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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AD340 it is the complementary color #952CBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AD340. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AD340 shade: #6FD33B, #80E54E, #91F761, #A2FF74 and #B3FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AD340. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AD340 shade: #6AD340, #59C12D, #48AF1A, #379D07 and #268B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AD340 shade: #6AD33F, #91D33F, #B9D33F, #D3C53F and #D39D3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AD340 shade: #6AD33F, #42D33F, #3FD365, #3FD38D and #3FD3B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AD340 shade matches the following richer shades: #6AD33F, #61E62C and #59F919

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AD340 shade: #6AD33F, #72C052, #7AAD65, #829A78 and #8A878B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AD340 shade: #BAD33F, #93D33F, #6CD33F, #44D33F and #3FD362

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AD340 shade: #469D23, #55BE2B, #6AD33F, #84DB61 and #9EE283

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AD340 shade: #6AD340, #3FD3C4 and #D33FA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AD340 shade: #6AD340, #3F6CD3 and #D33F6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AD340 shade: #6AD340, #3FD3C4, #A73FD3 and #D33F4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AD340 shade: #6AD340, #3FB6D3, #A73FD3 and #D35D3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 70 / 17

HEX #6AD340

RGB 106 211 64

HSL 102.86, 0.63%, 0.54%

LAB 76.08, -55.86, 60.49

 

Complementary color

CMYK 22 / 77 / 0 / 25

HEX #952CBF

RGB 149 44 191

HSL 282.86, 0.63%, 0.46%

LAB 41.14, 63.92, -56.19

 

CMYK 47 / 0 / 72 / 17

HEX #6FD33B

RGB 111 211 59

HSL 99.47, 0.63%, 0.53%

LAB 76.24, -54.77, 62.55

 

CMYK 44 / 0 / 66 / 10

HEX #80E54E

RGB 128 229 78

HSL 100.13, 0.74%, 0.6%

LAB 82.47, -55.16, 62.09

 

CMYK 41 / 0 / 61 / 3

HEX #91F761

RGB 145 247 97

HSL 100.8, 0.9%, 0.67%

LAB 88.64, -55.38, 61.31

 

CMYK 36 / 0 / 55 / 0

HEX #A2FF74

RGB 162 255 116

HSL 100.14, 1%, 0.73%

LAB 91.89, -51.41, 57.02

 

CMYK 30 / 0 / 47 / 0

HEX #B3FF87

RGB 179 255 135

HSL 98, 1%, 0.76%

LAB 92.95, -43.76, 49.78

 

CMYK 50 / 0 / 70 / 17

HEX #6AD340

RGB 106 211 64

HSL 102.86, 0.63%, 0.54%

LAB 76.08, -55.86, 60.49

 

CMYK 54 / 0 / 77 / 24

HEX #59C12D

RGB 89 193 45

HSL 102.16, 0.62%, 0.47%

LAB 69.79, -55.24, 60.65

 

CMYK 59 / 0 / 85 / 31

HEX #48AF1A

RGB 72 175 26

HSL 101.48, 0.74%, 0.39%

LAB 63.44, -54.26, 59.94

 

CMYK 65 / 0 / 96 / 38

HEX #379D07

RGB 55 157 7

HSL 100.8, 0.91%, 0.32%

LAB 57.02, -52.76, 57.81

 

CMYK 73 / 0 / 100 / 45

HEX #268B00

RGB 38 139 0

HSL 103.6, 1%, 0.27%

LAB 50.54, -50.53, 53.56

 

CMYK 50 / 0 / 70 / 17

HEX #6AD33F

RGB 106 211 63

HSL 102.57, 0.63%, 0.54%

LAB 76.08, -55.94, 60.86

 

CMYK 31 / 0 / 70 / 17

HEX #91D33F

RGB 145 211 63

HSL 86.76, 0.63%, 0.54%

LAB 77.86, -43.23, 63.25

 

