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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5062 it is the complementary color #93AF9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5062. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5062 shade: #71505D, #826270, #937483, #A48696 and #B598A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5062. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5062 shade: #6C5062, #5B3E4F, #4A2C3C, #391A29 and #280816

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5062 shade: #6C5062, #6C505A, #6C5053 and #6C5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5062 shade: #6C5062, #6C506A, #67506C, #5F506C and #58506C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5062 shade matches the following richer shades: #6C5062, #7B4066, #8B316B, #9A226F and #A91373

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5062 shade: #6C5062, #5D5F5E, #4D6E59, #3E7D55 and #2F8D50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5062 shade: #67506C, #6C506A, #6C5062, #6C505B and #6C5053

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5062 shade: #3D2D37, #543E4C, #6C5062, #846177 and #99758C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5062 shade: #6C5062, #6C5F50 and #506C6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5062 shade: #6C5062, #626C50 and #50626C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5062 shade: #6C5062, #6C5F50, #506C5A and #505C6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5062 shade: #6C5062, #6C6850, #506C5A and #50546C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

Complementary color

CMYK 16 / 0 / 10 / 31

HEX #93AF9D

RGB 147 175 157

HSL 141.43, 0.15%, 0.63%

LAB 68.97, -13.23, 6.03

 

CMYK 0 / 29 / 18 / 56

HEX #71505D

RGB 113 80 93

HSL 336.36, 0.17%, 0.38%

LAB 37.91, 16.03, -2.08

 

CMYK 0 / 25 / 14 / 49

HEX #826270

RGB 130 98 112

HSL 333.75, 0.14%, 0.45%

LAB 45.15, 15.33, -2.86

 

CMYK 0 / 21 / 11 / 42

HEX #937483

RGB 147 116 131

HSL 330.97, 0.13%, 0.52%

LAB 52.21, 14.72, -3.57

 

CMYK 0 / 18 / 9 / 36

HEX #A48696

RGB 164 134 150

HSL 328, 0.14%, 0.58%

LAB 59.11, 14.18, -4.23

 

CMYK 0 / 16 / 7 / 29

HEX #B598A9

RGB 181 152 169

HSL 324.83, 0.16%, 0.65%

LAB 65.86, 13.69, -4.85

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 0 / 32 / 13 / 64

HEX #5B3E4F

RGB 91 62 79

HSL 324.83, 0.19%, 0.3%

LAB 30, 15.71, -5.18

 

CMYK 0 / 41 / 19 / 71

HEX #4A2C3C

RGB 74 44 60

HSL 328, 0.25%, 0.23%

LAB 22.24, 16.58, -4.36

 

CMYK 0 / 54 / 28 / 78

HEX #391A29

RGB 57 26 41

HSL 330.97, 0.37%, 0.16%

LAB 14.22, 17.57, -3.25

 

CMYK 0 / 80 / 45 / 84

HEX #280816

RGB 40 8 22

HSL 333.75, 0.67%, 0.09%

LAB 6.17, 17.78, -1.28

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 0 / 26 / 17 / 58

HEX #6C505A

RGB 108 80 90

HSL 338.57, 0.15%, 0.37%

LAB 37.23, 13.46, -1.27

 

CMYK 0 / 26 / 23 / 58

HEX #6C5053

RGB 108 80 83

HSL 353.57, 0.15%, 0.37%

LAB 37.02, 12.24, 2.81

 

CMYK 0 / 26 / 26 / 58

HEX #6C5050

RGB 108 80 80

HSL 0, 0.15%, 0.37%

LAB 36.94, 11.74, 4.57

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 0 / 26 / 2 / 58

HEX #6C506A

RGB 108 80 106

HSL 304.29, 0.15%, 0.37%

LAB 37.78, 16.59, -10.44

 

CMYK 5 / 26 / 0 / 58

HEX #67506C

RGB 103 80 108

HSL 289.29, 0.15%, 0.37%

LAB 37.31, 15.14, -12.46

 

CMYK 12 / 26 / 0 / 58

HEX #5F506C

RGB 95 80 108

HSL 272.14, 0.15%, 0.37%

LAB 36.47, 12.19, -13.81

 

CMYK 19 / 26 / 0 / 58

HEX #58506C

RGB 88 80 108

HSL 257.14, 0.15%, 0.37%

LAB 35.78, 9.66, -14.92

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 0 / 48 / 17 / 52

HEX #7B4066

RGB 123 64 102

HSL 321.36, 0.32%, 0.37%

LAB 35.67, 30.88, -10.95

 

CMYK 0 / 65 / 23 / 45

HEX #8B316B

RGB 139 49 107

HSL 321.33, 0.48%, 0.37%

LAB 35.49, 44.6, -14.14

 

CMYK 0 / 78 / 28 / 40

HEX #9A226F

RGB 154 34 111

HSL 321.5, 0.64%, 0.37%

LAB 36.29, 55.02, -15.21

 

