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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B7689 it is the complementary color #948976. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B7689. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B7689 shade: #707684, #818897, #929AAA, #A3ACBD and #B4BED0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B7689. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B7689 shade: #6B7689, #5A6476, #495263, #384050 and #272E3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B7689 shade: #6B7689, #6B6E89, #706B89, #786B89 and #806B89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B7689 shade: #6B7689, #6B6E89 and #6B6B89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B7689 shade matches the following richer shades: #6B7689, #57719C, #446BB0, #3066C4 and #1C61D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B7689 shade: #6B7689, #7F7B75, #938161, #A7864D and #BA8B39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B7689 shade: #6B8689, #6B7E89, #6B7689, #6B6E89 and #706B89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B7689 shade: #474E5A, #596271, #6B7689, #818B9C and #98A0AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B7689 shade: #6B7689, #846B89 and #82896B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B7689 shade: #6B7689, #896B76 and #76896B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B7689 shade: #6B7689, #846B89, #897E6B and #70896B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B7689 shade: #6B7689, #896B85, #897E6B and #6B896F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

Complementary color

CMYK 0 / 7 / 20 / 42

HEX #948976

RGB 148 137 118

HSL 38, 0.12%, 0.52%

LAB 57.55, 0.85, 11.68

 

CMYK 15 / 11 / 0 / 48

HEX #707684

RGB 112 118 132

HSL 222, 0.08%, 0.48%

LAB 49.58, 0.84, -8.42

 

CMYK 15 / 10 / 0 / 41

HEX #818897

RGB 129 136 151

HSL 220.91, 0.1%, 0.55%

LAB 56.59, 0.66, -8.87

 

CMYK 14 / 9 / 0 / 33

HEX #929AAA

RGB 146 154 170

HSL 220, 0.12%, 0.62%

LAB 63.45, 0.49, -9.32

 

CMYK 14 / 9 / 0 / 26

HEX #A3ACBD

RGB 163 172 189

HSL 219.23, 0.16%, 0.69%

LAB 70.15, 0.33, -9.77

 

CMYK 13 / 9 / 0 / 18

HEX #B4BED0

RGB 180 190 208

HSL 218.57, 0.23%, 0.76%

LAB 76.73, 0.18, -10.21

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 24 / 15 / 0 / 54

HEX #5A6476

RGB 90 100 118

HSL 218.57, 0.13%, 0.41%

LAB 42.15, 0.5, -11.38

 

CMYK 26 / 17 / 0 / 61

HEX #495263

RGB 73 82 99

HSL 219.23, 0.15%, 0.34%

LAB 34.71, 0.72, -11.04

 

CMYK 30 / 20 / 0 / 69

HEX #384050

RGB 56 64 80

HSL 220, 0.18%, 0.27%

LAB 26.98, 0.98, -10.74

 

CMYK 36 / 25 / 0 / 76

HEX #272E3D

RGB 39 46 61

HSL 220.91, 0.22%, 0.2%

LAB 18.9, 1.32, -10.49

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 22 / 20 / 0 / 46

HEX #6B6E89

RGB 107 110 137

HSL 234, 0.12%, 0.48%

LAB 47.08, 5.05, -15.19

 

CMYK 18 / 22 / 0 / 46

HEX #706B89

RGB 112 107 137

HSL 250, 0.12%, 0.48%

LAB 46.67, 8.56, -15.78

 

CMYK 12 / 22 / 0 / 46

HEX #786B89

RGB 120 107 137

HSL 266, 0.12%, 0.48%

LAB 47.38, 11.34, -14.62

 

CMYK 7 / 22 / 0 / 46

HEX #806B89

RGB 128 107 137

HSL 282, 0.12%, 0.48%

LAB 48.15, 14.18, -13.4

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 22 / 20 / 0 / 46

HEX #6B6E89

RGB 107 110 137

HSL 234, 0.12%, 0.48%

LAB 47.08, 5.05, -15.19

 

CMYK 22 / 22 / 0 / 46

HEX #6B6B89

RGB 107 107 137

HSL 240, 0.12%, 0.48%

LAB 46.24, 6.85, -16.47

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 44 / 28 / 0 / 39

HEX #57719C

RGB 87 113 156

HSL 217.39, 0.28%, 0.48%

LAB 47.28, 2.36, -26.25

 

CMYK 61 / 39 / 0 / 31

HEX #446BB0

RGB 68 107 176

HSL 218.33, 0.44%, 0.48%

LAB 45.47, 8.09, -40.9

 

CMYK 76 / 48 / 0 / 23

HEX #3066C4

RGB 48 102 196

HSL 218.11, 0.61%, 0.48%

LAB 44.4, 15.35, -54.28

 

