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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AD05F it is the complementary color #952FA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AD05F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AD05F shade: #6FD05A, #80E26D, #91F480, #A2FF93 and #B3FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AD05F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AD05F shade: #6AD05F, #59BE4C, #48AC39, #379A26 and #268813

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AD05F shade: #68CF5C, #87CF5C, #A6CF5C, #C5CF5C and #CFBB5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AD05F shade: #68CF5C, #5CCF70, #5CCF8F, #5CCFAE and #5CCFCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AD05F shade matches the following richer shades: #68CF5C, #5AE04C and #4CF13B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AD05F shade: #68CF5C, #75BF6D, #83AE7E, #919D8F and #9E8CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AD05F shade: #A5CF5C, #87CF5C, #68CF5C, #5CCF70 and #5CCF8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AD05F shade: #3CA931, #4AC63C, #68CF5C, #85D97C and #A3E29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AD05F shade: #6AD05F, #5CC4CF and #CF5C96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AD05F shade: #6AD05F, #5C68CF and #CF5C68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AD05F shade: #6AD05F, #5CC4CF, #C45CCF and #CF685C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AD05F shade: #6AD05F, #5CA1CF, #C45CCF and #CF8A5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 54 / 18

HEX #6AD05F

RGB 106 208 95

HSL 114.16, 0.55%, 0.59%

LAB 75.45, -51.64, 46.56

 

Complementary color

CMYK 7 / 71 / 0 / 37

HEX #952FA0

RGB 149 47 160

HSL 294.16, 0.55%, 0.41%

LAB 39.51, 56.9, -40.41

 

CMYK 47 / 0 / 57 / 18

HEX #6FD05A

RGB 111 208 90

HSL 109.32, 0.56%, 0.58%

LAB 75.59, -50.79, 49.09

 

CMYK 43 / 0 / 52 / 11

HEX #80E26D

RGB 128 226 109

HSL 110.26, 0.67%, 0.66%

LAB 81.88, -50.82, 47.92

 

CMYK 41 / 0 / 48 / 4

HEX #91F480

RGB 145 244 128

HSL 111.21, 0.84%, 0.73%

LAB 88.1, -50.76, 46.73

 

CMYK 36 / 0 / 42 / 0

HEX #A2FF93

RGB 162 255 147

HSL 111.67, 1%, 0.79%

LAB 92.27, -47.69, 43.01

 

CMYK 30 / 0 / 35 / 0

HEX #B3FFA6

RGB 179 255 166

HSL 111.24, 1%, 0.83%

LAB 93.39, -39.66, 35.3

 

CMYK 49 / 0 / 54 / 18

HEX #6AD05F

RGB 106 208 95

HSL 114.16, 0.55%, 0.59%

LAB 75.45, -51.64, 46.56

 

CMYK 53 / 0 / 60 / 25

HEX #59BE4C

RGB 89 190 76

HSL 113.16, 0.47%, 0.52%

LAB 69.09, -51.46, 47.73

 

CMYK 58 / 0 / 67 / 33

HEX #48AC39

RGB 72 172 57

HSL 112.17, 0.5%, 0.45%

LAB 62.66, -51.04, 48.72

 

CMYK 64 / 0 / 75 / 40

HEX #379A26

RGB 55 154 38

HSL 111.21, 0.6%, 0.38%

LAB 56.15, -50.24, 49.29

 

CMYK 72 / 0 / 86 / 47

HEX #268813

RGB 38 136 19

HSL 110.26, 0.75%, 0.3%

LAB 49.58, -48.84, 48.93

 

CMYK 50 / 0 / 56 / 19

HEX #68CF5C

RGB 104 207 92

HSL 113.74, 0.55%, 0.59%

LAB 75.04, -52.16, 47.45

 

CMYK 35 / 0 / 56 / 19

HEX #87CF5C

RGB 135 207 92

HSL 97.57, 0.55%, 0.59%

LAB 76.41, -42.54, 49.4

 

