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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C41B9 it is the complementary color #93BE46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C41B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C41B9 shade: #7141B4, #8253C7, #9365DA, #A477ED and #B589FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C41B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C41B9 shade: #6C41B9, #5B2FA6, #4A1D93, #390B80 and #28006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C41B9 shade: #6B40B8, #8C40B8, #AC40B8, #B840A4 and #B84084

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C41B9 shade: #6B40B8, #4B40B8 and #4040B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C41B9 shade matches the following richer shades: #6B40B8, #662CCD, #6018E1 and #5A04F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C41B9 shade: #6B40B8, #7155A4, #776990, #7D7D7C and #829168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C41B9 shade: #4056B8, #4A40B8, #6A40B8, #8A40B8 and #AA40B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C41B9 shade: #482B7B, #5A369A, #6B40B8, #825DC6 and #9A7BD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C41B9 shade: #6C41B9, #B84076 and #46B840

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C41B9 shade: #6C41B9, #B86A40 and #40B86A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C41B9 shade: #6C41B9, #B84076, #8EB840 and #40B882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C41B9 shade: #6C41B9, #B84052, #8EB840 and #40B8A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 65 / 0 / 27

HEX #6C41B9

RGB 108 65 185

HSL 261.5, 0.48%, 0.49%

LAB 38.68, 45.11, -56.92

 

Complementary color

CMYK 23 / 0 / 63 / 25

HEX #93BE46

RGB 147 190 70

HSL 81.5, 0.48%, 0.51%

LAB 71.87, -32.57, 54.25

 

CMYK 37 / 64 / 0 / 29

HEX #7141B4

RGB 113 65 180

HSL 265.04, 0.47%, 0.48%

LAB 38.88, 44.84, -53.62

 

CMYK 35 / 58 / 0 / 22

HEX #8253C7

RGB 130 83 199

HSL 264.31, 0.51%, 0.55%

LAB 45.71, 43.8, -53.6

 

CMYK 33 / 54 / 0 / 15

HEX #9365DA

RGB 147 101 218

HSL 263.59, 0.61%, 0.63%

LAB 52.48, 42.76, -53.52

 

CMYK 31 / 50 / 0 / 7

HEX #A477ED

RGB 164 119 237

HSL 262.88, 0.77%, 0.7%

LAB 59.16, 41.75, -53.41

 

CMYK 29 / 46 / 0 / 0

HEX #B589FF

RGB 181 137 255

HSL 262.37, 1%, 0.77%

LAB 65.7, 40.56, -52.85

 

CMYK 42 / 65 / 0 / 27

HEX #6C41B9

RGB 108 65 185

HSL 261.5, 0.48%, 0.49%

LAB 38.68, 45.11, -56.92

 

CMYK 45 / 72 / 0 / 35

HEX #5B2FA6

RGB 91 47 166

HSL 262.18, 0.56%, 0.42%

LAB 31.83, 46.15, -56.83

 

CMYK 50 / 80 / 0 / 42

HEX #4A1D93

RGB 74 29 147

HSL 262.88, 0.67%, 0.35%

LAB 25.08, 46.79, -56.37

 

CMYK 55 / 91 / 0 / 50

HEX #390B80

RGB 57 11 128

HSL 263.59, 0.84%, 0.27%

LAB 18.66, 46.35, -55.12

 

CMYK 63 / 100 / 0 / 57

HEX #28006D

RGB 40 0 109

HSL 262.02, 1%, 0.21%

LAB 12.96, 43.66, -52.39

 

CMYK 42 / 65 / 0 / 28

HEX #6B40B8

RGB 107 64 184

HSL 261.5, 0.48%, 0.49%

LAB 38.29, 45.17, -56.95

 

CMYK 24 / 65 / 0 / 28

HEX #8C40B8

RGB 140 64 184

HSL 278, 0.48%, 0.49%

LAB 42.31, 52.36, -50.26

 

