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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B7192 it is the complementary color #948E6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B7192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B7192 shade: #70718D, #8183A0, #9295B3, #A3A7C6 and #B4B9D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B7192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B7192 shade: #6B7192, #5A5F7F, #494D6C, #383B59 and #272946

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B7192 shade: #6C7292, #706C92, #7B6C92, #856C92 and #8F6C92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B7192 shade: #6C7292 and #6C6C92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B7192 shade matches the following richer shades: #6C7292, #5763A7, #4355BB, #2E47D0 and #1939E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B7192 shade: #6C7292, #81807D, #958E69, #AA9D54 and #BEAB40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B7192 shade: #6C8792, #6C7C92, #6C7292, #706C92 and #7A6C92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B7192 shade: #494D63, #5A5F7A, #6C7292, #8489A4 and #9B9FB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B7192 shade: #6B7192, #926C91 and #82926C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B7192 shade: #6B7192, #926C72 and #72926C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B7192 shade: #6B7192, #926C91, #928C6C and #6C926D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B7192 shade: #6B7192, #926C85, #928C6C and #6C9279

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 23 / 0 / 43

HEX #6B7192

RGB 107 113 146

HSL 230.77, 0.15%, 0.5%

LAB 48.27, 5.53, -18.7

 

Complementary color

CMYK 0 / 4 / 26 / 42

HEX #948E6D

RGB 148 142 109

HSL 50.77, 0.15%, 0.5%

LAB 58.74, -3.31, 18.42

 

CMYK 21 / 20 / 0 / 45

HEX #70718D

RGB 112 113 141

HSL 237.93, 0.11%, 0.5%

LAB 48.48, 5.93, -15.39

 

CMYK 19 / 18 / 0 / 37

HEX #8183A0

RGB 129 131 160

HSL 236.13, 0.14%, 0.57%

LAB 55.52, 5.61, -15.68

 

CMYK 18 / 17 / 0 / 30

HEX #9295B3

RGB 146 149 179

HSL 234.55, 0.18%, 0.64%

LAB 62.39, 5.32, -15.98

 

CMYK 18 / 16 / 0 / 22

HEX #A3A7C6

RGB 163 167 198

HSL 233.14, 0.23%, 0.71%

LAB 69.11, 5.05, -16.3

 

CMYK 17 / 15 / 0 / 15

HEX #B4B9D9

RGB 180 185 217

HSL 231.89, 0.33%, 0.78%

LAB 75.71, 4.8, -16.62

 

CMYK 27 / 23 / 0 / 43

HEX #6B7192

RGB 107 113 146

HSL 230.77, 0.15%, 0.5%

LAB 48.27, 5.53, -18.7

 

CMYK 29 / 25 / 0 / 50

HEX #5A5F7F

RGB 90 95 127

HSL 231.89, 0.17%, 0.43%

LAB 41.04, 5.93, -18.54

 

CMYK 32 / 29 / 0 / 58

HEX #494D6C

RGB 73 77 108

HSL 233.14, 0.19%, 0.35%

LAB 33.58, 6.41, -18.42

 

CMYK 37 / 34 / 0 / 65

HEX #383B59

RGB 56 59 89

HSL 234.55, 0.23%, 0.28%

LAB 25.83, 7.01, -18.39

 

CMYK 44 / 41 / 0 / 73

HEX #272946

RGB 39 41 70

HSL 236.13, 0.28%, 0.21%

LAB 17.73, 7.82, -18.47

 

CMYK 26 / 22 / 0 / 43

HEX #6C7292

RGB 108 114 146

HSL 230.53, 0.15%, 0.5%

LAB 48.63, 5.26, -18.15

 

CMYK 23 / 26 / 0 / 43

HEX #706C92

RGB 112 108 146

HSL 246.32, 0.15%, 0.5%

LAB 47.29, 10.17, -20.17

 

