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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C450E it is the complementary color #93BAF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C450E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C450E shade: #714509, #82571C, #93692F, #A47B42 and #B58D55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C450E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C450E shade: #6C450E, #5B3300, #4A2100, #390F00 and #280000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C450E shade: #6C450E, #6C2B0E, #6C120E and #6C0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C450E shade: #6C450E, #6C5E0E, #606C0E, #476C0E and #2D6C0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C450E shade matches the following richer shades: #6C450E and #764604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C450E shade: #6C450E, #624317, #584121, #4E402B and #443E35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C450E shade: #6C120E, #6C2B0E, #6C450E, #6C5E0E and #616C0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C450E shade: #231604, #472D09, #6C450E, #905C12 and #B57317

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C450E shade: #6C450E, #226C0E and #1F0E6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C450E shade: #6C450E, #0E6C45 and #450E6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C450E shade: #6C450E, #226C0E, #0E356C and #570E6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C450E shade: #6C450E, #0E6C15, #0E356C and #6C0E64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

Complementary color

CMYK 39 / 23 / 0 / 5

HEX #93BAF1

RGB 147 186 241

HSL 215.11, 0.77%, 0.76%

LAB 74.62, 0.45, -31.48

 

CMYK 0 / 39 / 92 / 56

HEX #714509

RGB 113 69 9

HSL 34.62, 0.85%, 0.24%

LAB 33.53, 14.28, 39.84

 

CMYK 0 / 33 / 78 / 49

HEX #82571C

RGB 130 87 28

HSL 34.71, 0.65%, 0.31%

LAB 40.65, 12.27, 39.56

 

CMYK 0 / 29 / 68 / 42

HEX #93692F

RGB 147 105 47

HSL 34.8, 0.52%, 0.38%

LAB 47.64, 10.67, 38.35

 

CMYK 0 / 25 / 60 / 36

HEX #A47B42

RGB 164 123 66

HSL 34.9, 0.43%, 0.45%

LAB 54.5, 9.37, 36.91

 

CMYK 0 / 22 / 53 / 29

HEX #B58D55

RGB 181 141 85

HSL 35, 0.39%, 0.52%

LAB 61.25, 8.31, 35.46

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 0 / 44 / 100 / 64

HEX #5B3300

RGB 91 51 0

HSL 33.63, 1%, 0.18%

LAB 25.54, 14.33, 35.5

 

CMYK 0 / 55 / 100 / 71

HEX #4A2100

RGB 74 33 0

HSL 26.76, 1%, 0.15%

LAB 18.11, 17.18, 26.75

 

CMYK 0 / 74 / 100 / 78

HEX #390F00

RGB 57 15 0

HSL 15.79, 1%, 0.11%

LAB 10.64, 19.86, 16.4

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 0 / 60 / 87 / 58

HEX #6C2B0E

RGB 108 43 14

HSL 18.51, 0.77%, 0.24%

LAB 26.58, 27.29, 31.61

 

CMYK 0 / 83 / 87 / 58

HEX #6C120E

RGB 108 18 14

HSL 2.55, 0.77%, 0.24%

LAB 22.49, 38.36, 27.63

 

CMYK 0 / 87 / 87 / 58

HEX #6C0E0E

RGB 108 14 14

HSL 0, 0.77%, 0.24%

LAB 22.07, 39.55, 27.19

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 0 / 13 / 87 / 58

HEX #6C5E0E

RGB 108 94 14

HSL 51.06, 0.77%, 0.24%

LAB 39.96, -3.08, 43.35

 

CMYK 11 / 0 / 87 / 58

HEX #606C0E

RGB 96 108 14

HSL 67.66, 0.77%, 0.24%

LAB 43.13, -16.75, 45.63

 

CMYK 34 / 0 / 87 / 58

HEX #476C0E

RGB 71 108 14

HSL 83.62, 0.77%, 0.24%

LAB 41.37, -27.79, 43.41

 

CMYK 58 / 0 / 87 / 58

HEX #2D6C0E

RGB 45 108 14

HSL 100.21, 0.77%, 0.24%

LAB 40.11, -37.11, 41.81

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 0 / 41 / 97 / 54

HEX #764604

RGB 118 70 4

HSL 34.74, 0.93%, 0.24%

LAB 34.48, 15.94, 42.59

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 0 / 32 / 77 / 62

HEX #624317

RGB 98 67 23

HSL 35.2, 0.62%, 0.24%

LAB 31.05, 8.75, 30.95

 