CMYK 20 / 0 / 56 / 19

HEX #A6CF5C

RGB 166 207 92

HSL 81.39, 0.55%, 0.59%

LAB 78.17, -31.31, 51.9

 

CMYK 5 / 0 / 56 / 19

HEX #C5CF5C

RGB 197 207 92

HSL 65.22, 0.55%, 0.59%

LAB 80.33, -19.07, 54.94

 

CMYK 0 / 10 / 56 / 19

HEX #CFBB5C

RGB 207 187 92

HSL 49.57, 0.55%, 0.59%

LAB 75.81, -4.79, 49.97

 

CMYK 50 / 0 / 56 / 19

HEX #68CF5C

RGB 104 207 92

HSL 113.74, 0.55%, 0.59%

LAB 75.04, -52.16, 47.45

 

CMYK 56 / 0 / 46 / 19

HEX #5CCF70

RGB 92 207 112

HSL 130.43, 0.55%, 0.59%

LAB 74.87, -52.57, 37.48

 

CMYK 56 / 0 / 31 / 19

HEX #5CCF8F

RGB 92 207 143

HSL 146.61, 0.55%, 0.59%

LAB 75.38, -47.19, 22.19

 

CMYK 56 / 0 / 16 / 19

HEX #5CCFAE

RGB 92 207 174

HSL 162.78, 0.55%, 0.59%

LAB 76.04, -40.53, 6.61

 

CMYK 56 / 0 / 1 / 19

HEX #5CCFCD

RGB 92 207 205

HSL 178.96, 0.55%, 0.59%

LAB 76.87, -32.76, -8.87

 

CMYK 50 / 0 / 56 / 19

HEX #68CF5C

RGB 104 207 92

HSL 113.74, 0.55%, 0.59%

LAB 75.04, -52.16, 47.45

 

CMYK 60 / 0 / 66 / 12

HEX #5AE04C

RGB 90 224 76

HSL 114.32, 0.7%, 0.59%

LAB 79.62, -63.67, 59.42

 

CMYK 68 / 0 / 76 / 5

HEX #4CF13B

RGB 76 241 59

HSL 114.4, 0.87%, 0.59%

LAB 84.36, -73.44, 70.25

 

CMYK 50 / 0 / 56 / 19

HEX #68CF5C

RGB 104 207 92

HSL 113.74, 0.55%, 0.59%

LAB 75.04, -52.16, 47.45

 

CMYK 39 / 0 / 43 / 25

HEX #75BF6D

RGB 117 191 109

HSL 114.15, 0.39%, 0.59%

LAB 70.97, -39.33, 34.24

 

CMYK 25 / 0 / 28 / 32

HEX #83AE7E

RGB 131 174 126

HSL 113.75, 0.23%, 0.59%

LAB 66.98, -23.94, 20.09

 

CMYK 8 / 0 / 9 / 38

HEX #919D8F

RGB 145 157 143

HSL 111.43, 0.07%, 0.59%

LAB 63.44, -7, 5.86

 

CMYK 1 / 13 / 0 / 37

HEX #9E8CA0

RGB 158 140 160

HSL 294, 0.1%, 0.59%

LAB 60.39, 10.48, -8.1

 

CMYK 20 / 0 / 56 / 19

HEX #A5CF5C

RGB 165 207 92

HSL 81.91, 0.55%, 0.59%

LAB 78.11, -31.69, 51.81

 

CMYK 35 / 0 / 56 / 19

HEX #87CF5C

RGB 135 207 92

HSL 97.57, 0.55%, 0.59%

LAB 76.41, -42.54, 49.4

 

CMYK 50 / 0 / 56 / 19

HEX #68CF5C

RGB 104 207 92

HSL 113.74, 0.55%, 0.59%

LAB 75.04, -52.16, 47.45

 

CMYK 56 / 0 / 46 / 19

HEX #5CCF70

RGB 92 207 112

HSL 130.43, 0.55%, 0.59%

LAB 74.87, -52.57, 37.48

 

