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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B5522 it is the complementary color #94AADD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B5522. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B5522 shade: #70551D, #816730, #927943, #A38B56 and #B49D69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B5522. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B5522 shade: #6B5522, #5A430F, #493100, #381F00 and #270D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B5522 shade: #6C5622, #6C4222, #6C2E22 and #6C2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B5522 shade: #6C5622, #6C6A22, #5A6C22, #466C22 and #326C22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B5522 shade matches the following richer shades: #6C5622, #785A16 and #835F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B5522 shade: #6C5622, #60512D, #554C39, #494844 and #3E4350

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B5522 shade: #6C2D22, #6C4122, #6C5522, #6C6822 and #5C6C22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B5522 shade: #2D240E, #4D3D18, #6C5622, #8B6F2C and #AB8736

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B5522 shade: #6B5522, #2A6C22 and #37226C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B5522 shade: #6B5522, #226C55 and #55226C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B5522 shade: #6B5522, #2A6C22, #22396C and #63226C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B5522 shade: #6B5522, #226C2F, #22396C and #6C225E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 68 / 58

HEX #6B5522

RGB 107 85 34

HSL 41.92, 0.52%, 0.28%

LAB 37.37, 2.82, 32.38

 

Complementary color

CMYK 33 / 23 / 0 / 13

HEX #94AADD

RGB 148 170 221

HSL 221.92, 0.52%, 0.72%

LAB 69.66, 4.35, -28.23

 

CMYK 0 / 24 / 74 / 56

HEX #70551D

RGB 112 85 29

HSL 40.48, 0.59%, 0.28%

LAB 37.9, 4.92, 35.6

 

CMYK 0 / 20 / 63 / 49

HEX #816730

RGB 129 103 48

HSL 40.74, 0.46%, 0.35%

LAB 45.05, 3.61, 34.37

 

CMYK 0 / 17 / 54 / 43

HEX #927943

RGB 146 121 67

HSL 41.01, 0.37%, 0.42%

LAB 52.05, 2.59, 32.98

 

CMYK 0 / 15 / 47 / 36

HEX #A38B56

RGB 163 139 86

HSL 41.3, 0.31%, 0.49%

LAB 58.9, 1.78, 31.61

 

CMYK 0 / 13 / 42 / 29

HEX #B49D69

RGB 180 157 105

HSL 41.6, 0.33%, 0.56%

LAB 65.62, 1.12, 30.3

 

CMYK 0 / 21 / 68 / 58

HEX #6B5522

RGB 107 85 34

HSL 41.92, 0.52%, 0.28%

LAB 37.37, 2.82, 32.38

 

CMYK 0 / 26 / 83 / 65

HEX #5A430F

RGB 90 67 15

HSL 41.6, 0.71%, 0.21%

LAB 29.97, 4.32, 33.3

 

CMYK 0 / 33 / 100 / 71

HEX #493100

RGB 73 49 0

HSL 40.27, 1%, 0.14%

LAB 22.35, 6.36, 31.46

 

CMYK 0 / 45 / 100 / 78

HEX #381F00

RGB 56 31 0

HSL 33.21, 1%, 0.11%

LAB 14.52, 9.23, 21.6

 

CMYK 0 / 67 / 100 / 85

HEX #270D00

RGB 39 13 0

HSL 20, 1%, 0.08%

LAB 6.5, 11.88, 9.95

 

CMYK 0 / 20 / 69 / 58

HEX #6C5622

RGB 108 86 34

HSL 42.16, 0.52%, 0.28%

LAB 37.77, 2.7, 32.85

 

CMYK 0 / 39 / 69 / 58

HEX #6C4222

RGB 108 66 34

HSL 25.95, 0.52%, 0.28%

LAB 32.26, 14.89, 26.67

 

CMYK 0 / 57 / 69 / 58

HEX #6C2E22

RGB 108 46 34

HSL 9.73, 0.52%, 0.28%

LAB 27.46, 26.67, 20.99

 

CMYK 0 / 69 / 69 / 58

HEX #6C2222

RGB 108 34 34

HSL 0, 0.52%, 0.28%

LAB 25.1, 32.88, 18.09

 

CMYK 0 / 20 / 69 / 58

HEX #6C5622

RGB 108 86 34

HSL 42.16, 0.52%, 0.28%

LAB 37.77, 2.7, 32.85

 

CMYK 0 / 2 / 69 / 58

HEX #6C6A22

RGB 108 106 34

HSL 58.38, 0.52%, 0.28%

LAB 43.67, -8.99, 39.12

 

CMYK 17 / 0 / 69 / 58

HEX #5A6C22

RGB 90 108 34

HSL 74.59, 0.52%, 0.28%

LAB 42.78, -18.39, 37.73

 

CMYK 35 / 0 / 69 / 58

HEX #466C22

RGB 70 108 34

HSL 90.81, 0.52%, 0.28%

LAB 41.44, -26.87, 35.9

 

CMYK 54 / 0 / 69 / 58

HEX #326C22

RGB 50 108 34

HSL 107.03, 0.52%, 0.28%

LAB 40.44, -34.03, 34.52

 

CMYK 0 / 20 / 69 / 58

HEX #6C5622

RGB 108 86 34

HSL 42.16, 0.52%, 0.28%

LAB 37.77, 2.7, 32.85

 

CMYK 0 / 25 / 82 / 53

HEX #785A16

RGB 120 90 22

HSL 41.63, 0.69%, 0.28%

LAB 40.19, 5.45, 41.24

 

CMYK 0 / 27 / 92 / 49

HEX #835F0B

RGB 131 95 11

HSL 42, 0.85%, 0.28%

LAB 42.81, 7.45, 47.6

 

