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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B778E it is the complementary color #948871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B778E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B778E shade: #707789, #81899C, #929BAF, #A3ADC2 and #B4BFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B778E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B778E shade: #6B778E, #5A657B, #495368, #384155 and #272F42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B778E shade: #6B778E, #6B6E8E, #726B8E, #7B6B8E and #856B8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B778E shade: #6B778E, #6B6E8E and #6B6B8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B778E shade matches the following richer shades: #6B778E, #5771A2, #436AB6, #2E64CB and #1A5EDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B778E shade: #6B778E, #7F7D7A, #938466, #A88A51 and #BC903D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B778E shade: #6B8A8E, #6B818E, #6B778E, #6B6E8E and #716B8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B778E shade: #47505F, #596376, #6B778E, #828CA0 and #99A2B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B778E shade: #6B778E, #896B8E and #858E6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B778E shade: #6B778E, #8E6B77 and #778E6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B778E shade: #6B778E, #896B8E, #8E826B and #708E6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B778E shade: #6B778E, #8E6B89, #8E826B and #6B8E70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

Complementary color

CMYK 0 / 8 / 24 / 42

HEX #948871

RGB 148 136 113

HSL 39.43, 0.14%, 0.51%

LAB 57.17, 0.63, 14

 

CMYK 18 / 13 / 0 / 46

HEX #707789

RGB 112 119 137

HSL 223.2, 0.1%, 0.49%

LAB 50.03, 1.42, -10.69

 

CMYK 17 / 12 / 0 / 39

HEX #81899C

RGB 129 137 156

HSL 222.22, 0.12%, 0.56%

LAB 57.04, 1.22, -11.09

 

CMYK 17 / 11 / 0 / 31

HEX #929BAF

RGB 146 155 175

HSL 221.38, 0.15%, 0.63%

LAB 63.88, 1.04, -11.49

 

CMYK 16 / 11 / 0 / 24

HEX #A3ADC2

RGB 163 173 194

HSL 220.65, 0.2%, 0.7%

LAB 70.57, 0.87, -11.89

 

CMYK 15 / 10 / 0 / 16

HEX #B4BFD5

RGB 180 191 213

HSL 220, 0.28%, 0.77%

LAB 77.14, 0.7, -12.3

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 27 / 18 / 0 / 52

HEX #5A657B

RGB 90 101 123

HSL 220, 0.15%, 0.42%

LAB 42.63, 1.19, -13.68

 

CMYK 30 / 20 / 0 / 59

HEX #495368

RGB 73 83 104

HSL 220.65, 0.18%, 0.35%

LAB 35.21, 1.46, -13.41

 

CMYK 34 / 24 / 0 / 67

HEX #384155

RGB 56 65 85

HSL 221.38, 0.21%, 0.28%

LAB 27.51, 1.79, -13.19

 

CMYK 41 / 29 / 0 / 74

HEX #272F42

RGB 39 47 66

HSL 222.22, 0.26%, 0.21%

LAB 19.46, 2.23, -13.04

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 25 / 23 / 0 / 44

HEX #6B6E8E

RGB 107 110 142

HSL 234.86, 0.14%, 0.49%

LAB 47.28, 6.31, -17.86

 

CMYK 20 / 25 / 0 / 44

HEX #726B8E

RGB 114 107 142

HSL 252, 0.14%, 0.49%

LAB 47.03, 10.45, -18.18

 

CMYK 13 / 25 / 0 / 44

HEX #7B6B8E

RGB 123 107 142

HSL 267.43, 0.14%, 0.49%

LAB 47.85, 13.53, -16.86

 

CMYK 6 / 25 / 0 / 44

HEX #856B8E

RGB 133 107 142

HSL 284.57, 0.14%, 0.49%

LAB 48.83, 17.03, -15.28

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 25 / 23 / 0 / 44

HEX #6B6E8E

RGB 107 110 142

HSL 234.86, 0.14%, 0.49%

LAB 47.28, 6.31, -17.86

 

CMYK 25 / 25 / 0 / 44

HEX #6B6B8E

RGB 107 107 142

HSL 240, 0.14%, 0.49%

LAB 46.44, 8.12, -19.15

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 46 / 30 / 0 / 36

HEX #5771A2

RGB 87 113 162

HSL 219.2, 0.3%, 0.49%

LAB 47.55, 4.18, -29.35

 

CMYK 63 / 42 / 0 / 29

HEX #436AB6

RGB 67 106 182

HSL 219.65, 0.46%, 0.49%

LAB 45.47, 10.62, -44.41

 

CMYK 77 / 51 / 0 / 20

HEX #2E64CB

RGB 46 100 203

HSL 219.36, 0.63%, 0.49%

LAB 44.24, 19.05, -58.57

 

