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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ACDB1 it is the complementary color #95324E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ACDB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ACDB1 shade: #6FCDAC, #80DFBF, #91F1D2, #A2FFE5 and #B3FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ACDB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ACDB1 shade: #6ACDB1, #59BB9E, #48A98B, #379778 and #268565

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ACDB1 shade: #69CDB1, #69CD96, #69CD7B, #72CD69 and #8DCD69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ACDB1 shade: #69CDB1, #69CDCB, #69B3CD, #6998CD and #697ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ACDB1 shade matches the following richer shades: #69CDB1, #59DDB8, #49EDBF and #39FDC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ACDB1 shade: #69CDB1, #79BDAA, #8AADA3, #9A9D9C and #AA8C95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ACDB1 shade: #69CD7C, #69CD96, #69CDB1, #69CDCB and #69B4CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ACDB1 shade: #39AB8B, #4AC2A0, #69CDB1, #88D7C1 and #A7E1D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ACDB1 shade: #6ACDB1, #6972CD and #CD8969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ACDB1 shade: #6ACDB1, #B169CD and #CDB169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ACDB1 shade: #6ACDB1, #6972CD, #CD6986 and #CDC469

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ACDB1 shade: #6ACDB1, #7F69CD, #CD6986 and #B7CD69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 14 / 20

HEX #6ACDB1

RGB 106 205 177

HSL 163.03, 0.5%, 0.61%

LAB 76.01, -35.8, 5.01

 

Complementary color

CMYK 0 / 66 / 48 / 42

HEX #95324E

RGB 149 50 78

HSL 343.03, 0.5%, 0.39%

LAB 36.41, 43.77, 5.89

 

CMYK 46 / 0 / 16 / 20

HEX #6FCDAC

RGB 111 205 172

HSL 158.94, 0.48%, 0.62%

LAB 76.08, -35.7, 7.83

 

CMYK 43 / 0 / 14 / 13

HEX #80DFBF

RGB 128 223 191

HSL 159.79, 0.6%, 0.69%

LAB 82.45, -35.53, 6.93

 

CMYK 40 / 0 / 13 / 5

HEX #91F1D2

RGB 145 241 210

HSL 160.63, 0.77%, 0.76%

LAB 88.73, -35.34, 6.09

 

CMYK 36 / 0 / 10 / 0

HEX #A2FFE5

RGB 162 255 229

HSL 163.23, 1%, 0.82%

LAB 93.82, -33.3, 3.69

 

CMYK 30 / 0 / 3 / 0

HEX #B3FFF8

RGB 179 255 248

HSL 174.47, 1%, 0.85%

LAB 95.11, -24.63, -4.13

 

CMYK 48 / 0 / 14 / 20

HEX #6ACDB1

RGB 106 205 177

HSL 163.03, 0.5%, 0.61%

LAB 76.01, -35.8, 5.01

 

CMYK 52 / 0 / 16 / 27

HEX #59BB9E

RGB 89 187 158

HSL 162.24, 0.42%, 0.54%

LAB 69.56, -35.87, 5.96

 

CMYK 57 / 0 / 18 / 34

HEX #48A98B

RGB 72 169 139

HSL 161.44, 0.4%, 0.47%

LAB 63.03, -35.88, 6.99

 

CMYK 64 / 0 / 21 / 41

HEX #379778

RGB 55 151 120

HSL 160.63, 0.47%, 0.4%

LAB 56.39, -35.76, 8.14

 

CMYK 71 / 0 / 24 / 48

HEX #268565

RGB 38 133 101

HSL 159.79, 0.56%, 0.34%

LAB 49.65, -35.42, 9.43

 

CMYK 49 / 0 / 14 / 20

HEX #69CDB1

RGB 105 205 177

HSL 163.2, 0.5%, 0.61%

LAB 75.97, -36.03, 4.95

 

CMYK 49 / 0 / 27 / 20

HEX #69CD96

RGB 105 205 150

HSL 147, 0.5%, 0.61%

LAB 75.37, -41.84, 18.55

 

