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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C5152 it is the complementary color #93AEAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C5152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C5152 shade: #71514D, #826360, #937573, #A48786 and #B59999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C5152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C5152 shade: #6C5152, #5B3F3F, #4A2D2C, #391B19 and #280906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C5152 shade: #6B5152 and #6B5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C5152 shade: #6B5152, #6B5159, #6B5160, #6B5167 and #68516B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C5152 shade matches the following richer shades: #6B5152, #7A4143, #8A3235, #992327 and #A81419

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C5152 shade: #6B5152, #5C6060, #4D6F6E, #3D7E7C and #2E8E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C5152 shade: #6B5160, #6B5159, #6B5152, #6B5651 and #6B5D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C5152 shade: #3C2D2E, #543F40, #6B5152, #836264 and #987678

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C5152 shade: #6C5152, #676B51 and #515D6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C5152 shade: #6C5152, #526B51 and #51526B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C5152 shade: #6C5152, #676B51, #516B6A and #55516B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C5152 shade: #6C5152, #5F6B51, #516B6A and #5D516B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 24 / 58

HEX #6C5152

RGB 108 81 82

HSL 357.78, 0.14%, 0.37%

LAB 37.27, 11.45, 3.79

 

Complementary color

CMYK 16 / 0 / 1 / 32

HEX #93AEAD

RGB 147 174 173

HSL 177.78, 0.14%, 0.63%

LAB 69.11, -9.44, -2.6

 

CMYK 0 / 28 / 32 / 56

HEX #71514D

RGB 113 81 77

HSL 6.67, 0.19%, 0.37%

LAB 37.72, 12.79, 7.64

 

CMYK 0 / 24 / 26 / 49

HEX #826360

RGB 130 99 96

HSL 5.29, 0.15%, 0.44%

LAB 44.96, 12.04, 6.53

 

CMYK 0 / 20 / 22 / 42

HEX #937573

RGB 147 117 115

HSL 3.75, 0.13%, 0.51%

LAB 52.02, 11.4, 5.56

 

CMYK 0 / 18 / 18 / 36

HEX #A48786

RGB 164 135 134

HSL 2, 0.14%, 0.58%

LAB 58.92, 10.85, 4.67

 

CMYK 0 / 15 / 15 / 29

HEX #B59999

RGB 181 153 153

HSL 0, 0.16%, 0.65%

LAB 65.68, 10.37, 3.86

 

CMYK 0 / 25 / 24 / 58

HEX #6C5152

RGB 108 81 82

HSL 357.78, 0.14%, 0.37%

LAB 37.27, 11.45, 3.79

 

CMYK 0 / 31 / 31 / 64

HEX #5B3F3F

RGB 91 63 63

HSL 0, 0.18%, 0.3%

LAB 29.76, 12.24, 4.88

 

CMYK 0 / 39 / 41 / 71

HEX #4A2D2C

RGB 74 45 44

HSL 2, 0.25%, 0.23%

LAB 22, 13.23, 6.21

 

CMYK 0 / 53 / 56 / 78

HEX #391B19

RGB 57 27 25

HSL 3.75, 0.39%, 0.16%

LAB 13.97, 14.5, 7.99

 

CMYK 0 / 78 / 85 / 84

HEX #280906

RGB 40 9 6

HSL 5.29, 0.74%, 0.09%

LAB 5.96, 15.12, 6.75

 

CMYK 0 / 24 / 23 / 58

HEX #6B5152

RGB 107 81 82

HSL 357.69, 0.14%, 0.37%

LAB 37.15, 11.03, 3.61

 

CMYK 0 / 24 / 24 / 58

HEX #6B5151

RGB 107 81 81

HSL 0, 0.14%, 0.37%

LAB 37.12, 10.86, 4.2

 

CMYK 0 / 24 / 23 / 58

HEX #6B5152

RGB 107 81 82

HSL 357.69, 0.14%, 0.37%

LAB 37.15, 11.03, 3.61

 

CMYK 0 / 24 / 17 / 58

HEX #6B5159

RGB 107 81 89

HSL 341.54, 0.14%, 0.37%

LAB 37.36, 12.26, -0.47

 

CMYK 0 / 24 / 10 / 58

HEX #6B5160

RGB 107 81 96

HSL 325.38, 0.14%, 0.37%

LAB 37.58, 13.57, -4.52

 

CMYK 0 / 24 / 4 / 58

HEX #6B5167

RGB 107 81 103

HSL 309.23, 0.14%, 0.37%

LAB 37.82, 14.97, -8.52

 

CMYK 3 / 24 / 0 / 58

HEX #68516B

RGB 104 81 107

HSL 293.08, 0.14%, 0.37%

LAB 37.64, 14.67, -11.31

 

CMYK 0 / 24 / 23 / 58

HEX #6B5152

RGB 107 81 82

HSL 357.69, 0.14%, 0.37%

LAB 37.15, 11.03, 3.61

 

CMYK 0 / 47 / 45 / 52

HEX #7A4143

RGB 122 65 67

HSL 357.89, 0.3%, 0.37%

LAB 34.65, 24.83, 9.8

 

CMYK 0 / 64 / 62 / 46

HEX #8A3235

RGB 138 50 53

HSL 357.95, 0.47%, 0.37%

LAB 33.86, 37.74, 18.1

 

CMYK 0 / 77 / 75 / 40

HEX #992327

RGB 153 35 39

HSL 357.97, 0.63%, 0.37%

LAB 34.23, 48.19, 27.98

 

CMYK 0 / 88 / 85 / 34

HEX #A81419

RGB 168 20 25

HSL 357.97, 0.79%, 0.37%

LAB 35.78, 56.14, 38.68

 

