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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AE6E0 it is the complementary color #95191F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AE6E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AE6E0 shade: #6FE6DB, #80F8EE, #91FFFF, #A2FFFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AE6E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AE6E0 shade: #6AE6E0, #59D4CD, #48C2BA, #37B0A7 and #269E94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AE6E0 shade: #6AE5DF, #6AE5BE, #6AE59D, #6AE57C and #7AE56A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AE6E0 shade: #6AE5DF, #6ACAE5, #6AA9E5, #6A88E5 and #6A6AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AE6E0 shade matches the following richer shades: #6AE5DF and #5CF3EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AE6E0 shade: #6AE5DF, #78D7D3, #86C9C6, #94BBB9 and #A2ADAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AE6E0 shade: #6AE59E, #6AE5BE, #6AE5DF, #6ACBE5 and #6AAAE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AE6E0 shade: #24D9D0, #47DFD8, #6AE5DF, #8EEBE7 and #B1F1EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AE6E0 shade: #6AE6E0, #7D6AE5 and #E5AE6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AE6E0 shade: #6AE6E0, #DF6AE5 and #E5DF6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AE6E0 shade: #6AE6E0, #7D6AE5, #E56A70 and #D3E56A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AE6E0 shade: #6AE6E0, #A26AE5, #E56A70 and #AEE56A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 3 / 10

HEX #6AE6E0

RGB 106 230 224

HSL 177.1, 0.71%, 0.66%

LAB 84.5, -35.88, -7.61

 

Complementary color

CMYK 0 / 83 / 79 / 42

HEX #95191F

RGB 149 25 31

HSL 357.1, 0.71%, 0.34%

LAB 32.22, 49.69, 30.39

 

CMYK 52 / 0 / 5 / 10

HEX #6FE6DB

RGB 111 230 219

HSL 174.45, 0.7%, 0.67%

LAB 84.53, -36.14, -4.91

 

CMYK 48 / 0 / 4 / 3

HEX #80F8EE

RGB 128 248 238

HSL 175, 0.9%, 0.74%

LAB 90.73, -36.2, -5.65

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 54 / 0 / 3 / 10

HEX #6AE6E0

RGB 106 230 224

HSL 177.1, 0.71%, 0.66%

LAB 84.5, -35.88, -7.61

 

CMYK 58 / 0 / 3 / 17

HEX #59D4CD

RGB 89 212 205

HSL 176.59, 0.59%, 0.59%

LAB 78.24, -35.67, -6.84

 

CMYK 63 / 0 / 4 / 24

HEX #48C2BA

RGB 72 194 186

HSL 176.07, 0.5%, 0.52%

LAB 71.9, -35.33, -6

 

CMYK 69 / 0 / 5 / 31

HEX #37B0A7

RGB 55 176 167

HSL 175.54, 0.52%, 0.45%

LAB 65.48, -34.83, -5.09

 

CMYK 76 / 0 / 6 / 38

HEX #269E94

RGB 38 158 148

HSL 175, 0.61%, 0.38%

LAB 58.98, -34.09, -4.06

 

CMYK 54 / 0 / 3 / 10

HEX #6AE5DF

RGB 106 229 223

HSL 177.07, 0.7%, 0.66%

LAB 84.19, -35.67, -7.55

 

CMYK 54 / 0 / 17 / 10

HEX #6AE5BE

RGB 106 229 190

HSL 160.98, 0.7%, 0.66%

LAB 83.35, -43.62, 8.64

 

CMYK 54 / 0 / 31 / 10

HEX #6AE59D

RGB 106 229 157

HSL 144.88, 0.7%, 0.66%

LAB 82.67, -50.44, 24.91

 

CMYK 54 / 0 / 46 / 10

HEX #6AE57C

RGB 106 229 124

HSL 128.78, 0.7%, 0.66%

LAB 82.14, -55.97, 40.86

 

CMYK 47 / 0 / 54 / 10

HEX #7AE56A

RGB 122 229 106

HSL 112.2, 0.7%, 0.66%

LAB 82.5, -54.13, 50

 

CMYK 54 / 0 / 3 / 10

HEX #6AE5DF

RGB 106 229 223

HSL 177.07, 0.7%, 0.66%

LAB 84.19, -35.67, -7.55

 

CMYK 54 / 12 / 0 / 10

HEX #6ACAE5

RGB 106 202 229

HSL 193.17, 0.7%, 0.66%

LAB 76.66, -20.95, -22.06

 

CMYK 54 / 26 / 0 / 10

HEX #6AA9E5

RGB 106 169 229

HSL 209.27, 0.7%, 0.66%

LAB 67.35, -3.38, -36.37

 

CMYK 54 / 41 / 0 / 10

HEX #6A88E5

RGB 106 136 229

HSL 225.37, 0.7%, 0.66%

LAB 58.35, 15.72, -50.53

 

CMYK 54 / 54 / 0 / 10

HEX #6A6AE5

RGB 106 106 229

HSL 240, 0.7%, 0.66%

LAB 50.72, 33.79, -62.74

 

CMYK 54 / 0 / 3 / 10

HEX #6AE5DF

RGB 106 229 223

HSL 177.07, 0.7%, 0.66%

LAB 84.19, -35.67, -7.55

 

CMYK 62 / 0 / 3 / 5

HEX #5CF3EC

RGB 92 243 236

HSL 177.22, 0.86%, 0.66%

LAB 88.18, -41.14, -8.51

 

CMYK 54 / 0 / 3 / 10

HEX #6AE5DF

RGB 106 229 223

HSL 177.07, 0.7%, 0.66%

LAB 84.19, -35.67, -7.55

 

