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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B2850 it is the complementary color #94D7AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B2850. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B2850 shade: #70284B, #813A5E, #924C71, #A35E84 and #B47097

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B2850. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B2850 shade: #6B2850, #5A163D, #49042A, #380017 and #270004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B2850 shade: #6B2750, #6B273E, #6B272B and #6B2727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B2850 shade: #6B2750, #6B2762, #62276B, #50276B and #3D276B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B2850 shade matches the following richer shades: #6B2750, #771B52, #831055 and #8F0457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B2850 shade: #6B2750, #60334E, #543F4B, #484B49 and #3C5747

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B2850 shade: #62276B, #6B2762, #6B2750, #6B273E and #6B272C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B2850 shade: #2F1123, #4D1C3A, #6B2750, #8A3367 and #A83E7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B2850 shade: #6B2850, #6B5027 and #276B6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B2850 shade: #6B2850, #506B27 and #27506B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B2850 shade: #6B2850, #6B5027, #276B43 and #27436B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B2850 shade: #6B2850, #6B6527, #276B43 and #272E6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 25 / 58

HEX #6B2850

RGB 107 40 80

HSL 324.18, 0.46%, 0.29%

LAB 27.36, 34.67, -9.57

 

Complementary color

CMYK 31 / 0 / 19 / 16

HEX #94D7AF

RGB 148 215 175

HSL 144.18, 0.46%, 0.71%

LAB 80.73, -29.43, 13.08

 

CMYK 0 / 64 / 33 / 56

HEX #70284B

RGB 112 40 75

HSL 330.83, 0.47%, 0.3%

LAB 28.03, 35.62, -5.15

 

CMYK 0 / 55 / 27 / 49

HEX #813A5E

RGB 129 58 94

HSL 329.58, 0.38%, 0.37%

LAB 35.01, 35, -6.78

 

CMYK 0 / 48 / 23 / 43

HEX #924C71

RGB 146 76 113

HSL 328.29, 0.32%, 0.44%

LAB 41.96, 34.2, -8

 

CMYK 0 / 42 / 19 / 36

HEX #A35E84

RGB 163 94 132

HSL 326.96, 0.27%, 0.5%

LAB 48.83, 33.35, -8.99

 

CMYK 0 / 38 / 16 / 29

HEX #B47097

RGB 180 112 151

HSL 325.59, 0.31%, 0.57%

LAB 55.61, 32.53, -9.82

 

CMYK 0 / 63 / 25 / 58

HEX #6B2850

RGB 107 40 80

HSL 324.18, 0.46%, 0.29%

LAB 27.36, 34.67, -9.57

 

CMYK 0 / 76 / 32 / 65

HEX #5A163D

RGB 90 22 61

HSL 325.59, 0.61%, 0.22%

LAB 20.38, 34.76, -7.58

 

CMYK 0 / 95 / 42 / 71

HEX #49042A

RGB 73 4 42

HSL 326.96, 0.9%, 0.15%

LAB 13.65, 33.79, -4.51

 

CMYK 0 / 100 / 59 / 78

HEX #380017

RGB 56 0 23

HSL 335.36, 1%, 0.11%

LAB 8.15, 28.81, 1.32

 

CMYK 0 / 100 / 90 / 85

HEX #270004

RGB 39 0 4

HSL 353.85, 1%, 0.08%

LAB 3.98, 18.03, 4.64

 

CMYK 0 / 64 / 25 / 58

HEX #6B2750

RGB 107 39 80

HSL 323.82, 0.47%, 0.29%

LAB 27.17, 35.17, -9.85

 

CMYK 0 / 64 / 42 / 58

HEX #6B273E

RGB 107 39 62

HSL 339.71, 0.47%, 0.29%

LAB 26.52, 32.69, 1.19

 

CMYK 0 / 64 / 60 / 58

HEX #6B272B

RGB 107 39 43

HSL 356.47, 0.47%, 0.29%

LAB 26.01, 30.71, 13.25

 