CMYK 0 / 26 / 63 / 65

HEX #584121

RGB 88 65 33

HSL 34.91, 0.45%, 0.24%

LAB 29.32, 5.8, 23.15

 

CMYK 0 / 18 / 45 / 69

HEX #4E402B

RGB 78 64 43

HSL 36, 0.29%, 0.24%

LAB 28.01, 2.65, 15.11

 

CMYK 0 / 9 / 22 / 73

HEX #443E35

RGB 68 62 53

HSL 36, 0.12%, 0.24%

LAB 26.54, 0.81, 6.47

 

CMYK 0 / 83 / 87 / 58

HEX #6C120E

RGB 108 18 14

HSL 2.55, 0.77%, 0.24%

LAB 22.49, 38.36, 27.63

 

CMYK 0 / 60 / 87 / 58

HEX #6C2B0E

RGB 108 43 14

HSL 18.51, 0.77%, 0.24%

LAB 26.58, 27.29, 31.61

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 0 / 13 / 87 / 58

HEX #6C5E0E

RGB 108 94 14

HSL 51.06, 0.77%, 0.24%

LAB 39.96, -3.08, 43.35

 

CMYK 10 / 0 / 87 / 58

HEX #616C0E

RGB 97 108 14

HSL 67.02, 0.77%, 0.24%

LAB 43.21, -16.28, 45.73

 

CMYK 0 / 37 / 89 / 86

HEX #231604

RGB 35 22 4

HSL 34.84, 0.79%, 0.08%

LAB 8.48, 4.11, 11.14

 

CMYK 0 / 37 / 87 / 72

HEX #472D09

RGB 71 45 9

HSL 34.84, 0.78%, 0.16%

LAB 20.97, 8.37, 26.22

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 0 / 36 / 88 / 44

HEX #905C12

RGB 144 92 18

HSL 35.24, 0.78%, 0.32%

LAB 43.69, 15.51, 46.93

 

CMYK 0 / 36 / 87 / 29

HEX #B57317

RGB 181 115 23

HSL 34.94, 0.77%, 0.4%

LAB 54.18, 19.3, 55.93

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 69 / 0 / 87 / 58

HEX #226C0E

RGB 34 108 14

HSL 107.23, 0.77%, 0.24%

LAB 39.74, -40.07, 41.34

 

CMYK 71 / 87 / 0 / 58

HEX #1F0E6C

RGB 31 14 108

HSL 250.85, 0.77%, 0.24%

LAB 13.76, 36.95, -50.43

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 87 / 0 / 36 / 58

HEX #0E6C45

RGB 14 108 69

HSL 155.11, 0.77%, 0.24%

LAB 40, -35.66, 14.73

 

CMYK 36 / 87 / 0 / 58

HEX #450E6C

RGB 69 14 108

HSL 275.11, 0.77%, 0.24%

LAB 18.64, 41.95, -42.23

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 69 / 0 / 87 / 58

HEX #226C0E

RGB 34 108 14

HSL 107.23, 0.77%, 0.24%

LAB 39.74, -40.07, 41.34

 

CMYK 87 / 51 / 0 / 58

HEX #0E356C

RGB 14 53 108

HSL 215.11, 0.77%, 0.24%

LAB 22.73, 9.28, -35.79

 

CMYK 19 / 87 / 0 / 58

HEX #570E6C

RGB 87 14 108

HSL 286.6, 0.77%, 0.24%

LAB 21.66, 45.16, -37.17

 

CMYK 0 / 36 / 87 / 58

HEX #6C450E

RGB 108 69 14

HSL 35.11, 0.77%, 0.24%

LAB 32.87, 12.01, 37.22

 

CMYK 87 / 0 / 81 / 58

HEX #0E6C15

RGB 14 108 21

HSL 124.47, 0.77%, 0.24%

LAB 39.37, -43.17, 38.55

 

CMYK 87 / 51 / 0 / 58

HEX #0E356C

RGB 14 53 108

HSL 215.11, 0.77%, 0.24%

LAB 22.73, 9.28, -35.79

 

CMYK 0 / 87 / 7 / 58

HEX #6C0E64

RGB 108 14 100

HSL 305.11, 0.77%, 0.24%

LAB 25.02, 48.02, -26.36

 

Description

Color code: HEX #6C450E | qconv.com Color code: HEX #6C450E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 69 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 69 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 87 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 87% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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