CMYK 87 / 55 / 0 / 15

HEX #1C61D8

RGB 28 97 216

HSL 217.98, 0.77%, 0.48%

LAB 43.88, 24.43, -66.63

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 0 / 3 / 8 / 50

HEX #7F7B75

RGB 127 123 117

HSL 36, 0.04%, 0.48%

LAB 51.79, 0.37, 3.81

 

CMYK 0 / 12 / 34 / 42

HEX #938161

RGB 147 129 97

HSL 38.4, 0.2%, 0.48%

LAB 54.83, 1.88, 19.89

 

CMYK 0 / 20 / 54 / 35

HEX #A7864D

RGB 167 134 77

HSL 38, 0.37%, 0.48%

LAB 57.85, 5.43, 35.2

 

CMYK 0 / 25 / 69 / 27

HEX #BA8B39

RGB 186 139 57

HSL 38.14, 0.53%, 0.48%

LAB 60.96, 9.55, 49.22

 

CMYK 22 / 2 / 0 / 46

HEX #6B8689

RGB 107 134 137

HSL 186, 0.12%, 0.48%

LAB 54.01, -8.87, -4.8

 

CMYK 22 / 8 / 0 / 46

HEX #6B7E89

RGB 107 126 137

HSL 202, 0.12%, 0.48%

LAB 51.67, -4.34, -8.27

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 22 / 20 / 0 / 46

HEX #6B6E89

RGB 107 110 137

HSL 234, 0.12%, 0.48%

LAB 47.08, 5.05, -15.19

 

CMYK 18 / 22 / 0 / 46

HEX #706B89

RGB 112 107 137

HSL 250, 0.12%, 0.48%

LAB 46.67, 8.56, -15.78

 

CMYK 21 / 13 / 0 / 65

HEX #474E5A

RGB 71 78 90

HSL 217.89, 0.12%, 0.32%

LAB 32.98, 0.14, -7.99

 

CMYK 21 / 13 / 0 / 56

HEX #596271

RGB 89 98 113

HSL 217.5, 0.12%, 0.4%

LAB 41.3, 0.1, -9.63

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 17 / 11 / 0 / 39

HEX #818B9C

RGB 129 139 156

HSL 217.78, 0.12%, 0.56%

LAB 57.59, 0.08, -10.25

 

CMYK 13 / 8 / 0 / 32

HEX #98A0AE

RGB 152 160 174

HSL 218.18, 0.12%, 0.64%

LAB 65.65, 0.05, -8.23

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 4 / 22 / 0 / 46

HEX #846B89

RGB 132 107 137

HSL 290, 0.12%, 0.48%

LAB 48.54, 15.62, -12.76

 

CMYK 5 / 0 / 22 / 46

HEX #82896B

RGB 130 137 107

HSL 74, 0.12%, 0.48%

LAB 55.78, -8.08, 15.26

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 0 / 22 / 14 / 46

HEX #896B76

RGB 137 107 118

HSL 338, 0.12%, 0.48%

LAB 48.44, 13.8, -1.55

 

CMYK 14 / 0 / 22 / 46

HEX #76896B

RGB 118 137 107

HSL 98, 0.12%, 0.48%

LAB 54.87, -12.76, 13.85

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 4 / 22 / 0 / 46

HEX #846B89

RGB 132 107 137

HSL 290, 0.12%, 0.48%

LAB 48.54, 15.62, -12.76

 

CMYK 0 / 8 / 22 / 46

HEX #897E6B

RGB 137 126 107

HSL 38, 0.12%, 0.48%

LAB 53.28, 0.91, 11.87

 

CMYK 18 / 0 / 22 / 46

HEX #70896B

RGB 112 137 107

HSL 110, 0.12%, 0.48%

LAB 54.45, -15.03, 13.2

 

CMYK 22 / 14 / 0 / 46

HEX #6B7689

RGB 107 118 137

HSL 218, 0.12%, 0.48%

LAB 49.36, 0.3, -11.74

 

CMYK 0 / 22 / 3 / 46

HEX #896B85

RGB 137 107 133

HSL 308, 0.12%, 0.48%

LAB 48.92, 16.62, -9.77

 

CMYK 0 / 8 / 22 / 46

HEX #897E6B

RGB 137 126 107

HSL 38, 0.12%, 0.48%

LAB 53.28, 0.91, 11.87

 

CMYK 22 / 0 / 19 / 46

HEX #6B896F

RGB 107 137 111

HSL 128, 0.12%, 0.48%

LAB 54.2, -16.11, 10.51

 

Description

Color code: HEX #6B7689 | qconv.com Color code: HEX #6B7689 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 118 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 118 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 14 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 14% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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