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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AEE88 it is the complementary color #951177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AEE88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AEE88 shade: #6FEE83, #80FF96, #91FFA9, #A2FFBC and #B3FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AEE88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AEE88 shade: #6AEE88, #59DC75, #48CA62, #37B84F and #26A63C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AEE88 shade: #67EE86, #6DEE67, #91EE67, #B5EE67 and #DAEE67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AEE88 shade: #67EE86, #67EEAA, #67EECE, #67E9EE and #67C4EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AEE88 shade matches the following richer shades: #67EE86 and #59FB7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AEE88 shade: #67EE86, #75E08D, #82D294, #90C59C and #9DB7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AEE88 shade: #92EE67, #6EEE67, #67EE84, #67EEA8 and #67EECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AEE88 shade: #1DE54A, #42EA68, #67EE86, #8CF2A3 and #B1F6C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AEE88 shade: #6AEE88, #67B6EE and #EE6780

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AEE88 shade: #6AEE88, #8467EE and #EE8467

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AEE88 shade: #6AEE88, #67B6EE, #EE67D0 and #EE9F67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AEE88 shade: #6AEE88, #678DEE, #EE67D0 and #EEC867

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 43 / 7

HEX #6AEE88

RGB 106 238 136

HSL 133.64, 0.8%, 0.67%

LAB 84.99, -57.63, 38.61

 

Complementary color

CMYK 0 / 89 / 20 / 42

HEX #951177

RGB 149 17 119

HSL 313.64, 0.8%, 0.33%

LAB 34.24, 59.11, -23.52

 

CMYK 53 / 0 / 45 / 7

HEX #6FEE83

RGB 111 238 131

HSL 129.45, 0.79%, 0.68%

LAB 85.08, -57.21, 41.21

 

CMYK 50 / 0 / 41 / 0

HEX #80FF96

RGB 128 255 150

HSL 130.39, 1%, 0.75%

LAB 90.92, -56.79, 39.54

 

CMYK 43 / 0 / 34 / 0

HEX #91FFA9

RGB 145 255 169

HSL 133.09, 1%, 0.78%

LAB 91.87, -49.3, 31.49

 

CMYK 36 / 0 / 26 / 0

HEX #A2FFBC

RGB 162 255 188

HSL 136.77, 1%, 0.82%

LAB 92.94, -41.28, 23.48

 

CMYK 30 / 0 / 19 / 0

HEX #B3FFCF

RGB 179 255 207

HSL 142.11, 1%, 0.85%

LAB 94.14, -32.87, 15.58

 

CMYK 55 / 0 / 43 / 7

HEX #6AEE88

RGB 106 238 136

HSL 133.64, 0.8%, 0.67%

LAB 84.99, -57.63, 38.61

 

CMYK 60 / 0 / 47 / 14

HEX #59DC75

RGB 89 220 117

HSL 132.82, 0.65%, 0.61%

LAB 78.81, -57.5, 39.97

 

CMYK 64 / 0 / 51 / 21

HEX #48CA62

RGB 72 202 98

HSL 132, 0.55%, 0.54%

LAB 72.56, -57.17, 41.37

 

CMYK 70 / 0 / 57 / 28

HEX #37B84F

RGB 55 184 79

HSL 131.16, 0.54%, 0.47%

LAB 66.26, -56.53, 42.79

 

CMYK 77 / 0 / 64 / 35

HEX #26A63C

RGB 38 166 60

HSL 130.31, 0.63%, 0.4%

LAB 59.9, -55.45, 44.13

 

CMYK 57 / 0 / 44 / 7

HEX #67EE86

RGB 103 238 134

HSL 133.78, 0.8%, 0.67%

LAB 84.87, -58.63, 39.42

 

CMYK 54 / 0 / 57 / 7

HEX #6DEE67

RGB 109 238 103

HSL 117.33, 0.8%, 0.67%

LAB 84.68, -61.37, 53.82

 

