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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B9518 it is the complementary color #946AE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B9518. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B9518 shade: #709513, #81A726, #92B939, #A3CB4C and #B4DD5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B9518. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B9518 shade: #6B9518, #5A8305, #497100, #385F00 and #274D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B9518 shade: #6B9518, #8C9518, #957B18, #955A18 and #953818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B9518 shade: #6B9518, #499518, #279518, #18952A and #18954C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B9518 shade matches the following richer shades: #6B9518 and #6FA30A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B9518 shade: #6B9518, #668726, #617934, #5D6B42 and #585D50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B9518 shade: #957C18, #8C9518, #6B9518, #4A9518 and #289518

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B9518 shade: #384E0C, #517112, #6B9518, #84B81E and #9DDB24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B9518 shade: #6B9518, #18955A and #8C1895

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B9518 shade: #6B9518, #186B95 and #95186B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B9518 shade: #6B9518, #18955A, #411895 and #951852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B9518 shade: #6B9518, #189580, #411895 and #95182D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

Complementary color

CMYK 36 / 54 / 0 / 9

HEX #946AE7

RGB 148 106 231

HSL 260.16, 0.72%, 0.66%

LAB 54.42, 43.54, -57.73

 

CMYK 25 / 0 / 87 / 42

HEX #709513

RGB 112 149 19

HSL 77.08, 0.77%, 0.33%

LAB 57.06, -30.22, 56.75

 

CMYK 23 / 0 / 77 / 35

HEX #81A726

RGB 129 167 38

HSL 77.67, 0.63%, 0.4%

LAB 63.71, -31, 57.8

 

CMYK 21 / 0 / 69 / 27

HEX #92B939

RGB 146 185 57

HSL 78.28, 0.53%, 0.47%

LAB 70.25, -31.55, 57.79

 

CMYK 20 / 0 / 63 / 20

HEX #A3CB4C

RGB 163 203 76

HSL 78.9, 0.55%, 0.55%

LAB 76.69, -31.95, 57.22

 

CMYK 19 / 0 / 57 / 13

HEX #B4DD5F

RGB 180 221 95

HSL 79.52, 0.65%, 0.62%

LAB 83.04, -32.24, 56.36

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 31 / 0 / 96 / 49

HEX #5A8305

RGB 90 131 5

HSL 79.52, 0.93%, 0.27%

LAB 50, -31.16, 53.07

 

CMYK 35 / 0 / 100 / 56

HEX #497100

RGB 73 113 0

HSL 81.24, 1%, 0.22%

LAB 43.1, -29.83, 48.29

 

CMYK 41 / 0 / 100 / 63

HEX #385F00

RGB 56 95 0

HSL 84.63, 1%, 0.19%

LAB 36.03, -28.3, 42.41

 

CMYK 49 / 0 / 100 / 70

HEX #274D00

RGB 39 77 0

HSL 89.61, 1%, 0.15%

LAB 28.74, -26.67, 36.35

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 6 / 0 / 84 / 42

HEX #8C9518

RGB 140 149 24

HSL 64.32, 0.72%, 0.34%

LAB 59.1, -17.99, 58.07

 

CMYK 0 / 17 / 84 / 42

HEX #957B18

RGB 149 123 24

HSL 47.52, 0.72%, 0.34%

LAB 52.53, 0.21, 52.75

 

CMYK 0 / 40 / 84 / 42

HEX #955A18

RGB 149 90 24

HSL 31.68, 0.72%, 0.34%

LAB 43.9, 19.13, 45.19

 

CMYK 0 / 62 / 84 / 42

HEX #953818

RGB 149 56 24

HSL 15.36, 0.72%, 0.34%

LAB 36.53, 37.49, 38.51

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 51 / 0 / 84 / 42

HEX #499518

RGB 73 149 24

HSL 96.48, 0.72%, 0.34%

LAB 55.05, -44.34, 52.95

 

CMYK 74 / 0 / 84 / 42

HEX #279518

RGB 39 149 24

HSL 112.8, 0.72%, 0.34%

LAB 54.02, -52.73, 51.63

 

CMYK 84 / 0 / 72 / 42

HEX #18952A

RGB 24 149 42

HSL 128.64, 0.72%, 0.34%

LAB 53.87, -53.58, 45.22

 

CMYK 84 / 0 / 49 / 42

HEX #18954C

RGB 24 149 76

HSL 144.96, 0.72%, 0.34%

LAB 54.25, -49.02, 29.49

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 32 / 0 / 94 / 36

HEX #6FA30A

RGB 111 163 10

HSL 80.39, 0.88%, 0.34%

LAB 61.3, -37.27, 61.85

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 24 / 0 / 72 / 47

HEX #668726

RGB 102 135 38

HSL 80.41, 0.56%, 0.34%

LAB 52.17, -26.7, 45.97

 