CMYK 56 / 0 / 31 / 19

HEX #5CCF8E

RGB 92 207 142

HSL 146.09, 0.55%, 0.59%

LAB 75.36, -47.38, 22.7

 

CMYK 64 / 0 / 71 / 34

HEX #3CA931

RGB 60 169 49

HSL 114.5, 0.55%, 0.43%

LAB 61.27, -53.55, 50.39

 

CMYK 63 / 0 / 70 / 22

HEX #4AC63C

RGB 74 198 60

HSL 113.91, 0.55%, 0.51%

LAB 70.99, -59.65, 56.39

 

CMYK 50 / 0 / 56 / 19

HEX #68CF5C

RGB 104 207 92

HSL 113.74, 0.55%, 0.59%

LAB 75.04, -52.16, 47.45

 

CMYK 39 / 0 / 43 / 15

HEX #85D97C

RGB 133 217 124

HSL 114.19, 0.55%, 0.67%

LAB 79.65, -43.55, 37.91

 

CMYK 28 / 0 / 31 / 11

HEX #A3E29C

RGB 163 226 156

HSL 114, 0.55%, 0.75%

LAB 84.27, -33.18, 28.01

 

CMYK 49 / 0 / 54 / 18

HEX #6AD05F

RGB 106 208 95

HSL 114.16, 0.55%, 0.59%

LAB 75.45, -51.64, 46.56

 

CMYK 56 / 5 / 0 / 19

HEX #5CC4CF

RGB 92 196 207

HSL 185.74, 0.55%, 0.59%

LAB 73.71, -26.9, -14.66

 

CMYK 0 / 56 / 28 / 19

HEX #CF5C96

RGB 207 92 150

HSL 329.74, 0.55%, 0.59%

LAB 55.2, 51.72, -9.48

 

CMYK 49 / 0 / 54 / 18

HEX #6AD05F

RGB 106 208 95

HSL 114.16, 0.55%, 0.59%

LAB 75.45, -51.64, 46.56

 

CMYK 56 / 50 / 0 / 19

HEX #5C68CF

RGB 92 104 207

HSL 233.74, 0.55%, 0.59%

LAB 47.86, 25.23, -54.93

 

CMYK 0 / 56 / 50 / 19

HEX #CF5C68

RGB 207 92 104

HSL 353.74, 0.55%, 0.59%

LAB 53.94, 46.57, 15.85

 

CMYK 49 / 0 / 54 / 18

HEX #6AD05F

RGB 106 208 95

HSL 114.16, 0.55%, 0.59%

LAB 75.45, -51.64, 46.56

 

CMYK 56 / 5 / 0 / 19

HEX #5CC4CF

RGB 92 196 207

HSL 185.74, 0.55%, 0.59%

LAB 73.71, -26.9, -14.66

 

CMYK 5 / 56 / 0 / 19

HEX #C45CCF

RGB 196 92 207

HSL 294.26, 0.55%, 0.59%

LAB 55.98, 57.6, -41.35

 

CMYK 0 / 50 / 56 / 19

HEX #CF685C

RGB 207 104 92

HSL 6.26, 0.55%, 0.59%

LAB 56.03, 39.59, 25.63

 

CMYK 49 / 0 / 54 / 18

HEX #6AD05F

RGB 106 208 95

HSL 114.16, 0.55%, 0.59%

LAB 75.45, -51.64, 46.56

 

CMYK 56 / 22 / 0 / 19

HEX #5CA1CF

RGB 92 161 207

HSL 204, 0.55%, 0.59%

LAB 63.57, -8.6, -30.14

 

CMYK 5 / 56 / 0 / 19

HEX #C45CCF

RGB 196 92 207

HSL 294.26, 0.55%, 0.59%

LAB 55.98, 57.6, -41.35

 

CMYK 0 / 33 / 56 / 19

HEX #CF8A5C

RGB 207 138 92

HSL 24, 0.55%, 0.59%

LAB 63.52, 21.51, 35.19

 

Description

Color code: HEX #6AD05F | qconv.com Color code: HEX #6AD05F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 208 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 208 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 54 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 54% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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