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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B7697 it is the complementary color #948968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B7697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B7697 shade: #707692, #8188A5, #929AB8, #A3ACCB and #B4BEDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B7697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B7697 shade: #6B7697, #5A6484, #495271, #38405E and #272E4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B7697 shade: #6C7797, #6D6C97, #796C97, #846C97 and #906C97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B7697 shade: #6C7797 and #6C6C97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B7697 shade matches the following richer shades: #6C7797, #586DAB, #4463BF, #3059D3 and #1B4EE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B7697 shade: #6C7797, #818183, #958B6E, #A9955A and #BD9F46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B7697 shade: #6C8E97, #6C8297, #6C7797, #6D6C97 and #786C97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B7697 shade: #495167, #5A6480, #6C7797, #848DA8 and #9DA4B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B7697 shade: #6B7697, #956C97 and #88976C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B7697 shade: #6B7697, #976C77 and #77976C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B7697 shade: #6B7697, #956C97, #978C6C and #6E976C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B7697 shade: #6B7697, #976C8C, #978C6C and #6C9777

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 22 / 0 / 41

HEX #6B7697

RGB 107 118 151

HSL 225, 0.17%, 0.51%

LAB 49.88, 3.85, -19.19

 

Complementary color

CMYK 0 / 7 / 30 / 42

HEX #948968

RGB 148 137 104

HSL 45, 0.17%, 0.49%

LAB 57.26, -1.25, 19.22

 

CMYK 23 / 19 / 0 / 43

HEX #707692

RGB 112 118 146

HSL 229.41, 0.13%, 0.51%

LAB 50.07, 4.19, -15.93

 

CMYK 22 / 18 / 0 / 35

HEX #8188A5

RGB 129 136 165

HSL 228.33, 0.17%, 0.58%

LAB 57.07, 3.91, -16.21

 

CMYK 21 / 16 / 0 / 28

HEX #929AB8

RGB 146 154 184

HSL 227.37, 0.21%, 0.65%

LAB 63.9, 3.65, -16.5

 

CMYK 20 / 15 / 0 / 20

HEX #A3ACCB

RGB 163 172 203

HSL 226.5, 0.28%, 0.72%

LAB 70.6, 3.41, -16.81

 

CMYK 19 / 14 / 0 / 13

HEX #B4BEDE

RGB 180 190 222

HSL 225.71, 0.39%, 0.79%

LAB 77.16, 3.19, -17.13

 

CMYK 29 / 22 / 0 / 41

HEX #6B7697

RGB 107 118 151

HSL 225, 0.17%, 0.51%

LAB 49.88, 3.85, -19.19

 

CMYK 32 / 24 / 0 / 48

HEX #5A6484

RGB 90 100 132

HSL 225.71, 0.19%, 0.44%

LAB 42.69, 4.22, -19.02

 

CMYK 35 / 27 / 0 / 56

HEX #495271

RGB 73 82 113

HSL 226.5, 0.22%, 0.36%

LAB 35.29, 4.66, -18.91

 

CMYK 40 / 32 / 0 / 63

HEX #38405E

RGB 56 64 94

HSL 227.37, 0.25%, 0.29%

LAB 27.62, 5.22, -18.86

 

CMYK 48 / 39 / 0 / 71

HEX #272E4B

RGB 39 46 75

HSL 228.33, 0.32%, 0.22%

LAB 19.61, 5.97, -18.92

 

CMYK 28 / 21 / 0 / 41

HEX #6C7797

RGB 108 119 151

HSL 224.65, 0.17%, 0.51%

LAB 50.24, 3.57, -18.64

 

CMYK 28 / 28 / 0 / 41

HEX #6D6C97

RGB 109 108 151

HSL 241.4, 0.17%, 0.51%

LAB 47.25, 10.49, -23.22

 

CMYK 20 / 28 / 0 / 41

HEX #796C97

RGB 121 108 151

HSL 258.14, 0.17%, 0.51%

LAB 48.29, 14.38, -21.53

 

CMYK 13 / 28 / 0 / 41

HEX #846C97

RGB 132 108 151

HSL 273.49, 0.17%, 0.51%

LAB 49.33, 18.08, -19.84

 

CMYK 5 / 28 / 0 / 41

HEX #906C97

RGB 144 108 151

HSL 290.23, 0.17%, 0.51%

LAB 50.56, 22.19, -17.86

 

CMYK 28 / 21 / 0 / 41

HEX #6C7797

RGB 108 119 151

HSL 224.65, 0.17%, 0.51%

LAB 50.24, 3.57, -18.64

 

CMYK 28 / 28 / 0 / 41

HEX #6C6C97

RGB 108 108 151

HSL 240, 0.17%, 0.51%

LAB 47.17, 10.17, -23.35

 

CMYK 28 / 21 / 0 / 41

HEX #6C7797

RGB 108 119 151

HSL 224.65, 0.17%, 0.51%

LAB 50.24, 3.57, -18.64

 

CMYK 49 / 36 / 0 / 33

HEX #586DAB

RGB 88 109 171

HSL 224.82, 0.33%, 0.51%

LAB 46.91, 9.68, -35.62

 

CMYK 64 / 48 / 0 / 25

HEX #4463BF

RGB 68 99 191

HSL 224.88, 0.49%, 0.51%

LAB 44.11, 18.41, -51.81

 

CMYK 77 / 58 / 0 / 17

HEX #3059D3

RGB 48 89 211

HSL 224.91, 0.65%, 0.51%

LAB 41.96, 29.36, -66.86

 

CMYK 88 / 66 / 0 / 9

HEX #1B4EE8

RGB 27 78 232

HSL 225.07, 0.82%, 0.51%

LAB 40.42, 42.55, -81.39

 

