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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C555E it is the complementary color #93AAA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C555E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C555E shade: #715559, #82676C, #93797F, #A48B92 and #B59DA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C555E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C555E shade: #6C555E, #5B434B, #4A3138, #391F25 and #280D12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C555E shade: #6C555E, #6C5558 and #6C5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C555E shade: #6C555E, #6C5564, #6C556A, #67556C and #61556C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C555E shade matches the following richer shades: #6C555E, #7C455A, #8B3557, #9B2654 and #AB1650

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C555E shade: #6C555E, #5C6461, #4D7465, #3D8468 and #2D936C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C555E shade: #6C556A, #6C5564, #6C555E, #6C5558 and #6C5855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C555E shade: #3E3036, #55434A, #6C555E, #836772 and #987C87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C555E shade: #6C555E, #6C6755 and #55676C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C555E shade: #6C555E, #5E6C55 and #555E6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C555E shade: #6C555E, #6C6755, #556C63 and #55596C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C555E shade: #6C555E, #6A6C55, #556C63 and #57556C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

Complementary color

CMYK 14 / 0 / 5 / 33

HEX #93AAA1

RGB 147 170 161

HSL 156.52, 0.12%, 0.62%

LAB 67.67, -9.79, 1.94

 

CMYK 0 / 25 / 21 / 56

HEX #715559

RGB 113 85 89

HSL 351.43, 0.14%, 0.39%

LAB 39.12, 12.28, 2.18

 

CMYK 0 / 21 / 17 / 49

HEX #82676C

RGB 130 103 108

HSL 348.89, 0.12%, 0.46%

LAB 46.35, 11.65, 1.3

 

CMYK 0 / 18 / 14 / 42

HEX #93797F

RGB 147 121 127

HSL 346.15, 0.11%, 0.53%

LAB 53.4, 11.1, 0.51

 

CMYK 0 / 15 / 11 / 36

HEX #A48B92

RGB 164 139 146

HSL 343.2, 0.12%, 0.59%

LAB 60.28, 10.63, -0.22

 

CMYK 0 / 13 / 9 / 29

HEX #B59DA5

RGB 181 157 165

HSL 340, 0.14%, 0.66%

LAB 67.02, 10.2, -0.91

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 0 / 26 / 18 / 64

HEX #5B434B

RGB 91 67 75

HSL 340, 0.15%, 0.31%

LAB 31.22, 11.78, -0.78

 

CMYK 0 / 34 / 24 / 71

HEX #4A3138

RGB 74 49 56

HSL 343.2, 0.2%, 0.24%

LAB 23.47, 12.58, 0.16

 

CMYK 0 / 46 / 35 / 78

HEX #391F25

RGB 57 31 37

HSL 346.15, 0.3%, 0.17%

LAB 15.4, 13.58, 1.36

 

CMYK 0 / 68 / 55 / 84

HEX #280D12

RGB 40 13 18

HSL 348.89, 0.51%, 0.1%

LAB 7.07, 14.62, 2.69

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 0 / 21 / 19 / 58

HEX #6C5558

RGB 108 85 88

HSL 352.17, 0.12%, 0.38%

LAB 38.53, 10.03, 1.88

 

CMYK 0 / 21 / 21 / 58

HEX #6C5555

RGB 108 85 85

HSL 0, 0.12%, 0.38%

LAB 38.45, 9.51, 3.62

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 0 / 21 / 7 / 58

HEX #6C5564

RGB 108 85 100

HSL 320.87, 0.12%, 0.38%

LAB 38.91, 12.29, -5.02

 

CMYK 0 / 21 / 2 / 58

HEX #6C556A

RGB 108 85 106

HSL 305.22, 0.12%, 0.38%

LAB 39.11, 13.51, -8.43

 

CMYK 5 / 21 / 0 / 58

HEX #67556C

RGB 103 85 108

HSL 286.96, 0.12%, 0.38%

LAB 38.66, 12.04, -10.41

 

CMYK 10 / 21 / 0 / 58

HEX #61556C

RGB 97 85 108

HSL 271.3, 0.12%, 0.38%

LAB 38.06, 9.8, -11.37

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 0 / 44 / 27 / 51

HEX #7C455A

RGB 124 69 90

HSL 337.09, 0.28%, 0.38%

LAB 36.52, 26.44, -2.08

 

CMYK 0 / 62 / 37 / 45

HEX #8B3557

RGB 139 53 87

HSL 336.28, 0.45%, 0.38%

LAB 35.45, 40.03, -1.48

 

CMYK 0 / 75 / 46 / 39

HEX #9B2654

RGB 155 38 84

HSL 336.41, 0.61%, 0.38%

LAB 35.97, 50.96, 1.56

 

