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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AE5AE it is the complementary color #951A51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AE5AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AE5AE shade: #6FE5A9, #80F7BC, #91FFCF, #A2FFE2 and #B3FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AE5AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AE5AE shade: #6AE5AE, #59D39B, #48C188, #37AF75 and #269D62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AE5AE shade: #6BE4AE, #6BE48D, #6BE46D, #8AE46B and #ABE46B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AE5AE shade: #6BE4AE, #6BE4CF, #6BD9E4, #6BB9E4 and #6B98E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AE5AE shade matches the following richer shades: #6BE4AE and #5DF3B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AE5AE shade: #6BE4AE, #79D6AD, #87C8AB, #95BAAA and #A3ACA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AE5AE shade: #6BE46D, #6BE48E, #6BE4AE, #6BE4CE and #6BDAE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AE5AE shade: #26D788, #48DE9B, #6BE4AE, #8EEBC1 and #B1F1D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AE5AE shade: #6AE5AE, #6B89E4 and #E47D6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AE5AE shade: #6AE5AE, #AE6BE4 and #E4AE6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AE5AE shade: #6AE5AE, #6B89E4, #E46BA2 and #E4C66B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AE5AE shade: #6AE5AE, #716BE4, #E46BA2 and #DEE46B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 24 / 10

HEX #6AE5AE

RGB 106 229 174

HSL 153.17, 0.7%, 0.66%

LAB 83, -47.08, 16.54

 

Complementary color

CMYK 0 / 83 / 46 / 42

HEX #951A51

RGB 149 26 81

HSL 333.17, 0.7%, 0.34%

LAB 33.4, 52.69, -0.39

 

CMYK 52 / 0 / 26 / 10

HEX #6FE5A9

RGB 111 229 169

HSL 149.49, 0.69%, 0.67%

LAB 83.06, -46.96, 19.27

 

CMYK 48 / 0 / 24 / 3

HEX #80F7BC

RGB 128 247 188

HSL 150.25, 0.88%, 0.74%

LAB 89.27, -46.82, 18.17

 

CMYK 43 / 0 / 19 / 0

HEX #91FFCF

RGB 145 255 207

HSL 153.82, 1%, 0.78%

LAB 92.59, -42.28, 13.17

 

CMYK 36 / 0 / 11 / 0

HEX #A2FFE2

RGB 162 255 226

HSL 161.29, 1%, 0.82%

LAB 93.75, -33.93, 5.14

 

CMYK 30 / 0 / 4 / 0

HEX #B3FFF5

RGB 179 255 245

HSL 172.11, 1%, 0.85%

LAB 95.03, -25.28, -2.7

 

CMYK 54 / 0 / 24 / 10

HEX #6AE5AE

RGB 106 229 174

HSL 153.17, 0.7%, 0.66%

LAB 83, -47.08, 16.54

 

CMYK 58 / 0 / 27 / 17

HEX #59D39B

RGB 89 211 155

HSL 152.46, 0.58%, 0.59%

LAB 76.73, -47.09, 17.7

 

CMYK 63 / 0 / 30 / 24

HEX #48C188

RGB 72 193 136

HSL 151.74, 0.49%, 0.52%

LAB 70.38, -46.99, 18.96

 

CMYK 69 / 0 / 33 / 31

HEX #37AF75

RGB 55 175 117

HSL 151, 0.52%, 0.45%

LAB 63.96, -46.7, 20.35

 

CMYK 76 / 0 / 38 / 38

HEX #269D62

RGB 38 157 98

HSL 150.25, 0.61%, 0.38%

LAB 57.47, -46.12, 21.87

 

CMYK 53 / 0 / 24 / 11

HEX #6BE4AE

RGB 107 228 174

HSL 153.22, 0.69%, 0.66%

LAB 82.74, -46.43, 16.18

 

CMYK 53 / 0 / 38 / 11

HEX #6BE48D

RGB 107 228 141

HSL 136.86, 0.69%, 0.66%

LAB 82.13, -52.65, 32.38

 

