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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AE7FA it is the complementary color #951805. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AE7FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AE7FA shade: #6FE7F5, #80F9FF, #91FFFF, #A2FFFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AE7FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AE7FA shade: #6AE7FA, #59D5E7, #48C3D4, #37B1C1 and #269FAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AE7FA shade: #6AE7FA, #6AC0FA, #6A99FA, #6A73FA and #886AFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AE7FA shade: #6AE7FA, #6AC0FA, #6A99FA, #6A73FA and #6A6AFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AE7FA shade matches the following richer shades: #6AE7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AE7FA shade: #6AE7FA, #76DEEE, #83D5E1, #8FCCD5 and #9CC2C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AE7FA shade: #6AFABE, #6AFAE4, #6AE9FA, #6AC3FA and #6A9CFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AE7FA shade: #1ADAF7, #42E1F9, #6AE7FA, #92EDFB and #BAF4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AE7FA shade: #6AE7FA, #986AFA and #FAD16A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AE7FA shade: #6AE7FA, #FA6AE9 and #E9FA6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AE7FA shade: #6AE7FA, #986AFA, #FA7B6A and #CCFA6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AE7FA shade: #6AE7FA, #C36AFA, #FA7B6A and #A1FA6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

Complementary color

CMYK 0 / 84 / 97 / 42

HEX #951805

RGB 149 24 5

HSL 7.92, 0.94%, 0.3%

LAB 31.93, 49.35, 43.13

 

CMYK 55 / 6 / 0 / 4

HEX #6FE7F5

RGB 111 231 245

HSL 186.27, 0.87%, 0.7%

LAB 85.57, -29.87, -17.08

 

CMYK 50 / 2 / 0 / 0

HEX #80F9FF

RGB 128 249 255

HSL 182.83, 1%, 0.75%

LAB 91.49, -32.43, -13.37

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

CMYK 61 / 8 / 0 / 9

HEX #59D5E7

RGB 89 213 231

HSL 187.61, 0.75%, 0.63%

LAB 79.32, -29, -19.15

 

CMYK 66 / 8 / 0 / 17

HEX #48C3D4

RGB 72 195 212

HSL 187.29, 0.62%, 0.56%

LAB 73, -28.43, -18.52

 

CMYK 72 / 8 / 0 / 24

HEX #37B1C1

RGB 55 177 193

HSL 186.96, 0.56%, 0.49%

LAB 66.6, -27.67, -17.83

 

CMYK 78 / 9 / 0 / 32

HEX #269FAE

RGB 38 159 174

HSL 186.62, 0.64%, 0.42%

LAB 60.13, -26.64, -17.06

 

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

CMYK 58 / 23 / 0 / 2

HEX #6AC0FA

RGB 106 192 250

HSL 204.17, 0.94%, 0.7%

LAB 74.61, -9.59, -36.49

 

CMYK 58 / 39 / 0 / 2

HEX #6A99FA

RGB 106 153 250

HSL 220.42, 0.94%, 0.7%

LAB 63.96, 12.34, -53.21

 

CMYK 58 / 54 / 0 / 2

HEX #6A73FA

RGB 106 115 250

HSL 236.25, 0.94%, 0.7%

LAB 54.27, 35, -68.74

 

CMYK 46 / 58 / 0 / 2

HEX #886AFA

RGB 136 106 250

HSL 252.5, 0.94%, 0.7%

LAB 54.5, 46, -68.26

 

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

CMYK 58 / 23 / 0 / 2

HEX #6AC0FA

RGB 106 192 250

HSL 204.17, 0.94%, 0.7%

LAB 74.61, -9.59, -36.49

 

CMYK 58 / 39 / 0 / 2

HEX #6A99FA

RGB 106 153 250

HSL 220.42, 0.94%, 0.7%

LAB 63.96, 12.34, -53.21

 

CMYK 58 / 54 / 0 / 2

HEX #6A73FA

RGB 106 115 250

HSL 236.25, 0.94%, 0.7%

LAB 54.27, 35, -68.74

 

CMYK 58 / 58 / 0 / 2

HEX #6A6AFA

RGB 106 106 250

HSL 240, 0.94%, 0.7%

LAB 52.15, 40.35, -72.17

 

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

CMYK 50 / 7 / 0 / 7

HEX #76DEEE

RGB 118 222 238

HSL 188, 0.78%, 0.7%

LAB 83.06, -25.98, -17.14

 

CMYK 42 / 5 / 0 / 12

HEX #83D5E1

RGB 131 213 225

HSL 187.66, 0.61%, 0.7%

LAB 80.66, -21.95, -13.78

 

