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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6C524B it is the complementary color #93ADB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6C524B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6C524B shade: #715246, #826459, #93766C, #A4887F and #B59A92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6C524B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6C524B shade: #6C524B, #5B4038, #4A2E25, #391C12 and #280A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6C524B shade: #6C524B and #6C4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6C524B shade: #6C524B, #6C5B4B, #6C644B, #6B6C4B and #626C4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6C524B shade matches the following richer shades: #6C524B, #7B493C, #8A412D, #98381E and #A7300F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6C524B shade: #6C524B, #5D5A5A, #4E6368, #3F6B77 and #307486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6C524B shade: #6C4B56, #6C4B4D, #6C514B, #6C5A4B and #6C634B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6C524B shade: #3B2D29, #533F3A, #6C524B, #84645C and #9B786F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6C524B shade: #6C524B, #5F6C4B and #4B516C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6C524B shade: #6C524B, #4B6C51 and #514B6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6C524B shade: #6C524B, #5F6C4B, #4B656C and #584B6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6C524B shade: #6C524B, #556C4B, #4B656C and #624B6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

Complementary color

CMYK 18 / 4 / 0 / 29

HEX #93ADB4

RGB 147 173 180

HSL 192.73, 0.18%, 0.64%

LAB 69.03, -7.39, -6.58

 

CMYK 0 / 27 / 38 / 56

HEX #715246

RGB 113 82 70

HSL 16.74, 0.23%, 0.36%

LAB 37.82, 11.18, 12.12

 

CMYK 0 / 23 / 32 / 49

HEX #826459

RGB 130 100 89

HSL 16.1, 0.19%, 0.43%

LAB 45.06, 10.39, 10.88

 

CMYK 0 / 20 / 27 / 42

HEX #93766C

RGB 147 118 108

HSL 15.38, 0.15%, 0.5%

LAB 52.11, 9.73, 9.79

 

CMYK 0 / 17 / 23 / 36

HEX #A4887F

RGB 164 136 127

HSL 14.59, 0.17%, 0.57%

LAB 59, 9.18, 8.8

 

CMYK 0 / 15 / 19 / 29

HEX #B59A92

RGB 181 154 146

HSL 13.71, 0.19%, 0.64%

LAB 65.76, 8.69, 7.9

 

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

CMYK 0 / 30 / 38 / 64

HEX #5B4038

RGB 91 64 56

HSL 13.71, 0.24%, 0.29%

LAB 29.85, 10.55, 9.54

 

CMYK 0 / 38 / 50 / 71

HEX #4A2E25

RGB 74 46 37

HSL 14.59, 0.33%, 0.22%

LAB 22.1, 11.63, 11.08

 

CMYK 0 / 51 / 68 / 78

HEX #391C12

RGB 57 28 18

HSL 15.38, 0.52%, 0.15%

LAB 14.08, 13.08, 12.95

 

CMYK 0 / 75 / 100 / 84

HEX #280A00

RGB 40 10 0

HSL 15, 1%, 0.08%

LAB 6.04, 13.98, 9.3

 

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

CMYK 0 / 31 / 31 / 58

HEX #6C4B4B

RGB 108 75 75

HSL 0, 0.18%, 0.36%

LAB 35.46, 14.02, 5.6

 

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

CMYK 0 / 16 / 31 / 58

HEX #6C5B4B

RGB 108 91 75

HSL 29.09, 0.18%, 0.36%

LAB 39.88, 4.24, 11.8

 

CMYK 0 / 7 / 31 / 58

HEX #6C644B

RGB 108 100 75

HSL 45.45, 0.18%, 0.36%

LAB 42.48, -1.14, 15.36

 

CMYK 1 / 0 / 31 / 58

HEX #6B6C4B

RGB 107 108 75

HSL 61.82, 0.18%, 0.36%

LAB 44.74, -6.23, 18.39

 

CMYK 9 / 0 / 31 / 58

HEX #626C4B

RGB 98 108 75

HSL 78.18, 0.18%, 0.36%

LAB 43.99, -10.06, 17.25

 

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

CMYK 0 / 41 / 51 / 52

HEX #7B493C

RGB 123 73 60

HSL 12.38, 0.34%, 0.36%

LAB 36.56, 19.79, 16.82

 

CMYK 0 / 53 / 67 / 46

HEX #8A412D

RGB 138 65 45

HSL 12.9, 0.51%, 0.36%

LAB 36.69, 29.46, 26.57

 