CMYK 0 / 64 / 64 / 58

HEX #6B2727

RGB 107 39 39

HSL 0, 0.47%, 0.29%

LAB 25.93, 30.38, 15.8

 

CMYK 0 / 64 / 25 / 58

HEX #6B2750

RGB 107 39 80

HSL 323.82, 0.47%, 0.29%

LAB 27.17, 35.17, -9.85

 

CMYK 0 / 64 / 8 / 58

HEX #6B2762

RGB 107 39 98

HSL 307.94, 0.47%, 0.29%

LAB 28, 38.17, -20.38

 

CMYK 8 / 64 / 0 / 58

HEX #62276B

RGB 98 39 107

HSL 292.06, 0.47%, 0.29%

LAB 27.04, 37.33, -27.81

 

CMYK 25 / 64 / 0 / 58

HEX #50276B

RGB 80 39 107

HSL 276.18, 0.47%, 0.29%

LAB 24.38, 32.37, -32.21

 

CMYK 43 / 64 / 0 / 58

HEX #3D276B

RGB 61 39 107

HSL 259.41, 0.47%, 0.29%

LAB 21.96, 27.44, -36.23

 

CMYK 0 / 64 / 25 / 58

HEX #6B2750

RGB 107 39 80

HSL 323.82, 0.47%, 0.29%

LAB 27.17, 35.17, -9.85

 

CMYK 0 / 77 / 31 / 53

HEX #771B52

RGB 119 27 82

HSL 324.13, 0.63%, 0.29%

LAB 27.61, 44.23, -10.3

 

CMYK 0 / 88 / 35 / 49

HEX #831055

RGB 131 16 85

HSL 324, 0.78%, 0.29%

LAB 29.04, 50.9, -9.91

 

CMYK 0 / 97 / 39 / 44

HEX #8F0457

RGB 143 4 87

HSL 324.17, 0.95%, 0.29%

LAB 30.91, 56.01, -8.14

 

CMYK 0 / 64 / 25 / 58

HEX #6B2750

RGB 107 39 80

HSL 323.82, 0.47%, 0.29%

LAB 27.17, 35.17, -9.85

 

CMYK 0 / 47 / 19 / 62

HEX #60334E

RGB 96 51 78

HSL 324, 0.31%, 0.29%

LAB 27.86, 24.3, -7.67

 

CMYK 0 / 25 / 11 / 67

HEX #543F4B

RGB 84 63 75

HSL 325.71, 0.14%, 0.29%

LAB 29.28, 11.41, -3.74

 

CMYK 4 / 0 / 3 / 71

HEX #484B49

RGB 72 75 73

HSL 140, 0.02%, 0.29%

LAB 31.56, -1.67, 0.76

 

CMYK 31 / 0 / 18 / 66

HEX #3C5747

RGB 60 87 71

HSL 144.44, 0.18%, 0.29%

LAB 34.46, -14, 6.08

 

CMYK 8 / 64 / 0 / 58

HEX #62276B

RGB 98 39 107

HSL 292.06, 0.47%, 0.29%

LAB 27.04, 37.33, -27.81

 

CMYK 0 / 64 / 8 / 58

HEX #6B2762

RGB 107 39 98

HSL 307.94, 0.47%, 0.29%

LAB 28, 38.17, -20.38

 

CMYK 0 / 64 / 25 / 58

HEX #6B2750

RGB 107 39 80

HSL 323.82, 0.47%, 0.29%

LAB 27.17, 35.17, -9.85

 

CMYK 0 / 64 / 42 / 58

HEX #6B273E

RGB 107 39 62

HSL 339.71, 0.47%, 0.29%

LAB 26.52, 32.69, 1.19

 

CMYK 0 / 64 / 59 / 58

HEX #6B272C

RGB 107 39 44

HSL 355.59, 0.47%, 0.29%

LAB 26.04, 30.8, 12.61

 