CMYK 88 / 58 / 0 / 13

HEX #1A5EDF

RGB 26 94 223

HSL 219.29, 0.79%, 0.49%

LAB 43.58, 28.96, -71.1

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 0 / 2 / 4 / 50

HEX #7F7D7A

RGB 127 125 122

HSL 36, 0.02%, 0.49%

LAB 52.49, 0.17, 1.89

 

CMYK 0 / 10 / 31 / 42

HEX #938466

RGB 147 132 102

HSL 40, 0.18%, 0.49%

LAB 55.75, 0.87, 18.29

 

CMYK 0 / 18 / 52 / 34

HEX #A88A51

RGB 168 138 81

HSL 39.31, 0.35%, 0.49%

LAB 59.06, 4.01, 34.59

 

CMYK 0 / 23 / 68 / 26

HEX #BC903D

RGB 188 144 61

HSL 39.21, 0.51%, 0.49%

LAB 62.49, 7.91, 49.08

 

CMYK 25 / 3 / 0 / 44

HEX #6B8A8E

RGB 107 138 142

HSL 186.86, 0.14%, 0.49%

LAB 55.33, -9.91, -5.72

 

CMYK 25 / 9 / 0 / 44

HEX #6B818E

RGB 107 129 142

HSL 202.29, 0.14%, 0.49%

LAB 52.71, -4.85, -9.64

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 25 / 23 / 0 / 44

HEX #6B6E8E

RGB 107 110 142

HSL 234.86, 0.14%, 0.49%

LAB 47.28, 6.31, -17.86

 

CMYK 20 / 25 / 0 / 44

HEX #716B8E

RGB 113 107 142

HSL 250.29, 0.14%, 0.49%

LAB 46.95, 10.11, -18.32

 

CMYK 25 / 16 / 0 / 63

HEX #47505F

RGB 71 80 95

HSL 217.5, 0.14%, 0.33%

LAB 33.78, 0.2, -9.94

 

CMYK 25 / 16 / 0 / 54

HEX #596376

RGB 89 99 118

HSL 219.31, 0.14%, 0.41%

LAB 41.78, 0.76, -11.95

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 19 / 13 / 0 / 37

HEX #828CA0

RGB 130 140 160

HSL 220, 0.14%, 0.57%

LAB 58.08, 0.77, -11.81

 

CMYK 14 / 9 / 0 / 30

HEX #99A2B2

RGB 153 162 178

HSL 218.4, 0.14%, 0.65%

LAB 66.39, 0.14, -9.36

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 4 / 25 / 0 / 44

HEX #896B8E

RGB 137 107 142

HSL 291.43, 0.14%, 0.49%

LAB 49.24, 18.45, -14.62

 

CMYK 6 / 0 / 25 / 44

HEX #858E6B

RGB 133 142 107

HSL 75.43, 0.14%, 0.49%

LAB 57.46, -9.63, 17.6

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 0 / 25 / 16 / 44

HEX #8E6B77

RGB 142 107 119

HSL 339.43, 0.14%, 0.49%

LAB 49, 15.92, -1.25

 

CMYK 16 / 0 / 25 / 44

HEX #778E6B

RGB 119 142 107

HSL 99.43, 0.14%, 0.49%

LAB 56.42, -15.07, 16

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 4 / 25 / 0 / 44

HEX #896B8E

RGB 137 107 142

HSL 291.43, 0.14%, 0.49%

LAB 49.24, 18.45, -14.62

 

CMYK 0 / 8 / 25 / 44

HEX #8E826B

RGB 142 130 107

HSL 39.43, 0.14%, 0.49%

LAB 54.84, 0.67, 14.12

 

CMYK 21 / 0 / 25 / 44

HEX #708E6B

RGB 112 142 107

HSL 111.43, 0.14%, 0.49%

LAB 55.94, -17.69, 15.27

 

CMYK 25 / 16 / 0 / 44

HEX #6B778E

RGB 107 119 142

HSL 219.43, 0.14%, 0.49%

LAB 49.82, 0.95, -13.98

 

CMYK 0 / 25 / 4 / 44

HEX #8E6B89

RGB 142 107 137

HSL 308.57, 0.14%, 0.49%

LAB 49.58, 19.24, -11.09

 

CMYK 0 / 8 / 25 / 44

HEX #8E826B

RGB 142 130 107

HSL 39.43, 0.14%, 0.49%

LAB 54.84, 0.67, 14.12

 

CMYK 25 / 0 / 21 / 44

HEX #6B8E70

RGB 107 142 112

HSL 128.57, 0.14%, 0.49%

LAB 55.73, -18.56, 12.08

 

Description

Color code: HEX #6B778E | qconv.com Color code: HEX #6B778E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 119 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 119 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 16 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 16% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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