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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BA248 it is the complementary color #945DB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BA248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BA248 shade: #70A243, #81B456, #92C669, #A3D87C and #B4EA8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BA248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BA248 shade: #6BA248, #5A9035, #497E22, #386C0F and #275A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BA248 shade: #6BA148, #83A148, #9BA148, #A19048 and #A17848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BA248 shade: #6BA148, #53A148, #48A156, #48A16E and #48A186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BA248 shade matches the following richer shades: #6BA148, #67B435, #62C722 and #5EDA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BA248 shade: #6BA148, #6F8E5B, #737B6E, #786881 and #7C5594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BA248 shade: #9BA148, #84A148, #6CA148, #54A148 and #48A154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BA248 shade: #45682F, #58853B, #6BA148, #80B65D and #96C379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BA248 shade: #6BA248, #48A190 and #A14890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BA248 shade: #6BA248, #486CA1 and #A1486C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BA248 shade: #6BA248, #48A190, #7E48A1 and #A1485A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BA248 shade: #6BA248, #4898A1, #7E48A1 and #A15148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 56 / 36

HEX #6BA248

RGB 107 162 72

HSL 96.67, 0.38%, 0.46%

LAB 61.16, -34.45, 40.6

 

Complementary color

CMYK 19 / 49 / 0 / 28

HEX #945DB7

RGB 148 93 183

HSL 276.67, 0.38%, 0.54%

LAB 48.94, 39.06, -39.07

 

CMYK 31 / 0 / 59 / 36

HEX #70A243

RGB 112 162 67

HSL 91.58, 0.41%, 0.45%

LAB 61.39, -33.15, 43.33

 

CMYK 28 / 0 / 52 / 29

HEX #81B456

RGB 129 180 86

HSL 92.55, 0.39%, 0.52%

LAB 68.01, -33.2, 42.22

 

CMYK 26 / 0 / 47 / 22

HEX #92C669

RGB 146 198 105

HSL 93.55, 0.45%, 0.59%

LAB 74.52, -33.17, 41.04

 

CMYK 25 / 0 / 43 / 15

HEX #A3D87C

RGB 163 216 124

HSL 94.57, 0.54%, 0.67%

LAB 80.93, -33.1, 39.87

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8F

RGB 180 234 143

HSL 95.6, 0.68%, 0.74%

LAB 87.26, -33.01, 38.72

 

CMYK 34 / 0 / 56 / 36

HEX #6BA248

RGB 107 162 72

HSL 96.67, 0.38%, 0.46%

LAB 61.16, -34.45, 40.6

 

CMYK 38 / 0 / 63 / 44

HEX #5A9035

RGB 90 144 53

HSL 95.6, 0.46%, 0.39%

LAB 54.42, -34.37, 41.66

 

CMYK 42 / 0 / 73 / 51

HEX #497E22

RGB 73 126 34

HSL 94.57, 0.58%, 0.31%

LAB 47.56, -34.09, 42.36

 

CMYK 48 / 0 / 86 / 58

HEX #386C0F

RGB 56 108 15

HSL 93.55, 0.76%, 0.24%

LAB 40.57, -33.48, 42.11

 

CMYK 57 / 0 / 100 / 65

HEX #275A00

RGB 39 90 0

HSL 94, 1%, 0.18%

LAB 33.44, -32.33, 40.03

 

CMYK 34 / 0 / 55 / 37

HEX #6BA148

RGB 107 161 72

HSL 96.4, 0.38%, 0.46%

LAB 60.86, -33.99, 40.24

 

CMYK 19 / 0 / 55 / 37

HEX #83A148

RGB 131 161 72

HSL 80.22, 0.38%, 0.46%

LAB 62.32, -24.79, 42.33

 

CMYK 4 / 0 / 55 / 37

HEX #9BA148

RGB 155 161 72

HSL 64.04, 0.38%, 0.46%

LAB 64.1, -14.84, 44.84

 