CMYK 12 / 0 / 70 / 17

HEX #B9D33F

RGB 185 211 63

HSL 70.54, 0.63%, 0.54%

LAB 80.33, -27.83, 66.53

 

CMYK 0 / 7 / 70 / 17

HEX #D3C53F

RGB 211 197 63

HSL 54.32, 0.63%, 0.54%

LAB 78.54, -10.1, 65.45

 

CMYK 0 / 26 / 70 / 17

HEX #D39D3F

RGB 211 157 63

HSL 38.11, 0.63%, 0.54%

LAB 68.26, 10.95, 55.03

 

CMYK 50 / 0 / 70 / 17

HEX #6AD33F

RGB 106 211 63

HSL 102.57, 0.63%, 0.54%

LAB 76.08, -55.94, 60.86

 

CMYK 69 / 0 / 70 / 17

HEX #42D33F

RGB 66 211 63

HSL 118.78, 0.63%, 0.54%

LAB 74.89, -65.39, 59.26

 

CMYK 70 / 0 / 52 / 17

HEX #3FD365

RGB 63 211 101

HSL 135.41, 0.63%, 0.54%

LAB 75.19, -61.6, 43.1

 

CMYK 70 / 0 / 33 / 17

HEX #3FD38D

RGB 63 211 141

HSL 151.62, 0.63%, 0.54%

LAB 75.8, -54.7, 23.7

 

CMYK 70 / 0 / 14 / 17

HEX #3FD3B5

RGB 63 211 181

HSL 167.84, 0.63%, 0.54%

LAB 76.67, -45.59, 3.66

 

CMYK 50 / 0 / 70 / 17

HEX #6AD33F

RGB 106 211 63

HSL 102.57, 0.63%, 0.54%

LAB 76.08, -55.94, 60.86

 

CMYK 58 / 0 / 81 / 10

HEX #61E62C

RGB 97 230 44

HSL 102.9, 0.79%, 0.54%

LAB 81.47, -66.29, 72

 

CMYK 64 / 0 / 90 / 2

HEX #59F919

RGB 89 249 25

HSL 102.86, 0.95%, 0.54%

LAB 86.97, -74.94, 80.57

 

CMYK 50 / 0 / 70 / 17

HEX #6AD33F

RGB 106 211 63

HSL 102.57, 0.63%, 0.54%

LAB 76.08, -55.94, 60.86

 

CMYK 41 / 0 / 57 / 25

HEX #72C052

RGB 114 192 82

HSL 102.55, 0.47%, 0.54%

LAB 70.79, -44.16, 47.21

 

CMYK 29 / 0 / 42 / 32

HEX #7AAD65

RGB 122 173 101

HSL 102.5, 0.31%, 0.54%

LAB 65.72, -30.53, 31.69

 

CMYK 16 / 0 / 22 / 40

HEX #829A78

RGB 130 154 120

HSL 102.35, 0.14%, 0.54%

LAB 60.97, -15.07, 15.11

 

CMYK 1 / 3 / 0 / 45

HEX #8A878B

RGB 138 135 139

HSL 285, 0.02%, 0.54%

LAB 56.68, 1.9, -1.75

 

CMYK 12 / 0 / 70 / 17

HEX #BAD33F

RGB 186 211 63

HSL 70.14, 0.63%, 0.54%

LAB 80.4, -27.42, 66.63

 

CMYK 30 / 0 / 70 / 17

HEX #93D33F

RGB 147 211 63

HSL 85.95, 0.63%, 0.54%

LAB 77.96, -42.5, 63.39

 

CMYK 49 / 0 / 70 / 17

HEX #6CD33F

RGB 108 211 63

HSL 101.76, 0.63%, 0.54%

LAB 76.15, -55.36, 60.96

 

CMYK 68 / 0 / 70 / 17

HEX #44D33F

RGB 68 211 63

HSL 117.97, 0.63%, 0.54%

LAB 74.94, -65.01, 59.32

 

CMYK 70 / 0 / 54 / 17

HEX #3FD362

RGB 63 211 98

HSL 134.19, 0.63%, 0.54%

LAB 75.16, -62.02, 44.49

 