CMYK 0 / 89 / 32 / 34

HEX #A91373

RGB 169 19 115

HSL 321.6, 0.8%, 0.37%

LAB 38.09, 62.7, -14.73

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 2 / 0 / 1 / 63

HEX #5D5F5E

RGB 93 95 94

HSL 150, 0.01%, 0.37%

LAB 40.11, -1, 0.29

 

CMYK 30 / 0 / 19 / 57

HEX #4D6E59

RGB 77 110 89

HSL 141.82, 0.18%, 0.37%

LAB 43.43, -16.73, 7.94

 

CMYK 50 / 0 / 32 / 51

HEX #3E7D55

RGB 62 125 85

HSL 141.9, 0.34%, 0.37%

LAB 47.43, -30.03, 15.73

 

CMYK 67 / 0 / 43 / 45

HEX #2F8D50

RGB 47 141 80

HSL 141.06, 0.5%, 0.37%

LAB 52.1, -41.69, 24.68

 

CMYK 5 / 26 / 0 / 58

HEX #67506C

RGB 103 80 108

HSL 289.29, 0.15%, 0.37%

LAB 37.31, 15.14, -12.46

 

CMYK 0 / 26 / 2 / 58

HEX #6C506A

RGB 108 80 106

HSL 304.29, 0.15%, 0.37%

LAB 37.78, 16.59, -10.44

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 0 / 26 / 16 / 58

HEX #6C505B

RGB 108 80 91

HSL 336.43, 0.15%, 0.37%

LAB 37.26, 13.64, -1.85

 

CMYK 0 / 26 / 23 / 58

HEX #6C5053

RGB 108 80 83

HSL 353.57, 0.15%, 0.37%

LAB 37.02, 12.24, 2.81

 

CMYK 0 / 26 / 10 / 76

HEX #3D2D37

RGB 61 45 55

HSL 322.5, 0.15%, 0.21%

LAB 20.61, 9.35, -3.55

 

CMYK 0 / 26 / 10 / 67

HEX #543E4C

RGB 84 62 76

HSL 321.82, 0.15%, 0.29%

LAB 29.04, 12.25, -4.75

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 0 / 27 / 10 / 48

HEX #846177

RGB 132 97 119

HSL 322.29, 0.15%, 0.45%

LAB 45.34, 17.98, -6.79

 

CMYK 0 / 24 / 8 / 40

HEX #99758C

RGB 153 117 140

HSL 321.67, 0.15%, 0.53%

LAB 53.37, 18.03, -7.06

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 0 / 12 / 26 / 58

HEX #6C5F50

RGB 108 95 80

HSL 32.14, 0.15%, 0.37%

LAB 41.14, 2.61, 10.51

 

CMYK 26 / 0 / 1 / 58

HEX #506C6B

RGB 80 108 107

HSL 177.86, 0.15%, 0.37%

LAB 43.5, -10.41, -2.78

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 9 / 0 / 26 / 58

HEX #626C50

RGB 98 108 80

HSL 81.43, 0.15%, 0.37%

LAB 44.09, -9.25, 14.44

 

CMYK 26 / 9 / 0 / 58

HEX #50626C

RGB 80 98 108

HSL 201.43, 0.15%, 0.37%

LAB 40.45, -4.3, -7.92

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 0 / 12 / 26 / 58

HEX #6C5F50

RGB 108 95 80

HSL 32.14, 0.15%, 0.37%

LAB 41.14, 2.61, 10.51

 

CMYK 26 / 0 / 17 / 58

HEX #506C5A

RGB 80 108 90

HSL 141.43, 0.15%, 0.37%

LAB 43.02, -14.34, 6.78

 

CMYK 26 / 15 / 0 / 58

HEX #505C6C

RGB 80 92 108

HSL 214.29, 0.15%, 0.37%

LAB 38.63, -0.66, -10.66

 

CMYK 0 / 26 / 9 / 58

HEX #6C5062

RGB 108 80 98

HSL 321.43, 0.15%, 0.37%

LAB 37.49, 14.97, -5.88

 

CMYK 0 / 4 / 26 / 58

HEX #6C6850

RGB 108 104 80

HSL 51.43, 0.15%, 0.37%

LAB 43.75, -2.73, 14.12

 

CMYK 26 / 0 / 17 / 58

HEX #506C5A

RGB 80 108 90

HSL 141.43, 0.15%, 0.37%

LAB 43.02, -14.34, 6.78

 

CMYK 26 / 22 / 0 / 58

HEX #50546C

RGB 80 84 108

HSL 231.43, 0.15%, 0.37%

LAB 36.23, 4.32, -14.3

 

Description

Color code: HEX #6C5062 | qconv.com Color code: HEX #6C5062 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 80 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 80 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 9 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 9% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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