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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AC5CD it is the complementary color #953A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AC5CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AC5CD shade: #6FC5C8, #80D7DB, #91E9EE, #A2FBFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AC5CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AC5CD shade: #6AC5CD, #59B3BA, #48A1A7, #378F94 and #267D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AC5CD shade: #69C5CD, #69AACD, #698FCD, #6974CD and #7969CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AC5CD shade: #69C5CD, #69AACD, #698FCD, #6974CD and #6969CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AC5CD shade matches the following richer shades: #69C5CD, #59D2DD, #49E0ED and #39EDFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AC5CD shade: #69C5CD, #79B7BD, #8AAAAD, #9A9C9D and #AA8F8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AC5CD shade: #69CD9E, #69CDB9, #69C6CD, #69ACCD and #6991CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AC5CD shade: #39A2AB, #4AB9C2, #69C5CD, #88D1D7 and #A7DDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AC5CD shade: #6AC5CD, #8469CD and #CDAC69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AC5CD shade: #6AC5CD, #CD69C6 and #C6CD69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AC5CD shade: #6AC5CD, #8469CD, #CD7069 and #B2CD69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AC5CD shade: #6AC5CD, #A269CD, #CD7069 and #94CD69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 4 / 0 / 20

HEX #6AC5CD

RGB 106 197 205

HSL 184.85, 0.5%, 0.61%

LAB 74.45, -25.01, -12.42

 

Complementary color

CMYK 0 / 61 / 66 / 42

HEX #953A32

RGB 149 58 50

HSL 4.85, 0.5%, 0.39%

LAB 37.2, 37.75, 24.6

 

CMYK 45 / 1 / 0 / 22

HEX #6FC5C8

RGB 111 197 200

HSL 182.02, 0.45%, 0.61%

LAB 74.5, -25.17, -9.62

 

CMYK 42 / 2 / 0 / 14

HEX #80D7DB

RGB 128 215 219

HSL 182.64, 0.56%, 0.68%

LAB 80.91, -25.17, -10.21

 

CMYK 39 / 2 / 0 / 7

HEX #91E9EE

RGB 145 233 238

HSL 183.23, 0.73%, 0.75%

LAB 87.23, -25.16, -10.77

 

CMYK 36 / 2 / 0 / 0

HEX #A2FBFF

RGB 162 251 255

HSL 182.58, 1%, 0.82%

LAB 93.41, -25.6, -10.36

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 48 / 4 / 0 / 20

HEX #6AC5CD

RGB 106 197 205

HSL 184.85, 0.5%, 0.61%

LAB 74.45, -25.01, -12.42

 

CMYK 52 / 4 / 0 / 27

HEX #59B3BA

RGB 89 179 186

HSL 184.33, 0.41%, 0.54%

LAB 67.95, -24.86, -11.82

 

CMYK 57 / 4 / 0 / 35

HEX #48A1A7

RGB 72 161 167

HSL 183.79, 0.4%, 0.47%

LAB 61.36, -24.63, -11.17

 

CMYK 63 / 3 / 0 / 42

HEX #378F94

RGB 55 143 148

HSL 183.23, 0.46%, 0.4%

LAB 54.65, -24.25, -10.45

 

CMYK 71 / 3 / 0 / 49

HEX #267D81

RGB 38 125 129

HSL 182.64, 0.54%, 0.33%

LAB 47.83, -23.65, -9.65

 

CMYK 49 / 4 / 0 / 20

HEX #69C5CD

RGB 105 197 205

HSL 184.8, 0.5%, 0.61%

LAB 74.41, -25.23, -12.49

 

CMYK 49 / 17 / 0 / 20

HEX #69AACD

RGB 105 170 205

HSL 201, 0.5%, 0.61%

LAB 66.64, -11.23, -24.25

 

CMYK 49 / 30 / 0 / 20

HEX #698FCD

RGB 105 143 205

HSL 217.2, 0.5%, 0.61%

LAB 59.03, 3.94, -36.03

 

