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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C4651 it is the complementary color #93B9AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C4651. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C4651 shade: #71464C, #82585F, #936A72, #A47C85 and #B58E98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C4651. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C4651 shade: #6C4651, #5B343E, #4A222B, #391018 and #280005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C4651 shade: #6B4651, #6B4647 and #6B4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C4651 shade: #6B4651, #6B465B, #6B4665, #68466B and #5E466B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C4651 shade matches the following richer shades: #6B4651, #7A384B, #882945, #971B3F and #A50C39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C4651 shade: #6B4651, #5D5457, #4F635D, #407163 and #328069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C4651 shade: #6B4665, #6B465B, #6B4651, #6B4647 and #6B4F46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C4651 shade: #3A252B, #53363E, #6B4651, #845664 and #9C6877

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C4651 shade: #6C4651, #6B6846 and #46606B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C4651 shade: #6C4651, #516B46 and #46516B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C4651 shade: #6C4651, #6B6846, #466B60 and #464A6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C4651 shade: #6C4651, #646B46, #466B60 and #4E466B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 25 / 58

HEX #6C4651

RGB 108 70 81

HSL 342.63, 0.21%, 0.35%

LAB 34.32, 18.04, 0.15

 

Complementary color

CMYK 21 / 0 / 6 / 27

HEX #93B9AE

RGB 147 185 174

HSL 162.63, 0.21%, 0.65%

LAB 72.2, -15.02, 1.37

 

CMYK 0 / 38 / 33 / 56

HEX #71464C

RGB 113 70 76

HSL 351.63, 0.23%, 0.36%

LAB 34.83, 19.33, 4.15

 

CMYK 0 / 32 / 27 / 49

HEX #82585F

RGB 130 88 95

HSL 350, 0.19%, 0.43%

LAB 42.08, 18.42, 3.01

 

CMYK 0 / 28 / 22 / 42

HEX #936A72

RGB 147 106 114

HSL 348.29, 0.16%, 0.5%

LAB 49.16, 17.63, 2.03

 

CMYK 0 / 24 / 19 / 36

HEX #A47C85

RGB 164 124 133

HSL 346.5, 0.18%, 0.56%

LAB 56.09, 16.94, 1.15

 

CMYK 0 / 22 / 16 / 29

HEX #B58E98

RGB 181 142 152

HSL 344.62, 0.21%, 0.63%

LAB 62.87, 16.33, 0.36

 

CMYK 0 / 35 / 25 / 58

HEX #6C4651

RGB 108 70 81

HSL 342.63, 0.21%, 0.35%

LAB 34.32, 18.04, 0.15

 

CMYK 0 / 43 / 32 / 64

HEX #5B343E

RGB 91 52 62

HSL 344.62, 0.27%, 0.28%

LAB 26.81, 19, 1.3

 

CMYK 0 / 54 / 42 / 71

HEX #4A222B

RGB 74 34 43

HSL 346.5, 0.37%, 0.21%

LAB 19.12, 20.09, 2.81

 

CMYK 0 / 72 / 58 / 78

HEX #391018

RGB 57 16 24

HSL 348.29, 0.56%, 0.14%

LAB 11.32, 21.14, 5.1

 

CMYK 0 / 100 / 88 / 84

HEX #280005

RGB 40 0 5

HSL 352.5, 1%, 0.08%

LAB 4.17, 18.92, 4.55

 

CMYK 0 / 35 / 24 / 58

HEX #6B4651

RGB 107 70 81

HSL 342.16, 0.21%, 0.35%

LAB 34.19, 17.63, -0.05

 

CMYK 0 / 35 / 34 / 58

HEX #6B4647

RGB 107 70 71

HSL 358.38, 0.21%, 0.35%

LAB 33.9, 16.06, 5.91

 

CMYK 0 / 35 / 35 / 58

HEX #6B4646

RGB 107 70 70

HSL 0, 0.21%, 0.35%

LAB 33.88, 15.91, 6.5

 

