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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BA9F4 it is the complementary color #94560B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BA9F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BA9F4 shade: #70A9EF, #81BBFF, #92CDFF, #A3DFFF and #B4F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BA9F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BA9F4 shade: #6BA9F4, #5A97E1, #4985CE, #3873BB and #2761A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BA9F4 shade: #6BA9F3, #6B84F3, #776BF3, #9C6BF3 and #C16BF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BA9F4 shade: #6BA9F3, #6B84F3 and #6B6BF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BA9F4 shade matches the following richer shades: #6BA9F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BA9F4 shade: #6BA9F3, #78AAE7, #85ABDA, #92ADCD and #9FAEC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BA9F4 shade: #6BF3F3, #6BCFF3, #6BABF3, #6B87F3 and #756BF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BA9F4 shade: #1F7CEE, #4593F1, #6BA9F3, #92BFF6 and #B8D6F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BA9F4 shade: #6BA9F4, #CF6BF3 and #E1F36B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BA9F4 shade: #6BA9F4, #F36BAB and #ABF36B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BA9F4 shade: #6BA9F4, #CF6BF3, #F3B46B and #90F36B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BA9F4 shade: #6BA9F4, #F36BEF, #F3B46B and #6BF370

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 31 / 0 / 4

HEX #6BA9F4

RGB 107 169 244

HSL 212.85, 0.86%, 0.69%

LAB 68.05, 1.43, -43.48

 

Complementary color

CMYK 0 / 42 / 93 / 42

HEX #94560B

RGB 148 86 11

HSL 32.85, 0.86%, 0.31%

LAB 42.73, 20.63, 48.49

 

CMYK 53 / 29 / 0 / 6

HEX #70A9EF

RGB 112 169 239

HSL 213.07, 0.8%, 0.69%

LAB 68.06, 0.94, -40.72

 

CMYK 49 / 27 / 0 / 0

HEX #81BBFF

RGB 129 187 255

HSL 212.38, 1%, 0.75%

LAB 74.46, -0.59, -39.34

 

CMYK 43 / 20 / 0 / 0

HEX #92CDFF

RGB 146 205 255

HSL 207.52, 1%, 0.79%

LAB 80.18, -6.31, -30.44

 

CMYK 36 / 13 / 0 / 0

HEX #A3DFFF

RGB 163 223 255

HSL 200.87, 1%, 0.82%

LAB 85.9, -11.39, -21.63

 

CMYK 29 / 5 / 0 / 0

HEX #B4F1FF

RGB 180 241 255

HSL 191.2, 1%, 0.85%

LAB 91.61, -15.93, -12.94

 

CMYK 56 / 31 / 0 / 4

HEX #6BA9F4

RGB 107 169 244

HSL 212.85, 0.86%, 0.69%

LAB 68.05, 1.43, -43.48

 

CMYK 60 / 33 / 0 / 12

HEX #5A97E1

RGB 90 151 225

HSL 212.89, 0.69%, 0.62%

LAB 61.43, 2.36, -43.48

 

CMYK 65 / 35 / 0 / 19

HEX #4985CE

RGB 73 133 206

HSL 212.93, 0.58%, 0.55%

LAB 54.71, 3.5, -43.49

 

CMYK 70 / 39 / 0 / 27

HEX #3873BB

RGB 56 115 187

HSL 212.98, 0.54%, 0.48%

LAB 47.87, 4.93, -43.52

 

CMYK 77 / 42 / 0 / 34

HEX #2761A8

RGB 39 97 168

HSL 213.02, 0.62%, 0.41%

LAB 40.91, 6.78, -43.53

 

CMYK 56 / 30 / 0 / 5

HEX #6BA9F3

RGB 107 169 243

HSL 212.65, 0.85%, 0.69%

LAB 68, 1.12, -43.01

 

CMYK 56 / 46 / 0 / 5

HEX #6B84F3

RGB 107 132 243

HSL 228.97, 0.85%, 0.69%

LAB 58.13, 22.75, -58.64

 

CMYK 51 / 56 / 0 / 5

HEX #776BF3

RGB 119 107 243

HSL 245.29, 0.85%, 0.69%

LAB 52.85, 40.01, -67.09

 

CMYK 36 / 56 / 0 / 5

HEX #9C6BF3

RGB 156 107 243

HSL 261.62, 0.85%, 0.69%

LAB 56.14, 47.92, -61.62

 

CMYK 21 / 56 / 0 / 5

HEX #C16BF3

RGB 193 107 243

HSL 277.94, 0.85%, 0.69%

LAB 60.18, 56.74, -54.93

 

CMYK 56 / 30 / 0 / 5

HEX #6BA9F3

RGB 107 169 243

HSL 212.65, 0.85%, 0.69%

LAB 68, 1.12, -43.01

 

CMYK 56 / 46 / 0 / 5

HEX #6B84F3

RGB 107 132 243

HSL 228.97, 0.85%, 0.69%

LAB 58.13, 22.75, -58.64

 

CMYK 56 / 56 / 0 / 5

HEX #6B6BF3

RGB 107 107 243

HSL 240, 0.85%, 0.69%

LAB 51.96, 37.75, -68.57

 

CMYK 56 / 30 / 0 / 5

HEX #6BA9F3

RGB 107 169 243

HSL 212.65, 0.85%, 0.69%

LAB 68, 1.12, -43.01

 

CMYK 56 / 30 / 0 / 5

HEX #6BA9F3

RGB 107 169 243

HSL 212.65, 0.85%, 0.69%

LAB 68, 1.12, -43.01

 

