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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B9B30 it is the complementary color #9464CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B9B30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B9B30 shade: #709B2B, #81AD3E, #92BF51, #A3D164 and #B4E377

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B9B30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B9B30 shade: #6B9B30, #5A891D, #49770A, #386500 and #275300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B9B30 shade: #6B9C2F, #889C2F, #9C922F, #9C752F and #9C572F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B9B30 shade: #6B9C2F, #4E9C2F, #319C2F, #2F9C4B and #2F9C68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B9B30 shade matches the following richer shades: #6B9C2F, #6DAC1F and #6EBD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B9B30 shade: #6B9C2F, #698B40, #687B50, #666A61 and #645A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B9B30 shade: #9C912F, #8A9C2F, #6D9C2F, #509C2F and #339C2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B9B30 shade: #405C1C, #557C26, #6B9C2F, #81BB39 and #95CA54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B9B30 shade: #6B9B30, #2F9C74 and #9C2F98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B9B30 shade: #6B9B30, #2F6D9C and #9C2F6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B9B30 shade: #6B9B30, #2F9C74, #5E2F9C and #9C2F57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B9B30 shade: #6B9B30, #2F9C94, #5E2F9C and #9C2F37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 69 / 39

HEX #6B9B30

RGB 107 155 48

HSL 86.92, 0.53%, 0.4%

LAB 58.77, -33.48, 48.8

 

Complementary color

CMYK 29 / 52 / 0 / 19

HEX #9464CF

RGB 148 100 207

HSL 266.92, 0.53%, 0.6%

LAB 51.74, 40.83, -48.44

 

CMYK 28 / 0 / 72 / 39

HEX #709B2B

RGB 112 155 43

HSL 83.04, 0.57%, 0.39%

LAB 59.03, -31.88, 51.14

 

CMYK 25 / 0 / 64 / 32

HEX #81AD3E

RGB 129 173 62

HSL 83.78, 0.47%, 0.46%

LAB 65.67, -32.25, 50.63

 

CMYK 24 / 0 / 58 / 25

HEX #92BF51

RGB 146 191 81

HSL 84.55, 0.46%, 0.53%

LAB 72.21, -32.47, 49.75

 

CMYK 22 / 0 / 52 / 18

HEX #A3D164

RGB 163 209 100

HSL 85.32, 0.54%, 0.61%

LAB 78.64, -32.6, 48.69

 

CMYK 21 / 0 / 48 / 11

HEX #B4E377

RGB 180 227 119

HSL 86.11, 0.66%, 0.68%

LAB 84.98, -32.67, 47.58

 

CMYK 31 / 0 / 69 / 39

HEX #6B9B30

RGB 107 155 48

HSL 86.92, 0.53%, 0.4%

LAB 58.77, -33.48, 48.8

 

CMYK 34 / 0 / 79 / 46

HEX #5A891D

RGB 90 137 29

HSL 86.11, 0.65%, 0.33%

LAB 52.01, -33.02, 48.9

 

CMYK 39 / 0 / 92 / 53

HEX #49770A

RGB 73 119 10

HSL 85.32, 0.84%, 0.25%

LAB 45.13, -32.26, 47.68

 

CMYK 45 / 0 / 100 / 60

HEX #386500

RGB 56 101 0

HSL 86.73, 1%, 0.2%

LAB 38.11, -31.03, 44.02

 

CMYK 53 / 0 / 100 / 67

HEX #275300

RGB 39 83 0

HSL 91.81, 1%, 0.16%

LAB 30.92, -29.35, 38.06

 

CMYK 31 / 0 / 70 / 39

HEX #6B9C2F

RGB 107 156 47

HSL 86.97, 0.54%, 0.4%

LAB 59.07, -34.01, 49.51

 

CMYK 13 / 0 / 70 / 39

HEX #889C2F

RGB 136 156 47

HSL 71.01, 0.54%, 0.4%

LAB 60.97, -22.22, 52.06

 

