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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BEDC6 it is the complementary color #941239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BEDC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BEDC6 shade: #70EDC1, #81FFD4, #92FFE7, #A3FFFA and #B4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BEDC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BEDC6 shade: #6BEDC6, #5ADBB3, #49C9A0, #38B78D and #27A57A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BEDC6 shade: #69ECC5, #69ECA1, #69EC7E, #77EC69 and #9AEC69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BEDC6 shade: #69ECC5, #69ECE8, #69CDEC, #69A9EC and #6986EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BEDC6 shade matches the following richer shades: #69ECC5 and #5BFACA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BEDC6 shade: #69ECC5, #76DEBF, #84D1BA, #92C3B4 and #9FB6AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BEDC6 shade: #69EC7F, #69ECA2, #69ECC5, #69ECE8 and #69CDEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BEDC6 shade: #1FE3A8, #44E7B6, #69ECC5, #8DF1D3 and #B2F5E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BEDC6 shade: #6BEDC6, #6976EC and #EC9069

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BEDC6 shade: #6BEDC6, #C569EC and #ECC569

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BEDC6 shade: #6BEDC6, #6976EC, #EC6990 and #ECDF69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BEDC6 shade: #6BEDC6, #8369EC, #EC6990 and #D2EC69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 16 / 7

HEX #6BEDC6

RGB 107 237 198

HSL 162, 0.78%, 0.67%

LAB 85.89, -45.09, 8.09

 

Complementary color

CMYK 0 / 88 / 61 / 42

HEX #941239

RGB 148 18 57

HSL 342, 0.78%, 0.33%

LAB 31.86, 52.42, 13.2

 

CMYK 53 / 0 / 19 / 7

HEX #70EDC1

RGB 112 237 193

HSL 158.88, 0.78%, 0.68%

LAB 85.94, -45.15, 10.8

 

CMYK 49 / 0 / 17 / 0

HEX #81FFD4

RGB 129 255 212

HSL 159.52, 1%, 0.75%

LAB 92.11, -45.07, 9.82

 

CMYK 43 / 0 / 9 / 0

HEX #92FFE7

RGB 146 255 231

HSL 166.79, 1%, 0.79%

LAB 93.19, -36.92, 1.66

 

CMYK 36 / 0 / 2 / 0

HEX #A3FFFA

RGB 163 255 250

HSL 176.74, 1%, 0.82%

LAB 94.4, -28.42, -6.3

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 55 / 0 / 16 / 7

HEX #6BEDC6

RGB 107 237 198

HSL 162, 0.78%, 0.67%

LAB 85.89, -45.09, 8.09

 

CMYK 59 / 0 / 18 / 14

HEX #5ADBB3

RGB 90 219 179

HSL 161.4, 0.64%, 0.61%

LAB 79.67, -45.03, 9.12

 

CMYK 64 / 0 / 20 / 21

HEX #49C9A0

RGB 73 201 160

HSL 160.78, 0.54%, 0.54%

LAB 73.37, -44.85, 10.25

 

CMYK 69 / 0 / 23 / 28

HEX #38B78D

RGB 56 183 141

HSL 160.16, 0.53%, 0.47%

LAB 67, -44.51, 11.48

 

CMYK 76 / 0 / 26 / 35

HEX #27A57A

RGB 39 165 122

HSL 159.52, 0.62%, 0.4%

LAB 60.56, -43.9, 12.85

 

CMYK 56 / 0 / 17 / 7

HEX #69ECC5

RGB 105 236 197

HSL 162.14, 0.78%, 0.67%

LAB 85.52, -45.3, 8.07

 

CMYK 56 / 0 / 32 / 7

HEX #69ECA1

RGB 105 236 161

HSL 145.65, 0.78%, 0.67%

LAB 84.78, -52.77, 25.72

 

