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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C43B0 it is the complementary color #93BC4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C43B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C43B0 shade: #7143AB, #8255BE, #9367D1, #A479E4 and #B58BF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C43B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C43B0 shade: #6C43B0, #5B319D, #4A1F8A, #390D77 and #280064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C43B0 shade: #6C43B1, #8A43B1, #A843B1, #B1439D and #B1437F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C43B0 shade: #6C43B1, #4F43B1 and #4343B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C43B0 shade matches the following richer shades: #6C43B1, #672FC5, #621BD9 and #5E07EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C43B0 shade: #6C43B1, #71579D, #766A89, #7B7E76 and #809262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C43B0 shade: #4355B1, #4E43B1, #6B43B1, #8943B1 and #A643B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C43B0 shade: #482C75, #5A3793, #6C43B1, #825CC1 and #997ACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C43B0 shade: #6C43B0, #B14373 and #46B143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C43B0 shade: #6C43B0, #B16B43 and #43B16B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C43B0 shade: #6C43B0, #B14373, #89B143 and #43B181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C43B0 shade: #6C43B0, #B14352, #89B143 and #43B1A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 62 / 0 / 31

HEX #6C43B0

RGB 108 67 176

HSL 262.57, 0.45%, 0.48%

LAB 38.44, 41.58, -51.98

 

Complementary color

CMYK 22 / 0 / 58 / 26

HEX #93BC4F

RGB 147 188 79

HSL 82.57, 0.45%, 0.52%

LAB 71.37, -30.87, 49.73

 

CMYK 34 / 61 / 0 / 33

HEX #7143AB

RGB 113 67 171

HSL 266.54, 0.44%, 0.47%

LAB 38.66, 41.41, -48.63

 

CMYK 32 / 55 / 0 / 25

HEX #8255BE

RGB 130 85 190

HSL 265.71, 0.45%, 0.54%

LAB 45.58, 40.39, -48.6

 

CMYK 30 / 51 / 0 / 18

HEX #9367D1

RGB 147 103 209

HSL 264.91, 0.54%, 0.61%

LAB 52.41, 39.38, -48.53

 

CMYK 28 / 47 / 0 / 11

HEX #A479E4

RGB 164 121 228

HSL 264.11, 0.66%, 0.68%

LAB 59.13, 38.43, -48.45

 

CMYK 27 / 44 / 0 / 3

HEX #B58BF7

RGB 181 139 247

HSL 263.33, 0.87%, 0.76%

LAB 65.75, 37.54, -48.38

 

CMYK 39 / 62 / 0 / 31

HEX #6C43B0

RGB 108 67 176

HSL 262.57, 0.45%, 0.48%

LAB 38.44, 41.58, -51.98

 

CMYK 42 / 69 / 0 / 38

HEX #5B319D

RGB 91 49 157

HSL 263.33, 0.52%, 0.4%

LAB 31.47, 42.66, -51.97

 

CMYK 46 / 78 / 0 / 46

HEX #4A1F8A

RGB 74 31 138

HSL 264.11, 0.63%, 0.33%

LAB 24.55, 43.45, -51.66

 

CMYK 52 / 89 / 0 / 53

HEX #390D77

RGB 57 13 119

HSL 264.91, 0.8%, 0.26%

LAB 17.87, 43.34, -50.67

 

CMYK 60 / 100 / 0 / 61

HEX #280064

RGB 40 0 100

HSL 264, 1%, 0.2%

LAB 11.76, 41.36, -48.43

 

CMYK 39 / 62 / 0 / 31

HEX #6C43B1

RGB 108 67 177

HSL 262.36, 0.45%, 0.48%

LAB 38.51, 41.85, -52.46

 

CMYK 22 / 62 / 0 / 31

HEX #8A43B1

RGB 138 67 177

HSL 278.73, 0.45%, 0.48%

LAB 42.14, 48.87, -46.43

 