CMYK 44 / 0 / 2 / 16

HEX #78D7D3

RGB 120 215 211

HSL 177.47, 0.54%, 0.66%

LAB 80.35, -29.07, -6.81

 

CMYK 33 / 0 / 1 / 21

HEX #86C9C6

RGB 134 201 198

HSL 177.31, 0.38%, 0.66%

LAB 76.63, -21.75, -5.26

 

CMYK 21 / 0 / 1 / 27

HEX #94BBB9

RGB 148 187 185

HSL 176.92, 0.22%, 0.66%

LAB 73.11, -13.4, -3.29

 

CMYK 6 / 0 / 0 / 32

HEX #A2ADAD

RGB 162 173 173

HSL 180, 0.06%, 0.66%

LAB 69.88, -3.84, -1.34

 

CMYK 54 / 0 / 31 / 10

HEX #6AE59E

RGB 106 229 158

HSL 145.37, 0.7%, 0.66%

LAB 82.68, -50.25, 24.42

 

CMYK 54 / 0 / 17 / 10

HEX #6AE5BE

RGB 106 229 190

HSL 160.98, 0.7%, 0.66%

LAB 83.35, -43.62, 8.64

 

CMYK 54 / 0 / 3 / 10

HEX #6AE5DF

RGB 106 229 223

HSL 177.07, 0.7%, 0.66%

LAB 84.19, -35.67, -7.55

 

CMYK 54 / 11 / 0 / 10

HEX #6ACBE5

RGB 106 203 229

HSL 192.68, 0.7%, 0.66%

LAB 76.94, -21.46, -21.63

 

CMYK 54 / 26 / 0 / 10

HEX #6AAAE5

RGB 106 170 229

HSL 208.78, 0.7%, 0.66%

LAB 67.63, -3.93, -35.94

 

CMYK 83 / 0 / 4 / 15

HEX #24D9D0

RGB 36 217 208

HSL 177.02, 0.72%, 0.5%

LAB 78.78, -43.71, -7.75

 

CMYK 68 / 0 / 3 / 13

HEX #47DFD8

RGB 71 223 216

HSL 177.24, 0.7%, 0.58%

LAB 81.33, -40.58, -8.18

 

CMYK 54 / 0 / 3 / 10

HEX #6AE5DF

RGB 106 229 223

HSL 177.07, 0.7%, 0.66%

LAB 84.19, -35.67, -7.55

 

CMYK 40 / 0 / 2 / 8

HEX #8EEBE7

RGB 142 235 231

HSL 177.42, 0.7%, 0.74%

LAB 87.45, -28.54, -6.78

 

CMYK 27 / 0 / 1 / 5

HEX #B1F1EE

RGB 177 241 238

HSL 177.19, 0.7%, 0.82%

LAB 90.98, -20.54, -5.05

 

CMYK 54 / 0 / 3 / 10

HEX #6AE6E0

RGB 106 230 224

HSL 177.1, 0.71%, 0.66%

LAB 84.5, -35.88, -7.61

 

CMYK 45 / 54 / 0 / 10

HEX #7D6AE5

RGB 125 106 229

HSL 249.27, 0.7%, 0.66%

LAB 52.2, 37.74, -60.28

 

CMYK 0 / 24 / 54 / 10

HEX #E5AE6A

RGB 229 174 106

HSL 33.17, 0.7%, 0.66%

LAB 74.81, 12.36, 42.39

 

CMYK 54 / 0 / 3 / 10

HEX #6AE6E0

RGB 106 230 224

HSL 177.1, 0.71%, 0.66%

LAB 84.5, -35.88, -7.61

 

CMYK 3 / 54 / 0 / 10

HEX #DF6AE5

RGB 223 106 229

HSL 297.07, 0.7%, 0.66%

LAB 63.06, 62.14, -42.36

 

CMYK 0 / 3 / 54 / 10

HEX #E5DF6A

RGB 229 223 106

HSL 57.07, 0.7%, 0.66%

LAB 87.23, -12.95, 57.16

 

CMYK 54 / 0 / 3 / 10

HEX #6AE6E0

RGB 106 230 224

HSL 177.1, 0.71%, 0.66%

LAB 84.5, -35.88, -7.61

 

CMYK 45 / 54 / 0 / 10

HEX #7D6AE5

RGB 125 106 229

HSL 249.27, 0.7%, 0.66%

LAB 52.2, 37.74, -60.28

 

CMYK 0 / 54 / 51 / 10

HEX #E56A70

RGB 229 106 112

HSL 357.07, 0.7%, 0.66%

LAB 60.01, 48.28, 20.02

 

CMYK 8 / 0 / 54 / 10

HEX #D3E56A

RGB 211 229 106

HSL 68.78, 0.7%, 0.66%

LAB 87.45, -23.07, 57.05

 

CMYK 54 / 0 / 3 / 10

HEX #6AE6E0

RGB 106 230 224

HSL 177.1, 0.71%, 0.66%

LAB 84.5, -35.88, -7.61

 

CMYK 29 / 54 / 0 / 10

HEX #A26AE5

RGB 162 106 229

HSL 267.32, 0.7%, 0.66%

LAB 55.73, 46.43, -54.43

 

CMYK 0 / 54 / 51 / 10

HEX #E56A70

RGB 229 106 112

HSL 357.07, 0.7%, 0.66%

LAB 60.01, 48.28, 20.02

 

CMYK 24 / 0 / 54 / 10

HEX #AEE56A

RGB 174 229 106

HSL 86.83, 0.7%, 0.66%

LAB 85.04, -37.12, 53.63

 

Description

Color code: HEX #6AE6E0 | qconv.com Color code: HEX #6AE6E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 230 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 230 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 3 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 3% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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