CMYK 56 / 0 / 47 / 7

HEX #69EC7E

RGB 105 236 126

HSL 129.62, 0.78%, 0.67%

LAB 84.23, -58.61, 42.51

 

CMYK 50 / 0 / 56 / 7

HEX #77EC69

RGB 119 236 105

HSL 113.59, 0.78%, 0.67%

LAB 84.45, -57.8, 52.74

 

CMYK 35 / 0 / 56 / 7

HEX #9AEC69

RGB 154 236 105

HSL 97.56, 0.78%, 0.67%

LAB 85.95, -47.23, 54.87

 

CMYK 56 / 0 / 17 / 7

HEX #69ECC5

RGB 105 236 197

HSL 162.14, 0.78%, 0.67%

LAB 85.52, -45.3, 8.07

 

CMYK 56 / 0 / 2 / 7

HEX #69ECE8

RGB 105 236 232

HSL 178.17, 0.78%, 0.67%

LAB 86.42, -36.78, -8.99

 

CMYK 56 / 13 / 0 / 7

HEX #69CDEC

RGB 105 205 236

HSL 194.2, 0.78%, 0.67%

LAB 77.71, -20.69, -24.22

 

CMYK 56 / 28 / 0 / 7

HEX #69A9EC

RGB 105 169 236

HSL 210.69, 0.78%, 0.67%

LAB 67.6, -1.45, -39.82

 

CMYK 56 / 43 / 0 / 7

HEX #6986EC

RGB 105 134 236

HSL 226.72, 0.78%, 0.67%

LAB 58.14, 18.92, -54.75

 

CMYK 56 / 0 / 17 / 7

HEX #69ECC5

RGB 105 236 197

HSL 162.14, 0.78%, 0.67%

LAB 85.52, -45.3, 8.07

 

CMYK 64 / 0 / 19 / 2

HEX #5BFACA

RGB 91 250 202

HSL 161.89, 0.94%, 0.67%

LAB 89.33, -52.64, 10.87

 

CMYK 56 / 0 / 17 / 7

HEX #69ECC5

RGB 105 236 197

HSL 162.14, 0.78%, 0.67%

LAB 85.52, -45.3, 8.07

 

CMYK 47 / 0 / 14 / 13

HEX #76DEBF

RGB 118 222 191

HSL 162.12, 0.61%, 0.67%

LAB 81.76, -37.55, 5.89

 

CMYK 37 / 0 / 11 / 18

HEX #84D1BA

RGB 132 209 186

HSL 162.08, 0.46%, 0.67%

LAB 78.49, -28.95, 3.91

 

CMYK 25 / 0 / 8 / 24

HEX #92C3B4

RGB 146 195 180

HSL 161.63, 0.29%, 0.67%

LAB 75.1, -19.21, 2.31

 

CMYK 13 / 0 / 4 / 29

HEX #9FB6AF

RGB 159 182 175

HSL 161.74, 0.14%, 0.67%

LAB 72.18, -9.28, 0.89

 

CMYK 56 / 0 / 46 / 7

HEX #69EC7F

RGB 105 236 127

HSL 130.08, 0.78%, 0.67%

LAB 84.24, -58.46, 42.05

 

CMYK 56 / 0 / 31 / 7

HEX #69ECA2

RGB 105 236 162

HSL 146.11, 0.78%, 0.67%

LAB 84.79, -52.58, 25.23

 

CMYK 56 / 0 / 17 / 7

HEX #69ECC5

RGB 105 236 197

HSL 162.14, 0.78%, 0.67%

LAB 85.52, -45.3, 8.07

 

CMYK 56 / 0 / 2 / 7

HEX #69ECE8

RGB 105 236 232

HSL 178.17, 0.78%, 0.67%

LAB 86.42, -36.78, -8.99

 

CMYK 56 / 13 / 0 / 7

HEX #69CDEC

RGB 105 205 236

HSL 194.2, 0.78%, 0.67%

LAB 77.71, -20.69, -24.22

 