CMYK 48 / 26 / 0 / 9

HEX #78AAE7

RGB 120 170 231

HSL 212.97, 0.7%, 0.69%

LAB 68.4, -0.2, -35.79

 

CMYK 39 / 22 / 0 / 15

HEX #85ABDA

RGB 133 171 218

HSL 213.18, 0.53%, 0.69%

LAB 68.88, -1.13, -27.86

 

CMYK 29 / 16 / 0 / 20

HEX #92ADCD

RGB 146 173 205

HSL 212.54, 0.37%, 0.69%

LAB 69.76, -1.89, -19.29

 

CMYK 17 / 9 / 0 / 25

HEX #9FAEC0

RGB 159 174 192

HSL 212.73, 0.21%, 0.69%

LAB 70.49, -1.42, -10.95

 

CMYK 56 / 0 / 0 / 5

HEX #6BF3F3

RGB 107 243 243

HSL 180, 0.85%, 0.69%

LAB 88.78, -36.78, -11.23

 

CMYK 56 / 15 / 0 / 5

HEX #6BCFF3

RGB 107 207 243

HSL 195.88, 0.85%, 0.69%

LAB 78.59, -19.32, -26.61

 

CMYK 56 / 30 / 0 / 5

HEX #6BABF3

RGB 107 171 243

HSL 211.76, 0.85%, 0.69%

LAB 68.55, -0, -42.15

 

CMYK 56 / 44 / 0 / 5

HEX #6B87F3

RGB 107 135 243

HSL 227.65, 0.85%, 0.69%

LAB 58.9, 20.96, -57.41

 

CMYK 52 / 56 / 0 / 5

HEX #756BF3

RGB 117 107 243

HSL 244.41, 0.85%, 0.69%

LAB 52.7, 39.62, -67.35

 

CMYK 87 / 48 / 0 / 7

HEX #1F7CEE

RGB 31 124 238

HSL 213.04, 0.86%, 0.53%

LAB 52.82, 15.87, -64.56

 

CMYK 71 / 39 / 0 / 5

HEX #4593F1

RGB 69 147 241

HSL 212.79, 0.86%, 0.61%

LAB 60.32, 6.72, -54.14

 

CMYK 56 / 30 / 0 / 5

HEX #6BA9F3

RGB 107 169 243

HSL 212.65, 0.85%, 0.69%

LAB 68, 1.12, -43.01

 

CMYK 41 / 22 / 0 / 4

HEX #92BFF6

RGB 146 191 246

HSL 213, 0.85%, 0.77%

LAB 76.09, -1.2, -31.91

 

CMYK 26 / 14 / 0 / 2

HEX #B8D6F9

RGB 184 214 249

HSL 212.31, 0.84%, 0.85%

LAB 84.55, -2.31, -20.39

 

CMYK 56 / 31 / 0 / 4

HEX #6BA9F4

RGB 107 169 244

HSL 212.85, 0.86%, 0.69%

LAB 68.05, 1.43, -43.48

 

CMYK 15 / 56 / 0 / 5

HEX #CF6BF3

RGB 207 107 243

HSL 284.12, 0.85%, 0.69%

LAB 61.87, 60.21, -52.14

 

CMYK 7 / 0 / 56 / 5

HEX #E1F36B

RGB 225 243 107

HSL 67.94, 0.85%, 0.69%

LAB 92.21, -24.19, 62.31

 

CMYK 56 / 31 / 0 / 4

HEX #6BA9F4

RGB 107 169 244

HSL 212.85, 0.86%, 0.69%

LAB 68.05, 1.43, -43.48

 

CMYK 0 / 56 / 30 / 5

HEX #F36BAB

RGB 243 107 171

HSL 331.76, 0.85%, 0.69%

LAB 63.76, 58.66, -8.29

 

CMYK 30 / 0 / 56 / 5

HEX #ABF36B

RGB 171 243 107

HSL 91.76, 0.85%, 0.69%

LAB 88.84, -44.27, 57.56

 

CMYK 56 / 31 / 0 / 4

HEX #6BA9F4

RGB 107 169 244

HSL 212.85, 0.86%, 0.69%

LAB 68.05, 1.43, -43.48

 

CMYK 15 / 56 / 0 / 5

HEX #CF6BF3

RGB 207 107 243

HSL 284.12, 0.85%, 0.69%

LAB 61.87, 60.21, -52.14

 

CMYK 0 / 26 / 56 / 5

HEX #F3B46B

RGB 243 180 107

HSL 32.21, 0.85%, 0.69%

LAB 77.73, 14.99, 45.79

 

CMYK 41 / 0 / 56 / 5

HEX #90F36B

RGB 144 243 107

HSL 103.68, 0.85%, 0.69%

LAB 87.53, -53.1, 55.71

 

CMYK 56 / 31 / 0 / 4

HEX #6BA9F4

RGB 107 169 244

HSL 212.85, 0.86%, 0.69%

LAB 68.05, 1.43, -43.48

 

CMYK 0 / 56 / 2 / 5

HEX #F36BEF

RGB 243 107 239

HSL 301.76, 0.85%, 0.69%

LAB 66.37, 68.57, -42.52

 

CMYK 0 / 26 / 56 / 5

HEX #F3B46B

RGB 243 180 107

HSL 32.21, 0.85%, 0.69%

LAB 77.73, 14.99, 45.79

 

CMYK 56 / 0 / 54 / 5

HEX #6BF370

RGB 107 243 112

HSL 122.21, 0.85%, 0.69%

LAB 86.2, -62.63, 51.55

 

Description

Color code: HEX #6BA9F4 | qconv.com Color code: HEX #6BA9F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 169 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 169 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 31 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 31% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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