CMYK 0 / 24 / 23 / 58

HEX #6B5152

RGB 107 81 82

HSL 357.69, 0.14%, 0.37%

LAB 37.15, 11.03, 3.61

 

CMYK 4 / 0 / 0 / 62

HEX #5C6060

RGB 92 96 96

HSL 180, 0.02%, 0.37%

LAB 40.39, -1.56, -0.55

 

CMYK 31 / 0 / 1 / 56

HEX #4D6F6E

RGB 77 111 110

HSL 178.24, 0.18%, 0.37%

LAB 44.34, -12.35, -3.37

 

CMYK 52 / 0 / 2 / 51

HEX #3D7E7C

RGB 61 126 124

HSL 178.15, 0.35%, 0.37%

LAB 48.72, -21.2, -5.3

 

CMYK 68 / 0 / 3 / 44

HEX #2E8E8A

RGB 46 142 138

HSL 177.5, 0.51%, 0.37%

LAB 53.77, -28.24, -6.02

 

CMYK 0 / 24 / 10 / 58

HEX #6B5160

RGB 107 81 96

HSL 325.38, 0.14%, 0.37%

LAB 37.58, 13.57, -4.52

 

CMYK 0 / 24 / 17 / 58

HEX #6B5159

RGB 107 81 89

HSL 341.54, 0.14%, 0.37%

LAB 37.36, 12.26, -0.47

 

CMYK 0 / 24 / 23 / 58

HEX #6B5152

RGB 107 81 82

HSL 357.69, 0.14%, 0.37%

LAB 37.15, 11.03, 3.61

 

CMYK 0 / 20 / 24 / 58

HEX #6B5651

RGB 107 86 81

HSL 11.54, 0.14%, 0.37%

LAB 38.51, 7.8, 6.17

 

CMYK 0 / 13 / 24 / 58

HEX #6B5D51

RGB 107 93 81

HSL 27.69, 0.14%, 0.37%

LAB 40.49, 3.54, 8.97

 

CMYK 0 / 25 / 23 / 76

HEX #3C2D2E

RGB 60 45 46

HSL 356, 0.14%, 0.21%

LAB 20.18, 7.08, 2

 

CMYK 0 / 25 / 24 / 67

HEX #543F40

RGB 84 63 64

HSL 357.14, 0.14%, 0.29%

LAB 28.93, 9.33, 2.92

 

CMYK 0 / 24 / 23 / 58

HEX #6B5152

RGB 107 81 82

HSL 357.69, 0.14%, 0.37%

LAB 37.15, 11.03, 3.61

 

CMYK 0 / 25 / 24 / 49

HEX #836264

RGB 131 98 100

HSL 356.36, 0.14%, 0.45%

LAB 44.91, 13.68, 4.06

 

CMYK 0 / 22 / 21 / 40

HEX #987678

RGB 152 118 120

HSL 356.47, 0.14%, 0.53%

LAB 52.94, 13.61, 4.01

 

CMYK 0 / 25 / 24 / 58

HEX #6C5152

RGB 108 81 82

HSL 357.78, 0.14%, 0.37%

LAB 37.27, 11.45, 3.79

 

CMYK 4 / 0 / 24 / 58

HEX #676B51

RGB 103 107 81

HSL 69.23, 0.14%, 0.37%

LAB 44.22, -6.43, 14.1

 

CMYK 24 / 13 / 0 / 58

HEX #515D6B

RGB 81 93 107

HSL 212.31, 0.14%, 0.37%

LAB 38.97, -1.19, -9.52

 

CMYK 0 / 25 / 24 / 58

HEX #6C5152

RGB 108 81 82

HSL 357.78, 0.14%, 0.37%

LAB 37.27, 11.45, 3.79

 

CMYK 23 / 0 / 24 / 58

HEX #526B51

RGB 82 107 81

HSL 117.69, 0.14%, 0.37%

LAB 42.62, -14.88, 11.63

 

CMYK 24 / 23 / 0 / 58

HEX #51526B

RGB 81 82 107

HSL 237.69, 0.14%, 0.37%

LAB 35.69, 5.66, -14.5

 

CMYK 0 / 25 / 24 / 58

HEX #6C5152

RGB 108 81 82

HSL 357.78, 0.14%, 0.37%

LAB 37.27, 11.45, 3.79

 

CMYK 4 / 0 / 24 / 58

HEX #676B51

RGB 103 107 81

HSL 69.23, 0.14%, 0.37%

LAB 44.22, -6.43, 14.1

 

CMYK 24 / 0 / 1 / 58

HEX #516B6A

RGB 81 107 106

HSL 177.69, 0.14%, 0.37%

LAB 43.22, -9.74, -2.57

 

CMYK 21 / 24 / 0 / 58

HEX #55516B

RGB 85 81 107

HSL 249.23, 0.14%, 0.37%

LAB 35.75, 7.7, -14.37

 

CMYK 0 / 25 / 24 / 58

HEX #6C5152

RGB 108 81 82

HSL 357.78, 0.14%, 0.37%

LAB 37.27, 11.45, 3.79

 

CMYK 11 / 0 / 24 / 58

HEX #5F6B51

RGB 95 107 81

HSL 87.69, 0.14%, 0.37%

LAB 43.57, -9.74, 13.09

 

CMYK 24 / 0 / 1 / 58

HEX #516B6A

RGB 81 107 106

HSL 177.69, 0.14%, 0.37%

LAB 43.22, -9.74, -2.57

 

CMYK 13 / 24 / 0 / 58

HEX #5D516B

RGB 93 81 107

HSL 267.69, 0.14%, 0.37%

LAB 36.51, 10.59, -13.15

 

Description

Color code: HEX #6C5152 | qconv.com Color code: HEX #6C5152 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 81 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 81 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 24 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 24% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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