CMYK 33 / 4 / 0 / 16

HEX #8FCCD5

RGB 143 204 213

HSL 187.71, 0.45%, 0.7%

LAB 78.36, -17.24, -10.72

 

CMYK 22 / 3 / 0 / 22

HEX #9CC2C8

RGB 156 194 200

HSL 188.18, 0.29%, 0.7%

LAB 75.96, -11.27, -7.19

 

CMYK 58 / 0 / 24 / 2

HEX #6AFABE

RGB 106 250 190

HSL 155, 0.94%, 0.7%

LAB 89.46, -52.52, 17.31

 

CMYK 58 / 0 / 9 / 2

HEX #6AFAE4

RGB 106 250 228

HSL 170.83, 0.94%, 0.7%

LAB 90.34, -43.9, -1.11

 

CMYK 58 / 7 / 0 / 2

HEX #6AE9FA

RGB 106 233 250

HSL 187.08, 0.94%, 0.7%

LAB 86.13, -30.39, -18.88

 

CMYK 58 / 22 / 0 / 2

HEX #6AC3FA

RGB 106 195 250

HSL 202.92, 0.94%, 0.7%

LAB 75.45, -11.19, -35.2

 

CMYK 58 / 38 / 0 / 2

HEX #6A9CFA

RGB 106 156 250

HSL 219.17, 0.94%, 0.7%

LAB 64.76, 10.59, -51.94

 

CMYK 89 / 12 / 0 / 3

HEX #1ADAF7

RGB 26 218 247

HSL 187.87, 0.93%, 0.54%

LAB 80.22, -33.06, -26.4

 

CMYK 73 / 10 / 0 / 2

HEX #42E1F9

RGB 66 225 249

HSL 187.87, 0.94%, 0.62%

LAB 82.83, -32.67, -23.43

 

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

CMYK 42 / 6 / 0 / 2

HEX #92EDFB

RGB 146 237 251

HSL 188, 0.93%, 0.78%

LAB 88.75, -23.68, -15.3

 

CMYK 26 / 3 / 0 / 1

HEX #BAF4FC

RGB 186 244 252

HSL 187.27, 0.92%, 0.86%

LAB 92.65, -16.41, -9.8

 

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

CMYK 39 / 58 / 0 / 2

HEX #986AFA

RGB 152 106 250

HSL 259.17, 0.94%, 0.7%

LAB 55.97, 49.37, -65.8

 

CMYK 0 / 16 / 58 / 2

HEX #FAD16A

RGB 250 209 106

HSL 42.92, 0.94%, 0.7%

LAB 85.49, 2.68, 55.62

 

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

CMYK 0 / 58 / 7 / 2

HEX #FA6AE9

RGB 250 106 233

HSL 307.08, 0.94%, 0.7%

LAB 66.91, 69.83, -38.28

 

CMYK 7 / 0 / 58 / 2

HEX #E9FA6A

RGB 233 250 106

HSL 67.08, 0.94%, 0.7%

LAB 94.63, -24.46, 65.6

 

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

CMYK 39 / 58 / 0 / 2

HEX #986AFA

RGB 152 106 250

HSL 259.17, 0.94%, 0.7%

LAB 55.97, 49.37, -65.8

 

CMYK 0 / 51 / 58 / 2

HEX #FA7B6A

RGB 250 123 106

HSL 7.08, 0.94%, 0.7%

LAB 66.16, 47.08, 32.08

 

CMYK 18 / 0 / 58 / 2

HEX #CCFA6A

RGB 204 250 106

HSL 79.17, 0.94%, 0.7%

LAB 92.68, -35.56, 62.9

 

CMYK 58 / 8 / 0 / 2

HEX #6AE7FA

RGB 106 231 250

HSL 187.92, 0.94%, 0.7%

LAB 85.56, -29.43, -19.73

 

CMYK 22 / 58 / 0 / 2

HEX #C36AFA

RGB 195 106 250

HSL 277.08, 0.94%, 0.7%

LAB 60.62, 59.21, -58.1

 

CMYK 0 / 51 / 58 / 2

HEX #FA7B6A

RGB 250 123 106

HSL 7.08, 0.94%, 0.7%

LAB 66.16, 47.08, 32.08

 

CMYK 36 / 0 / 58 / 2

HEX #A1FA6A

RGB 161 250 106

HSL 97.08, 0.94%, 0.7%

LAB 90.32, -50.68, 59.57

 

Description

Color code: HEX #6AE7FA | qconv.com Color code: HEX #6AE7FA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 231 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 231 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 8 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 8% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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