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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C504B it is the complementary color #93AFB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C504B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C504B shade: #715046, #826259, #93746C, #A4867F and #B59892

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C504B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C504B shade: #6C504B, #5B3E38, #4A2C25, #391A12 and #280800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C504B shade: #6C504B and #6C4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C504B shade: #6C504B, #6C594B, #6C624B, #6C6B4B and #646C4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C504B shade matches the following richer shades: #6C504B, #7B453C, #8A3B2D, #98311E and #A7260F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C504B shade: #6C504B, #5D5A5A, #4E6468, #3F6F77 and #307986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C504B shade: #6C4B57, #6C4B4F, #6C504B, #6C594B and #6C614B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C504B shade: #3B2C29, #533E3A, #6C504B, #84625C and #9B756F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C504B shade: #6C504B, #606C4B and #4B536C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C504B shade: #6C504B, #4B6C50 and #504B6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C504B shade: #6C504B, #606C4B, #4B676C and #564B6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C504B shade: #6C504B, #566C4B, #4B676C and #604B6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

Complementary color

CMYK 18 / 3 / 0 / 29

HEX #93AFB4

RGB 147 175 180

HSL 189.09, 0.18%, 0.64%

LAB 69.58, -8.47, -5.77

 

CMYK 0 / 29 / 38 / 56

HEX #715046

RGB 113 80 70

HSL 13.95, 0.23%, 0.36%

LAB 37.28, 12.4, 11.38

 

CMYK 0 / 25 / 32 / 49

HEX #826259

RGB 130 98 89

HSL 13.17, 0.19%, 0.43%

LAB 44.52, 11.57, 10.13

 

CMYK 0 / 21 / 27 / 42

HEX #93746C

RGB 147 116 108

HSL 12.31, 0.15%, 0.5%

LAB 51.58, 10.89, 9.04

 

CMYK 0 / 18 / 23 / 36

HEX #A4867F

RGB 164 134 127

HSL 11.35, 0.17%, 0.57%

LAB 58.49, 10.31, 8.06

 

CMYK 0 / 16 / 19 / 29

HEX #B59892

RGB 181 152 146

HSL 10.29, 0.19%, 0.64%

LAB 65.24, 9.8, 7.16

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 0 / 32 / 38 / 64

HEX #5B3E38

RGB 91 62 56

HSL 10.29, 0.24%, 0.29%

LAB 29.3, 11.81, 8.77

 

CMYK 0 / 41 / 50 / 71

HEX #4A2C25

RGB 74 44 37

HSL 11.35, 0.33%, 0.22%

LAB 21.55, 12.93, 10.34

 

CMYK 0 / 54 / 68 / 78

HEX #391A12

RGB 57 26 18

HSL 12.31, 0.52%, 0.15%

LAB 13.55, 14.4, 12.24

 

CMYK 0 / 80 / 100 / 84

HEX #280800

RGB 40 8 0

HSL 12, 1%, 0.08%

LAB 5.64, 14.86, 8.73

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 0 / 31 / 31 / 58

HEX #6C4B4B

RGB 108 75 75

HSL 0, 0.18%, 0.36%

LAB 35.46, 14.02, 5.6

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 0 / 18 / 31 / 58

HEX #6C594B

RGB 108 89 75

HSL 25.45, 0.18%, 0.36%

LAB 39.31, 5.45, 11.01

 

CMYK 0 / 9 / 31 / 58

HEX #6C624B

RGB 108 98 75

HSL 41.82, 0.18%, 0.36%

LAB 41.89, 0.04, 14.56

 

CMYK 0 / 1 / 31 / 58

HEX #6C6B4B

RGB 108 107 75

HSL 58.18, 0.18%, 0.36%

LAB 44.53, -5.23, 18.13

 

CMYK 7 / 0 / 31 / 58

HEX #646C4B

RGB 100 108 75

HSL 74.55, 0.18%, 0.36%

LAB 44.15, -9.22, 17.5

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 0 / 44 / 51 / 52

HEX #7B453C

RGB 123 69 60

HSL 8.57, 0.34%, 0.36%

LAB 35.58, 22.14, 15.52

 

CMYK 0 / 57 / 67 / 46

HEX #8A3B2D

RGB 138 59 45

HSL 9.03, 0.51%, 0.36%

LAB 35.44, 32.67, 25.06

 

CMYK 0 / 68 / 80 / 40

HEX #98311E

RGB 152 49 30

HSL 9.34, 0.67%, 0.36%

LAB 35.92, 42.03, 34.99

 

