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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ACE44 it is the complementary color #9531BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ACE44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ACE44 shade: #6FCE3F, #80E052, #91F265, #A2FF78 and #B3FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ACE44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ACE44 shade: #6ACE44, #59BC31, #48AA1E, #37980B and #268600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ACE44 shade: #6BCD45, #8FCD45, #B4CD45, #CDC245 and #CD9D45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ACE44 shade: #6BCD45, #46CD45, #45CD69, #45CD8E and #45CDB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ACE44 shade matches the following richer shades: #6BCD45, #62E032 and #5AF31F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ACE44 shade: #6BCD45, #73BA58, #7CA76B, #84947E and #8D8191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ACE44 shade: #B4CD45, #90CD45, #6CCD45, #47CD45 and #45CD67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ACE44 shade: #479828, #56B831, #6BCD45, #85D666 and #9FDF86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ACE44 shade: #6ACE44, #45CDC2 and #CD45A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ACE44 shade: #6ACE44, #456CCD and #CD456C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ACE44 shade: #6ACE44, #45CDC2, #A745CD and #CD4551

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ACE44 shade: #6ACE44, #45B0CD, #A745CD and #CD6345

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 67 / 19

HEX #6ACE44

RGB 106 206 68

HSL 103.48, 0.58%, 0.54%

LAB 74.59, -53.63, 57.38

 

Complementary color

CMYK 20 / 74 / 0 / 27

HEX #9531BB

RGB 149 49 187

HSL 283.48, 0.58%, 0.46%

LAB 41.49, 61.32, -53.28

 

CMYK 46 / 0 / 69 / 19

HEX #6FCE3F

RGB 111 206 63

HSL 99.86, 0.59%, 0.53%

LAB 74.75, -52.54, 59.55

 

CMYK 43 / 0 / 63 / 12

HEX #80E052

RGB 128 224 82

HSL 100.56, 0.7%, 0.6%

LAB 81.02, -52.85, 58.91

 

CMYK 40 / 0 / 58 / 5

HEX #91F265

RGB 145 242 101

HSL 101.28, 0.84%, 0.67%

LAB 87.22, -53, 58

 

CMYK 36 / 0 / 53 / 0

HEX #A2FF78

RGB 162 255 120

HSL 101.33, 1%, 0.74%

LAB 91.93, -50.99, 55.28

 

CMYK 30 / 0 / 45 / 0

HEX #B3FF8B

RGB 179 255 139

HSL 99.31, 1%, 0.77%

LAB 93, -43.28, 47.95

 

CMYK 49 / 0 / 67 / 19

HEX #6ACE44

RGB 106 206 68

HSL 103.48, 0.58%, 0.54%

LAB 74.59, -53.63, 57.38

 

CMYK 53 / 0 / 74 / 26

HEX #59BC31

RGB 89 188 49

HSL 102.73, 0.59%, 0.46%

LAB 68.25, -53.12, 57.79

 

CMYK 58 / 0 / 82 / 33

HEX #48AA1E

RGB 72 170 30

HSL 102, 0.7%, 0.39%

LAB 61.84, -52.28, 57.48

 

CMYK 64 / 0 / 93 / 40

HEX #37980B

RGB 55 152 11

HSL 101.28, 0.87%, 0.32%

LAB 55.37, -50.93, 55.83

 

CMYK 72 / 0 / 100 / 47

HEX #268600

RGB 38 134 0

HSL 102.99, 1%, 0.26%

LAB 48.84, -48.87, 52.2

 

CMYK 48 / 0 / 66 / 20

HEX #6BCD45

RGB 107 205 69

HSL 103.24, 0.58%, 0.54%

LAB 74.33, -52.86, 56.71

 

CMYK 30 / 0 / 66 / 20

HEX #8FCD45

RGB 143 205 69

HSL 87.35, 0.58%, 0.54%

LAB 76.03, -40.92, 59.03

 