CMYK 0 / 11 / 55 / 37

HEX #A19048

RGB 161 144 72

HSL 48.54, 0.38%, 0.46%

LAB 59.88, -3.16, 40.08

 

CMYK 0 / 25 / 55 / 37

HEX #A17848

RGB 161 120 72

HSL 32.36, 0.38%, 0.46%

LAB 53.47, 10.25, 32.37

 

CMYK 34 / 0 / 55 / 37

HEX #6BA148

RGB 107 161 72

HSL 96.4, 0.38%, 0.46%

LAB 60.86, -33.99, 40.24

 

CMYK 48 / 0 / 55 / 37

HEX #53A148

RGB 83 161 72

HSL 112.58, 0.38%, 0.46%

LAB 59.7, -41.96, 38.59

 

CMYK 55 / 0 / 47 / 37

HEX #48A156

RGB 72 161 86

HSL 129.44, 0.38%, 0.46%

LAB 59.47, -43.05, 31.09

 

CMYK 55 / 0 / 32 / 37

HEX #48A16E

RGB 72 161 110

HSL 145.62, 0.38%, 0.46%

LAB 59.88, -38.72, 18.69

 

CMYK 55 / 0 / 17 / 37

HEX #48A186

RGB 72 161 134

HSL 161.8, 0.38%, 0.46%

LAB 60.42, -33.38, 6.05

 

CMYK 34 / 0 / 55 / 37

HEX #6BA148

RGB 107 161 72

HSL 96.4, 0.38%, 0.46%

LAB 60.86, -33.99, 40.24

 

CMYK 43 / 0 / 71 / 29

HEX #67B435

RGB 103 180 53

HSL 96.38, 0.55%, 0.46%

LAB 66.35, -45.41, 54.59

 

CMYK 51 / 0 / 83 / 22

HEX #62C722

RGB 98 199 34

HSL 96.73, 0.71%, 0.46%

LAB 71.93, -55.49, 65.92

 

CMYK 57 / 0 / 93 / 15

HEX #5EDA0F

RGB 94 218 15

HSL 96.65, 0.87%, 0.46%

LAB 77.61, -63.93, 74.19

 

CMYK 34 / 0 / 55 / 37

HEX #6BA148

RGB 107 161 72

HSL 96.4, 0.38%, 0.46%

LAB 60.86, -33.99, 40.24

 

CMYK 22 / 0 / 36 / 44

HEX #6F8E5B

RGB 111 142 91

HSL 96.47, 0.22%, 0.46%

LAB 55.56, -20.71, 23.72

 

CMYK 7 / 0 / 11 / 52

HEX #737B6E

RGB 115 123 110

HSL 96.92, 0.06%, 0.46%

LAB 50.61, -5.59, 6.08

 

CMYK 7 / 19 / 0 / 49

HEX #786881

RGB 120 104 129

HSL 278.4, 0.11%, 0.46%

LAB 46.28, 11.35, -11.52

 

CMYK 16 / 43 / 0 / 42

HEX #7C5594

RGB 124 85 148

HSL 277.14, 0.27%, 0.46%

LAB 42.64, 28.42, -28.48

 

CMYK 4 / 0 / 55 / 37

HEX #9BA148

RGB 155 161 72

HSL 64.04, 0.38%, 0.46%

LAB 64.1, -14.84, 44.84

 

CMYK 18 / 0 / 55 / 37

HEX #84A148

RGB 132 161 72

HSL 79.55, 0.38%, 0.46%

LAB 62.39, -24.39, 42.43

 

CMYK 33 / 0 / 55 / 37

HEX #6CA148

RGB 108 161 72

HSL 95.73, 0.38%, 0.46%

LAB 60.91, -33.62, 40.32

 

CMYK 48 / 0 / 55 / 37

HEX #54A148

RGB 84 161 72

HSL 111.91, 0.38%, 0.46%

LAB 59.75, -41.66, 38.65

 