CMYK 0 / 35 / 24 / 58

HEX #6B4651

RGB 107 70 81

HSL 342.16, 0.21%, 0.35%

LAB 34.19, 17.63, -0.05

 

CMYK 0 / 35 / 15 / 58

HEX #6B465B

RGB 107 70 91

HSL 325.95, 0.21%, 0.35%

LAB 34.52, 19.39, -5.92

 

CMYK 0 / 35 / 6 / 58

HEX #6B4665

RGB 107 70 101

HSL 309.73, 0.21%, 0.35%

LAB 34.89, 21.32, -11.69

 

CMYK 3 / 35 / 0 / 58

HEX #68466B

RGB 104 70 107

HSL 295.14, 0.21%, 0.35%

LAB 34.77, 21.47, -15.69

 

CMYK 12 / 35 / 0 / 58

HEX #5E466B

RGB 94 70 107

HSL 278.92, 0.21%, 0.35%

LAB 33.61, 17.89, -17.58

 

CMYK 0 / 35 / 24 / 58

HEX #6B4651

RGB 107 70 81

HSL 342.16, 0.21%, 0.35%

LAB 34.19, 17.63, -0.05

 

CMYK 0 / 54 / 39 / 52

HEX #7A384B

RGB 122 56 75

HSL 342.73, 0.37%, 0.35%

LAB 32.86, 30.89, 2.13

 

CMYK 0 / 70 / 49 / 47

HEX #882945

RGB 136 41 69

HSL 342.32, 0.54%, 0.35%

LAB 32.37, 42.49, 5.65

 

CMYK 0 / 82 / 58 / 41

HEX #971B3F

RGB 151 27 63

HSL 342.58, 0.7%, 0.35%

LAB 33.4, 51.46, 11.45

 

CMYK 0 / 93 / 65 / 35

HEX #A50C39

RGB 165 12 57

HSL 342.35, 0.86%, 0.35%

LAB 35.12, 57.95, 18.18

 

CMYK 0 / 35 / 24 / 58

HEX #6B4651

RGB 107 70 81

HSL 342.16, 0.21%, 0.35%

LAB 34.19, 17.63, -0.05

 

CMYK 0 / 10 / 6 / 64

HEX #5D5457

RGB 93 84 87

HSL 340, 0.05%, 0.35%

LAB 36.66, 4.28, -0.41

 

CMYK 20 / 0 / 6 / 61

HEX #4F635D

RGB 79 99 93

HSL 162, 0.11%, 0.35%

LAB 40.21, -8.92, 0.91

 

CMYK 43 / 0 / 12 / 56

HEX #407163

RGB 64 113 99

HSL 162.86, 0.28%, 0.35%

LAB 43.95, -20.23, 2.59

 

CMYK 61 / 0 / 18 / 50

HEX #328069

RGB 50 128 105

HSL 162.31, 0.44%, 0.35%

LAB 48.43, -29.82, 5.41

 

CMYK 0 / 35 / 6 / 58

HEX #6B4665

RGB 107 70 101

HSL 309.73, 0.21%, 0.35%

LAB 34.89, 21.32, -11.69

 

CMYK 0 / 35 / 15 / 58

HEX #6B465B

RGB 107 70 91

HSL 325.95, 0.21%, 0.35%

LAB 34.52, 19.39, -5.92

 

CMYK 0 / 35 / 24 / 58

HEX #6B4651

RGB 107 70 81

HSL 342.16, 0.21%, 0.35%

LAB 34.19, 17.63, -0.05

 

CMYK 0 / 35 / 34 / 58

HEX #6B4647

RGB 107 70 71

HSL 358.38, 0.21%, 0.35%

LAB 33.9, 16.06, 5.91

 

CMYK 0 / 26 / 35 / 58

HEX #6B4F46

RGB 107 79 70

HSL 14.59, 0.21%, 0.35%

LAB 36.29, 10.38, 9.89

 