CMYK 5 / 62 / 0 / 31

HEX #A843B1

RGB 168 67 177

HSL 295.09, 0.45%, 0.48%

LAB 46.33, 56.29, -39.51

 

CMYK 0 / 62 / 11 / 31

HEX #B1439D

RGB 177 67 157

HSL 310.91, 0.45%, 0.48%

LAB 46.71, 55.22, -26.99

 

CMYK 0 / 62 / 28 / 31

HEX #B1437F

RGB 177 67 127

HSL 327.27, 0.45%, 0.48%

LAB 45.49, 50.86, -10.79

 

CMYK 39 / 62 / 0 / 31

HEX #6C43B1

RGB 108 67 177

HSL 262.36, 0.45%, 0.48%

LAB 38.51, 41.85, -52.46

 

CMYK 55 / 62 / 0 / 31

HEX #4F43B1

RGB 79 67 177

HSL 246.55, 0.45%, 0.48%

LAB 35.7, 35.89, -57.16

 

CMYK 62 / 62 / 0 / 31

HEX #4343B1

RGB 67 67 177

HSL 240, 0.45%, 0.48%

LAB 34.77, 33.8, -58.71

 

CMYK 39 / 62 / 0 / 31

HEX #6C43B1

RGB 108 67 177

HSL 262.36, 0.45%, 0.48%

LAB 38.51, 41.85, -52.46

 

CMYK 48 / 76 / 0 / 23

HEX #672FC5

RGB 103 47 197

HSL 262.4, 0.61%, 0.48%

LAB 35.88, 56.34, -68.53

 

CMYK 55 / 88 / 0 / 15

HEX #621BD9

RGB 98 27 217

HSL 262.42, 0.78%, 0.48%

LAB 34.78, 67.99, -81.98

 

CMYK 60 / 97 / 0 / 7

HEX #5E07EC

RGB 94 7 236

HSL 262.79, 0.94%, 0.48%

LAB 35.18, 75.97, -92.21

 

CMYK 39 / 62 / 0 / 31

HEX #6C43B1

RGB 108 67 177

HSL 262.36, 0.45%, 0.48%

LAB 38.51, 41.85, -52.46

 

CMYK 28 / 45 / 0 / 38

HEX #71579D

RGB 113 87 157

HSL 262.29, 0.29%, 0.48%

LAB 42.4, 26.08, -34.33

 

CMYK 14 / 23 / 0 / 46

HEX #766A89

RGB 118 106 137

HSL 263.23, 0.13%, 0.48%

LAB 46.93, 11.24, -15.33

 

CMYK 2 / 0 / 6 / 51

HEX #7B7E76

RGB 123 126 118

HSL 82.5, 0.03%, 0.48%

LAB 52.33, -2.7, 3.96

 

CMYK 12 / 0 / 33 / 43

HEX #809262

RGB 128 146 98

HSL 82.5, 0.2%, 0.48%

LAB 58.06, -15.13, 23.38

 

CMYK 62 / 52 / 0 / 31

HEX #4355B1

RGB 67 85 177

HSL 230.18, 0.45%, 0.48%

LAB 39.35, 22.29, -51.28

 

CMYK 56 / 62 / 0 / 31

HEX #4E43B1

RGB 78 67 177

HSL 246, 0.45%, 0.48%

LAB 35.61, 35.71, -57.3

 

CMYK 40 / 62 / 0 / 31

HEX #6B43B1

RGB 107 67 177

HSL 261.82, 0.45%, 0.48%

LAB 38.4, 41.63, -52.65

 

CMYK 23 / 62 / 0 / 31

HEX #8943B1

RGB 137 67 177

HSL 278.18, 0.45%, 0.48%

LAB 42.01, 48.63, -46.65

 

CMYK 6 / 62 / 0 / 31

HEX #A643B1

RGB 166 67 177

HSL 294, 0.45%, 0.48%

LAB 46.04, 55.79, -40

 