CMYK 7 / 65 / 0 / 28

HEX #AC40B8

RGB 172 64 184

HSL 294, 0.48%, 0.49%

LAB 46.84, 59.83, -42.77

 

CMYK 0 / 65 / 11 / 28

HEX #B840A4

RGB 184 64 164

HSL 310, 0.48%, 0.49%

LAB 47.67, 59.43, -29.56

 

CMYK 0 / 65 / 28 / 28

HEX #B84084

RGB 184 64 132

HSL 326, 0.48%, 0.49%

LAB 46.34, 54.88, -12.43

 

CMYK 42 / 65 / 0 / 28

HEX #6B40B8

RGB 107 64 184

HSL 261.5, 0.48%, 0.49%

LAB 38.29, 45.17, -56.95

 

CMYK 59 / 65 / 0 / 28

HEX #4B40B8

RGB 75 64 184

HSL 245.5, 0.48%, 0.49%

LAB 35.25, 39.25, -62.04

 

CMYK 65 / 65 / 0 / 28

HEX #4040B8

RGB 64 64 184

HSL 240, 0.48%, 0.49%

LAB 34.43, 37.56, -63.41

 

CMYK 42 / 65 / 0 / 28

HEX #6B40B8

RGB 107 64 184

HSL 261.5, 0.48%, 0.49%

LAB 38.29, 45.17, -56.95

 

CMYK 50 / 79 / 0 / 20

HEX #662CCD

RGB 102 44 205

HSL 261.61, 0.65%, 0.49%

LAB 36.05, 59.55, -72.93

 

CMYK 57 / 89 / 0 / 12

HEX #6018E1

RGB 96 24 225

HSL 261.49, 0.81%, 0.49%

LAB 35.16, 70.52, -85.96

 

CMYK 63 / 98 / 0 / 4

HEX #5A04F5

RGB 90 4 245

HSL 261.41, 0.97%, 0.49%

LAB 35.7, 78.18, -96.45

 

CMYK 42 / 65 / 0 / 28

HEX #6B40B8

RGB 107 64 184

HSL 261.5, 0.48%, 0.49%

LAB 38.29, 45.17, -56.95

 

CMYK 31 / 48 / 0 / 36

HEX #7155A4

RGB 113 85 164

HSL 261.27, 0.32%, 0.49%

LAB 42.29, 29.13, -38.67

 

CMYK 17 / 27 / 0 / 44

HEX #776990

RGB 119 105 144

HSL 261.54, 0.16%, 0.49%

LAB 47.03, 13.83, -19.34

 

CMYK 0 / 0 / 1 / 51

HEX #7D7D7C

RGB 125 125 124

HSL 60, 0%, 0.49%

LAB 52.38, -0.2, 0.54

 

CMYK 10 / 0 / 28 / 43

HEX #829168

RGB 130 145 104

HSL 81.95, 0.16%, 0.49%

LAB 58.03, -12.91, 20.03

 

CMYK 65 / 53 / 0 / 28

HEX #4056B8

RGB 64 86 184

HSL 229, 0.48%, 0.49%

LAB 39.93, 23.59, -54.48

 

CMYK 60 / 65 / 0 / 28

HEX #4A40B8

RGB 74 64 184

HSL 245, 0.48%, 0.49%

LAB 35.17, 39.08, -62.18

 

CMYK 42 / 65 / 0 / 28

HEX #6A40B8

RGB 106 64 184

HSL 261, 0.48%, 0.49%

LAB 38.18, 44.97, -57.14

 

CMYK 25 / 65 / 0 / 28

HEX #8A40B8

RGB 138 64 184

HSL 277, 0.48%, 0.49%

LAB 42.05, 51.9, -50.7

 

CMYK 8 / 65 / 0 / 28

HEX #AA40B8

RGB 170 64 184

HSL 293, 0.48%, 0.49%

LAB 46.54, 59.36, -43.26

 