CMYK 39 / 0 / 57 / 7

HEX #91EE67

RGB 145 238 103

HSL 101.33, 0.8%, 0.67%

LAB 86.08, -51.17, 55.81

 

CMYK 24 / 0 / 57 / 7

HEX #B5EE67

RGB 181 238 103

HSL 85.33, 0.8%, 0.67%

LAB 87.95, -38.9, 58.44

 

CMYK 8 / 0 / 57 / 7

HEX #DAEE67

RGB 218 238 103

HSL 68.89, 0.8%, 0.67%

LAB 90.34, -24.87, 61.8

 

CMYK 57 / 0 / 44 / 7

HEX #67EE86

RGB 103 238 134

HSL 133.78, 0.8%, 0.67%

LAB 84.87, -58.63, 39.42

 

CMYK 57 / 0 / 29 / 7

HEX #67EEAA

RGB 103 238 170

HSL 149.78, 0.8%, 0.67%

LAB 85.47, -52.28, 22.04

 

CMYK 57 / 0 / 13 / 7

HEX #67EECE

RGB 103 238 206

HSL 165.78, 0.8%, 0.67%

LAB 86.25, -44.48, 4.41

 

CMYK 57 / 2 / 0 / 7

HEX #67E9EE

RGB 103 233 238

HSL 182.22, 0.8%, 0.67%

LAB 85.67, -34.17, -13.26

 

CMYK 57 / 18 / 0 / 7

HEX #67C4EE

RGB 103 196 238

HSL 198.67, 0.8%, 0.67%

LAB 75.16, -15.87, -29.2

 

CMYK 57 / 0 / 44 / 7

HEX #67EE86

RGB 103 238 134

HSL 133.78, 0.8%, 0.67%

LAB 84.87, -58.63, 39.42

 

CMYK 65 / 0 / 50 / 2

HEX #59FB7E

RGB 89 251 126

HSL 133.7, 0.95%, 0.67%

LAB 88.27, -67.44, 47.47

 

CMYK 57 / 0 / 44 / 7

HEX #67EE86

RGB 103 238 134

HSL 133.78, 0.8%, 0.67%

LAB 84.87, -58.63, 39.42

 

CMYK 48 / 0 / 37 / 12

HEX #75E08D

RGB 117 224 141

HSL 133.46, 0.63%, 0.67%

LAB 81.3, -48.49, 31.35

 

CMYK 38 / 0 / 30 / 18

HEX #82D294

RGB 130 210 148

HSL 133.5, 0.47%, 0.67%

LAB 77.86, -37.54, 23.2

 

CMYK 27 / 0 / 21 / 23

HEX #90C59C

RGB 144 197 156

HSL 133.58, 0.31%, 0.67%

LAB 74.99, -25.58, 15.09

 

CMYK 14 / 0 / 11 / 28

HEX #9DB7A3

RGB 157 183 163

HSL 133.85, 0.15%, 0.67%

LAB 72.01, -12.82, 7.2

 

CMYK 39 / 0 / 57 / 7

HEX #92EE67

RGB 146 238 103

HSL 100.89, 0.8%, 0.67%

LAB 86.13, -50.86, 55.88

 

CMYK 54 / 0 / 57 / 7

HEX #6EEE67

RGB 110 238 103

HSL 116.89, 0.8%, 0.67%

LAB 84.71, -61.12, 53.87

 

CMYK 57 / 0 / 45 / 7

HEX #67EE84

RGB 103 238 132

HSL 132.89, 0.8%, 0.67%

LAB 84.84, -58.93, 40.36

 

CMYK 57 / 0 / 29 / 7

HEX #67EEA8

RGB 103 238 168

HSL 148.89, 0.8%, 0.67%

LAB 85.43, -52.67, 23.02

 

CMYK 57 / 0 / 14 / 7

HEX #67EECC

RGB 103 238 204

HSL 164.89, 0.8%, 0.67%

LAB 86.2, -44.95, 5.38

 

