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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B81AE it is the complementary color #947E51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B81AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B81AE shade: #7081A9, #8193BC, #92A5CF, #A3B7E2 and #B4C9F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B81AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B81AE shade: #6B81AE, #5A6F9B, #495D88, #384B75 and #273962

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B81AE shade: #6A80AD, #6A6EAD, #796AAD, #8A6AAD and #9C6AAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B81AE shade: #6A80AD, #6A6EAD and #6A6AAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B81AE shade matches the following richer shades: #6A80AD, #587AC0, #4574D2, #336DE5 and #2067F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B81AE shade: #6A80AD, #7D879A, #908D88, #A29375 and #B59A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B81AE shade: #6AA4AD, #6A92AD, #6A81AD, #6A6FAD and #786AAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B81AE shade: #46597F, #546B9A, #6A80AD, #8597BC and #A0AECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B81AE shade: #6B81AE, #A46AAD and #9BAD6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B81AE shade: #6B81AE, #AD6A81 and #81AD6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B81AE shade: #6B81AE, #A46AAD, #AD976A and #73AD6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B81AE shade: #6B81AE, #AD6AA2, #AD976A and #6AAD76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 26 / 0 / 32

HEX #6B81AE

RGB 107 129 174

HSL 220.3, 0.29%, 0.55%

LAB 53.9, 3.6, -26.36

 

Complementary color

CMYK 0 / 15 / 45 / 42

HEX #947E51

RGB 148 126 81

HSL 40.3, 0.29%, 0.45%

LAB 53.83, 2.05, 27.58

 

CMYK 34 / 24 / 0 / 34

HEX #7081A9

RGB 112 129 169

HSL 222.11, 0.25%, 0.55%

LAB 54.04, 3.68, -23.25

 

CMYK 31 / 22 / 0 / 26

HEX #8193BC

RGB 129 147 188

HSL 221.69, 0.31%, 0.62%

LAB 60.93, 3.33, -23.4

 

CMYK 29 / 20 / 0 / 19

HEX #92A5CF

RGB 146 165 207

HSL 221.31, 0.39%, 0.69%

LAB 67.67, 3.02, -23.58

 

CMYK 28 / 19 / 0 / 11

HEX #A3B7E2

RGB 163 183 226

HSL 220.95, 0.52%, 0.76%

LAB 74.28, 2.75, -23.78

 

CMYK 27 / 18 / 0 / 4

HEX #B4C9F5

RGB 180 201 245

HSL 220.62, 0.76%, 0.83%

LAB 80.78, 2.5, -24.01

 

CMYK 39 / 26 / 0 / 32

HEX #6B81AE

RGB 107 129 174

HSL 220.3, 0.29%, 0.55%

LAB 53.9, 3.6, -26.36

 

CMYK 42 / 28 / 0 / 39

HEX #5A6F9B

RGB 90 111 155

HSL 220.62, 0.27%, 0.48%

LAB 46.85, 4.1, -26.31

 

CMYK 46 / 32 / 0 / 47

HEX #495D88

RGB 73 93 136

HSL 220.95, 0.3%, 0.41%

LAB 39.62, 4.71, -26.3

 

CMYK 52 / 36 / 0 / 54

HEX #384B75

RGB 56 75 117

HSL 221.31, 0.35%, 0.34%

LAB 32.16, 5.5, -26.37

 

CMYK 60 / 42 / 0 / 62

HEX #273962

RGB 39 57 98

HSL 221.69, 0.43%, 0.27%

LAB 24.45, 6.6, -26.51

 

CMYK 39 / 26 / 0 / 32

HEX #6A80AD

RGB 106 128 173

HSL 220.3, 0.29%, 0.55%

LAB 53.51, 3.63, -26.39

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 30 / 39 / 0 / 32

HEX #796AAD

RGB 121 106 173

HSL 253.43, 0.29%, 0.55%

LAB 48.75, 21.17, -33.73

 

CMYK 20 / 39 / 0 / 32

HEX #8A6AAD

RGB 138 106 173

HSL 268.66, 0.29%, 0.55%

LAB 50.37, 26.31, -31.08

 

CMYK 10 / 39 / 0 / 32

HEX #9C6AAD

RGB 156 106 173

HSL 284.78, 0.29%, 0.55%

LAB 52.28, 31.96, -27.96

 

CMYK 39 / 26 / 0 / 32

HEX #6A80AD

RGB 106 128 173

HSL 220.3, 0.29%, 0.55%

LAB 53.51, 3.63, -26.39

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 39 / 39 / 0 / 32

HEX #6A6AAD

RGB 106 106 173

HSL 240, 0.29%, 0.55%

LAB 47.48, 16.87, -35.81

 

CMYK 39 / 26 / 0 / 32

HEX #6A80AD

RGB 106 128 173

HSL 220.3, 0.29%, 0.55%

LAB 53.51, 3.63, -26.39

 

CMYK 54 / 36 / 0 / 25

HEX #587AC0

RGB 88 122 192

HSL 220.38, 0.45%, 0.55%

LAB 51.61, 8.42, -40.37

 

CMYK 67 / 45 / 0 / 18

HEX #4574D2

RGB 69 116 210

HSL 220, 0.61%, 0.55%

LAB 49.99, 14.6, -53.28

 

CMYK 78 / 52 / 0 / 10

HEX #336DE5

RGB 51 109 229

HSL 220.45, 0.77%, 0.55%

LAB 48.63, 23.57, -66.26

 

CMYK 87 / 58 / 0 / 3

HEX #2067F7

RGB 32 103 247

HSL 220.19, 0.93%, 0.55%

LAB 47.91, 32.61, -77.54

 

