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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B843D it is the complementary color #947BC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B843D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B843D shade: #708438, #81964B, #92A85E, #A3BA71 and #B4CC84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B843D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B843D shade: #6B843D, #5A722A, #496017, #384E04 and #273C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B843D shade: #6B843D, #7E843D, #84773D, #84633D and #84503D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B843D shade: #6B843D, #58843D, #44843D, #3D8448 and #3D845B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B843D shade matches the following richer shades: #6B843D, #70942D, #74A41D and #79B30E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B843D shade: #6B843D, #66754C, #62655C, #5D556C and #58467B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B843D shade: #84773D, #7E843D, #6B843D, #58843D and #45843D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B843D shade: #3D4C23, #546830, #6B843D, #82A14A and #96B55E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B843D shade: #6B843D, #3D8464 and #813D84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B843D shade: #6B843D, #3D6B84 and #843D6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B843D shade: #6B843D, #3D8464, #563D84 and #843D5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B843D shade: #6B843D, #3D8479, #563D84 and #843D47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

Complementary color

CMYK 24 / 37 / 0 / 24

HEX #947BC2

RGB 148 123 194

HSL 261.13, 0.37%, 0.62%

LAB 56.44, 24.48, -33.61

 

CMYK 15 / 0 / 58 / 48

HEX #708438

RGB 112 132 56

HSL 75.79, 0.4%, 0.37%

LAB 52.1, -19.5, 37.98

 

CMYK 14 / 0 / 50 / 41

HEX #81964B

RGB 129 150 75

HSL 76.8, 0.33%, 0.44%

LAB 58.96, -19.75, 36.82

 

CMYK 13 / 0 / 44 / 34

HEX #92A85E

RGB 146 168 94

HSL 77.84, 0.3%, 0.51%

LAB 65.69, -19.91, 35.61

 

CMYK 12 / 0 / 39 / 27

HEX #A3BA71

RGB 163 186 113

HSL 78.9, 0.35%, 0.59%

LAB 72.29, -20.01, 34.42

 

CMYK 12 / 0 / 35 / 20

HEX #B4CC84

RGB 180 204 132

HSL 80, 0.41%, 0.66%

LAB 78.78, -20.07, 33.26

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 21 / 0 / 63 / 55

HEX #5A722A

RGB 90 114 42

HSL 80, 0.46%, 0.31%

LAB 44.77, -20.86, 36.12

 

CMYK 24 / 0 / 76 / 62

HEX #496017

RGB 73 96 23

HSL 78.9, 0.61%, 0.23%

LAB 37.56, -20.44, 36.76

 

CMYK 28 / 0 / 95 / 69

HEX #384E04

RGB 56 78 4

HSL 77.84, 0.9%, 0.16%

LAB 30.15, -19.71, 36.34

 

CMYK 35 / 0 / 100 / 76

HEX #273C00

RGB 39 60 0

HSL 81, 1%, 0.12%

LAB 22.52, -18.3, 30.57

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 5 / 0 / 54 / 48

HEX #7E843D

RGB 126 132 61

HSL 65.07, 0.37%, 0.38%

LAB 53.25, -12.97, 37.09

 

CMYK 0 / 10 / 54 / 48

HEX #84773D

RGB 132 119 61

HSL 49.01, 0.37%, 0.38%

LAB 50.02, -3.11, 33.41

 

CMYK 0 / 25 / 54 / 48

HEX #84633D

RGB 132 99 61

HSL 32.11, 0.37%, 0.38%

LAB 44.47, 8.47, 26.63

 

CMYK 0 / 39 / 54 / 48

HEX #84503D

RGB 132 80 61

HSL 16.06, 0.37%, 0.38%

LAB 39.55, 19.68, 20.36

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 33 / 0 / 54 / 48

HEX #58843D

RGB 88 132 61

HSL 97.18, 0.37%, 0.38%

LAB 50.59, -28.62, 33.28

 

CMYK 48 / 0 / 54 / 48

HEX #44843D

RGB 68 132 61

HSL 114.08, 0.37%, 0.38%

LAB 49.58, -35.53, 31.83

 

CMYK 54 / 0 / 45 / 48

HEX #3D8448

RGB 61 132 72

HSL 129.3, 0.37%, 0.38%

LAB 49.45, -35.93, 25.72

 

CMYK 54 / 0 / 31 / 48

HEX #3D845B

RGB 61 132 91

HSL 145.35, 0.37%, 0.38%

LAB 49.8, -32.33, 15.51

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 24 / 0 / 70 / 42

HEX #70942D

RGB 112 148 45

HSL 80.97, 0.53%, 0.38%

LAB 56.89, -28.42, 48.17

 

CMYK 29 / 0 / 82 / 36

HEX #74A41D

RGB 116 164 29

HSL 81.33, 0.7%, 0.38%

LAB 61.96, -35.2, 58.6

 