CMYK 49 / 43 / 0 / 20

HEX #6974CD

RGB 105 116 205

HSL 233.4, 0.5%, 0.61%

LAB 51.73, 20.06, -47.55

 

CMYK 41 / 49 / 0 / 20

HEX #7969CD

RGB 121 105 205

HSL 249.6, 0.5%, 0.61%

LAB 50.19, 30.55, -49.93

 

CMYK 49 / 4 / 0 / 20

HEX #69C5CD

RGB 105 197 205

HSL 184.8, 0.5%, 0.61%

LAB 74.41, -25.23, -12.49

 

CMYK 49 / 17 / 0 / 20

HEX #69AACD

RGB 105 170 205

HSL 201, 0.5%, 0.61%

LAB 66.64, -11.23, -24.25

 

CMYK 49 / 30 / 0 / 20

HEX #698FCD

RGB 105 143 205

HSL 217.2, 0.5%, 0.61%

LAB 59.03, 3.94, -36.03

 

CMYK 49 / 43 / 0 / 20

HEX #6974CD

RGB 105 116 205

HSL 233.4, 0.5%, 0.61%

LAB 51.73, 20.06, -47.55

 

CMYK 49 / 49 / 0 / 20

HEX #6969CD

RGB 105 105 205

HSL 240, 0.5%, 0.61%

LAB 48.9, 26.77, -52.05

 

CMYK 49 / 4 / 0 / 20

HEX #69C5CD

RGB 105 197 205

HSL 184.8, 0.5%, 0.61%

LAB 74.41, -25.23, -12.49

 

CMYK 60 / 5 / 0 / 13

HEX #59D2DD

RGB 89 210 221

HSL 185, 0.66%, 0.61%

LAB 78.13, -30.37, -15.58

 

CMYK 69 / 5 / 0 / 7

HEX #49E0ED

RGB 73 224 237

HSL 184.76, 0.82%, 0.61%

LAB 82.29, -34.88, -17.88

 

CMYK 77 / 6 / 0 / 1

HEX #39EDFD

RGB 57 237 253

HSL 184.9, 0.98%, 0.61%

LAB 86.27, -38, -20.34

 

CMYK 49 / 4 / 0 / 20

HEX #69C5CD

RGB 105 197 205

HSL 184.8, 0.5%, 0.61%

LAB 74.41, -25.23, -12.49

 

CMYK 36 / 3 / 0 / 26

HEX #79B7BD

RGB 121 183 189

HSL 185.29, 0.34%, 0.61%

LAB 70.6, -18.32, -9.38

 

CMYK 20 / 2 / 0 / 32

HEX #8AAAAD

RGB 138 170 173

HSL 185.14, 0.18%, 0.61%

LAB 67.4, -10.23, -5.18

 

CMYK 2 / 1 / 0 / 38

HEX #9A9C9D

RGB 154 156 157

HSL 200, 0.02%, 0.61%

LAB 64.23, -0.52, -0.78

 

CMYK 0 / 16 / 18 / 33

HEX #AA8F8C

RGB 170 143 140

HSL 6, 0.15%, 0.61%

LAB 61.73, 9.64, 5.37

 

CMYK 49 / 0 / 23 / 20

HEX #69CD9E

RGB 105 205 158

HSL 151.8, 0.5%, 0.61%

LAB 75.53, -40.21, 14.52

 

CMYK 49 / 0 / 10 / 20

HEX #69CDB9

RGB 105 205 185

HSL 168, 0.5%, 0.61%

LAB 76.17, -34.15, 0.94

 

CMYK 49 / 3 / 0 / 20

HEX #69C6CD

RGB 105 198 205

HSL 184.2, 0.5%, 0.61%

LAB 74.7, -25.73, -12.05

 

CMYK 49 / 16 / 0 / 20

HEX #69ACCD

RGB 105 172 205

HSL 199.8, 0.5%, 0.61%

LAB 67.21, -12.31, -23.38

 

CMYK 49 / 29 / 0 / 20

HEX #6991CD

RGB 105 145 205

HSL 216, 0.5%, 0.61%

LAB 59.58, 2.78, -35.17

 