CMYK 38 / 62 / 0 / 54

HEX #482C75

RGB 72 44 117

HSL 263.01, 0.45%, 0.32%

LAB 25.15, 30.04, -37.45

 

CMYK 39 / 63 / 0 / 42

HEX #5A3793

RGB 90 55 147

HSL 262.83, 0.46%, 0.4%

LAB 31.84, 36.35, -45.29

 

CMYK 39 / 62 / 0 / 31

HEX #6C43B1

RGB 108 67 177

HSL 262.36, 0.45%, 0.48%

LAB 38.51, 41.85, -52.46

 

CMYK 33 / 52 / 0 / 24

HEX #825CC1

RGB 130 92 193

HSL 262.57, 0.45%, 0.56%

LAB 47.3, 37.18, -47.58

 

CMYK 25 / 40 / 0 / 20

HEX #997ACC

RGB 153 122 204

HSL 262.68, 0.45%, 0.64%

LAB 57.13, 28.96, -38.19

 

CMYK 39 / 62 / 0 / 31

HEX #6C43B0

RGB 108 67 176

HSL 262.57, 0.45%, 0.48%

LAB 38.44, 41.58, -51.98

 

CMYK 0 / 62 / 35 / 31

HEX #B14373

RGB 177 67 115

HSL 333.82, 0.45%, 0.48%

LAB 45.08, 49.35, -4.07

 

CMYK 60 / 0 / 62 / 31

HEX #46B143

RGB 70 177 67

HSL 118.36, 0.45%, 0.48%

LAB 64.28, -52.36, 46.14

 

CMYK 39 / 62 / 0 / 31

HEX #6C43B0

RGB 108 67 176

HSL 262.57, 0.45%, 0.48%

LAB 38.44, 41.58, -51.98

 

CMYK 0 / 40 / 62 / 31

HEX #B16B43

RGB 177 107 67

HSL 21.82, 0.45%, 0.48%

LAB 52.14, 24.08, 33.94

 

CMYK 62 / 0 / 40 / 31

HEX #43B16B

RGB 67 177 107

HSL 141.82, 0.45%, 0.48%

LAB 64.72, -47.16, 26.78

 

CMYK 39 / 62 / 0 / 31

HEX #6C43B0

RGB 108 67 176

HSL 262.57, 0.45%, 0.48%

LAB 38.44, 41.58, -51.98

 

CMYK 0 / 62 / 35 / 31

HEX #B14373

RGB 177 67 115

HSL 333.82, 0.45%, 0.48%

LAB 45.08, 49.35, -4.07

 

CMYK 23 / 0 / 62 / 31

HEX #89B143

RGB 137 177 67

HSL 81.82, 0.45%, 0.48%

LAB 67.4, -30.6, 50.48

 

CMYK 62 / 0 / 27 / 31

HEX #43B181

RGB 67 177 129

HSL 153.82, 0.45%, 0.48%

LAB 65.14, -42.74, 15.47

 

CMYK 39 / 62 / 0 / 31

HEX #6C43B0

RGB 108 67 176

HSL 262.57, 0.45%, 0.48%

LAB 38.44, 41.58, -51.98

 

CMYK 0 / 62 / 54 / 31

HEX #B14352

RGB 177 67 82

HSL 351.82, 0.45%, 0.48%

LAB 44.19, 45.97, 14.95

 

CMYK 23 / 0 / 62 / 31

HEX #89B143

RGB 137 177 67

HSL 81.82, 0.45%, 0.48%

LAB 67.4, -30.6, 50.48

 

CMYK 62 / 0 / 8 / 31

HEX #43B1A2

RGB 67 177 162

HSL 171.82, 0.45%, 0.48%

LAB 65.94, -34.73, -1.59

 

Description

Color code: HEX #6C43B0 | qconv.com Color code: HEX #6C43B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 67 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 67 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 62 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 62% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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