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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B6282 it is the complementary color #949D7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B6282. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B6282 shade: #70627D, #817490, #9286A3, #A398B6 and #B4AAC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B6282. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B6282 shade: #6B6282, #5A506F, #493E5C, #382C49 and #271A36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B6282 shade: #6B6282, #746282, #7D6282, #82627F and #826277

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B6282 shade: #6B6282, #636282 and #626282

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B6282 shade matches the following richer shades: #6B6282, #635095, #5B3DA7, #532ABA and #4B18CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B6282 shade: #6B6282, #737570, #7B875D, #849A4B and #8CAC38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B6282 shade: #626B82, #626282, #6B6282, #736282 and #7C6282

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B6282 shade: #443F53, #58506B, #6B6282, #807698 and #958EA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B6282 shade: #6B6282, #826273 and #668262

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B6282 shade: #6B6282, #826B62 and #62826B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B6282 shade: #6B6282, #826273, #7A8262 and #628271

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B6282 shade: #6B6282, #82626A, #7A8262 and #62827B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

Complementary color

CMYK 6 / 0 / 20 / 38

HEX #949D7D

RGB 148 157 125

HSL 76.88, 0.14%, 0.55%

LAB 63.25, -9.03, 15.69

 

CMYK 10 / 22 / 0 / 51

HEX #70627D

RGB 112 98 125

HSL 271.11, 0.12%, 0.44%

LAB 43.74, 11.19, -13.03

 

CMYK 10 / 19 / 0 / 44

HEX #817490

RGB 129 116 144

HSL 267.86, 0.11%, 0.51%

LAB 50.89, 10.73, -13.38

 

CMYK 10 / 18 / 0 / 36

HEX #9286A3

RGB 146 134 163

HSL 264.83, 0.14%, 0.58%

LAB 57.85, 10.32, -13.74

 

CMYK 10 / 16 / 0 / 29

HEX #A398B6

RGB 163 152 182

HSL 262, 0.17%, 0.65%

LAB 64.66, 9.94, -14.1

 

CMYK 10 / 15 / 0 / 21

HEX #B4AAC9

RGB 180 170 201

HSL 259.35, 0.22%, 0.73%

LAB 71.33, 9.6, -14.48

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 19 / 28 / 0 / 56

HEX #5A506F

RGB 90 80 111

HSL 259.35, 0.16%, 0.37%

LAB 36.1, 11.13, -16.29

 

CMYK 21 / 33 / 0 / 64

HEX #493E5C

RGB 73 62 92

HSL 262, 0.19%, 0.3%

LAB 28.47, 11.75, -16.12

 

CMYK 23 / 40 / 0 / 71

HEX #382C49

RGB 56 44 73

HSL 264.83, 0.25%, 0.23%

LAB 20.53, 12.52, -16.01

 

CMYK 28 / 52 / 0 / 79

HEX #271A36

RGB 39 26 54

HSL 267.86, 0.35%, 0.16%

LAB 12.2, 13.48, -15.98

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 11 / 25 / 0 / 49

HEX #746282

RGB 116 98 130

HSL 273.75, 0.14%, 0.45%

LAB 44.32, 13.76, -15.13

 

CMYK 4 / 25 / 0 / 49

HEX #7D6282

RGB 125 98 130

HSL 290.63, 0.14%, 0.45%

LAB 45.23, 16.98, -13.66

 

CMYK 0 / 25 / 2 / 49

HEX #82627F

RGB 130 98 127

HSL 305.63, 0.14%, 0.45%

LAB 45.65, 18.18, -11.17

 

CMYK 0 / 25 / 8 / 49

HEX #826277

RGB 130 98 119

HSL 320.63, 0.14%, 0.45%

LAB 45.38, 16.62, -6.76

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 24 / 25 / 0 / 49

HEX #636282

RGB 99 98 130

HSL 241.88, 0.14%, 0.45%

LAB 42.76, 7.86, -17.65

 

CMYK 25 / 25 / 0 / 49

HEX #626282

RGB 98 98 130

HSL 240, 0.14%, 0.45%

LAB 42.68, 7.53, -17.79

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 34 / 46 / 0 / 42

HEX #635095

RGB 99 80 149

HSL 256.52, 0.3%, 0.45%

LAB 38.83, 24.15, -35.27

 

CMYK 46 / 63 / 0 / 35

HEX #5B3DA7

RGB 91 61 167

HSL 256.98, 0.46%, 0.45%

LAB 34.7, 38.78, -52.75

 

CMYK 55 / 77 / 0 / 27

HEX #532ABA

RGB 83 42 186

HSL 257.08, 0.63%, 0.45%

LAB 31.9, 52.85, -68.69

 