CMYK 49 / 0 / 40 / 20

HEX #69CD7B

RGB 105 205 123

HSL 130.8, 0.5%, 0.61%

LAB 74.89, -46.72, 32.02

 

CMYK 44 / 0 / 49 / 20

HEX #72CD69

RGB 114 205 105

HSL 114.6, 0.5%, 0.61%

LAB 74.99, -46.84, 41.27

 

CMYK 31 / 0 / 49 / 20

HEX #8DCD69

RGB 141 205 105

HSL 98.4, 0.5%, 0.61%

LAB 76.28, -38.14, 43.15

 

CMYK 49 / 0 / 14 / 20

HEX #69CDB1

RGB 105 205 177

HSL 163.2, 0.5%, 0.61%

LAB 75.97, -36.03, 4.95

 

CMYK 49 / 0 / 1 / 20

HEX #69CDCB

RGB 105 205 203

HSL 178.8, 0.5%, 0.61%

LAB 76.67, -29.67, -8.04

 

CMYK 49 / 13 / 0 / 20

HEX #69B3CD

RGB 105 179 205

HSL 195.6, 0.5%, 0.61%

LAB 69.22, -16.03, -20.32

 

CMYK 49 / 26 / 0 / 20

HEX #6998CD

RGB 105 152 205

HSL 211.8, 0.5%, 0.61%

LAB 61.54, -1.24, -32.12

 

CMYK 49 / 39 / 0 / 20

HEX #697ECD

RGB 105 126 205

HSL 227.4, 0.5%, 0.61%

LAB 54.38, 14.01, -43.34

 

CMYK 49 / 0 / 14 / 20

HEX #69CDB1

RGB 105 205 177

HSL 163.2, 0.5%, 0.61%

LAB 75.97, -36.03, 4.95

 

CMYK 60 / 0 / 17 / 13

HEX #59DDB8

RGB 89 221 184

HSL 163.18, 0.66%, 0.61%

LAB 80.35, -44.93, 7.44

 

CMYK 69 / 0 / 19 / 7

HEX #49EDBF

RGB 73 237 191

HSL 163.17, 0.82%, 0.61%

LAB 84.87, -52.62, 10.17

 

CMYK 77 / 0 / 22 / 1

HEX #39FDC6

RGB 57 253 198

HSL 163.16, 0.98%, 0.61%

LAB 89.49, -59.28, 13.07

 

CMYK 49 / 0 / 14 / 20

HEX #69CDB1

RGB 105 205 177

HSL 163.2, 0.5%, 0.61%

LAB 75.97, -36.03, 4.95

 

CMYK 36 / 0 / 10 / 26

HEX #79BDAA

RGB 121 189 170

HSL 163.24, 0.34%, 0.61%

LAB 71.8, -25.83, 2.8

 

CMYK 20 / 0 / 6 / 32

HEX #8AADA3

RGB 138 173 163

HSL 162.86, 0.18%, 0.61%

LAB 67.97, -13.99, 1.2

 

CMYK 2 / 0 / 1 / 38

HEX #9A9D9C

RGB 154 157 156

HSL 160, 0.02%, 0.61%

LAB 64.47, -1.27, 0.14

 

CMYK 0 / 18 / 12 / 33

HEX #AA8C95

RGB 170 140 149

HSL 342, 0.15%, 0.61%

LAB 61.2, 12.83, -0.52

 

CMYK 49 / 0 / 40 / 20

HEX #69CD7C

RGB 105 205 124

HSL 131.4, 0.5%, 0.61%

LAB 74.9, -46.55, 31.53

 

CMYK 49 / 0 / 27 / 20

HEX #69CD96

RGB 105 205 150

HSL 147, 0.5%, 0.61%

LAB 75.37, -41.84, 18.55

 

CMYK 49 / 0 / 14 / 20

HEX #69CDB1

RGB 105 205 177

HSL 163.2, 0.5%, 0.61%

LAB 75.97, -36.03, 4.95

 

CMYK 49 / 0 / 1 / 20

HEX #69CDCB

RGB 105 205 203

HSL 178.8, 0.5%, 0.61%

LAB 76.67, -29.67, -8.04

 