CMYK 0 / 6 / 70 / 39

HEX #9C922F

RGB 156 146 47

HSL 54.5, 0.54%, 0.4%

LAB 59.74, -8.23, 51.35

 

CMYK 0 / 25 / 70 / 39

HEX #9C752F

RGB 156 117 47

HSL 38.53, 0.54%, 0.4%

LAB 51.83, 7.88, 43.18

 

CMYK 0 / 44 / 70 / 39

HEX #9C572F

RGB 156 87 47

HSL 22.02, 0.54%, 0.4%

LAB 44.36, 24.98, 35.03

 

CMYK 31 / 0 / 70 / 39

HEX #6B9C2F

RGB 107 156 47

HSL 86.97, 0.54%, 0.4%

LAB 59.07, -34.01, 49.51

 

CMYK 50 / 0 / 70 / 39

HEX #4E9C2F

RGB 78 156 47

HSL 102.94, 0.54%, 0.4%

LAB 57.66, -44.06, 47.6

 

CMYK 69 / 0 / 70 / 39

HEX #319C2F

RGB 49 156 47

HSL 118.9, 0.54%, 0.4%

LAB 56.72, -51.48, 46.32

 

CMYK 70 / 0 / 52 / 39

HEX #2F9C4B

RGB 47 156 75

HSL 135.41, 0.54%, 0.4%

LAB 56.97, -48.39, 33.5

 

CMYK 70 / 0 / 33 / 39

HEX #2F9C68

RGB 47 156 104

HSL 151.38, 0.54%, 0.4%

LAB 57.44, -43.05, 18.56

 

CMYK 31 / 0 / 70 / 39

HEX #6B9C2F

RGB 107 156 47

HSL 86.97, 0.54%, 0.4%

LAB 59.07, -34.01, 49.51

 

CMYK 37 / 0 / 82 / 33

HEX #6DAC1F

RGB 109 172 31

HSL 86.81, 0.69%, 0.4%

LAB 64.04, -41.28, 59.78

 

CMYK 42 / 0 / 93 / 26

HEX #6EBD0E

RGB 110 189 14

HSL 87.09, 0.86%, 0.4%

LAB 69.29, -48.51, 67.76

 

CMYK 31 / 0 / 70 / 39

HEX #6B9C2F

RGB 107 156 47

HSL 86.97, 0.54%, 0.4%

LAB 59.07, -34.01, 49.51

 

CMYK 24 / 0 / 54 / 45

HEX #698B40

RGB 105 139 64

HSL 87.2, 0.37%, 0.4%

LAB 53.86, -25.12, 35.9

 

CMYK 15 / 0 / 35 / 52

HEX #687B50

RGB 104 123 80

HSL 86.51, 0.21%, 0.4%

LAB 49.12, -15.11, 21.28

 

CMYK 4 / 0 / 8 / 58

HEX #666A61

RGB 102 106 97

HSL 86.67, 0.04%, 0.4%

LAB 44.23, -3.37, 4.51

 

CMYK 12 / 20 / 0 / 56

HEX #645A71

RGB 100 90 113

HSL 266.09, 0.11%, 0.4%

LAB 39.94, 8.97, -11.59

 

CMYK 0 / 7 / 70 / 39

HEX #9C912F

RGB 156 145 47

HSL 53.94, 0.54%, 0.4%

LAB 59.46, -7.69, 51.06

 

CMYK 12 / 0 / 70 / 39

HEX #8A9C2F

RGB 138 156 47

HSL 69.91, 0.54%, 0.4%

LAB 61.12, -21.37, 52.26

 

CMYK 30 / 0 / 70 / 39

HEX #6D9C2F

RGB 109 156 47

HSL 85.87, 0.54%, 0.4%

LAB 59.19, -33.24, 49.67

 

CMYK 49 / 0 / 70 / 39

HEX #509C2F

RGB 80 156 47

HSL 101.83, 0.54%, 0.4%

LAB 57.74, -43.44, 47.71

 

CMYK 67 / 0 / 70 / 39

HEX #339C2F

RGB 51 156 47

HSL 117.8, 0.54%, 0.4%

LAB 56.77, -51.07, 46.39

 

