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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C34E3 it is the complementary color #93CB1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C34E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C34E3 shade: #7134DE, #8246F1, #9358FF, #A46AFF and #B57CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C34E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C34E3 shade: #6C34E3, #5B22D0, #4A10BD, #3900AA and #280097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C34E3 shade: #6C35E3, #9B35E3, #CA35E3, #E335CC and #E3359D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C34E3 shade: #6C35E3, #3D35E3 and #3535E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C34E3 shade matches the following richer shades: #6C35E3 and #6622F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C34E3 shade: #6C35E3, #7347D0, #7A5ABE, #806CAB and #877F99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C34E3 shade: #355AE3, #3D35E3, #6C35E3, #9A35E3 and #C935E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C34E3 shade: #4717AE, #561CD2, #6C35E3, #8759E8 and #A17DED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C34E3 shade: #6C34E3, #E33589 and #43E335

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C34E3 shade: #6C34E3, #E36C35 and #35E36C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C34E3 shade: #6C34E3, #E33589, #ACE335 and #35E38F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C34E3 shade: #6C34E3, #E33555, #ACE335 and #35E3C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 77 / 0 / 11

HEX #6C34E3

RGB 108 52 227

HSL 259.2, 0.76%, 0.55%

LAB 39.9, 62.65, -79.23

 

Complementary color

CMYK 28 / 0 / 86 / 20

HEX #93CB1C

RGB 147 203 28

HSL 79.2, 0.76%, 0.45%

LAB 75.45, -40.65, 71.25

 

CMYK 49 / 77 / 0 / 13

HEX #7134DE

RGB 113 52 222

HSL 261.53, 0.72%, 0.54%

LAB 39.98, 62.03, -76.22

 

CMYK 46 / 71 / 0 / 5

HEX #8246F1

RGB 130 70 241

HSL 261.05, 0.86%, 0.61%

LAB 46.28, 61.34, -76.61

 

CMYK 42 / 65 / 0 / 0

HEX #9358FF

RGB 147 88 255

HSL 261.2, 1%, 0.67%

LAB 52.29, 59.09, -74.55

 

CMYK 36 / 58 / 0 / 0

HEX #A46AFF

RGB 164 106 255

HSL 263.36, 1%, 0.71%

LAB 57.48, 53.26, -66.07

 

CMYK 29 / 51 / 0 / 0

HEX #B57CFF

RGB 181 124 255

HSL 266.11, 1%, 0.74%

LAB 62.89, 47.65, -57.3

 

CMYK 52 / 77 / 0 / 11

HEX #6C34E3

RGB 108 52 227

HSL 259.2, 0.76%, 0.55%

LAB 39.9, 62.65, -79.23

 

CMYK 56 / 84 / 0 / 18

HEX #5B22D0

RGB 91 34 208

HSL 259.66, 0.72%, 0.47%

LAB 33.82, 62.89, -78.39

 

CMYK 61 / 92 / 0 / 26

HEX #4A10BD

RGB 74 16 189

HSL 260.12, 0.84%, 0.4%

LAB 28.12, 62.03, -76.75

 

CMYK 66 / 100 / 0 / 33

HEX #3900AA

RGB 57 0 170

HSL 260.12, 1%, 0.33%

LAB 22.9, 59.73, -74.09

 

CMYK 74 / 100 / 0 / 41

HEX #280097

RGB 40 0 151

HSL 255.89, 1%, 0.3%

LAB 18.74, 54.33, -69.46

 

CMYK 52 / 77 / 0 / 11

HEX #6C35E3

RGB 108 53 227

HSL 258.97, 0.76%, 0.55%

LAB 40.05, 62.22, -78.99

 

CMYK 32 / 77 / 0 / 11

HEX #9B35E3

RGB 155 53 227

HSL 275.17, 0.76%, 0.55%

LAB 45.72, 69.25, -69.49

 

CMYK 11 / 77 / 0 / 11

HEX #CA35E3

RGB 202 53 227

HSL 291.38, 0.76%, 0.55%

LAB 52.56, 77.58, -58.08

 

CMYK 0 / 77 / 10 / 11

HEX #E335CC

RGB 227 53 204

HSL 307.93, 0.76%, 0.55%

LAB 55.32, 78.96, -40.37

 

CMYK 0 / 77 / 31 / 11

HEX #E3359D

RGB 227 53 157

HSL 324.14, 0.76%, 0.55%

LAB 53.29, 73.01, -16.16

 

CMYK 52 / 77 / 0 / 11

HEX #6C35E3

RGB 108 53 227

HSL 258.97, 0.76%, 0.55%

LAB 40.05, 62.22, -78.99

 

CMYK 73 / 77 / 0 / 11

HEX #3D35E3

RGB 61 53 227

HSL 242.76, 0.76%, 0.55%

LAB 36.15, 57.29, -85.56

 

CMYK 77 / 77 / 0 / 11

HEX #3535E3

RGB 53 53 227

HSL 240, 0.76%, 0.55%

LAB 35.69, 56.71, -86.32

 

CMYK 52 / 77 / 0 / 11

HEX #6C35E3

RGB 108 53 227

HSL 258.97, 0.76%, 0.55%

LAB 40.05, 62.22, -78.99

 

CMYK 59 / 86 / 0 / 4

HEX #6622F6

RGB 102 34 246

HSL 259.25, 0.92%, 0.55%

LAB 38.94, 73.35, -91.61

 

CMYK 52 / 77 / 0 / 11

HEX #6C35E3

RGB 108 53 227

HSL 258.97, 0.76%, 0.55%

LAB 40.05, 62.22, -78.99

 