CMYK 67 / 5 / 0 / 33

HEX #39A2AB

RGB 57 162 171

HSL 184.74, 0.5%, 0.45%

LAB 61.35, -26.61, -13.48

 

CMYK 62 / 5 / 0 / 24

HEX #4AB9C2

RGB 74 185 194

HSL 184.5, 0.5%, 0.53%

LAB 69.5, -28.46, -13.95

 

CMYK 49 / 4 / 0 / 20

HEX #69C5CD

RGB 105 197 205

HSL 184.8, 0.5%, 0.61%

LAB 74.41, -25.23, -12.49

 

CMYK 37 / 3 / 0 / 16

HEX #88D1D7

RGB 136 209 215

HSL 184.56, 0.5%, 0.69%

LAB 79.47, -21.16, -10.18

 

CMYK 26 / 2 / 0 / 12

HEX #A7DDE1

RGB 167 221 225

HSL 184.14, 0.49%, 0.77%

LAB 84.67, -16.31, -7.6

 

CMYK 48 / 4 / 0 / 20

HEX #6AC5CD

RGB 106 197 205

HSL 184.85, 0.5%, 0.61%

LAB 74.45, -25.01, -12.42

 

CMYK 36 / 49 / 0 / 20

HEX #8469CD

RGB 132 105 205

HSL 256.2, 0.5%, 0.61%

LAB 51.17, 33.32, -48.3

 

CMYK 0 / 16 / 49 / 20

HEX #CDAC69

RGB 205 172 105

HSL 40.2, 0.5%, 0.61%

LAB 71.9, 3.42, 38.77

 

CMYK 48 / 4 / 0 / 20

HEX #6AC5CD

RGB 106 197 205

HSL 184.85, 0.5%, 0.61%

LAB 74.45, -25.01, -12.42

 

CMYK 0 / 49 / 3 / 20

HEX #CD69C6

RGB 205 105 198

HSL 304.2, 0.5%, 0.61%

LAB 59.12, 52.21, -31.23

 

CMYK 3 / 0 / 49 / 20

HEX #C6CD69

RGB 198 205 105

HSL 64.2, 0.5%, 0.61%

LAB 80, -16.55, 48.53

 

CMYK 48 / 4 / 0 / 20

HEX #6AC5CD

RGB 106 197 205

HSL 184.85, 0.5%, 0.61%

LAB 74.45, -25.01, -12.42

 

CMYK 36 / 49 / 0 / 20

HEX #8469CD

RGB 132 105 205

HSL 256.2, 0.5%, 0.61%

LAB 51.17, 33.32, -48.3

 

CMYK 0 / 45 / 49 / 20

HEX #CD7069

RGB 205 112 105

HSL 4.2, 0.5%, 0.61%

LAB 57.64, 35.83, 20.26

 

CMYK 13 / 0 / 49 / 20

HEX #B2CD69

RGB 178 205 105

HSL 76.2, 0.5%, 0.61%

LAB 78.55, -24.47, 46.44

 

CMYK 48 / 4 / 0 / 20

HEX #6AC5CD

RGB 106 197 205

HSL 184.85, 0.5%, 0.61%

LAB 74.45, -25.01, -12.42

 

CMYK 21 / 49 / 0 / 20

HEX #A269CD

RGB 162 105 205

HSL 274.2, 0.5%, 0.61%

LAB 54.23, 41.35, -43.25

 

CMYK 0 / 45 / 49 / 20

HEX #CD7069

RGB 205 112 105

HSL 4.2, 0.5%, 0.61%

LAB 57.64, 35.83, 20.26

 

CMYK 28 / 0 / 49 / 20

HEX #94CD69

RGB 148 205 105

HSL 94.2, 0.5%, 0.61%

LAB 76.67, -35.68, 43.71

 

Description

Color code: HEX #6AC5CD | qconv.com Color code: HEX #6AC5CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 197 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 197 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 4 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 4% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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