CMYK 55 / 0 / 48 / 37

HEX #48A154

RGB 72 161 84

HSL 128.09, 0.38%, 0.46%

LAB 59.44, -43.37, 32.1

 

CMYK 34 / 0 / 55 / 59

HEX #45682F

RGB 69 104 47

HSL 96.84, 0.38%, 0.3%

LAB 40.2, -23.87, 27.92

 

CMYK 34 / 0 / 56 / 48

HEX #58853B

RGB 88 133 59

HSL 96.49, 0.39%, 0.38%

LAB 50.88, -29.34, 34.66

 

CMYK 34 / 0 / 55 / 37

HEX #6BA148

RGB 107 161 72

HSL 96.4, 0.38%, 0.46%

LAB 60.86, -33.99, 40.24

 

CMYK 30 / 0 / 49 / 29

HEX #80B65D

RGB 128 182 93

HSL 96.4, 0.38%, 0.54%

LAB 68.63, -33.67, 39.51

 

CMYK 23 / 0 / 38 / 24

HEX #96C379

RGB 150 195 121

HSL 96.49, 0.38%, 0.62%

LAB 74.12, -28.23, 32.48

 

CMYK 34 / 0 / 56 / 36

HEX #6BA248

RGB 107 162 72

HSL 96.67, 0.38%, 0.46%

LAB 61.16, -34.45, 40.6

 

CMYK 55 / 0 / 11 / 37

HEX #48A190

RGB 72 161 144

HSL 168.54, 0.38%, 0.46%

LAB 60.68, -30.89, 0.8

 

CMYK 0 / 55 / 11 / 37

HEX #A14890

RGB 161 72 144

HSL 311.46, 0.38%, 0.46%

LAB 44.55, 46.21, -22.73

 

CMYK 34 / 0 / 56 / 36

HEX #6BA248

RGB 107 162 72

HSL 96.67, 0.38%, 0.46%

LAB 61.16, -34.45, 40.6

 

CMYK 55 / 33 / 0 / 37

HEX #486CA1

RGB 72 108 161

HSL 215.73, 0.38%, 0.46%

LAB 45.19, 3.23, -32.53

 

CMYK 0 / 55 / 33 / 37

HEX #A1486C

RGB 161 72 108

HSL 335.73, 0.38%, 0.46%

LAB 43.2, 40.82, -2.83

 

CMYK 34 / 0 / 56 / 36

HEX #6BA248

RGB 107 162 72

HSL 96.67, 0.38%, 0.46%

LAB 61.16, -34.45, 40.6

 

CMYK 55 / 0 / 11 / 37

HEX #48A190

RGB 72 161 144

HSL 168.54, 0.38%, 0.46%

LAB 60.68, -30.89, 0.8

 

CMYK 22 / 55 / 0 / 37

HEX #7E48A1

RGB 126 72 161

HSL 276.4, 0.38%, 0.46%

LAB 40.64, 39.5, -39.41

 

CMYK 0 / 55 / 44 / 37

HEX #A1485A

RGB 161 72 90

HSL 347.87, 0.38%, 0.46%

LAB 42.69, 38.67, 7.54

 

CMYK 34 / 0 / 56 / 36

HEX #6BA248

RGB 107 162 72

HSL 96.67, 0.38%, 0.46%

LAB 61.16, -34.45, 40.6

 

CMYK 55 / 6 / 0 / 37

HEX #4898A1

RGB 72 152 161

HSL 186.07, 0.38%, 0.46%

LAB 58.42, -21.74, -12.18

 

CMYK 22 / 55 / 0 / 37

HEX #7E48A1

RGB 126 72 161

HSL 276.4, 0.38%, 0.46%

LAB 40.64, 39.5, -39.41

 

CMYK 0 / 50 / 55 / 37

HEX #A15148

RGB 161 81 72

HSL 6.07, 0.38%, 0.46%

LAB 44.13, 32.19, 20.51

 

Description

Color code: HEX #6BA248 | qconv.com Color code: HEX #6BA248 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 162 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 162 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 56 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 56% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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