CMYK 0 / 36 / 26 / 77

HEX #3A252B

RGB 58 37 43

HSL 342.86, 0.22%, 0.19%

LAB 17.45, 11.03, 0.09

 

CMYK 0 / 35 / 25 / 67

HEX #53363E

RGB 83 54 62

HSL 343.45, 0.21%, 0.27%

LAB 26.23, 14.32, 0.32

 

CMYK 0 / 35 / 24 / 58

HEX #6B4651

RGB 107 70 81

HSL 342.16, 0.21%, 0.35%

LAB 34.19, 17.63, -0.05

 

CMYK 0 / 35 / 24 / 48

HEX #845664

RGB 132 86 100

HSL 341.74, 0.21%, 0.43%

LAB 41.97, 21.19, -0.19

 

CMYK 0 / 33 / 24 / 39

HEX #9C6877

RGB 156 104 119

HSL 342.69, 0.21%, 0.51%

LAB 49.86, 23.08, 0.19

 

CMYK 0 / 35 / 25 / 58

HEX #6C4651

RGB 108 70 81

HSL 342.63, 0.21%, 0.35%

LAB 34.32, 18.04, 0.15

 

CMYK 0 / 3 / 35 / 58

HEX #6B6846

RGB 107 104 70

HSL 55.14, 0.21%, 0.35%

LAB 43.46, -4.64, 19.61

 

CMYK 35 / 10 / 0 / 58

HEX #46606B

RGB 70 96 107

HSL 197.84, 0.21%, 0.35%

LAB 39.12, -6.67, -9.36

 

CMYK 0 / 35 / 25 / 58

HEX #6C4651

RGB 108 70 81

HSL 342.63, 0.21%, 0.35%

LAB 34.32, 18.04, 0.15

 

CMYK 24 / 0 / 35 / 58

HEX #516B46

RGB 81 107 70

HSL 102.16, 0.21%, 0.35%

LAB 42.32, -17.26, 17.72

 

CMYK 35 / 24 / 0 / 58

HEX #46516B

RGB 70 81 107

HSL 222.16, 0.21%, 0.35%

LAB 34.5, 2.58, -16.4

 

CMYK 0 / 35 / 25 / 58

HEX #6C4651

RGB 108 70 81

HSL 342.63, 0.21%, 0.35%

LAB 34.32, 18.04, 0.15

 

CMYK 0 / 3 / 35 / 58

HEX #6B6846

RGB 107 104 70

HSL 55.14, 0.21%, 0.35%

LAB 43.46, -4.64, 19.61

 

CMYK 35 / 0 / 10 / 58

HEX #466B60

RGB 70 107 96

HSL 162.16, 0.21%, 0.35%

LAB 42.25, -15.86, 1.98

 

CMYK 35 / 31 / 0 / 58

HEX #464A6B

RGB 70 74 107

HSL 233.51, 0.21%, 0.35%

LAB 32.39, 7.08, -19.65

 

CMYK 0 / 35 / 25 / 58

HEX #6C4651

RGB 108 70 81

HSL 342.63, 0.21%, 0.35%

LAB 34.32, 18.04, 0.15

 

CMYK 7 / 0 / 35 / 58

HEX #646B46

RGB 100 107 70

HSL 71.35, 0.21%, 0.35%

LAB 43.75, -9.4, 19.89

 

CMYK 35 / 0 / 10 / 58

HEX #466B60

RGB 70 107 96

HSL 162.16, 0.21%, 0.35%

LAB 42.25, -15.86, 1.98

 

CMYK 27 / 35 / 0 / 58

HEX #4E466B

RGB 78 70 107

HSL 252.97, 0.21%, 0.35%

LAB 31.95, 12.33, -20.29

 

Description

Color code: HEX #6C4651 | qconv.com Color code: HEX #6C4651 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 70 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 70 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 25 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 25% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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