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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C364A it is the complementary color #93C9B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C364A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C364A shade: #713645, #824858, #935A6B, #A46C7E and #B57E91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C364A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C364A shade: #6C364A, #5B2437, #4A1224, #390011 and #280000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C364A shade: #6C364A, #6C363C and #6C3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C364A shade: #6C364A, #6C3659, #6C3667, #62366C and #54366C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C364A shade matches the following richer shades: #6C364A, #792947, #861C43, #940F40 and #A1013C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C364A shade: #6C364A, #5F434E, #525151, #445E54 and #376B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C364A shade: #6C3668, #6C3659, #6C364B, #6C363C and #6C3E36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C364A shade: #351B24, #512837, #6C364A, #87445D and #A35270

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C364A shade: #6C364A, #6C6236 and #36606C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C364A shade: #6C364A, #4B6C36 and #364B6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C364A shade: #6C364A, #6C6236, #366C57 and #36406C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C364A shade: #6C364A, #666C36, #366C57 and #3C366C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

Complementary color

CMYK 27 / 0 / 10 / 21

HEX #93C9B5

RGB 147 201 181

HSL 157.78, 0.33%, 0.68%

LAB 76.87, -21.71, 4.34

 

CMYK 0 / 52 / 39 / 56

HEX #713645

RGB 113 54 69

HSL 344.75, 0.35%, 0.33%

LAB 30.83, 27.76, 2.91

 

CMYK 0 / 45 / 32 / 49

HEX #824858

RGB 130 72 88

HSL 343.45, 0.29%, 0.4%

LAB 37.99, 26.75, 1.44

 

CMYK 0 / 39 / 27 / 42

HEX #935A6B

RGB 147 90 107

HSL 342.11, 0.24%, 0.46%

LAB 45.05, 25.8, 0.25

 

CMYK 0 / 34 / 23 / 36

HEX #A46C7E

RGB 164 108 126

HSL 340.71, 0.24%, 0.53%

LAB 51.98, 24.94, -0.75

 

CMYK 0 / 30 / 20 / 29

HEX #B57E91

RGB 181 126 145

HSL 339.27, 0.27%, 0.6%

LAB 58.78, 24.16, -1.63

 

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

CMYK 0 / 60 / 40 / 64

HEX #5B2437

RGB 91 36 55

HSL 339.27, 0.43%, 0.25%

LAB 22.87, 27.43, 0.29

 

CMYK 0 / 76 / 51 / 71

HEX #4A1224

RGB 74 18 36

HSL 340.71, 0.61%, 0.18%

LAB 15.57, 28, 2.73

 

CMYK 0 / 100 / 70 / 78

HEX #390011

RGB 57 0 17

HSL 342.11, 1%, 0.11%

LAB 8.22, 28.59, 5.42

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

CMYK 0 / 50 / 44 / 58

HEX #6C363C

RGB 108 54 60

HSL 353.33, 0.33%, 0.32%

LAB 29.79, 24.61, 7.22

 

CMYK 0 / 50 / 50 / 58

HEX #6C3636

RGB 108 54 54

HSL 0, 0.33%, 0.32%

LAB 29.65, 23.91, 10.93

 

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

CMYK 0 / 50 / 18 / 58

HEX #6C3659

RGB 108 54 89

HSL 321.11, 0.33%, 0.32%

LAB 30.75, 28.93, -10.29

 

CMYK 0 / 50 / 5 / 58

HEX #6C3667

RGB 108 54 103

HSL 305.56, 0.33%, 0.32%

LAB 31.36, 31.52, -18.37

 

CMYK 9 / 50 / 0 / 58

HEX #62366C

RGB 98 54 108

HSL 288.89, 0.33%, 0.32%

LAB 30.2, 29.29, -23.48

 

CMYK 22 / 50 / 0 / 58

HEX #54366C

RGB 84 54 108

HSL 273.33, 0.33%, 0.32%

LAB 28.4, 24.82, -26.44

 

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

CMYK 0 / 66 / 41 / 53

HEX #792947

RGB 121 41 71

HSL 337.5, 0.49%, 0.32%

LAB 29.68, 37.69, 0.1

 

CMYK 0 / 79 / 50 / 47

HEX #861C43

RGB 134 28 67

HSL 337.92, 0.65%, 0.32%

LAB 30.17, 46.57, 3.77

 

CMYK 0 / 90 / 57 / 42

HEX #940F40

RGB 148 15 64

HSL 337.89, 0.82%, 0.32%

LAB 31.82, 53.5, 8.52

 

CMYK 0 / 99 / 63 / 37

HEX #A1013C

RGB 161 1 60

HSL 337.88, 0.99%, 0.32%

LAB 33.83, 58.55, 14.35

 