CMYK 0 / 77 / 91 / 35

HEX #A7260F

RGB 167 38 15

HSL 9.08, 0.84%, 0.36%

LAB 37.18, 50.9, 44.5

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 0 / 3 / 3 / 64

HEX #5D5A5A

RGB 93 90 90

HSL 0, 0.02%, 0.36%

LAB 38.51, 1.2, 0.42

 

CMYK 25 / 4 / 0 / 59

HEX #4E6468

RGB 78 100 104

HSL 189.23, 0.14%, 0.36%

LAB 40.79, -7.19, -4.98

 

CMYK 47 / 7 / 0 / 53

HEX #3F6F77

RGB 63 111 119

HSL 188.57, 0.31%, 0.36%

LAB 43.88, -13.98, -9.54

 

CMYK 64 / 10 / 0 / 47

HEX #307986

RGB 48 121 134

HSL 189.07, 0.47%, 0.36%

LAB 47.01, -18.27, -13.83

 

CMYK 0 / 31 / 19 / 58

HEX #6C4B57

RGB 108 75 87

HSL 338.18, 0.18%, 0.36%

LAB 35.81, 16, -1.47

 

CMYK 0 / 31 / 27 / 58

HEX #6C4B4F

RGB 108 75 79

HSL 352.73, 0.18%, 0.36%

LAB 35.57, 14.65, 3.23

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 0 / 18 / 31 / 58

HEX #6C594B

RGB 108 89 75

HSL 25.45, 0.18%, 0.36%

LAB 39.31, 5.45, 11.01

 

CMYK 0 / 10 / 31 / 58

HEX #6C614B

RGB 108 97 75

HSL 40, 0.18%, 0.36%

LAB 41.6, 0.64, 14.17

 

CMYK 0 / 25 / 31 / 77

HEX #3B2C29

RGB 59 44 41

HSL 10, 0.18%, 0.2%

LAB 19.6, 6.37, 4.6

 

CMYK 0 / 25 / 30 / 67

HEX #533E3A

RGB 83 62 58

HSL 9.6, 0.18%, 0.28%

LAB 28.35, 8.5, 6

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 0 / 26 / 30 / 48

HEX #84625C

RGB 132 98 92

HSL 9, 0.18%, 0.44%

LAB 44.82, 12.85, 8.78

 

CMYK 0 / 25 / 28 / 39

HEX #9B756F

RGB 155 117 111

HSL 8.18, 0.18%, 0.52%

LAB 52.77, 14, 9.09

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 11 / 0 / 31 / 58

HEX #606C4B

RGB 96 108 75

HSL 81.82, 0.18%, 0.36%

LAB 43.83, -10.89, 17.01

 

CMYK 31 / 23 / 0 / 58

HEX #4B536C

RGB 75 83 108

HSL 225.45, 0.18%, 0.36%

LAB 35.53, 3.25, -15.41

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 31 / 0 / 26 / 58

HEX #4B6C50

RGB 75 108 80

HSL 129.09, 0.18%, 0.36%

LAB 42.46, -18.23, 11.94

 

CMYK 26 / 31 / 0 / 58

HEX #504B6C

RGB 80 75 108

HSL 249.09, 0.18%, 0.36%

LAB 33.61, 10.05, -18.33

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 11 / 0 / 31 / 58

HEX #606C4B

RGB 96 108 75

HSL 81.82, 0.18%, 0.36%

LAB 43.83, -10.89, 17.01

 

CMYK 31 / 5 / 0 / 58

HEX #4B676C

RGB 75 103 108

HSL 189.09, 0.18%, 0.36%

LAB 41.66, -8.92, -6.15

 

CMYK 20 / 31 / 0 / 58

HEX #564B6C

RGB 86 75 108

HSL 260, 0.18%, 0.36%

LAB 34.18, 12.13, -17.4

 

CMYK 0 / 26 / 31 / 58

HEX #6C504B

RGB 108 80 75

HSL 9.09, 0.18%, 0.36%

LAB 36.81, 10.95, 7.51

 

CMYK 20 / 0 / 31 / 58

HEX #566C4B

RGB 86 108 75

HSL 100, 0.18%, 0.36%

LAB 43.08, -14.97, 15.87

 

CMYK 31 / 5 / 0 / 58

HEX #4B676C

RGB 75 103 108

HSL 189.09, 0.18%, 0.36%

LAB 41.66, -8.92, -6.15

 

CMYK 11 / 31 / 0 / 58

HEX #604B6C

RGB 96 75 108

HSL 278.18, 0.18%, 0.36%

LAB 35.21, 15.7, -15.73

 

Description

Color code: HEX #6C504B | qconv.com Color code: HEX #6C504B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 80 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 80 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 31 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 31% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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