CMYK 45 / 66 / 0 / 18

HEX #7347D0

RGB 115 71 208

HSL 259.27, 0.59%, 0.55%

LAB 42.32, 49.51, -64.36

 

CMYK 36 / 53 / 0 / 25

HEX #7A5ABE

RGB 122 90 190

HSL 259.2, 0.43%, 0.55%

LAB 45.86, 35.51, -48.19

 

CMYK 25 / 37 / 0 / 33

HEX #806CAB

RGB 128 108 171

HSL 259.05, 0.27%, 0.55%

LAB 49.8, 21.56, -30.87

 

CMYK 12 / 17 / 0 / 40

HEX #877F99

RGB 135 127 153

HSL 258.46, 0.11%, 0.55%

LAB 54.69, 8.37, -12.84

 

CMYK 77 / 60 / 0 / 11

HEX #355AE3

RGB 53 90 227

HSL 227.24, 0.76%, 0.55%

LAB 43.68, 35.08, -73.19

 

CMYK 73 / 77 / 0 / 11

HEX #3D35E3

RGB 61 53 227

HSL 242.76, 0.76%, 0.55%

LAB 36.15, 57.29, -85.56

 

CMYK 52 / 77 / 0 / 11

HEX #6C35E3

RGB 108 53 227

HSL 258.97, 0.76%, 0.55%

LAB 40.05, 62.22, -78.99

 

CMYK 32 / 77 / 0 / 11

HEX #9A35E3

RGB 154 53 227

HSL 274.83, 0.76%, 0.55%

LAB 45.58, 69.08, -69.71

 

CMYK 11 / 77 / 0 / 11

HEX #C935E3

RGB 201 53 227

HSL 291.03, 0.76%, 0.55%

LAB 52.41, 77.4, -58.34

 

CMYK 59 / 87 / 0 / 32

HEX #4717AE

RGB 71 23 174

HSL 259.07, 0.77%, 0.39%

LAB 26.76, 55.95, -70.06

 

CMYK 59 / 87 / 0 / 18

HEX #561CD2

RGB 86 28 210

HSL 259.12, 0.76%, 0.47%

LAB 32.84, 64.92, -81.19

 

CMYK 52 / 77 / 0 / 11

HEX #6C35E3

RGB 108 53 227

HSL 258.97, 0.76%, 0.55%

LAB 40.05, 62.22, -78.99

 

CMYK 42 / 62 / 0 / 9

HEX #8759E8

RGB 135 89 232

HSL 259.3, 0.76%, 0.63%

LAB 49.64, 50.26, -66.05

 

CMYK 32 / 47 / 0 / 7

HEX #A17DED

RGB 161 125 237

HSL 259.29, 0.76%, 0.71%

LAB 60.21, 37.63, -51.76

 

CMYK 52 / 77 / 0 / 11

HEX #6C34E3

RGB 108 52 227

HSL 259.2, 0.76%, 0.55%

LAB 39.9, 62.65, -79.23

 

CMYK 0 / 77 / 40 / 11

HEX #E33589

RGB 227 53 137

HSL 331.03, 0.76%, 0.55%

LAB 52.6, 70.92, -5.3

 

CMYK 70 / 0 / 77 / 11

HEX #43E335

RGB 67 227 53

HSL 115.17, 0.76%, 0.55%

LAB 79.83, -71.04, 67.65

 

CMYK 52 / 77 / 0 / 11

HEX #6C34E3

RGB 108 52 227

HSL 259.2, 0.76%, 0.55%

LAB 39.9, 62.65, -79.23

 

CMYK 0 / 52 / 77 / 11

HEX #E36C35

RGB 227 108 53

HSL 18.97, 0.76%, 0.55%

LAB 59.26, 42.91, 50.99

 

CMYK 77 / 0 / 52 / 11

HEX #35E36C

RGB 53 227 108

HSL 138.97, 0.76%, 0.55%

LAB 80.05, -67.49, 45.68

 

CMYK 52 / 77 / 0 / 11

HEX #6C34E3

RGB 108 52 227

HSL 259.2, 0.76%, 0.55%

LAB 39.9, 62.65, -79.23

 

CMYK 0 / 77 / 40 / 11

HEX #E33589

RGB 227 53 137

HSL 331.03, 0.76%, 0.55%

LAB 52.6, 70.92, -5.3

 

CMYK 24 / 0 / 77 / 11

HEX #ACE335

RGB 172 227 53

HSL 78.97, 0.76%, 0.55%

LAB 83.95, -40.75, 73

 

CMYK 77 / 0 / 37 / 11

HEX #35E38F

RGB 53 227 143

HSL 151.03, 0.76%, 0.55%

LAB 80.56, -61.63, 29.04

 

CMYK 52 / 77 / 0 / 11

HEX #6C34E3

RGB 108 52 227

HSL 259.2, 0.76%, 0.55%

LAB 39.9, 62.65, -79.23

 

CMYK 0 / 77 / 63 / 11

HEX #E33555

RGB 227 53 85

HSL 348.97, 0.76%, 0.55%

LAB 51.31, 66.87, 24.21

 

CMYK 24 / 0 / 77 / 11

HEX #ACE335

RGB 172 227 53

HSL 78.97, 0.76%, 0.55%

LAB 83.95, -40.75, 73

 

CMYK 77 / 0 / 14 / 11

HEX #35E3C3

RGB 53 227 195

HSL 168.97, 0.76%, 0.55%

LAB 81.64, -49.99, 3.38

 

Description

Color code: HEX #6C34E3 | qconv.com Color code: HEX #6C34E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 52 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 52 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 77 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 77% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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