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Color name
HEX #6ADC5A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ADC5A it is the complementary color #9523A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ADC5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ADC5A shade: #6FDC55, #80EE68, #91FF7B, #A2FF8E and #B3FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ADC5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ADC5A shade: #6ADC5A, #59CA47, #48B834, #37A621 and #26940E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ADC5A shade: #6ADC5A, #8DDC5A, #B0DC5A, #D3DC5A and #DCC25A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ADC5A shade: #6ADC5A, #5ADC6D, #5ADC90, #5ADCB3 and #5ADCD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ADC5A shade matches the following richer shades: #6ADC5A, #5EEC4A and #52FC3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ADC5A shade: #6ADC5A, #76CC6A, #83BC7B, #8FAB8B and #9B9B9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ADC5A shade: #B1DC5A, #8EDC5A, #6CDC5A, #5ADC6C and #5ADC8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ADC5A shade: #3ABC28, #4CD438, #6ADC5A, #89E37C and #A8EA9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ADC5A shade: #6ADC5A, #5AD3DC and #DC5A9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ADC5A shade: #6ADC5A, #5A6CDC and #DC5A6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ADC5A shade: #6ADC5A, #5AD3DC, #CA5ADC and #DC635A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ADC5A shade: #6ADC5A, #5AACDC, #CA5ADC and #DC8A5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

Complementary color

CMYK 10 / 79 / 0 / 35

HEX #9523A5

RGB 149 35 165

HSL 292.62, 0.65%, 0.39%

LAB 38.39, 61.9, -45.21

 

CMYK 50 / 0 / 61 / 14

HEX #6FDC55

RGB 111 220 85

HSL 108.44, 0.66%, 0.6%

LAB 79.17, -56.01, 55.4

 

CMYK 46 / 0 / 56 / 7

HEX #80EE68

RGB 128 238 104

HSL 109.25, 0.8%, 0.67%

LAB 85.37, -56.18, 54.36

 

CMYK 43 / 0 / 52 / 0

HEX #91FF7B

RGB 145 255 123

HSL 110, 1%, 0.74%

LAB 91.22, -55.83, 52.88

 

CMYK 36 / 0 / 44 / 0

HEX #A2FF8E

RGB 162 255 142

HSL 109.38, 1%, 0.78%

LAB 92.2, -48.36, 45.34

 

CMYK 30 / 0 / 37 / 0

HEX #B3FFA1

RGB 179 255 161

HSL 108.51, 1%, 0.82%

LAB 93.31, -40.39, 37.67

 

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

CMYK 56 / 0 / 65 / 21

HEX #59CA47

RGB 89 202 71

HSL 111.76, 0.55%, 0.54%

LAB 72.77, -56.5, 54.02

 

CMYK 61 / 0 / 72 / 28

HEX #48B834

RGB 72 184 52

HSL 110.91, 0.56%, 0.46%

LAB 66.45, -55.86, 54.7

 

CMYK 67 / 0 / 80 / 35

HEX #37A621

RGB 55 166 33

HSL 110.08, 0.67%, 0.39%

LAB 60.06, -54.77, 54.76

 

CMYK 74 / 0 / 91 / 42

HEX #26940E

RGB 38 148 14

HSL 109.25, 0.83%, 0.32%

LAB 53.63, -53.04, 53.64

 

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

CMYK 36 / 0 / 59 / 14

HEX #8DDC5A

RGB 141 220 90

HSL 96.46, 0.65%, 0.61%

LAB 80.51, -46.28, 55.1

 

CMYK 20 / 0 / 59 / 14

HEX #B0DC5A

RGB 176 220 90

HSL 80.31, 0.65%, 0.61%

LAB 82.46, -33.72, 57.83

 

CMYK 4 / 0 / 59 / 14

HEX #D3DC5A

RGB 211 220 90

HSL 64.15, 0.65%, 0.61%

LAB 84.88, -19.94, 61.19

 

CMYK 0 / 12 / 59 / 14

HEX #DCC25A

RGB 220 194 90

HSL 48, 0.65%, 0.61%

LAB 78.77, -3.13, 54.6

 

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

CMYK 59 / 0 / 50 / 14

HEX #5ADC6D

RGB 90 220 109

HSL 128.77, 0.65%, 0.61%

LAB 78.73, -58.44, 43.77

 

CMYK 59 / 0 / 35 / 14

HEX #5ADC90

RGB 90 220 144

HSL 144.92, 0.65%, 0.61%

LAB 79.26, -52.74, 26.92

 

CMYK 59 / 0 / 19 / 14

HEX #5ADCB3

RGB 90 220 179

HSL 161.08, 0.65%, 0.61%

LAB 79.96, -45.46, 9.55

 

CMYK 59 / 0 / 3 / 14

HEX #5ADCD6

RGB 90 220 214

HSL 177.23, 0.65%, 0.61%

LAB 80.86, -36.81, -7.76

 

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

CMYK 60 / 0 / 69 / 7

HEX #5EEC4A

RGB 94 236 74

HSL 112.59, 0.81%, 0.61%

LAB 83.37, -67.07, 64.22

 