CMYK 28 / 21 / 0 / 41

HEX #6C7797

RGB 108 119 151

HSL 224.65, 0.17%, 0.51%

LAB 50.24, 3.57, -18.64

 

CMYK 2 / 2 / 0 / 49

HEX #818183

RGB 129 129 131

HSL 240, 0.01%, 0.51%

LAB 54.03, 0.4, -1.09

 

CMYK 0 / 7 / 26 / 42

HEX #958B6E

RGB 149 139 110

HSL 44.62, 0.16%, 0.51%

LAB 58.02, -1.09, 16.89

 

CMYK 0 / 12 / 47 / 34

HEX #A9955A

RGB 169 149 90

HSL 44.81, 0.31%, 0.51%

LAB 62.23, -0.75, 33.77

 

CMYK 0 / 16 / 63 / 26

HEX #BD9F46

RGB 189 159 70

HSL 44.87, 0.47%, 0.51%

LAB 66.56, 0.75, 49.38

 

CMYK 28 / 6 / 0 / 41

HEX #6C8E97

RGB 108 142 151

HSL 192.56, 0.17%, 0.51%

LAB 56.85, -9.62, -8.64

 

CMYK 28 / 14 / 0 / 41

HEX #6C8297

RGB 108 130 151

HSL 209.3, 0.17%, 0.51%

LAB 53.37, -2.85, -13.87

 

CMYK 28 / 21 / 0 / 41

HEX #6C7797

RGB 108 119 151

HSL 224.65, 0.17%, 0.51%

LAB 50.24, 3.57, -18.64

 

CMYK 28 / 28 / 0 / 41

HEX #6D6C97

RGB 109 108 151

HSL 241.4, 0.17%, 0.51%

LAB 47.25, 10.49, -23.22

 

CMYK 21 / 28 / 0 / 41

HEX #786C97

RGB 120 108 151

HSL 256.74, 0.17%, 0.51%

LAB 48.2, 14.05, -21.68

 

CMYK 29 / 21 / 0 / 60

HEX #495167

RGB 73 81 103

HSL 224, 0.17%, 0.35%

LAB 34.56, 2.44, -13.78

 

CMYK 30 / 22 / 0 / 50

HEX #5A6480

RGB 90 100 128

HSL 224.21, 0.17%, 0.43%

LAB 42.53, 3.13, -16.86

 

CMYK 28 / 21 / 0 / 41

HEX #6C7797

RGB 108 119 151

HSL 224.65, 0.17%, 0.51%

LAB 50.24, 3.57, -18.64

 

CMYK 21 / 16 / 0 / 34

HEX #848DA8

RGB 132 141 168

HSL 225, 0.17%, 0.59%

LAB 58.77, 2.73, -15.32

 

CMYK 15 / 11 / 0 / 27

HEX #9DA4B9

RGB 157 164 185

HSL 225, 0.17%, 0.67%

LAB 67.44, 1.88, -11.65

 

CMYK 29 / 22 / 0 / 41

HEX #6B7697

RGB 107 118 151

HSL 225, 0.17%, 0.51%

LAB 49.88, 3.85, -19.19

 

CMYK 1 / 28 / 0 / 41

HEX #956C97

RGB 149 108 151

HSL 297.21, 0.17%, 0.51%

LAB 51.09, 23.92, -16.99

 

CMYK 10 / 0 / 28 / 41

HEX #88976C

RGB 136 151 108

HSL 80.93, 0.17%, 0.51%

LAB 60.29, -13.14, 20.93

 

CMYK 29 / 22 / 0 / 41

HEX #6B7697

RGB 107 118 151

HSL 225, 0.17%, 0.51%

LAB 49.88, 3.85, -19.19

 

CMYK 0 / 28 / 21 / 41

HEX #976C77

RGB 151 108 119

HSL 344.65, 0.17%, 0.51%

LAB 50.26, 18.84, 0.7

 

CMYK 21 / 0 / 28 / 41

HEX #77976C

RGB 119 151 108

HSL 104.65, 0.17%, 0.51%

LAB 59.1, -19.63, 19.12

 

CMYK 29 / 22 / 0 / 41

HEX #6B7697

RGB 107 118 151

HSL 225, 0.17%, 0.51%

LAB 49.88, 3.85, -19.19

 

CMYK 1 / 28 / 0 / 41

HEX #956C97

RGB 149 108 151

HSL 297.21, 0.17%, 0.51%

LAB 51.09, 23.92, -16.99

 

CMYK 0 / 7 / 28 / 41

HEX #978C6C

RGB 151 140 108

HSL 44.65, 0.17%, 0.51%

LAB 58.43, -1.12, 18.61

 

CMYK 27 / 0 / 28 / 41

HEX #6E976C

RGB 110 151 108

HSL 117.21, 0.17%, 0.51%

LAB 58.54, -22.88, 18.25

 

CMYK 29 / 22 / 0 / 41

HEX #6B7697

RGB 107 118 151

HSL 225, 0.17%, 0.51%

LAB 49.88, 3.85, -19.19

 

CMYK 0 / 28 / 7 / 41

HEX #976C8C

RGB 151 108 140

HSL 315.35, 0.17%, 0.51%

LAB 50.92, 22.5, -10.76

 

CMYK 0 / 7 / 28 / 41

HEX #978C6C

RGB 151 140 108

HSL 44.65, 0.17%, 0.51%

LAB 58.43, -1.12, 18.61

 

CMYK 28 / 0 / 21 / 41

HEX #6C9777

RGB 108 151 119

HSL 135.35, 0.17%, 0.51%

LAB 58.65, -21.53, 12.22

 

Description

Color code: HEX #6B7697 | qconv.com Color code: HEX #6B7697 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 118 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 118 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 22 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 22% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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