CMYK 32 / 0 / 92 / 30

HEX #79B30E

RGB 121 179 14

HSL 81.09, 0.85%, 0.38%

LAB 66.78, -40.4, 65.94

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 13 / 0 / 35 / 54

HEX #66754C

RGB 102 117 76

HSL 81.95, 0.21%, 0.38%

LAB 47.07, -13.26, 20.82

 

CMYK 3 / 0 / 9 / 60

HEX #62655C

RGB 98 101 92

HSL 80, 0.05%, 0.38%

LAB 42.27, -3, 4.69

 

CMYK 14 / 21 / 0 / 58

HEX #5D556C

RGB 93 85 108

HSL 260.87, 0.12%, 0.38%

LAB 37.67, 8.32, -11.99

 

CMYK 28 / 43 / 0 / 52

HEX #58467B

RGB 88 70 123

HSL 260.38, 0.27%, 0.38%

LAB 33.74, 19.97, -27.44

 

CMYK 0 / 10 / 54 / 48

HEX #84773D

RGB 132 119 61

HSL 49.01, 0.37%, 0.38%

LAB 50.02, -3.11, 33.41

 

CMYK 5 / 0 / 54 / 48

HEX #7E843D

RGB 126 132 61

HSL 65.07, 0.37%, 0.38%

LAB 53.25, -12.97, 37.09

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 33 / 0 / 54 / 48

HEX #58843D

RGB 88 132 61

HSL 97.18, 0.37%, 0.38%

LAB 50.59, -28.62, 33.28

 

CMYK 48 / 0 / 54 / 48

HEX #45843D

RGB 69 132 61

HSL 113.24, 0.37%, 0.38%

LAB 49.62, -35.22, 31.89

 

CMYK 20 / 0 / 54 / 70

HEX #3D4C23

RGB 61 76 35

HSL 81.95, 0.37%, 0.22%

LAB 30.11, -13.79, 22.29

 

CMYK 19 / 0 / 54 / 59

HEX #546830

RGB 84 104 48

HSL 81.43, 0.37%, 0.3%

LAB 41.21, -17.54, 28.83

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 19 / 0 / 54 / 37

HEX #82A14A

RGB 130 161 74

HSL 81.38, 0.37%, 0.46%

LAB 62.28, -24.99, 41.29

 

CMYK 17 / 0 / 48 / 29

HEX #96B55E

RGB 150 181 94

HSL 81.38, 0.37%, 0.54%

LAB 69.71, -24.82, 40.64

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 54 / 0 / 24 / 48

HEX #3D8464

RGB 61 132 100

HSL 152.96, 0.37%, 0.38%

LAB 50, -30.36, 10.6

 

CMYK 2 / 54 / 0 / 48

HEX #813D84

RGB 129 61 132

HSL 297.46, 0.37%, 0.38%

LAB 37.24, 40.02, -27.16

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 54 / 19 / 0 / 48

HEX #3D6B84

RGB 61 107 132

HSL 201.13, 0.37%, 0.38%

LAB 43.02, -8.21, -18.67

 

CMYK 0 / 54 / 19 / 48

HEX #843D6B

RGB 132 61 107

HSL 321.13, 0.37%, 0.38%

LAB 36.56, 36.47, -12.61

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 54 / 0 / 24 / 48

HEX #3D8464

RGB 61 132 100

HSL 152.96, 0.37%, 0.38%

LAB 50, -30.36, 10.6

 

CMYK 35 / 54 / 0 / 48

HEX #563D84

RGB 86 61 132

HSL 261.13, 0.37%, 0.38%

LAB 31.77, 27.54, -36.18

 

CMYK 0 / 54 / 30 / 48

HEX #843D5D

RGB 132 61 93

HSL 332.96, 0.37%, 0.38%

LAB 36.05, 34.32, -4.54

 

CMYK 19 / 0 / 54 / 48

HEX #6B843D

RGB 107 132 61

HSL 81.13, 0.37%, 0.38%

LAB 51.8, -21.09, 35.02

 

CMYK 54 / 0 / 8 / 48

HEX #3D8479

RGB 61 132 121

HSL 170.7, 0.37%, 0.38%

LAB 50.54, -25.12, -0.85

 

CMYK 35 / 54 / 0 / 48

HEX #563D84

RGB 86 61 132

HSL 261.13, 0.37%, 0.38%

LAB 31.77, 27.54, -36.18

 

CMYK 0 / 54 / 46 / 48

HEX #843D47

RGB 132 61 71

HSL 351.55, 0.37%, 0.38%

LAB 35.4, 31.52, 8.53

 

Description

Color code: HEX #6B843D | qconv.com Color code: HEX #6B843D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 132 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 132 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 54 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 54% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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