CMYK 67 / 0 / 77 / 1

HEX #52FC3A

RGB 82 252 58

HSL 112.58, 0.97%, 0.61%

LAB 87.83, -75.84, 73.95

 

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

CMYK 42 / 0 / 48 / 20

HEX #76CC6A

RGB 118 204 106

HSL 112.65, 0.49%, 0.61%

LAB 74.87, -45.08, 40.68

 

CMYK 30 / 0 / 35 / 26

HEX #83BC7B

RGB 131 188 123

HSL 112.62, 0.33%, 0.61%

LAB 71.02, -31.23, 27.15

 

CMYK 16 / 0 / 19 / 33

HEX #8FAB8B

RGB 143 171 139

HSL 112.5, 0.16%, 0.61%

LAB 67.15, -15.9, 13.33

 

CMYK 0 / 0 / 0 / 39

HEX #9B9B9B

RGB 155 155 155

HSL 0, 0%, 0.61%

LAB 63.98, 0, -0.01

 

CMYK 20 / 0 / 59 / 14

HEX #B1DC5A

RGB 177 220 90

HSL 79.85, 0.65%, 0.61%

LAB 82.52, -33.34, 57.92

 

CMYK 35 / 0 / 59 / 14

HEX #8EDC5A

RGB 142 220 90

HSL 96, 0.65%, 0.61%

LAB 80.56, -45.95, 55.17

 

CMYK 51 / 0 / 59 / 14

HEX #6CDC5A

RGB 108 220 90

HSL 111.69, 0.65%, 0.61%

LAB 79.11, -56.32, 53.13

 

CMYK 59 / 0 / 51 / 14

HEX #5ADC6C

RGB 90 220 108

HSL 128.31, 0.65%, 0.61%

LAB 78.72, -58.58, 44.23

 

CMYK 59 / 0 / 35 / 14

HEX #5ADC8E

RGB 90 220 142

HSL 144, 0.65%, 0.61%

LAB 79.22, -53.11, 27.91

 

CMYK 69 / 0 / 79 / 26

HEX #3ABC28

RGB 58 188 40

HSL 112.7, 0.65%, 0.45%

LAB 67.29, -61.07, 59.52

 

CMYK 64 / 0 / 74 / 17

HEX #4CD438

RGB 76 212 56

HSL 112.31, 0.64%, 0.53%

LAB 75.39, -64.3, 62.37

 

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

CMYK 40 / 0 / 45 / 11

HEX #89E37C

RGB 137 227 124

HSL 112.43, 0.65%, 0.69%

LAB 82.76, -46.6, 41.9

 

CMYK 28 / 0 / 32 / 8

HEX #A8EA9E

RGB 168 234 158

HSL 112.11, 0.64%, 0.77%

LAB 86.82, -34.92, 30.47

 

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

CMYK 59 / 4 / 0 / 14

HEX #5AD3DC

RGB 90 211 220

HSL 184.15, 0.65%, 0.61%

LAB 78.42, -30.96, -14.61

 

CMYK 0 / 59 / 28 / 14

HEX #DC5A9F

RGB 220 90 159

HSL 328.15, 0.65%, 0.61%

LAB 57.11, 57.79, -11.68

 

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

CMYK 59 / 51 / 0 / 14

HEX #5A6CDC

RGB 90 108 220

HSL 231.69, 0.65%, 0.61%

LAB 49.58, 26.64, -59.56

 

CMYK 0 / 59 / 51 / 14

HEX #DC5A6C

RGB 220 90 108

HSL 351.69, 0.65%, 0.61%

LAB 55.7, 52.32, 16.23

 

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

CMYK 59 / 4 / 0 / 14

HEX #5AD3DC

RGB 90 211 220

HSL 184.15, 0.65%, 0.61%

LAB 78.42, -30.96, -14.61

 

CMYK 8 / 59 / 0 / 14

HEX #CA5ADC

RGB 202 90 220

HSL 291.69, 0.65%, 0.61%

LAB 57.11, 62.45, -46.88

 

CMYK 0 / 55 / 59 / 14

HEX #DC635A

RGB 220 99 90

HSL 4.15, 0.65%, 0.61%

LAB 56.96, 46.7, 28.36

 

CMYK 52 / 0 / 59 / 14

HEX #6ADC5A

RGB 106 220 90

HSL 112.62, 0.65%, 0.61%

LAB 79.03, -56.86, 53.03

 

CMYK 59 / 22 / 0 / 14

HEX #5AACDC

RGB 90 172 220

HSL 202.15, 0.65%, 0.61%

LAB 67.16, -11.03, -31.78

 

CMYK 8 / 59 / 0 / 14

HEX #CA5ADC

RGB 202 90 220

HSL 291.69, 0.65%, 0.61%

LAB 57.11, 62.45, -46.88

 

CMYK 0 / 37 / 59 / 14

HEX #DC8A5A

RGB 220 138 90

HSL 22.15, 0.65%, 0.61%

LAB 65.07, 26.67, 38.52

 

Description

Color code: HEX #6ADC5A | qconv.com Color code: HEX #6ADC5A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 220 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 220 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 59% 14% C M Y K

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Provide designers and agencies with accurate color values.

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