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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B324B it is the complementary color #94CDB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B324B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B324B shade: #703246, #814459, #92566C, #A3687F and #B47A92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B324B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B324B shade: #6B324B, #5A2038, #490E25, #380012 and #270000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B324B shade: #6B324B, #6B323C and #6B3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B324B shade: #6B324B, #6B325A, #6B326A, #5D326B and #4E326B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B324B shade matches the following richer shades: #6B324B, #782549, #851948 and #910C46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B324B shade: #6B324B, #5E3F4D, #514C4E, #455850 and #386551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B324B shade: #6B326A, #6B325B, #6B324C, #6B323D and #6B3732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B324B shade: #331824, #4F2537, #6B324B, #873F5F and #A34C72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B324B shade: #6B324B, #6B5D32 and #32626B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B324B shade: #6B324B, #4C6B32 and #324C6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B324B shade: #6B324B, #6B5D32, #326B51 and #32406B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B324B shade: #6B324B, #686B32, #326B51 and #35326B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

Complementary color

CMYK 28 / 0 / 12 / 20

HEX #94CDB4

RGB 148 205 180

HSL 153.68, 0.36%, 0.69%

LAB 78.02, -23.59, 6.56

 

CMYK 0 / 55 / 38 / 56

HEX #703246

RGB 112 50 70

HSL 340.65, 0.38%, 0.32%

LAB 29.83, 29.73, 0.8

 

CMYK 0 / 47 / 31 / 49

HEX #814459

RGB 129 68 89

HSL 339.34, 0.31%, 0.39%

LAB 36.97, 28.78, -0.7

 

CMYK 0 / 41 / 26 / 43

HEX #92566C

RGB 146 86 108

HSL 338, 0.26%, 0.45%

LAB 44.02, 27.85, -1.88

 

CMYK 0 / 36 / 22 / 36

HEX #A3687F

RGB 163 104 127

HSL 336.61, 0.24%, 0.52%

LAB 50.94, 26.98, -2.87

 

CMYK 0 / 32 / 19 / 29

HEX #B47A92

RGB 180 122 146

HSL 335.17, 0.28%, 0.59%

LAB 57.75, 26.18, -3.74

 

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

CMYK 0 / 64 / 38 / 65

HEX #5A2038

RGB 90 32 56

HSL 335.17, 0.48%, 0.24%

LAB 21.92, 29.34, -1.82

 

CMYK 0 / 81 / 49 / 71

HEX #490E25

RGB 73 14 37

HSL 336.61, 0.68%, 0.17%

LAB 14.76, 29.52, 0.8

 

CMYK 0 / 100 / 68 / 78

HEX #380012

RGB 56 0 18

HSL 340.71, 1%, 0.11%

LAB 7.99, 28.38, 4.46

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

CMYK 0 / 53 / 44 / 58

HEX #6B323C

RGB 107 50 60

HSL 349.47, 0.36%, 0.31%

LAB 28.73, 26.5, 5.7

 

CMYK 0 / 53 / 53 / 58

HEX #6B3232

RGB 107 50 50

HSL 0, 0.36%, 0.31%

LAB 28.48, 25.38, 11.93

 

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

CMYK 0 / 53 / 16 / 58

HEX #6B325A

RGB 107 50 90

HSL 317.89, 0.36%, 0.31%

LAB 29.78, 31, -12.45

 

CMYK 0 / 53 / 1 / 58

HEX #6B326A

RGB 107 50 106

HSL 301.05, 0.36%, 0.31%

LAB 30.51, 34.01, -21.61

 

CMYK 13 / 53 / 0 / 58

HEX #5D326B

RGB 93 50 107

HSL 285.26, 0.36%, 0.31%

LAB 28.56, 29.82, -25.45

 

CMYK 27 / 53 / 0 / 58

HEX #4E326B

RGB 78 50 107

HSL 269.47, 0.36%, 0.31%

LAB 26.63, 25.21, -28.64

 

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

CMYK 0 / 69 / 39 / 53

HEX #782549

RGB 120 37 73

HSL 333.98, 0.53%, 0.31%

LAB 28.9, 39.42, -2.39

 

CMYK 0 / 81 / 46 / 48

HEX #851948

RGB 133 25 72

HSL 333.89, 0.68%, 0.31%

LAB 29.79, 47.7, -0.13

 

CMYK 0 / 92 / 52 / 43

HEX #910C46

RGB 145 12 70

HSL 333.83, 0.85%, 0.31%

LAB 31.17, 53.72, 3.52

 

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

CMYK 0 / 33 / 18 / 63

HEX #5E3F4D

RGB 94 63 77

HSL 332.9, 0.2%, 0.31%

LAB 30.57, 15.93, -2.99

 

