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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B474A it is the complementary color #94B8B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B474A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B474A shade: #704745, #815958, #926B6B, #A37D7E and #B48F91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B474A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B474A shade: #6B474A, #5A3537, #492324, #381111 and #270000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B474A shade: #6B474A and #6B4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B474A shade: #6B474A, #6B4754, #6B475D, #6B4767 and #65476B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B474A shade matches the following richer shades: #6B474A, #79383E, #872A32, #961C26 and #A40D1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B474A shade: #6B474A, #5C5556, #4E6462, #3F726E and #31817A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B474A shade: #6B475D, #6B4753, #6B474A, #6B4D47 and #6B5747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B474A shade: #392627, #523639, #6B474A, #83575B and #9B696D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B474A shade: #6B474A, #666B47 and #47586B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B474A shade: #6B474A, #4A6B47 and #474A6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B474A shade: #6B474A, #666B47, #476B68 and #4B476B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B474A shade: #6B474A, #5C6B47, #476B68 and #56476B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

Complementary color

CMYK 20 / 0 / 2 / 28

HEX #94B8B5

RGB 148 184 181

HSL 175, 0.2%, 0.65%

LAB 72.17, -12.69, -2.49

 

CMYK 0 / 37 / 38 / 56

HEX #704745

RGB 112 71 69

HSL 2.79, 0.24%, 0.35%

LAB 34.76, 17.31, 8.49

 

CMYK 0 / 31 / 32 / 49

HEX #815958

RGB 129 89 88

HSL 1.46, 0.19%, 0.43%

LAB 42.03, 16.36, 7.21

 

CMYK 0 / 27 / 27 / 43

HEX #926B6B

RGB 146 107 107

HSL 0, 0.15%, 0.5%

LAB 49.12, 15.56, 6.11

 

CMYK 0 / 23 / 23 / 36

HEX #A37D7E

RGB 163 125 126

HSL 358.42, 0.17%, 0.56%

LAB 56.05, 14.87, 5.14

 

CMYK 0 / 21 / 19 / 29

HEX #B48F91

RGB 180 143 145

HSL 356.76, 0.2%, 0.63%

LAB 62.84, 14.27, 4.26

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 0 / 41 / 39 / 65

HEX #5A3537

RGB 90 53 55

HSL 356.76, 0.26%, 0.28%

LAB 26.72, 16.9, 5.8

 

CMYK 0 / 52 / 51 / 71

HEX #492324

RGB 73 35 36

HSL 358.42, 0.35%, 0.21%

LAB 19, 18.11, 7.52

 

CMYK 0 / 70 / 70 / 78

HEX #381111

RGB 56 17 17

HSL 0, 0.53%, 0.14%

LAB 11.15, 19.44, 9.56

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 0 / 34 / 34 / 58

HEX #6B4747

RGB 107 71 71

HSL 0, 0.2%, 0.35%

LAB 34.16, 15.44, 6.28

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 0 / 34 / 21 / 58

HEX #6B4754

RGB 107 71 84

HSL 338.33, 0.2%, 0.35%

LAB 34.54, 17.53, -1.44

 

CMYK 0 / 34 / 13 / 58

HEX #6B475D

RGB 107 71 93

HSL 323.33, 0.2%, 0.35%

LAB 34.85, 19.15, -6.7

 

CMYK 0 / 34 / 4 / 58

HEX #6B4767

RGB 107 71 103

HSL 306.67, 0.2%, 0.35%

LAB 35.23, 21.11, -12.45

 

CMYK 6 / 34 / 0 / 58

HEX #65476B

RGB 101 71 107

HSL 290, 0.2%, 0.35%

LAB 34.67, 19.77, -15.88

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 0 / 54 / 49 / 53

HEX #79383E

RGB 121 56 62

HSL 354.46, 0.37%, 0.35%

LAB 32.35, 28.96, 9.79

 

CMYK 0 / 69 / 63 / 47

HEX #872A32

RGB 135 42 50

HSL 354.84, 0.53%, 0.35%

LAB 31.89, 40.12, 17.35

 

CMYK 0 / 81 / 75 / 41

HEX #961C26

RGB 150 28 38

HSL 355.08, 0.69%, 0.35%

LAB 32.82, 49.43, 26.81

 

CMYK 0 / 92 / 84 / 36

HEX #A40D1A

RGB 164 13 26

HSL 354.83, 0.85%, 0.35%

LAB 34.51, 56.28, 36.65

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 0 / 8 / 7 / 64

HEX #5C5556

RGB 92 85 86

HSL 351.43, 0.04%, 0.35%

LAB 36.83, 3.05, 0.44

 