CMYK 0 / 87 / 53 / 33

HEX #AB1650

RGB 171 22 80

HSL 336.64, 0.77%, 0.38%

LAB 37.5, 59.31, 6.74

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 8 / 0 / 3 / 61

HEX #5C6461

RGB 92 100 97

HSL 157.5, 0.04%, 0.38%

LAB 41.61, -3.73, 0.63

 

CMYK 34 / 0 / 13 / 55

HEX #4D7465

RGB 77 116 101

HSL 156.92, 0.2%, 0.38%

LAB 45.65, -17.31, 3.93

 

CMYK 54 / 0 / 21 / 48

HEX #3D8468

RGB 61 132 104

HSL 156.34, 0.37%, 0.38%

LAB 50.09, -29.42, 8.41

 

CMYK 69 / 0 / 27 / 42

HEX #2D936C

RGB 45 147 108

HSL 157.06, 0.53%, 0.38%

LAB 54.56, -38.7, 12.34

 

CMYK 0 / 21 / 2 / 58

HEX #6C556A

RGB 108 85 106

HSL 305.22, 0.12%, 0.38%

LAB 39.11, 13.51, -8.43

 

CMYK 0 / 21 / 7 / 58

HEX #6C5564

RGB 108 85 100

HSL 320.87, 0.12%, 0.38%

LAB 38.91, 12.29, -5.02

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 0 / 21 / 19 / 58

HEX #6C5558

RGB 108 85 88

HSL 352.17, 0.12%, 0.38%

LAB 38.53, 10.03, 1.88

 

CMYK 0 / 19 / 21 / 58

HEX #6C5855

RGB 108 88 85

HSL 7.83, 0.12%, 0.38%

LAB 39.28, 7.67, 4.82

 

CMYK 0 / 23 / 13 / 76

HEX #3E3036

RGB 62 48 54

HSL 334.29, 0.13%, 0.22%

LAB 21.6, 7.55, -1.4

 

CMYK 0 / 21 / 13 / 67

HEX #55434A

RGB 85 67 74

HSL 336.67, 0.12%, 0.3%

LAB 30.5, 9.06, -1.28

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 0 / 21 / 13 / 49

HEX #836772

RGB 131 103 114

HSL 336.43, 0.12%, 0.46%

LAB 46.63, 13.11, -1.88

 

CMYK 0 / 18 / 11 / 40

HEX #987C87

RGB 152 124 135

HSL 336.43, 0.12%, 0.54%

LAB 54.91, 12.7, -1.89

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 0 / 5 / 21 / 58

HEX #6C6755

RGB 108 103 85

HSL 46.96, 0.12%, 0.38%

LAB 43.57, -1.33, 10.88

 

CMYK 21 / 5 / 0 / 58

HEX #55676C

RGB 85 103 108

HSL 193.04, 0.12%, 0.38%

LAB 42.33, -5.54, -5.07

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 13 / 0 / 21 / 58

HEX #5E6C55

RGB 94 108 85

HSL 96.52, 0.12%, 0.38%

LAB 43.89, -9.99, 11.14

 

CMYK 21 / 13 / 0 / 58

HEX #555E6C

RGB 85 94 108

HSL 216.52, 0.12%, 0.38%

LAB 39.61, -0.14, -9.13

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 0 / 5 / 21 / 58

HEX #6C6755

RGB 108 103 85

HSL 46.96, 0.12%, 0.38%

LAB 43.57, -1.33, 10.88

 

CMYK 21 / 0 / 8 / 58

HEX #556C63

RGB 85 108 99

HSL 156.52, 0.12%, 0.38%

LAB 43.59, -10.56, 2.23

 

CMYK 21 / 18 / 0 / 58

HEX #55596C

RGB 85 89 108

HSL 229.57, 0.12%, 0.38%

LAB 38.13, 2.94, -11.38

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 2 / 0 / 21 / 58

HEX #6A6C55

RGB 106 108 85

HSL 65.22, 0.12%, 0.38%

LAB 44.86, -5.09, 12.65

 

CMYK 21 / 0 / 8 / 58

HEX #556C63

RGB 85 108 99

HSL 156.52, 0.12%, 0.38%

LAB 43.59, -10.56, 2.23

 

CMYK 19 / 21 / 0 / 58

HEX #57556C

RGB 87 85 108

HSL 245.22, 0.12%, 0.38%

LAB 37.13, 6.15, -12.88

 

Description

Color code: HEX #6C555E | qconv.com Color code: HEX #6C555E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 85 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 85 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 13 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 13% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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