CMYK 63 / 88 / 0 / 20

HEX #4B18CD

RGB 75 24 205

HSL 256.91, 0.79%, 0.45%

LAB 30.78, 63.99, -81.73

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 2 / 0 / 4 / 54

HEX #737570

RGB 115 117 112

HSL 84, 0.02%, 0.45%

LAB 48.93, -1.76, 2.48

 

CMYK 9 / 0 / 31 / 47

HEX #7B875D

RGB 123 135 93

HSL 77.14, 0.18%, 0.45%

LAB 54.37, -11.97, 21.18

 

CMYK 14 / 0 / 51 / 40

HEX #849A4B

RGB 132 154 75

HSL 76.71, 0.34%, 0.45%

LAB 60.36, -20.56, 38.55

 

CMYK 19 / 0 / 67 / 33

HEX #8CAC38

RGB 140 172 56

HSL 76.55, 0.51%, 0.45%

LAB 66.03, -27.85, 53.73

 

CMYK 25 / 18 / 0 / 49

HEX #626B82

RGB 98 107 130

HSL 223.13, 0.14%, 0.45%

LAB 45.25, 2.06, -13.86

 

CMYK 25 / 25 / 0 / 49

HEX #626282

RGB 98 98 130

HSL 240, 0.14%, 0.45%

LAB 42.68, 7.53, -17.79

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 12 / 25 / 0 / 49

HEX #736282

RGB 115 98 130

HSL 271.88, 0.14%, 0.45%

LAB 44.22, 13.4, -15.29

 

CMYK 5 / 25 / 0 / 49

HEX #7C6282

RGB 124 98 130

HSL 288.75, 0.14%, 0.45%

LAB 45.13, 16.62, -13.83

 

CMYK 18 / 24 / 0 / 67

HEX #443F53

RGB 68 63 83

HSL 255, 0.14%, 0.29%

LAB 27.87, 6.88, -11.25

 

CMYK 18 / 25 / 0 / 58

HEX #58506B

RGB 88 80 107

HSL 257.78, 0.14%, 0.37%

LAB 35.74, 9.41, -14.36

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 16 / 22 / 0 / 40

HEX #807698

RGB 128 118 152

HSL 257.65, 0.14%, 0.53%

LAB 51.63, 11.01, -16.96

 

CMYK 12 / 16 / 0 / 34

HEX #958EA9

RGB 149 142 169

HSL 255.56, 0.14%, 0.61%

LAB 60.43, 8.06, -13.26

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 0 / 25 / 12 / 49

HEX #826273

RGB 130 98 115

HSL 328.13, 0.14%, 0.45%

LAB 45.25, 15.87, -4.54

 

CMYK 22 / 0 / 25 / 49

HEX #668262

RGB 102 130 98

HSL 112.5, 0.14%, 0.45%

LAB 51.46, -16.65, 14.12

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 0 / 18 / 25 / 49

HEX #826B62

RGB 130 107 98

HSL 16.88, 0.14%, 0.45%

LAB 47.16, 7.62, 8.45

 

CMYK 25 / 0 / 18 / 49

HEX #62826B

RGB 98 130 107

HSL 136.88, 0.14%, 0.45%

LAB 51.41, -16.37, 8.8

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 0 / 25 / 12 / 49

HEX #826273

RGB 130 98 115

HSL 328.13, 0.14%, 0.45%

LAB 45.25, 15.87, -4.54

 

CMYK 6 / 0 / 25 / 49

HEX #7A8262

RGB 122 130 98

HSL 75, 0.14%, 0.45%

LAB 52.93, -8.86, 16.38

 

CMYK 25 / 0 / 13 / 49

HEX #628271

RGB 98 130 113

HSL 148.13, 0.14%, 0.45%

LAB 51.56, -15.12, 5.52

 

CMYK 18 / 25 / 0 / 49

HEX #6B6282

RGB 107 98 130

HSL 256.88, 0.14%, 0.45%

LAB 43.47, 10.6, -16.51

 

CMYK 0 / 25 / 18 / 49

HEX #82626A

RGB 130 98 106

HSL 345, 0.14%, 0.45%

LAB 44.97, 14.27, 0.5

 

CMYK 6 / 0 / 25 / 49

HEX #7A8262

RGB 122 130 98

HSL 75, 0.14%, 0.45%

LAB 52.93, -8.86, 16.38

 

CMYK 25 / 0 / 5 / 49

HEX #62827B

RGB 98 130 123

HSL 166.88, 0.14%, 0.45%

LAB 51.83, -12.91, 0.08

 

Description

Color code: HEX #6B6282 | qconv.com Color code: HEX #6B6282 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 98 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 98 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 25 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 25% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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