CMYK 53 / 0 / 52 / 11

HEX #6BE46D

RGB 107 228 109

HSL 120.99, 0.69%, 0.66%

LAB 81.68, -57.4, 47.49

 

CMYK 39 / 0 / 53 / 11

HEX #8AE46B

RGB 138 228 107

HSL 104.63, 0.69%, 0.66%

LAB 82.89, -48.82, 50.17

 

CMYK 25 / 0 / 53 / 11

HEX #ABE46B

RGB 171 228 107

HSL 88.26, 0.69%, 0.66%

LAB 84.59, -37.65, 52.6

 

CMYK 53 / 0 / 24 / 11

HEX #6BE4AE

RGB 107 228 174

HSL 153.22, 0.69%, 0.66%

LAB 82.74, -46.43, 16.18

 

CMYK 53 / 0 / 9 / 11

HEX #6BE4CF

RGB 107 228 207

HSL 169.59, 0.69%, 0.66%

LAB 83.5, -39, -0.1

 

CMYK 53 / 5 / 0 / 11

HEX #6BD9E4

RGB 107 217 228

HSL 185.45, 0.69%, 0.66%

LAB 80.93, -28.47, -15.05

 

CMYK 53 / 19 / 0 / 11

HEX #6BB9E4

RGB 107 185 228

HSL 201.32, 0.69%, 0.66%

LAB 71.84, -12.19, -28.87

 

CMYK 53 / 33 / 0 / 11

HEX #6B98E4

RGB 107 152 228

HSL 217.69, 0.69%, 0.66%

LAB 62.66, 6.2, -43.15

 

CMYK 53 / 0 / 24 / 11

HEX #6BE4AE

RGB 107 228 174

HSL 153.22, 0.69%, 0.66%

LAB 82.74, -46.43, 16.18

 

CMYK 62 / 0 / 28 / 5

HEX #5DF3B0

RGB 93 243 176

HSL 153.2, 0.86%, 0.66%

LAB 86.78, -55.06, 20.72

 

CMYK 53 / 0 / 24 / 11

HEX #6BE4AE

RGB 107 228 174

HSL 153.22, 0.69%, 0.66%

LAB 82.74, -46.43, 16.18

 

CMYK 43 / 0 / 19 / 16

HEX #79D6AD

RGB 121 214 173

HSL 153.55, 0.53%, 0.66%

LAB 79.14, -37.05, 11.71

 

CMYK 33 / 0 / 15 / 22

HEX #87C8AB

RGB 135 200 171

HSL 153.23, 0.37%, 0.66%

LAB 75.7, -26.92, 7.97

 

CMYK 20 / 0 / 9 / 27

HEX #95BAAA

RGB 149 186 170

HSL 154.05, 0.21%, 0.66%

LAB 72.5, -15.7, 4.01

 

CMYK 5 / 0 / 2 / 33

HEX #A3ACA8

RGB 163 172 168

HSL 153.33, 0.05%, 0.66%

LAB 69.55, -3.93, 0.95

 

CMYK 53 / 0 / 52 / 11

HEX #6BE46D

RGB 107 228 109

HSL 120.99, 0.69%, 0.66%

LAB 81.68, -57.4, 47.49

 

CMYK 53 / 0 / 38 / 11

HEX #6BE48E

RGB 107 228 142

HSL 137.36, 0.69%, 0.66%

LAB 82.14, -52.48, 31.9

 

CMYK 53 / 0 / 24 / 11

HEX #6BE4AE

RGB 107 228 174

HSL 153.22, 0.69%, 0.66%

LAB 82.74, -46.43, 16.18

 

CMYK 53 / 0 / 10 / 11

HEX #6BE4CE

RGB 107 228 206

HSL 169.09, 0.69%, 0.66%

LAB 83.48, -39.24, 0.4

 

CMYK 53 / 4 / 0 / 11

HEX #6BDAE4

RGB 107 218 228

HSL 184.96, 0.69%, 0.66%

LAB 81.22, -28.96, -14.62

 