CMYK 49 / 12 / 0 / 20

HEX #69B4CD

RGB 105 180 205

HSL 195, 0.5%, 0.61%

LAB 69.51, -16.56, -19.88

 

CMYK 67 / 0 / 19 / 33

HEX #39AB8B

RGB 57 171 139

HSL 163.16, 0.5%, 0.45%

LAB 63.23, -39.65, 7.22

 

CMYK 62 / 0 / 18 / 24

HEX #4AC2A0

RGB 74 194 160

HSL 163, 0.5%, 0.53%

LAB 71.27, -41.64, 7.25

 

CMYK 49 / 0 / 14 / 20

HEX #69CDB1

RGB 105 205 177

HSL 163.2, 0.5%, 0.61%

LAB 75.97, -36.03, 4.95

 

CMYK 37 / 0 / 10 / 16

HEX #88D7C1

RGB 136 215 193

HSL 163.29, 0.5%, 0.69%

LAB 80.56, -29.2, 3.19

 

CMYK 26 / 0 / 7 / 12

HEX #A7E1D1

RGB 167 225 209

HSL 163.45, 0.49%, 0.77%

LAB 85.34, -21.74, 1.84

 

CMYK 48 / 0 / 14 / 20

HEX #6ACDB1

RGB 106 205 177

HSL 163.03, 0.5%, 0.61%

LAB 76.01, -35.8, 5.01

 

CMYK 49 / 44 / 0 / 20

HEX #6972CD

RGB 105 114 205

HSL 234.6, 0.5%, 0.61%

LAB 51.2, 21.28, -48.38

 

CMYK 0 / 33 / 49 / 20

HEX #CD8969

RGB 205 137 105

HSL 19.2, 0.5%, 0.61%

LAB 63.25, 22.4, 27.72

 

CMYK 48 / 0 / 14 / 20

HEX #6ACDB1

RGB 106 205 177

HSL 163.03, 0.5%, 0.61%

LAB 76.01, -35.8, 5.01

 

CMYK 14 / 49 / 0 / 20

HEX #B169CD

RGB 177 105 205

HSL 283.2, 0.5%, 0.61%

LAB 55.95, 45.53, -40.43

 

CMYK 0 / 14 / 49 / 20

HEX #CDB169

RGB 205 177 105

HSL 43.2, 0.5%, 0.61%

LAB 73.18, 0.76, 40.37

 

CMYK 48 / 0 / 14 / 20

HEX #6ACDB1

RGB 106 205 177

HSL 163.03, 0.5%, 0.61%

LAB 76.01, -35.8, 5.01

 

CMYK 49 / 44 / 0 / 20

HEX #6972CD

RGB 105 114 205

HSL 234.6, 0.5%, 0.61%

LAB 51.2, 21.28, -48.38

 

CMYK 0 / 49 / 35 / 20

HEX #CD6986

RGB 205 105 134

HSL 342.6, 0.5%, 0.61%

LAB 56.88, 42.62, 2.35

 

CMYK 0 / 4 / 49 / 20

HEX #CDC469

RGB 205 196 105

HSL 54.6, 0.5%, 0.61%

LAB 78.16, -9.16, 46.45

 

CMYK 48 / 0 / 14 / 20

HEX #6ACDB1

RGB 106 205 177

HSL 163.03, 0.5%, 0.61%

LAB 76.01, -35.8, 5.01

 

CMYK 38 / 49 / 0 / 20

HEX #7F69CD

RGB 127 105 205

HSL 253.2, 0.5%, 0.61%

LAB 50.71, 32.04, -49.05

 

CMYK 0 / 49 / 35 / 20

HEX #CD6986

RGB 205 105 134

HSL 342.6, 0.5%, 0.61%

LAB 56.88, 42.62, 2.35

 

CMYK 11 / 0 / 49 / 20

HEX #B7CD69

RGB 183 205 105

HSL 73.2, 0.5%, 0.61%

LAB 78.9, -22.51, 46.94

 

Description

Color code: HEX #6ACDB1 | qconv.com Color code: HEX #6ACDB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 205 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 205 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 14 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 14% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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