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

CMYK 0 / 29 / 18 / 63

HEX #5F434E

RGB 95 67 78

HSL 336.43, 0.17%, 0.32%

LAB 31.8, 14.01, -1.81

 

CMYK 0 / 1 / 1 / 68

HEX #525151

RGB 82 81 81

HSL 0, 0.01%, 0.32%

LAB 34.54, 0.41, 0.14

 

CMYK 28 / 0 / 11 / 63

HEX #445E54

RGB 68 94 84

HSL 156.92, 0.16%, 0.32%

LAB 37.62, -12.1, 2.59

 

CMYK 49 / 0 / 18 / 58

HEX #376B58

RGB 55 107 88

HSL 158.08, 0.32%, 0.32%

LAB 41.27, -22.42, 5.3

 

CMYK 0 / 50 / 4 / 58

HEX #6C3668

RGB 108 54 104

HSL 304.44, 0.33%, 0.32%

LAB 31.41, 31.72, -18.94

 

CMYK 0 / 50 / 18 / 58

HEX #6C3659

RGB 108 54 89

HSL 321.11, 0.33%, 0.32%

LAB 30.75, 28.93, -10.29

 

CMYK 0 / 50 / 31 / 58

HEX #6C364B

RGB 108 54 75

HSL 336.67, 0.33%, 0.32%

LAB 30.24, 26.65, -1.95

 

CMYK 0 / 50 / 44 / 58

HEX #6C363C

RGB 108 54 60

HSL 353.33, 0.33%, 0.32%

LAB 29.79, 24.61, 7.22

 

CMYK 0 / 43 / 50 / 58

HEX #6C3E36

RGB 108 62 54

HSL 8.89, 0.33%, 0.32%

LAB 31.58, 19.16, 13.55

 

CMYK 0 / 49 / 32 / 79

HEX #351B24

RGB 53 27 36

HSL 339.23, 0.33%, 0.16%

LAB 13.64, 14.27, -0.56

 

CMYK 0 / 51 / 32 / 68

HEX #512837

RGB 81 40 55

HSL 338.05, 0.34%, 0.24%

LAB 22.1, 21.13, -1.04

 

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

CMYK 0 / 50 / 31 / 47

HEX #87445D

RGB 135 68 93

HSL 337.61, 0.33%, 0.4%

LAB 37.98, 31.61, -1.64

 

CMYK 0 / 50 / 31 / 36

HEX #A35270

RGB 163 82 112

HSL 337.78, 0.33%, 0.48%

LAB 45.62, 36.88, -1.69

 

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

CMYK 0 / 9 / 50 / 58

HEX #6C6236

RGB 108 98 54

HSL 48.89, 0.33%, 0.32%

LAB 41.52, -2.65, 26.36

 

CMYK 50 / 11 / 0 / 58

HEX #36606C

RGB 54 96 108

HSL 193.33, 0.33%, 0.32%

LAB 38.26, -11.05, -11.37

 

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

CMYK 31 / 0 / 50 / 58

HEX #4B6C36

RGB 75 108 54

HSL 96.67, 0.33%, 0.32%

LAB 41.98, -22.61, 26.35

 

CMYK 50 / 31 / 0 / 58

HEX #364B6C

RGB 54 75 108

HSL 216.67, 0.33%, 0.32%

LAB 31.58, 1.93, -21.64

 

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

CMYK 0 / 9 / 50 / 58

HEX #6C6236

RGB 108 98 54

HSL 48.89, 0.33%, 0.32%

LAB 41.52, -2.65, 26.36

 

CMYK 50 / 0 / 19 / 58

HEX #366C57

RGB 54 108 87

HSL 156.67, 0.33%, 0.32%

LAB 41.53, -23.46, 6.27

 

CMYK 50 / 41 / 0 / 58

HEX #36406C

RGB 54 64 108

HSL 228.89, 0.33%, 0.32%

LAB 28.2, 9.23, -26.93

 

CMYK 0 / 50 / 31 / 58

HEX #6C364A

RGB 108 54 74

HSL 337.78, 0.33%, 0.32%

LAB 30.21, 26.5, -1.35

 

CMYK 6 / 0 / 50 / 58

HEX #666C36

RGB 102 108 54

HSL 66.67, 0.33%, 0.32%

LAB 43.97, -11.13, 29.24

 

CMYK 50 / 0 / 19 / 58

HEX #366C57

RGB 54 108 87

HSL 156.67, 0.33%, 0.32%

LAB 41.53, -23.46, 6.27

 

CMYK 44 / 50 / 0 / 58

HEX #3C366C

RGB 60 54 108

HSL 246.67, 0.33%, 0.32%

LAB 25.81, 17.65, -30.7

 

Description

Color code: HEX #6C364A | qconv.com Color code: HEX #6C364A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 54 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 54 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 31 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 31% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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