CMYK 87 / 0 / 68 / 10

HEX #1DE54A

RGB 29 229 74

HSL 133.5, 0.79%, 0.51%

LAB 80.06, -74.54, 60.37

 

CMYK 72 / 0 / 56 / 8

HEX #42EA68

RGB 66 234 104

HSL 133.57, 0.8%, 0.59%

LAB 82.38, -68.53, 50.39

 

CMYK 57 / 0 / 44 / 7

HEX #67EE86

RGB 103 238 134

HSL 133.78, 0.8%, 0.67%

LAB 84.87, -58.63, 39.42

 

CMYK 42 / 0 / 33 / 5

HEX #8CF2A3

RGB 140 242 163

HSL 133.53, 0.8%, 0.75%

LAB 87.84, -46.16, 29.06

 

CMYK 28 / 0 / 22 / 4

HEX #B1F6C1

RGB 177 246 193

HSL 133.91, 0.79%, 0.83%

LAB 91.28, -31.82, 18.74

 

CMYK 55 / 0 / 43 / 7

HEX #6AEE88

RGB 106 238 136

HSL 133.64, 0.8%, 0.67%

LAB 84.99, -57.63, 38.61

 

CMYK 57 / 24 / 0 / 7

HEX #67B6EE

RGB 103 182 238

HSL 204.89, 0.8%, 0.67%

LAB 71.22, -8.41, -35.28

 

CMYK 0 / 57 / 46 / 7

HEX #EE6780

RGB 238 103 128

HSL 348.89, 0.8%, 0.67%

LAB 61.16, 54.2, 12.59

 

CMYK 55 / 0 / 43 / 7

HEX #6AEE88

RGB 106 238 136

HSL 133.64, 0.8%, 0.67%

LAB 84.99, -57.63, 38.61

 

CMYK 45 / 57 / 0 / 7

HEX #8467EE

RGB 132 103 238

HSL 252.89, 0.8%, 0.67%

LAB 52.71, 43.52, -64.48

 

CMYK 0 / 45 / 57 / 7

HEX #EE8467

RGB 238 132 103

HSL 12.89, 0.8%, 0.67%

LAB 66.26, 37.89, 33.52

 

CMYK 55 / 0 / 43 / 7

HEX #6AEE88

RGB 106 238 136

HSL 133.64, 0.8%, 0.67%

LAB 84.99, -57.63, 38.61

 

CMYK 57 / 24 / 0 / 7

HEX #67B6EE

RGB 103 182 238

HSL 204.89, 0.8%, 0.67%

LAB 71.22, -8.41, -35.28

 

CMYK 0 / 57 / 13 / 7

HEX #EE67D0

RGB 238 103 208

HSL 313.33, 0.8%, 0.67%

LAB 63.7, 64.09, -29.44

 

CMYK 0 / 33 / 57 / 7

HEX #EE9F67

RGB 238 159 103

HSL 24.89, 0.8%, 0.67%

LAB 72.2, 23.75, 40.94

 

CMYK 55 / 0 / 43 / 7

HEX #6AEE88

RGB 106 238 136

HSL 133.64, 0.8%, 0.67%

LAB 84.99, -57.63, 38.61

 

CMYK 57 / 41 / 0 / 7

HEX #678DEE

RGB 103 141 238

HSL 223.11, 0.8%, 0.67%

LAB 59.98, 14.98, -52.93

 

CMYK 0 / 57 / 13 / 7

HEX #EE67D0

RGB 238 103 208

HSL 313.33, 0.8%, 0.67%

LAB 63.7, 64.09, -29.44

 

CMYK 0 / 16 / 57 / 7

HEX #EEC867

RGB 238 200 103

HSL 43.11, 0.8%, 0.67%

LAB 82.09, 2.18, 52.79

 

Description

Color code: HEX #6AEE88 | qconv.com Color code: HEX #6AEE88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 238 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 238 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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