CMYK 0 / 20 / 69 / 58

HEX #6C5622

RGB 108 86 34

HSL 42.16, 0.52%, 0.28%

LAB 37.77, 2.7, 32.85

 

CMYK 0 / 16 / 53 / 62

HEX #60512D

RGB 96 81 45

HSL 42.35, 0.36%, 0.28%

LAB 35.13, 0.92, 23.36

 

CMYK 0 / 11 / 33 / 67

HEX #554C39

RGB 85 76 57

HSL 40.71, 0.2%, 0.28%

LAB 32.69, 0.4, 12.69

 

CMYK 0 / 1 / 7 / 71

HEX #494844

RGB 73 72 68

HSL 48, 0.04%, 0.28%

LAB 30.57, -0.43, 2.54

 

CMYK 23 / 16 / 0 / 69

HEX #3E4350

RGB 62 67 80

HSL 223.33, 0.13%, 0.28%

LAB 28.43, 1.22, -8.5

 

CMYK 0 / 58 / 69 / 58

HEX #6C2D22

RGB 108 45 34

HSL 8.92, 0.52%, 0.28%

LAB 27.24, 27.22, 20.73

 

CMYK 0 / 40 / 69 / 58

HEX #6C4122

RGB 108 65 34

HSL 25.14, 0.52%, 0.28%

LAB 32, 15.5, 26.37

 

CMYK 0 / 21 / 69 / 58

HEX #6C5522

RGB 108 85 34

HSL 41.35, 0.52%, 0.28%

LAB 37.48, 3.3, 32.53

 

CMYK 0 / 4 / 69 / 58

HEX #6C6822

RGB 108 104 34

HSL 56.76, 0.52%, 0.28%

LAB 43.07, -7.86, 38.5

 

CMYK 15 / 0 / 69 / 58

HEX #5C6C22

RGB 92 108 34

HSL 72.97, 0.52%, 0.28%

LAB 42.94, -17.49, 37.94

 

CMYK 0 / 20 / 69 / 82

HEX #2D240E

RGB 45 36 14

HSL 42.58, 0.53%, 0.12%

LAB 14.69, 0.81, 15.62

 

CMYK 0 / 21 / 69 / 70

HEX #4D3D18

RGB 77 61 24

HSL 41.89, 0.52%, 0.2%

LAB 26.68, 2.05, 24.93

 

CMYK 0 / 20 / 69 / 58

HEX #6C5622

RGB 108 86 34

HSL 42.16, 0.52%, 0.28%

LAB 37.77, 2.7, 32.85

 

CMYK 0 / 20 / 68 / 45

HEX #8B6F2C

RGB 139 111 44

HSL 42.32, 0.52%, 0.36%

LAB 48.31, 3.33, 40.29

 

CMYK 0 / 21 / 68 / 33

HEX #AB8736

RGB 171 135 54

HSL 41.54, 0.52%, 0.44%

LAB 58.28, 4.94, 47.26

 

CMYK 0 / 21 / 68 / 58

HEX #6B5522

RGB 107 85 34

HSL 41.92, 0.52%, 0.28%

LAB 37.37, 2.82, 32.38

 

CMYK 61 / 0 / 69 / 58

HEX #2A6C22

RGB 42 108 34

HSL 113.51, 0.52%, 0.28%

LAB 40.14, -36.39, 34.1

 

CMYK 49 / 69 / 0 / 58

HEX #37226C

RGB 55 34 108

HSL 257.03, 0.52%, 0.28%

LAB 20.2, 29.48, -39.76

 

CMYK 0 / 21 / 68 / 58

HEX #6B5522

RGB 107 85 34

HSL 41.92, 0.52%, 0.28%

LAB 37.37, 2.82, 32.38

 

CMYK 69 / 0 / 21 / 58

HEX #226C55

RGB 34 108 85

HSL 161.35, 0.52%, 0.28%

LAB 40.77, -28.7, 6.3

 

CMYK 21 / 69 / 0 / 58

HEX #55226C

RGB 85 34 108

HSL 281.35, 0.52%, 0.28%

LAB 24.19, 36.61, -33.12

 

CMYK 0 / 21 / 68 / 58

HEX #6B5522

RGB 107 85 34

HSL 41.92, 0.52%, 0.28%

LAB 37.37, 2.82, 32.38

 

CMYK 61 / 0 / 69 / 58

HEX #2A6C22

RGB 42 108 34

HSL 113.51, 0.52%, 0.28%

LAB 40.14, -36.39, 34.1

 

CMYK 69 / 47 / 0 / 58

HEX #22396C

RGB 34 57 108

HSL 221.35, 0.52%, 0.28%

LAB 24.79, 9.36, -32.43

 

CMYK 8 / 69 / 0 / 58

HEX #63226C

RGB 99 34 108

HSL 292.7, 0.52%, 0.28%

LAB 26.39, 40.22, -29.48

 

CMYK 0 / 21 / 68 / 58

HEX #6B5522

RGB 107 85 34

HSL 41.92, 0.52%, 0.28%

LAB 37.37, 2.82, 32.38

 

CMYK 69 / 0 / 56 / 58

HEX #226C2F

RGB 34 108 47

HSL 130.54, 0.52%, 0.28%

LAB 40.03, -36.68, 27.36

 

CMYK 69 / 47 / 0 / 58

HEX #22396C

RGB 34 57 108

HSL 221.35, 0.52%, 0.28%

LAB 24.79, 9.36, -32.43

 

CMYK 0 / 69 / 13 / 58

HEX #6C225E

RGB 108 34 94

HSL 311.35, 0.52%, 0.28%

LAB 27.13, 40.09, -19.12

 

Description

Color code: HEX #6B5522 | qconv.com Color code: HEX #6B5522 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 85 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 85 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 68 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 68% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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