CMYK 16 / 26 / 0 / 43

HEX #7B6C92

RGB 123 108 146

HSL 263.68, 0.15%, 0.5%

LAB 48.27, 13.86, -18.58

 

CMYK 9 / 26 / 0 / 43

HEX #856C92

RGB 133 108 146

HSL 279.47, 0.15%, 0.5%

LAB 49.24, 17.31, -17.03

 

CMYK 2 / 26 / 0 / 43

HEX #8F6C92

RGB 143 108 146

HSL 295.26, 0.15%, 0.5%

LAB 50.26, 20.81, -15.37

 

CMYK 26 / 22 / 0 / 43

HEX #6C7292

RGB 108 114 146

HSL 230.53, 0.15%, 0.5%

LAB 48.63, 5.26, -18.15

 

CMYK 26 / 26 / 0 / 43

HEX #6C6C92

RGB 108 108 146

HSL 240, 0.15%, 0.5%

LAB 46.96, 8.87, -20.71

 

CMYK 26 / 22 / 0 / 43

HEX #6C7292

RGB 108 114 146

HSL 230.53, 0.15%, 0.5%

LAB 48.63, 5.26, -18.15

 

CMYK 48 / 41 / 0 / 35

HEX #5763A7

RGB 87 99 167

HSL 231, 0.31%, 0.5%

LAB 43.86, 14.38, -38.1

 

CMYK 64 / 55 / 0 / 27

HEX #4355BB

RGB 67 85 187

HSL 231, 0.47%, 0.5%

LAB 40.05, 25.79, -56.03

 

CMYK 78 / 66 / 0 / 18

HEX #2E47D0

RGB 46 71 208

HSL 230.74, 0.64%, 0.5%

LAB 37.19, 39.51, -72.95

 

CMYK 89 / 75 / 0 / 10

HEX #1939E5

RGB 25 57 229

HSL 230.59, 0.8%, 0.5%

LAB 35.58, 53.8, -87.69

 

CMYK 26 / 22 / 0 / 43

HEX #6C7292

RGB 108 114 146

HSL 230.53, 0.15%, 0.5%

LAB 48.63, 5.26, -18.15

 

CMYK 0 / 1 / 3 / 49

HEX #81807D

RGB 129 128 125

HSL 45, 0.02%, 0.5%

LAB 53.59, -0.21, 1.75

 

CMYK 0 / 5 / 30 / 42

HEX #958E69

RGB 149 142 105

HSL 50.45, 0.17%, 0.5%

LAB 58.75, -3.47, 20.69

 

CMYK 0 / 8 / 51 / 33

HEX #AA9D54

RGB 170 157 84

HSL 50.93, 0.34%, 0.5%

LAB 64.4, -5.25, 39.59

 

CMYK 0 / 10 / 66 / 25

HEX #BEAB40

RGB 190 171 64

HSL 50.95, 0.5%, 0.5%

LAB 69.78, -5.59, 55.55

 

CMYK 26 / 8 / 0 / 43

HEX #6C8792

RGB 108 135 146

HSL 197.37, 0.15%, 0.5%

LAB 54.65, -6.94, -9.05

 

CMYK 26 / 15 / 0 / 43

HEX #6C7C92

RGB 108 124 146

HSL 214.74, 0.15%, 0.5%

LAB 51.47, -0.64, -13.83

 

CMYK 26 / 22 / 0 / 43

HEX #6C7292

RGB 108 114 146

HSL 230.53, 0.15%, 0.5%

LAB 48.63, 5.26, -18.15

 

CMYK 23 / 26 / 0 / 43

HEX #706C92

RGB 112 108 146

HSL 246.32, 0.15%, 0.5%

LAB 47.29, 10.17, -20.17

 

CMYK 16 / 26 / 0 / 43

HEX #7A6C92

RGB 122 108 146

HSL 262.11, 0.15%, 0.5%

LAB 48.18, 13.52, -18.73

 