CMYK 0 / 6 / 4 / 68

HEX #514C4E

RGB 81 76 78

HSL 336, 0.03%, 0.31%

LAB 32.85, 2.49, -0.45

 

CMYK 22 / 0 / 9 / 65

HEX #455850

RGB 69 88 80

HSL 154.74, 0.12%, 0.31%

LAB 35.64, -9.17, 2.23

 

CMYK 45 / 0 / 20 / 60

HEX #386551

RGB 56 101 81

HSL 153.33, 0.29%, 0.31%

LAB 39.14, -20.68, 6.53

 

CMYK 0 / 53 / 1 / 58

HEX #6B326A

RGB 107 50 106

HSL 301.05, 0.36%, 0.31%

LAB 30.51, 34.01, -21.61

 

CMYK 0 / 53 / 15 / 58

HEX #6B325B

RGB 107 50 91

HSL 316.84, 0.36%, 0.31%

LAB 29.82, 31.18, -13.03

 

CMYK 0 / 53 / 29 / 58

HEX #6B324C

RGB 107 50 76

HSL 332.63, 0.36%, 0.31%

LAB 29.23, 28.7, -4.12

 

CMYK 0 / 53 / 43 / 58

HEX #6B323D

RGB 107 50 61

HSL 348.42, 0.36%, 0.31%

LAB 28.76, 26.63, 5.08

 

CMYK 0 / 49 / 53 / 58

HEX #6B3732

RGB 107 55 50

HSL 5.26, 0.36%, 0.31%

LAB 29.63, 22.47, 13.49

 

CMYK 0 / 53 / 29 / 80

HEX #331824

RGB 51 24 36

HSL 333.33, 0.36%, 0.15%

LAB 12.51, 15.39, -2.26

 

CMYK 0 / 53 / 30 / 69

HEX #4F2537

RGB 79 37 55

HSL 334.29, 0.36%, 0.23%

LAB 21.06, 22.14, -2.6

 

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

CMYK 0 / 53 / 30 / 47

HEX #873F5F

RGB 135 63 95

HSL 333.33, 0.36%, 0.39%

LAB 36.99, 34.61, -4.36

 

CMYK 0 / 53 / 30 / 36

HEX #A34C72

RGB 163 76 114

HSL 333.79, 0.36%, 0.47%

LAB 44.48, 40.28, -4.6

 

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

CMYK 0 / 13 / 53 / 58

HEX #6B5D32

RGB 107 93 50

HSL 45.26, 0.36%, 0.31%

LAB 39.89, -0.59, 26.6

 

CMYK 53 / 8 / 0 / 58

HEX #32626B

RGB 50 98 107

HSL 189.47, 0.36%, 0.31%

LAB 38.68, -13.54, -10.13

 

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

CMYK 29 / 0 / 53 / 58

HEX #4C6B32

RGB 76 107 50

HSL 92.63, 0.36%, 0.31%

LAB 41.66, -22.22, 28.16

 

CMYK 53 / 29 / 0 / 58

HEX #324C6B

RGB 50 76 107

HSL 212.63, 0.36%, 0.31%

LAB 31.6, -0.13, -20.99

 

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

CMYK 0 / 13 / 53 / 58

HEX #6B5D32

RGB 107 93 50

HSL 45.26, 0.36%, 0.31%

LAB 39.89, -0.59, 26.6

 

CMYK 53 / 0 / 24 / 58

HEX #326B51

RGB 50 107 81

HSL 152.63, 0.36%, 0.31%

LAB 40.88, -25.5, 8.94

 

CMYK 53 / 40 / 0 / 58

HEX #32406B

RGB 50 64 107

HSL 225.26, 0.36%, 0.31%

LAB 27.86, 7.82, -26.85

 

CMYK 0 / 53 / 30 / 58

HEX #6B324B

RGB 107 50 75

HSL 333.68, 0.36%, 0.31%

LAB 29.2, 28.55, -3.51

 

CMYK 3 / 0 / 53 / 58

HEX #686B32

RGB 104 107 50

HSL 63.16, 0.36%, 0.31%

LAB 43.78, -10.08, 31.21

 

CMYK 53 / 0 / 24 / 58

HEX #326B51

RGB 50 107 81

HSL 152.63, 0.36%, 0.31%

LAB 40.88, -25.5, 8.94

 

CMYK 50 / 53 / 0 / 58

HEX #35326B

RGB 53 50 107

HSL 243.16, 0.36%, 0.31%

LAB 24, 18.17, -32.99

 

Description

Color code: HEX #6B324B | qconv.com Color code: HEX #6B324B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 50 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 50 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 30 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 30% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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