CMYK 55 / 0 / 78 / 38

HEX #469D23

RGB 70 157 35

HSL 102.79, 0.64%, 0.38%

LAB 57.6, -47.71, 51.92

 

CMYK 55 / 0 / 77 / 25

HEX #55BE2B

RGB 85 190 43

HSL 102.86, 0.63%, 0.46%

LAB 68.7, -55.35, 60.2

 

CMYK 50 / 0 / 70 / 17

HEX #6AD33F

RGB 106 211 63

HSL 102.57, 0.63%, 0.54%

LAB 76.08, -55.94, 60.86

 

CMYK 40 / 0 / 56 / 14

HEX #84DB61

RGB 132 219 97

HSL 102.79, 0.63%, 0.62%

LAB 79.86, -48.09, 51.11

 

CMYK 30 / 0 / 42 / 11

HEX #9EE283

RGB 158 226 131

HSL 102.95, 0.62%, 0.7%

LAB 83.6, -38.48, 39.73

 

CMYK 50 / 0 / 70 / 17

HEX #6AD340

RGB 106 211 64

HSL 102.86, 0.63%, 0.54%

LAB 76.08, -55.86, 60.49

 

CMYK 70 / 0 / 7 / 17

HEX #3FD3C4

RGB 63 211 196

HSL 173.92, 0.63%, 0.54%

LAB 77.06, -41.69, -3.82

 

CMYK 0 / 70 / 21 / 17

HEX #D33FA7

RGB 211 63 167

HSL 317.84, 0.63%, 0.54%

LAB 52.06, 67.13, -24.19

 

CMYK 50 / 0 / 70 / 17

HEX #6AD340

RGB 106 211 64

HSL 102.86, 0.63%, 0.54%

LAB 76.08, -55.86, 60.49

 

CMYK 70 / 49 / 0 / 17

HEX #3F6CD3

RGB 63 108 211

HSL 221.76, 0.63%, 0.54%

LAB 47.6, 19.07, -57.7

 

CMYK 0 / 70 / 49 / 17

HEX #D33F6C

RGB 211 63 108

HSL 341.76, 0.63%, 0.54%

LAB 50.08, 60.63, 8.17

 

CMYK 50 / 0 / 70 / 17

HEX #6AD340

RGB 106 211 64

HSL 102.86, 0.63%, 0.54%

LAB 76.08, -55.86, 60.49

 

CMYK 70 / 0 / 7 / 17

HEX #3FD3C4

RGB 63 211 196

HSL 173.92, 0.63%, 0.54%

LAB 77.06, -41.69, -3.82

 

CMYK 21 / 70 / 0 / 17

HEX #A73FD3

RGB 167 63 211

HSL 282.16, 0.63%, 0.54%

LAB 47.59, 64.33, -57.24

 

CMYK 0 / 70 / 63 / 17

HEX #D33F4E

RGB 211 63 78

HSL 353.92, 0.63%, 0.54%

LAB 49.44, 58.43, 25.41

 

CMYK 50 / 0 / 70 / 17

HEX #6AD340

RGB 106 211 64

HSL 102.86, 0.63%, 0.54%

LAB 76.08, -55.86, 60.49

 

CMYK 70 / 14 / 0 / 17

HEX #3FB6D3

RGB 63 182 211

HSL 191.76, 0.63%, 0.54%

LAB 68.91, -23.53, -24.22

 

CMYK 21 / 70 / 0 / 17

HEX #A73FD3

RGB 167 63 211

HSL 282.16, 0.63%, 0.54%

LAB 47.59, 64.33, -57.24

 

CMYK 0 / 56 / 70 / 17

HEX #D35D3F

RGB 211 93 63

HSL 12.16, 0.63%, 0.54%

LAB 54.07, 44.65, 39.6

 

Description

Color code: HEX #6AD340 | qconv.com Color code: HEX #6AD340 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 211 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 211 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 70 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 70% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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