CMYK 41 / 65 / 0 / 52

HEX #482B7B

RGB 72 43 123

HSL 261.75, 0.48%, 0.33%

LAB 25.37, 32.38, -40.91

 

CMYK 42 / 65 / 0 / 40

HEX #5A369A

RGB 90 54 154

HSL 261.6, 0.48%, 0.41%

LAB 32.13, 38.87, -49.08

 

CMYK 42 / 65 / 0 / 28

HEX #6B40B8

RGB 107 64 184

HSL 261.5, 0.48%, 0.49%

LAB 38.29, 45.17, -56.95

 

CMYK 34 / 53 / 0 / 22

HEX #825DC6

RGB 130 93 198

HSL 261.14, 0.48%, 0.57%

LAB 47.82, 37.91, -49.65

 

CMYK 26 / 41 / 0 / 18

HEX #9A7BD0

RGB 154 123 208

HSL 261.88, 0.47%, 0.65%

LAB 57.65, 29.65, -39.63

 

CMYK 42 / 65 / 0 / 27

HEX #6C41B9

RGB 108 65 185

HSL 261.5, 0.48%, 0.49%

LAB 38.68, 45.11, -56.92

 

CMYK 0 / 65 / 36 / 28

HEX #B84076

RGB 184 64 118

HSL 333, 0.48%, 0.49%

LAB 45.86, 53.17, -4.63

 

CMYK 62 / 0 / 65 / 28

HEX #46B840

RGB 70 184 64

HSL 117, 0.48%, 0.49%

LAB 66.48, -55.24, 49.91

 

CMYK 42 / 65 / 0 / 27

HEX #6C41B9

RGB 108 65 185

HSL 261.5, 0.48%, 0.49%

LAB 38.68, 45.11, -56.92

 

CMYK 0 / 42 / 65 / 28

HEX #B86A40

RGB 184 106 64

HSL 21, 0.48%, 0.49%

LAB 52.81, 27.36, 36.59

 

CMYK 65 / 0 / 42 / 28

HEX #40B86A

RGB 64 184 106

HSL 141, 0.48%, 0.49%

LAB 66.83, -50.71, 30.06

 

CMYK 42 / 65 / 0 / 27

HEX #6C41B9

RGB 108 65 185

HSL 261.5, 0.48%, 0.49%

LAB 38.68, 45.11, -56.92

 

CMYK 0 / 65 / 36 / 28

HEX #B84076

RGB 184 64 118

HSL 333, 0.48%, 0.49%

LAB 45.86, 53.17, -4.63

 

CMYK 23 / 0 / 65 / 28

HEX #8EB840

RGB 142 184 64

HSL 81, 0.48%, 0.49%

LAB 69.75, -32.17, 54.4

 

CMYK 65 / 0 / 29 / 28

HEX #40B882

RGB 64 184 130

HSL 153, 0.48%, 0.49%

LAB 67.26, -46.04, 17.86

 

CMYK 42 / 65 / 0 / 27

HEX #6C41B9

RGB 108 65 185

HSL 261.5, 0.48%, 0.49%

LAB 38.68, 45.11, -56.92

 

CMYK 0 / 65 / 55 / 28

HEX #B84052

RGB 184 64 82

HSL 351, 0.48%, 0.49%

LAB 44.89, 49.66, 16.11

 

CMYK 23 / 0 / 65 / 28

HEX #8EB840

RGB 142 184 64

HSL 81, 0.48%, 0.49%

LAB 69.75, -32.17, 54.4

 

CMYK 65 / 0 / 10 / 28

HEX #40B8A6

RGB 64 184 166

HSL 171, 0.48%, 0.49%

LAB 68.11, -37.4, -0.63

 

Description

Color code: HEX #6C41B9 | qconv.com Color code: HEX #6C41B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 65 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 65 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 65 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 65% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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