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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B0EB3 it is the complementary color #94F14C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B0EB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B0EB3 shade: #700EAE, #8120C1, #9232D4, #A344E7 and #B456FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B0EB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B0EB3 shade: #6B0EB3, #5A00A0, #49008D, #38007A and #270067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B0EB3 shade: #6B0EB3, #970EB3, #B30EA2, #B30E75 and #B30E49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B0EB3 shade: #6B0EB3, #3E0EB3, #120EB3 and #0E0EB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B0EB3 shade matches the following richer shades: #6B0EB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B0EB3 shade: #6B0EB3, #691EA3, #672D93, #653D84 and #634D74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B0EB3 shade: #110EB3, #3D0EB3, #690EB3, #950EB3 and #B30EA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B0EB3 shade: #3D0866, #540B8D, #6B0EB3, #8211D9 and #9626ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B0EB3 shade: #6B0EB3, #B30E37 and #0EB327

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B0EB3 shade: #6B0EB3, #B3690E and #0EB369

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B0EB3 shade: #6B0EB3, #B30E37, #58B30E and #0EB38A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B0EB3 shade: #6B0EB3, #B3160E, #58B30E and #0EABB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

Complementary color

CMYK 39 / 0 / 68 / 5

HEX #94F14C

RGB 148 241 76

HSL 93.82, 0.85%, 0.62%

LAB 86.86, -53.76, 67.74

 

CMYK 36 / 92 / 0 / 32

HEX #700EAE

RGB 112 14 174

HSL 276.75, 0.85%, 0.37%

LAB 31.38, 62.81, -62.26

 

CMYK 33 / 83 / 0 / 24

HEX #8120C1

RGB 129 32 193

HSL 276.15, 0.72%, 0.44%

LAB 37.02, 64.8, -64.19

 

CMYK 31 / 76 / 0 / 17

HEX #9232D4

RGB 146 50 212

HSL 275.56, 0.65%, 0.51%

LAB 42.98, 65.61, -65.42

 

CMYK 29 / 71 / 0 / 9

HEX #A344E7

RGB 163 68 231

HSL 274.97, 0.77%, 0.59%

LAB 49.12, 65.68, -66.18

 

CMYK 28 / 66 / 0 / 2

HEX #B456FA

RGB 180 86 250

HSL 274.39, 0.94%, 0.66%

LAB 55.34, 65.33, -66.66

 

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

CMYK 44 / 100 / 0 / 37

HEX #5A00A0

RGB 90 0 160

HSL 273.75, 1%, 0.31%

LAB 25.9, 59.79, -62.93

 

CMYK 48 / 100 / 0 / 45

HEX #49008D

RGB 73 0 141

HSL 271.06, 1%, 0.28%

LAB 21.36, 53.97, -58.79

 

CMYK 54 / 100 / 0 / 52

HEX #38007A

RGB 56 0 122

HSL 267.54, 1%, 0.24%

LAB 16.73, 48.06, -54.49

 

CMYK 62 / 100 / 0 / 60

HEX #270067

RGB 39 0 103

HSL 262.72, 1%, 0.2%

LAB 12.03, 42.06, -49.98

 

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

CMYK 16 / 92 / 0 / 30

HEX #970EB3

RGB 151 14 179

HSL 289.82, 0.85%, 0.38%

LAB 38.11, 69.32, -54.01

 

CMYK 0 / 92 / 9 / 30

HEX #B30EA2

RGB 179 14 162

HSL 306.18, 0.85%, 0.38%

LAB 42.01, 71.46, -37.33

 

CMYK 0 / 92 / 35 / 30

HEX #B30E75

RGB 179 14 117

HSL 322.55, 0.85%, 0.38%

LAB 39.89, 65.92, -13.07

 

CMYK 0 / 92 / 59 / 30

HEX #B30E49

RGB 179 14 73

HSL 338.55, 0.85%, 0.38%

LAB 38.51, 62.17, 12.91

 

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

CMYK 65 / 92 / 0 / 30

HEX #3E0EB3

RGB 62 14 179

HSL 257.45, 0.85%, 0.38%

LAB 25.54, 59.17, -75.1

 

CMYK 90 / 92 / 0 / 30

HEX #120EB3

RGB 18 14 179

HSL 241.45, 0.85%, 0.38%

LAB 22.64, 57.4, -80.01

 

CMYK 92 / 92 / 0 / 30

HEX #0E0EB3

RGB 14 14 179

HSL 240, 0.85%, 0.38%

LAB 22.52, 57.33, -80.21

 

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

CMYK 36 / 82 / 0 / 36

HEX #691EA3

RGB 105 30 163

HSL 273.83, 0.69%, 0.38%

LAB 30.82, 55.14, -56.59

 