CMYK 39 / 26 / 0 / 32

HEX #6A80AD

RGB 106 128 173

HSL 220.3, 0.29%, 0.55%

LAB 53.51, 3.63, -26.39

 

CMYK 19 / 12 / 0 / 40

HEX #7D879A

RGB 125 135 154

HSL 219.31, 0.13%, 0.55%

LAB 56.11, 0.56, -11.36

 

CMYK 0 / 2 / 6 / 44

HEX #908D88

RGB 144 141 136

HSL 37.5, 0.03%, 0.55%

LAB 58.75, 0.16, 3.05

 

CMYK 0 / 9 / 28 / 36

HEX #A29375

RGB 162 147 117

HSL 40, 0.19%, 0.55%

LAB 61.51, 0.74, 17.93

 

CMYK 0 / 15 / 45 / 29

HEX #B59A63

RGB 181 154 99

HSL 40.24, 0.36%, 0.55%

LAB 64.83, 2.52, 32.52

 

CMYK 39 / 5 / 0 / 32

HEX #6AA4AD

RGB 106 164 173

HSL 188.06, 0.29%, 0.55%

LAB 63.86, -16.52, -10.64

 

CMYK 39 / 16 / 0 / 32

HEX #6A92AD

RGB 106 146 173

HSL 204.18, 0.29%, 0.55%

LAB 58.64, -6.72, -18.53

 

CMYK 39 / 25 / 0 / 32

HEX #6A81AD

RGB 106 129 173

HSL 219.4, 0.29%, 0.55%

LAB 53.79, 3.04, -25.96

 

CMYK 39 / 36 / 0 / 32

HEX #6A6FAD

RGB 106 111 173

HSL 235.52, 0.29%, 0.55%

LAB 48.82, 13.82, -33.7

 

CMYK 31 / 39 / 0 / 32

HEX #786AAD

RGB 120 106 173

HSL 252.54, 0.29%, 0.55%

LAB 48.66, 20.87, -33.88

 

CMYK 45 / 30 / 0 / 50

HEX #46597F

RGB 70 89 127

HSL 220, 0.29%, 0.39%

LAB 37.8, 3.56, -23.66

 

CMYK 45 / 31 / 0 / 40

HEX #546B9A

RGB 84 107 154

HSL 220.29, 0.29%, 0.47%

LAB 45.27, 4.59, -28.22

 

CMYK 39 / 26 / 0 / 32

HEX #6A80AD

RGB 106 128 173

HSL 220.3, 0.29%, 0.55%

LAB 53.51, 3.63, -26.39

 

CMYK 29 / 20 / 0 / 26

HEX #8597BC

RGB 133 151 188

HSL 220.36, 0.29%, 0.63%

LAB 62.3, 2.25, -21.28

 

CMYK 21 / 14 / 0 / 21

HEX #A0AECA

RGB 160 174 202

HSL 220, 0.28%, 0.71%

LAB 70.88, 1.14, -15.86

 

CMYK 39 / 26 / 0 / 32

HEX #6B81AE

RGB 107 129 174

HSL 220.3, 0.29%, 0.55%

LAB 53.9, 3.6, -26.36

 

CMYK 5 / 39 / 0 / 32

HEX #A46AAD

RGB 164 106 173

HSL 291.94, 0.29%, 0.55%

LAB 53.19, 34.5, -26.48

 

CMYK 10 / 0 / 39 / 32

HEX #9BAD6A

RGB 155 173 106

HSL 76.12, 0.29%, 0.55%

LAB 67.94, -17.42, 32.36

 

CMYK 39 / 26 / 0 / 32

HEX #6B81AE

RGB 107 129 174

HSL 220.3, 0.29%, 0.55%

LAB 53.9, 3.6, -26.36

 

CMYK 0 / 39 / 25 / 32

HEX #AD6A81

RGB 173 106 129

HSL 339.4, 0.29%, 0.55%

LAB 52.7, 29.88, -1.32

 

CMYK 25 / 0 / 39 / 32

HEX #81AD6A

RGB 129 173 106

HSL 99.4, 0.29%, 0.55%

LAB 66.21, -27.3, 29.77

 

CMYK 39 / 26 / 0 / 32

HEX #6B81AE

RGB 107 129 174

HSL 220.3, 0.29%, 0.55%

LAB 53.9, 3.6, -26.36

 

CMYK 5 / 39 / 0 / 32

HEX #A46AAD

RGB 164 106 173

HSL 291.94, 0.29%, 0.55%

LAB 53.19, 34.5, -26.48

 

CMYK 0 / 13 / 39 / 32

HEX #AD976A

RGB 173 151 106

HSL 40.3, 0.29%, 0.55%

LAB 63.39, 1.61, 26.72

 

CMYK 34 / 0 / 39 / 32

HEX #73AD6A

RGB 115 173 106

HSL 111.94, 0.29%, 0.55%

LAB 65.41, -32.22, 28.59

 

CMYK 39 / 26 / 0 / 32

HEX #6B81AE

RGB 107 129 174

HSL 220.3, 0.29%, 0.55%

LAB 53.9, 3.6, -26.36

 

CMYK 0 / 39 / 6 / 32

HEX #AD6AA2

RGB 173 106 162

HSL 309.85, 0.29%, 0.55%

LAB 53.82, 35.33, -19.03

 

CMYK 0 / 13 / 39 / 32

HEX #AD976A

RGB 173 151 106

HSL 40.3, 0.29%, 0.55%

LAB 63.39, 1.61, 26.72

 

CMYK 39 / 0 / 32 / 32

HEX #6AAD76

RGB 106 173 118

HSL 130.75, 0.29%, 0.55%

LAB 65.17, -33.14, 21.74

 

Description

Color code: HEX #6B81AE | qconv.com Color code: HEX #6B81AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 129 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 129 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 26 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 26% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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