CMYK 82 / 0 / 37 / 16

HEX #26D788

RGB 38 215 136

HSL 153.22, 0.7%, 0.5%

LAB 76.55, -60.23, 27.24

 

CMYK 68 / 0 / 30 / 13

HEX #48DE9B

RGB 72 222 155

HSL 153.2, 0.69%, 0.58%

LAB 79.61, -54.71, 21.61

 

CMYK 53 / 0 / 24 / 11

HEX #6BE4AE

RGB 107 228 174

HSL 153.22, 0.69%, 0.66%

LAB 82.74, -46.43, 16.18

 

CMYK 40 / 0 / 18 / 8

HEX #8EEBC1

RGB 142 235 193

HSL 152.9, 0.7%, 0.74%

LAB 86.51, -36.93, 11.77

 

CMYK 27 / 0 / 12 / 5

HEX #B1F1D4

RGB 177 241 212

HSL 152.81, 0.7%, 0.82%

LAB 90.33, -25.91, 7.55

 

CMYK 54 / 0 / 24 / 10

HEX #6AE5AE

RGB 106 229 174

HSL 153.17, 0.7%, 0.66%

LAB 83, -47.08, 16.54

 

CMYK 53 / 40 / 0 / 11

HEX #6B89E4

RGB 107 137 228

HSL 225.12, 0.69%, 0.66%

LAB 58.62, 15.02, -49.54

 

CMYK 0 / 45 / 53 / 11

HEX #E47D6B

RGB 228 125 107

HSL 8.93, 0.69%, 0.66%

LAB 63.53, 38, 27.52

 

CMYK 54 / 0 / 24 / 10

HEX #6AE5AE

RGB 106 229 174

HSL 153.17, 0.7%, 0.66%

LAB 83, -47.08, 16.54

 

CMYK 24 / 53 / 0 / 11

HEX #AE6BE4

RGB 174 107 228

HSL 273.22, 0.69%, 0.66%

LAB 57.19, 48.68, -51.47

 

CMYK 0 / 24 / 53 / 11

HEX #E4AE6B

RGB 228 174 107

HSL 33.22, 0.69%, 0.66%

LAB 74.72, 12.03, 41.75

 

CMYK 54 / 0 / 24 / 10

HEX #6AE5AE

RGB 106 229 174

HSL 153.17, 0.7%, 0.66%

LAB 83, -47.08, 16.54

 

CMYK 53 / 40 / 0 / 11

HEX #6B89E4

RGB 107 137 228

HSL 225.12, 0.69%, 0.66%

LAB 58.62, 15.02, -49.54

 

CMYK 0 / 53 / 29 / 11

HEX #E46BA2

RGB 228 107 162

HSL 332.73, 0.69%, 0.66%

LAB 61.32, 52.84, -6.99

 

CMYK 0 / 13 / 53 / 11

HEX #E4C66B

RGB 228 198 107

HSL 45.12, 0.69%, 0.66%

LAB 80.71, -0.58, 49.02

 

CMYK 54 / 0 / 24 / 10

HEX #6AE5AE

RGB 106 229 174

HSL 153.17, 0.7%, 0.66%

LAB 83, -47.08, 16.54

 

CMYK 50 / 53 / 0 / 11

HEX #716BE4

RGB 113 107 228

HSL 242.98, 0.69%, 0.66%

LAB 51.41, 34.3, -61.04

 

CMYK 0 / 53 / 29 / 11

HEX #E46BA2

RGB 228 107 162

HSL 332.73, 0.69%, 0.66%

LAB 61.32, 52.84, -6.99

 

CMYK 3 / 0 / 53 / 11

HEX #DEE46B

RGB 222 228 107

HSL 62.98, 0.69%, 0.66%

LAB 88.01, -18.15, 57.46

 

Description

Color code: HEX #6AE5AE | qconv.com Color code: HEX #6AE5AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 229 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 229 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 24 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 24% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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