 0.61%

LAB 75.97, -40.18, 42.7

 

Description

Color code: HEX #6AB9CD | qconv.com Color code: HEX #6AB9CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 185 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 185 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 10 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 10% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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