CMYK 12 / 0 / 66 / 20

HEX #B4CD45

RGB 180 205 69

HSL 71.03, 0.58%, 0.54%

LAB 78.34, -26.63, 62.16

 

CMYK 0 / 5 / 66 / 20

HEX #CDC245

RGB 205 194 69

HSL 55.15, 0.58%, 0.54%

LAB 77.28, -10.79, 61.67

 

CMYK 0 / 23 / 66 / 20

HEX #CD9D45

RGB 205 157 69

HSL 38.82, 0.58%, 0.54%

LAB 67.67, 8.7, 51.52

 

CMYK 48 / 0 / 66 / 20

HEX #6BCD45

RGB 107 205 69

HSL 103.24, 0.58%, 0.54%

LAB 74.33, -52.86, 56.71

 

CMYK 66 / 0 / 66 / 20

HEX #46CD45

RGB 70 205 69

HSL 119.56, 0.58%, 0.54%

LAB 73.15, -62.08, 55.1

 

CMYK 66 / 0 / 49 / 20

HEX #45CD69

RGB 69 205 105

HSL 135.88, 0.58%, 0.54%

LAB 73.51, -57.81, 39.11

 

CMYK 66 / 0 / 31 / 20

HEX #45CD8E

RGB 69 205 142

HSL 152.21, 0.58%, 0.54%

LAB 74.11, -51.16, 20.89

 

CMYK 66 / 0 / 13 / 20

HEX #45CDB2

RGB 69 205 178

HSL 168.09, 0.58%, 0.54%

LAB 74.91, -42.88, 2.75

 

CMYK 48 / 0 / 66 / 20

HEX #6BCD45

RGB 107 205 69

HSL 103.24, 0.58%, 0.54%

LAB 74.33, -52.86, 56.71

 

CMYK 56 / 0 / 78 / 12

HEX #62E032

RGB 98 224 50

HSL 103.45, 0.74%, 0.54%

LAB 79.69, -63.66, 68.69

 

CMYK 63 / 0 / 87 / 5

HEX #5AF31F

RGB 90 243 31

HSL 103.3, 0.9%, 0.54%

LAB 85.19, -72.67, 78.08

 

CMYK 48 / 0 / 66 / 20

HEX #6BCD45

RGB 107 205 69

HSL 103.24, 0.58%, 0.54%

LAB 74.33, -52.86, 56.71

 

CMYK 38 / 0 / 53 / 27

HEX #73BA58

RGB 115 186 88

HSL 103.47, 0.42%, 0.54%

LAB 69.09, -40.57, 42.37

 

CMYK 26 / 0 / 36 / 35

HEX #7CA76B

RGB 124 167 107

HSL 103, 0.25%, 0.54%

LAB 64.15, -26.03, 26.48

 

CMYK 11 / 0 / 15 / 42

HEX #84947E

RGB 132 148 126

HSL 103.64, 0.09%, 0.54%

LAB 59.52, -10.04, 9.72

 

CMYK 3 / 11 / 0 / 43

HEX #8D8191

RGB 141 129 145

HSL 285, 0.07%, 0.54%

LAB 55.49, 7.65, -6.95

 

CMYK 12 / 0 / 66 / 20

HEX #B4CD45

RGB 180 205 69

HSL 71.03, 0.58%, 0.54%

LAB 78.34, -26.63, 62.16

 

CMYK 30 / 0 / 66 / 20

HEX #90CD45

RGB 144 205 69

HSL 86.91, 0.58%, 0.54%

LAB 76.08, -40.56, 59.1

 

CMYK 47 / 0 / 66 / 20

HEX #6CCD45

RGB 108 205 69

HSL 102.79, 0.58%, 0.54%

LAB 74.37, -52.57, 56.77

 

CMYK 65 / 0 / 66 / 20

HEX #47CD45

RGB 71 205 69

HSL 119.12, 0.58%, 0.54%

LAB 73.18, -61.88, 55.13

 

CMYK 66 / 0 / 50 / 20

HEX #45CD67

RGB 69 205 103

HSL 135, 0.58%, 0.54%

LAB 73.49, -58.11, 40.06

 