CMYK 30 / 0 / 70 / 64

HEX #405C1C

RGB 64 92 28

HSL 86.25, 0.53%, 0.24%

LAB 35.65, -21.89, 32.37

 

CMYK 31 / 0 / 69 / 51

HEX #557C26

RGB 85 124 38

HSL 87.21, 0.53%, 0.32%

LAB 47.61, -28.28, 40.93

 

CMYK 31 / 0 / 70 / 39

HEX #6B9C2F

RGB 107 156 47

HSL 86.97, 0.54%, 0.4%

LAB 59.07, -34.01, 49.51

 

CMYK 31 / 0 / 70 / 27

HEX #81BB39

RGB 129 187 57

HSL 86.77, 0.53%, 0.48%

LAB 69.83, -38.99, 57.04

 

CMYK 26 / 0 / 58 / 21

HEX #95CA54

RGB 149 202 84

HSL 86.95, 0.53%, 0.56%

LAB 75.62, -36.14, 52.32

 

CMYK 31 / 0 / 69 / 39

HEX #6B9B30

RGB 107 155 48

HSL 86.92, 0.53%, 0.4%

LAB 58.77, -33.48, 48.8

 

CMYK 70 / 0 / 26 / 39

HEX #2F9C74

RGB 47 156 116

HSL 157.98, 0.54%, 0.4%

LAB 57.7, -40.36, 12.21

 

CMYK 0 / 70 / 3 / 39

HEX #9C2F98

RGB 156 47 152

HSL 302.2, 0.54%, 0.4%

LAB 40.19, 57.12, -34.44

 

CMYK 31 / 0 / 69 / 39

HEX #6B9B30

RGB 107 155 48

HSL 86.92, 0.53%, 0.4%

LAB 58.77, -33.48, 48.8

 

CMYK 70 / 30 / 0 / 39

HEX #2F6D9C

RGB 47 109 156

HSL 205.87, 0.54%, 0.4%

LAB 44.15, -4.04, -31.28

 

CMYK 0 / 70 / 30 / 39

HEX #9C2F6D

RGB 156 47 109

HSL 325.87, 0.54%, 0.4%

LAB 38.21, 50.72, -11

 

CMYK 31 / 0 / 69 / 39

HEX #6B9B30

RGB 107 155 48

HSL 86.92, 0.53%, 0.4%

LAB 58.77, -33.48, 48.8

 

CMYK 70 / 0 / 26 / 39

HEX #2F9C74

RGB 47 156 116

HSL 157.98, 0.54%, 0.4%

LAB 57.7, -40.36, 12.21

 

CMYK 40 / 70 / 0 / 39

HEX #5E2F9C

RGB 94 47 156

HSL 265.87, 0.54%, 0.4%

LAB 31.38, 44.04, -51.5

 

CMYK 0 / 70 / 44 / 39

HEX #9C2F57

RGB 156 47 87

HSL 337.98, 0.54%, 0.4%

LAB 37.46, 48.19, 1.82

 

CMYK 31 / 0 / 69 / 39

HEX #6B9B30

RGB 107 155 48

HSL 86.92, 0.53%, 0.4%

LAB 58.77, -33.48, 48.8

 

CMYK 70 / 0 / 5 / 39

HEX #2F9C94

RGB 47 156 148

HSL 175.6, 0.54%, 0.4%

LAB 58.53, -31.96, -4.71

 

CMYK 40 / 70 / 0 / 39

HEX #5E2F9C

RGB 94 47 156

HSL 265.87, 0.54%, 0.4%

LAB 31.38, 44.04, -51.5

 

CMYK 0 / 70 / 65 / 39

HEX #9C2F37

RGB 156 47 55

HSL 355.6, 0.54%, 0.4%

LAB 36.7, 45.52, 21.15

 

Description

Color code: HEX #6B9B30 | qconv.com Color code: HEX #6B9B30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 155 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 155 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 69 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 69% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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