CMYK 86 / 0 / 26 / 11

HEX #1FE3A8

RGB 31 227 168

HSL 161.94, 0.78%, 0.51%

LAB 80.77, -58.38, 16.34

 

CMYK 71 / 0 / 21 / 9

HEX #44E7B6

RGB 68 231 182

HSL 161.96, 0.77%, 0.59%

LAB 82.78, -52.97, 11.91

 

CMYK 56 / 0 / 17 / 7

HEX #69ECC5

RGB 105 236 197

HSL 162.14, 0.78%, 0.67%

LAB 85.52, -45.3, 8.07

 

CMYK 41 / 0 / 12 / 5

HEX #8DF1D3

RGB 141 241 211

HSL 162, 0.78%, 0.75%

LAB 88.58, -36.15, 5.33

 

CMYK 27 / 0 / 8 / 4

HEX #B2F5E1

RGB 178 245 225

HSL 162.09, 0.77%, 0.83%

LAB 91.78, -24.94, 2.9

 

CMYK 55 / 0 / 16 / 7

HEX #6BEDC6

RGB 107 237 198

HSL 162, 0.78%, 0.67%

LAB 85.89, -45.09, 8.09

 

CMYK 56 / 50 / 0 / 7

HEX #6976EC

RGB 105 118 236

HSL 234.05, 0.78%, 0.67%

LAB 54.04, 28.56, -61.31

 

CMYK 0 / 39 / 56 / 7

HEX #EC9069

RGB 236 144 105

HSL 17.86, 0.78%, 0.67%

LAB 68.61, 31.03, 35.36

 

CMYK 55 / 0 / 16 / 7

HEX #6BEDC6

RGB 107 237 198

HSL 162, 0.78%, 0.67%

LAB 85.89, -45.09, 8.09

 

CMYK 17 / 56 / 0 / 7

HEX #C569EC

RGB 197 105 236

HSL 282.14, 0.78%, 0.67%

LAB 59.92, 57.26, -51.43

 

CMYK 0 / 17 / 56 / 7

HEX #ECC569

RGB 236 197 105

HSL 42.14, 0.78%, 0.67%

LAB 81.17, 3.06, 50.71

 

CMYK 55 / 0 / 16 / 7

HEX #6BEDC6

RGB 107 237 198

HSL 162, 0.78%, 0.67%

LAB 85.89, -45.09, 8.09

 

CMYK 56 / 50 / 0 / 7

HEX #6976EC

RGB 105 118 236

HSL 234.05, 0.78%, 0.67%

LAB 54.04, 28.56, -61.31

 

CMYK 0 / 56 / 39 / 7

HEX #EC6990

RGB 236 105 144

HSL 342.14, 0.78%, 0.67%

LAB 61.61, 54.24, 3.94

 

CMYK 0 / 6 / 56 / 7

HEX #ECDF69

RGB 236 223 105

HSL 54.05, 0.78%, 0.67%

LAB 87.79, -10.2, 58.4

 

CMYK 55 / 0 / 16 / 7

HEX #6BEDC6

RGB 107 237 198

HSL 162, 0.78%, 0.67%

LAB 85.89, -45.09, 8.09

 

CMYK 44 / 56 / 0 / 7

HEX #8369EC

RGB 131 105 236

HSL 251.91, 0.78%, 0.67%

LAB 52.93, 41.61, -63

 

CMYK 0 / 56 / 39 / 7

HEX #EC6990

RGB 236 105 144

HSL 342.14, 0.78%, 0.67%

LAB 61.61, 54.24, 3.94

 

CMYK 11 / 0 / 56 / 7

HEX #D2EC69

RGB 210 236 105

HSL 71.91, 0.78%, 0.67%

LAB 89.26, -26.88, 59.55

 

Description

Color code: HEX #6BEDC6 | qconv.com Color code: HEX #6BEDC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 237 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 237 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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