CMYK 30 / 69 / 0 / 42

HEX #672D93

RGB 103 45 147

HSL 274.12, 0.53%, 0.38%

LAB 31.5, 44.67, -45.75

 

CMYK 23 / 54 / 0 / 48

HEX #653D84

RGB 101 61 132

HSL 273.8, 0.37%, 0.38%

LAB 33.5, 31.77, -33.32

 

CMYK 15 / 34 / 0 / 55

HEX #634D74

RGB 99 77 116

HSL 273.85, 0.2%, 0.38%

LAB 36.41, 17.41, -18.85

 

CMYK 91 / 92 / 0 / 30

HEX #110EB3

RGB 17 14 179

HSL 241.09, 0.85%, 0.38%

LAB 22.61, 57.38, -80.06

 

CMYK 66 / 92 / 0 / 30

HEX #3D0EB3

RGB 61 14 179

HSL 257.09, 0.85%, 0.38%

LAB 25.45, 59.1, -75.27

 

CMYK 41 / 92 / 0 / 30

HEX #690EB3

RGB 105 14 179

HSL 273.09, 0.85%, 0.38%

LAB 30.81, 63.03, -66.22

 

CMYK 17 / 92 / 0 / 30

HEX #950EB3

RGB 149 14 179

HSL 289.09, 0.85%, 0.38%

LAB 37.77, 69.01, -54.58

 

CMYK 0 / 92 / 8 / 30

HEX #B30EA5

RGB 179 14 165

HSL 305.09, 0.85%, 0.38%

LAB 42.18, 71.88, -38.87

 

CMYK 40 / 92 / 0 / 60

HEX #3D0866

RGB 61 8 102

HSL 273.83, 0.85%, 0.22%

LAB 16.13, 41.17, -42.44

 

CMYK 40 / 92 / 0 / 45

HEX #540B8D

RGB 84 11 141

HSL 273.69, 0.86%, 0.3%

LAB 23.83, 52.66, -54.66

 

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

CMYK 40 / 92 / 0 / 15

HEX #8211D9

RGB 130 17 217

HSL 273.9, 0.85%, 0.46%

LAB 38.12, 73.39, -76.33

 

CMYK 37 / 84 / 0 / 7

HEX #9626ED

RGB 150 38 237

HSL 273.77, 0.85%, 0.54%

LAB 44.21, 75.35, -77.64

 

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

CMYK 0 / 92 / 69 / 30

HEX #B30E37

RGB 179 14 55

HSL 345.09, 0.85%, 0.38%

LAB 38.15, 61.16, 23.94

 

CMYK 92 / 0 / 78 / 30

HEX #0EB327

RGB 14 179 39

HSL 129.09, 0.85%, 0.38%

LAB 63.74, -63.83, 56.19

 

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

CMYK 0 / 41 / 92 / 30

HEX #B3690E

RGB 179 105 14

HSL 33.09, 0.85%, 0.38%

LAB 51.52, 23.78, 56.2

 

CMYK 92 / 0 / 41 / 30

HEX #0EB369

RGB 14 179 105

HSL 153.09, 0.85%, 0.38%

LAB 64.45, -55.16, 27.31

 

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

CMYK 0 / 92 / 69 / 30

HEX #B30E37

RGB 179 14 55

HSL 345.09, 0.85%, 0.38%

LAB 38.15, 61.16, 23.94

 

CMYK 51 / 0 / 92 / 30

HEX #58B30E

RGB 88 179 14

HSL 93.09, 0.85%, 0.38%

LAB 65.24, -51.66, 64.04

 

CMYK 92 / 0 / 23 / 30

HEX #0EB38A

RGB 14 179 138

HSL 165.09, 0.85%, 0.38%

LAB 65.1, -47.82, 10.35

 

CMYK 40 / 92 / 0 / 30

HEX #6B0EB3

RGB 107 14 179

HSL 273.82, 0.85%, 0.38%

LAB 31.1, 63.26, -65.73

 

CMYK 0 / 88 / 92 / 30

HEX #B3160E

RGB 179 22 14

HSL 2.91, 0.85%, 0.38%

LAB 38.18, 58.6, 46.75

 

CMYK 51 / 0 / 92 / 30

HEX #58B30E

RGB 88 179 14

HSL 93.09, 0.85%, 0.38%

LAB 65.24, -51.66, 64.04

 

CMYK 92 / 4 / 0 / 30

HEX #0EABB3

RGB 14 171 179

HSL 182.91, 0.85%, 0.38%

LAB 63.73, -32.64, -14.44

 

Description

Color code: HEX #6B0EB3 | qconv.com Color code: HEX #6B0EB3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 14 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 14 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 92 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 92% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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