CMYK 26 / 22 / 0 / 61

HEX #494D63

RGB 73 77 99

HSL 230.77, 0.15%, 0.34%

LAB 33.19, 3.89, -13.35

 

CMYK 26 / 22 / 0 / 52

HEX #5A5F7A

RGB 90 95 122

HSL 230.63, 0.15%, 0.42%

LAB 40.84, 4.59, -15.81

 

CMYK 26 / 22 / 0 / 43

HEX #6C7292

RGB 108 114 146

HSL 230.53, 0.15%, 0.5%

LAB 48.63, 5.26, -18.15

 

CMYK 20 / 16 / 0 / 36

HEX #8489A4

RGB 132 137 164

HSL 230.63, 0.15%, 0.58%

LAB 57.54, 4.08, -14.9

 

CMYK 14 / 12 / 0 / 29

HEX #9B9FB5

RGB 155 159 181

HSL 230.77, 0.15%, 0.66%

LAB 65.83, 3.12, -11.85

 

CMYK 27 / 23 / 0 / 43

HEX #6B7192

RGB 107 113 146

HSL 230.77, 0.15%, 0.5%

LAB 48.27, 5.53, -18.7

 

CMYK 0 / 26 / 1 / 43

HEX #926C91

RGB 146 108 145

HSL 301.58, 0.15%, 0.5%

LAB 50.55, 21.67, -14.32

 

CMYK 11 / 0 / 26 / 43

HEX #82926C

RGB 130 146 108

HSL 85.26, 0.15%, 0.5%

LAB 58.4, -12.81, 18.29

 

CMYK 27 / 23 / 0 / 43

HEX #6B7192

RGB 107 113 146

HSL 230.77, 0.15%, 0.5%

LAB 48.27, 5.53, -18.7

 

CMYK 0 / 26 / 22 / 43

HEX #926C72

RGB 146 108 114

HSL 350.53, 0.15%, 0.5%

LAB 49.56, 16.07, 2.59

 

CMYK 22 / 0 / 26 / 43

HEX #72926C

RGB 114 146 108

HSL 110.53, 0.15%, 0.5%

LAB 57.29, -18.87, 16.58

 

CMYK 27 / 23 / 0 / 43

HEX #6B7192

RGB 107 113 146

HSL 230.77, 0.15%, 0.5%

LAB 48.27, 5.53, -18.7

 

CMYK 0 / 26 / 1 / 43

HEX #926C91

RGB 146 108 145

HSL 301.58, 0.15%, 0.5%

LAB 50.55, 21.67, -14.32

 

CMYK 0 / 4 / 26 / 43

HEX #928C6C

RGB 146 140 108

HSL 50.53, 0.15%, 0.5%

LAB 57.99, -3.16, 17.94

 

CMYK 26 / 0 / 25 / 43

HEX #6C926D

RGB 108 146 109

HSL 121.58, 0.15%, 0.5%

LAB 56.93, -20.85, 15.47

 

CMYK 27 / 23 / 0 / 43

HEX #6B7192

RGB 107 113 146

HSL 230.77, 0.15%, 0.5%

LAB 48.27, 5.53, -18.7

 

CMYK 0 / 26 / 9 / 43

HEX #926C85

RGB 146 108 133

HSL 320.53, 0.15%, 0.5%

LAB 50.13, 19.36, -7.85

 

CMYK 0 / 4 / 26 / 43

HEX #928C6C

RGB 146 140 108

HSL 50.53, 0.15%, 0.5%

LAB 57.99, -3.16, 17.94

 

CMYK 26 / 0 / 17 / 43

HEX #6C9279

RGB 108 146 121

HSL 140.53, 0.15%, 0.5%

LAB 57.2, -18.54, 9.04

 

Description

Color code: HEX #6B7192 | qconv.com Color code: HEX #6B7192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 113 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 113 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 23 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 23% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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