CMYK 53 / 0 / 74 / 40

HEX #479828

RGB 71 152 40

HSL 103.39, 0.58%, 0.38%

LAB 56.04, -45.13, 48.6

 

CMYK 53 / 0 / 73 / 28

HEX #56B831

RGB 86 184 49

HSL 103.56, 0.58%, 0.46%

LAB 66.89, -52.46, 56.4

 

CMYK 48 / 0 / 66 / 20

HEX #6BCD45

RGB 107 205 69

HSL 103.24, 0.58%, 0.54%

LAB 74.33, -52.86, 56.71

 

CMYK 38 / 0 / 52 / 16

HEX #85D666

RGB 133 214 102

HSL 103.39, 0.58%, 0.62%

LAB 78.48, -45.1, 47.17

 

CMYK 29 / 0 / 40 / 13

HEX #9FDF86

RGB 159 223 134

HSL 103.15, 0.58%, 0.7%

LAB 82.84, -36.38, 37.27

 

CMYK 49 / 0 / 67 / 19

HEX #6ACE44

RGB 106 206 68

HSL 103.48, 0.58%, 0.54%

LAB 74.59, -53.63, 57.38

 

CMYK 66 / 0 / 5 / 20

HEX #45CDC2

RGB 69 205 194

HSL 175.15, 0.58%, 0.54%

LAB 75.34, -38.69, -5.26

 

CMYK 0 / 66 / 21 / 20

HEX #CD45A2

RGB 205 69 162

HSL 318.97, 0.58%, 0.54%

LAB 51.66, 62.69, -21.93

 

CMYK 49 / 0 / 67 / 19

HEX #6ACE44

RGB 106 206 68

HSL 103.48, 0.58%, 0.54%

LAB 74.59, -53.63, 57.38

 

CMYK 66 / 47 / 0 / 20

HEX #456CCD

RGB 69 108 205

HSL 222.79, 0.58%, 0.54%

LAB 47.49, 17.84, -54.43

 

CMYK 0 / 66 / 47 / 20

HEX #CD456C

RGB 205 69 108

HSL 342.79, 0.58%, 0.54%

LAB 49.88, 56.51, 7.74

 

CMYK 49 / 0 / 67 / 19

HEX #6ACE44

RGB 106 206 68

HSL 103.48, 0.58%, 0.54%

LAB 74.59, -53.63, 57.38

 

CMYK 66 / 0 / 5 / 20

HEX #45CDC2

RGB 69 205 194

HSL 175.15, 0.58%, 0.54%

LAB 75.34, -38.69, -5.26

 

CMYK 19 / 66 / 0 / 20

HEX #A745CD

RGB 167 69 205

HSL 283.24, 0.58%, 0.54%

LAB 48.11, 60.6, -52.97

 

CMYK 0 / 66 / 60 / 20

HEX #CD4551

RGB 205 69 81

HSL 354.71, 0.58%, 0.54%

LAB 49.29, 54.38, 23.22

 

CMYK 49 / 0 / 67 / 19

HEX #6ACE44

RGB 106 206 68

HSL 103.48, 0.58%, 0.54%

LAB 74.59, -53.63, 57.38

 

CMYK 66 / 14 / 0 / 20

HEX #45B0CD

RGB 69 176 205

HSL 192.79, 0.58%, 0.54%

LAB 67.07, -21.45, -23.71

 

CMYK 19 / 66 / 0 / 20

HEX #A745CD

RGB 167 69 205

HSL 283.24, 0.58%, 0.54%

LAB 48.11, 60.6, -52.97

 

CMYK 0 / 52 / 66 / 20

HEX #CD6345

RGB 205 99 69

HSL 13.24, 0.58%, 0.54%

LAB 54.38, 39.75, 36.46

 

Description

Color code: HEX #6ACE44 | qconv.com Color code: HEX #6ACE44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 206 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 206 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 67 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 67% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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