CMYK 22 / 0 / 2 / 61

HEX #4E6462

RGB 78 100 98

HSL 174.55, 0.12%, 0.35%

LAB 40.6, -8.68, -1.59

 

CMYK 45 / 0 / 4 / 55

HEX #3F726E

RGB 63 114 110

HSL 175.29, 0.29%, 0.35%

LAB 44.54, -18.17, -3.15

 

CMYK 62 / 0 / 5 / 49

HEX #31817A

RGB 49 129 122

HSL 174.75, 0.45%, 0.35%

LAB 49.2, -25.9, -3.46

 

CMYK 0 / 34 / 13 / 58

HEX #6B475D

RGB 107 71 93

HSL 323.33, 0.2%, 0.35%

LAB 34.85, 19.15, -6.7

 

CMYK 0 / 34 / 22 / 58

HEX #6B4753

RGB 107 71 83

HSL 340, 0.2%, 0.35%

LAB 34.51, 17.35, -0.85

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 0 / 28 / 34 / 58

HEX #6B4D47

RGB 107 77 71

HSL 10, 0.2%, 0.35%

LAB 35.77, 11.75, 8.54

 

CMYK 0 / 19 / 34 / 58

HEX #6B5747

RGB 107 87 71

HSL 26.67, 0.2%, 0.35%

LAB 38.55, 5.63, 12.39

 

CMYK 0 / 33 / 32 / 78

HEX #392627

RGB 57 38 39

HSL 356.84, 0.2%, 0.19%

LAB 17.47, 9.16, 2.92

 

CMYK 0 / 34 / 30 / 68

HEX #523639

RGB 82 54 57

HSL 353.57, 0.21%, 0.27%

LAB 25.94, 13.04, 3.21

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 0 / 34 / 31 / 49

HEX #83575B

RGB 131 87 91

HSL 354.55, 0.2%, 0.43%

LAB 41.84, 18.81, 5.14

 

CMYK 0 / 32 / 30 / 39

HEX #9B696D

RGB 155 105 109

HSL 355.2, 0.2%, 0.51%

LAB 49.71, 20.62, 5.91

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 5 / 0 / 34 / 58

HEX #666B47

RGB 102 107 71

HSL 68.33, 0.2%, 0.35%

LAB 43.94, -8.4, 19.58

 

CMYK 34 / 18 / 0 / 58

HEX #47586B

RGB 71 88 107

HSL 211.67, 0.2%, 0.35%

LAB 36.71, -1.49, -13.01

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 31 / 0 / 34 / 58

HEX #4A6B47

RGB 74 107 71

HSL 115, 0.2%, 0.35%

LAB 41.89, -19.78, 16.48

 

CMYK 34 / 31 / 0 / 58

HEX #474A6B

RGB 71 74 107

HSL 235, 0.2%, 0.35%

LAB 32.48, 7.4, -19.51

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 5 / 0 / 34 / 58

HEX #666B47

RGB 102 107 71

HSL 68.33, 0.2%, 0.35%

LAB 43.94, -8.4, 19.58

 

CMYK 34 / 0 / 3 / 58

HEX #476B68

RGB 71 107 104

HSL 175, 0.2%, 0.35%

LAB 42.54, -13.54, -2.43

 

CMYK 30 / 34 / 0 / 58

HEX #4B476B

RGB 75 71 107

HSL 246.67, 0.2%, 0.35%

LAB 31.95, 10.67, -20.3

 

CMYK 0 / 34 / 31 / 58

HEX #6B474A

RGB 107 71 74

HSL 355, 0.2%, 0.35%

LAB 34.25, 15.89, 4.49

 

CMYK 14 / 0 / 34 / 58

HEX #5C6B47

RGB 92 107 71

HSL 85, 0.2%, 0.35%

LAB 43.13, -12.63, 18.36

 

CMYK 34 / 0 / 3 / 58

HEX #476B68

RGB 71 107 104

HSL 175, 0.2%, 0.35%

LAB 42.54, -13.54, -2.43

 

CMYK 20 / 34 / 0 / 58

HEX #56476B

RGB 86 71 107

HSL 265, 0.2%, 0.35%

LAB 33.02, 14.43, -18.56

 

Description

Color code: HEX #6B474A | qconv.com Color code: HEX #6B474A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 71 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 71 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 31 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 31% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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