CMYK 0 / 64 / 26 / 82

HEX #2F1123

RGB 47 17 35

HSL 324, 0.47%, 0.13%

LAB 10, 18.06, -5.34

 

CMYK 0 / 64 / 25 / 70

HEX #4D1C3A

RGB 77 28 58

HSL 323.27, 0.47%, 0.21%

LAB 18.86, 27.07, -8.02

 

CMYK 0 / 64 / 25 / 58

HEX #6B2750

RGB 107 39 80

HSL 323.82, 0.47%, 0.29%

LAB 27.17, 35.17, -9.85

 

CMYK 0 / 63 / 25 / 46

HEX #8A3367

RGB 138 51 103

HSL 324.14, 0.46%, 0.37%

LAB 35.5, 42.79, -11.62

 

CMYK 0 / 63 / 26 / 34

HEX #A83E7D

RGB 168 62 125

HSL 324.34, 0.46%, 0.45%

LAB 43.14, 50.09, -13.26

 

CMYK 0 / 63 / 25 / 58

HEX #6B2850

RGB 107 40 80

HSL 324.18, 0.46%, 0.29%

LAB 27.36, 34.67, -9.57

 

CMYK 0 / 25 / 64 / 58

HEX #6B5027

RGB 107 80 39

HSL 36.18, 0.47%, 0.29%

LAB 36, 6.24, 28.14

 

CMYK 64 / 0 / 0 / 58

HEX #276B6B

RGB 39 107 107

HSL 180, 0.47%, 0.29%

LAB 41.23, -20.93, -6.35

 

CMYK 0 / 63 / 25 / 58

HEX #6B2850

RGB 107 40 80

HSL 324.18, 0.46%, 0.29%

LAB 27.36, 34.67, -9.57

 

CMYK 25 / 0 / 64 / 58

HEX #506B27

RGB 80 107 39

HSL 83.82, 0.47%, 0.29%

LAB 41.79, -21.79, 34.08

 

CMYK 64 / 25 / 0 / 58

HEX #27506B

RGB 39 80 107

HSL 203.82, 0.47%, 0.29%

LAB 32.33, -5.32, -19.91

 

CMYK 0 / 63 / 25 / 58

HEX #6B2850

RGB 107 40 80

HSL 324.18, 0.46%, 0.29%

LAB 27.36, 34.67, -9.57

 

CMYK 0 / 25 / 64 / 58

HEX #6B5027

RGB 107 80 39

HSL 36.18, 0.47%, 0.29%

LAB 36, 6.24, 28.14

 

CMYK 64 / 0 / 37 / 58

HEX #276B43

RGB 39 107 67

HSL 144.71, 0.47%, 0.29%

LAB 40.17, -31.45, 16.24

 

CMYK 64 / 37 / 0 / 58

HEX #27436B

RGB 39 67 107

HSL 215.29, 0.47%, 0.29%

LAB 28.13, 3.14, -26.47

 

CMYK 0 / 63 / 25 / 58

HEX #6B2850

RGB 107 40 80

HSL 324.18, 0.46%, 0.29%

LAB 27.36, 34.67, -9.57

 

CMYK 0 / 6 / 64 / 58

HEX #6B6527

RGB 107 101 39

HSL 54.71, 0.47%, 0.29%

LAB 42.12, -6.25, 35.06

 

CMYK 64 / 0 / 37 / 58

HEX #276B43

RGB 39 107 67

HSL 144.71, 0.47%, 0.29%

LAB 40.17, -31.45, 16.24

 

CMYK 64 / 57 / 0 / 58

HEX #272E6B

RGB 39 46 107

HSL 233.82, 0.47%, 0.29%

LAB 21.75, 17.72, -36.67

 

Description

Color code: HEX #6B2850 | qconv.com Color code: HEX #6B2850 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 40 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 40 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 25 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 25% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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