CMYK 20 / 0 / 57 / 53

HEX #617934

RGB 97 121 52

HSL 80.87, 0.4%, 0.34%

LAB 47.58, -20.54, 34.48

 

CMYK 13 / 0 / 38 / 58

HEX #5D6B42

RGB 93 107 66

HSL 80.49, 0.24%, 0.34%

LAB 43.12, -12.97, 21.27

 

CMYK 5 / 0 / 14 / 64

HEX #585D50

RGB 88 93 80

HSL 83.08, 0.08%, 0.34%

LAB 38.69, -4.64, 6.8

 

CMYK 0 / 17 / 84 / 42

HEX #957C18

RGB 149 124 24

HSL 48, 0.72%, 0.34%

LAB 52.81, -0.35, 52.99

 

CMYK 6 / 0 / 84 / 42

HEX #8C9518

RGB 140 149 24

HSL 64.32, 0.72%, 0.34%

LAB 59.1, -17.99, 58.07

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 50 / 0 / 84 / 42

HEX #4A9518

RGB 74 149 24

HSL 96, 0.72%, 0.34%

LAB 55.09, -44.03, 53

 

CMYK 73 / 0 / 84 / 42

HEX #289518

RGB 40 149 24

HSL 112.32, 0.72%, 0.34%

LAB 54.04, -52.55, 51.65

 

CMYK 28 / 0 / 85 / 69

HEX #384E0C

RGB 56 78 12

HSL 80, 0.73%, 0.18%

LAB 30.2, -19.3, 33.54

 

CMYK 28 / 0 / 84 / 56

HEX #517112

RGB 81 113 18

HSL 80.21, 0.73%, 0.26%

LAB 43.66, -25.86, 44.52

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 28 / 0 / 84 / 28

HEX #84B81E

RGB 132 184 30

HSL 80.26, 0.72%, 0.42%

LAB 68.95, -37.94, 64.88

 

CMYK 28 / 0 / 84 / 14

HEX #9DDB24

RGB 157 219 36

HSL 80.33, 0.72%, 0.5%

LAB 80.72, -43.58, 74.25

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 84 / 0 / 40 / 42

HEX #18955A

RGB 24 149 90

HSL 151.68, 0.72%, 0.34%

LAB 54.48, -46.37, 22.23

 

CMYK 6 / 84 / 0 / 42

HEX #8C1895

RGB 140 24 149

HSL 295.68, 0.72%, 0.34%

LAB 34.8, 60.33, -41.36

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 84 / 28 / 0 / 42

HEX #186B95

RGB 24 107 149

HSL 200.16, 0.72%, 0.34%

LAB 42.58, -8.41, -29.63

 

CMYK 0 / 84 / 28 / 42

HEX #95186B

RGB 149 24 107

HSL 320.16, 0.72%, 0.34%

LAB 34.2, 56.06, -15.97

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 84 / 0 / 40 / 42

HEX #18955A

RGB 24 149 90

HSL 151.68, 0.72%, 0.34%

LAB 54.48, -46.37, 22.23

 

CMYK 56 / 84 / 0 / 42

HEX #411895

RGB 65 24 149

HSL 259.68, 0.72%, 0.34%

LAB 23.5, 48.26, -60.25

 

CMYK 0 / 84 / 45 / 42

HEX #951852

RGB 149 24 82

HSL 332.16, 0.72%, 0.34%

LAB 33.25, 53.31, -1.26

 

CMYK 28 / 0 / 84 / 42

HEX #6B9518

RGB 107 149 24

HSL 80.16, 0.72%, 0.34%

LAB 56.77, -32.08, 55.13

 

CMYK 84 / 0 / 14 / 42

HEX #189580

RGB 24 149 128

HSL 169.92, 0.72%, 0.34%

LAB 55.33, -37.12, 1.97

 

CMYK 56 / 84 / 0 / 42

HEX #411895

RGB 65 24 149

HSL 259.68, 0.72%, 0.34%

LAB 23.5, 48.26, -60.25

 

CMYK 0 / 84 / 70 / 42

HEX #95182D

RGB 149 24 45

HSL 349.92, 0.72%, 0.34%

LAB 32.33, 50.58, 21.72

 

Description

Color code: HEX #6B9518 | qconv.com Color code: HEX #6B9518 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 149 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 149 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 84 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 84% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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