CMYK 0 / 63 / 80 / 40

HEX #98381E

RGB 152 56 30

HSL 12.79, 0.67%, 0.36%

LAB 37.11, 38.84, 36.19

 

CMYK 0 / 71 / 91 / 35

HEX #A7300F

RGB 167 48 15

HSL 13.03, 0.84%, 0.36%

LAB 38.49, 47.29, 45.45

 

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

CMYK 0 / 3 / 3 / 64

HEX #5D5A5A

RGB 93 90 90

HSL 0, 0.02%, 0.36%

LAB 38.51, 1.2, 0.42

 

CMYK 25 / 5 / 0 / 59

HEX #4E6368

RGB 78 99 104

HSL 191.54, 0.14%, 0.36%

LAB 40.48, -6.6, -5.44

 

CMYK 47 / 10 / 0 / 53

HEX #3F6B77

RGB 63 107 119

HSL 192.86, 0.31%, 0.36%

LAB 42.62, -11.71, -11.44

 

CMYK 64 / 13 / 0 / 47

HEX #307486

RGB 48 116 134

HSL 192.56, 0.47%, 0.36%

LAB 45.41, -15.52, -16.25

 

CMYK 0 / 31 / 20 / 58

HEX #6C4B56

RGB 108 75 86

HSL 340, 0.18%, 0.36%

LAB 35.78, 15.82, -0.89

 

CMYK 0 / 31 / 29 / 58

HEX #6C4B4D

RGB 108 75 77

HSL 356.36, 0.18%, 0.36%

LAB 35.51, 14.33, 4.41

 

CMYK 0 / 25 / 31 / 58

HEX #6C514B

RGB 108 81 75

HSL 10.91, 0.18%, 0.36%

LAB 37.08, 10.33, 7.9

 

CMYK 0 / 17 / 31 / 58

HEX #6C5A4B

RGB 108 90 75

HSL 27.27, 0.18%, 0.36%

LAB 39.59, 4.84, 11.41

 

CMYK 0 / 8 / 31 / 58

HEX #6C634B

RGB 108 99 75

HSL 43.64, 0.18%, 0.36%

LAB 42.18, -0.55, 14.96

 

CMYK 0 / 24 / 31 / 77

HEX #3B2D29

RGB 59 45 41

HSL 13.33, 0.18%, 0.2%

LAB 19.91, 5.69, 5.03

 

CMYK 0 / 24 / 30 / 67

HEX #533F3A

RGB 83 63 58

HSL 12, 0.18%, 0.28%

LAB 28.64, 7.86, 6.41

 

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

CMYK 0 / 24 / 30 / 48

HEX #84645C

RGB 132 100 92

HSL 12, 0.18%, 0.44%

LAB 45.35, 11.67, 9.52

 

CMYK 0 / 23 / 28 / 39

HEX #9B786F

RGB 155 120 111

HSL 12.27, 0.18%, 0.52%

LAB 53.55, 12.28, 10.18

 

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

CMYK 12 / 0 / 31 / 58

HEX #5F6C4B

RGB 95 108 75

HSL 83.64, 0.18%, 0.36%

LAB 43.75, -11.31, 16.89

 

CMYK 31 / 25 / 0 / 58

HEX #4B516C

RGB 75 81 108

HSL 229.09, 0.18%, 0.36%

LAB 34.93, 4.52, -16.33

 

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

CMYK 31 / 0 / 25 / 58

HEX #4B6C51

RGB 75 108 81

HSL 130.91, 0.18%, 0.36%

LAB 42.48, -18.03, 11.37

 

CMYK 25 / 31 / 0 / 58

HEX #514B6C

RGB 81 75 108

HSL 250.91, 0.18%, 0.36%

LAB 33.7, 10.39, -18.18

 

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

CMYK 12 / 0 / 31 / 58

HEX #5F6C4B

RGB 95 108 75

HSL 83.64, 0.18%, 0.36%

LAB 43.75, -11.31, 16.89

 

CMYK 31 / 6 / 0 / 58

HEX #4B656C

RGB 75 101 108

HSL 192.73, 0.18%, 0.36%

LAB 41.03, -7.75, -7.07

 

CMYK 19 / 31 / 0 / 58

HEX #584B6C

RGB 88 75 108

HSL 263.64, 0.18%, 0.36%

LAB 34.37, 12.83, -17.08

 

CMYK 0 / 24 / 31 / 58

HEX #6C524B

RGB 108 82 75

HSL 12.73, 0.18%, 0.36%

LAB 37.35, 9.72, 8.28

 

CMYK 21 / 0 / 31 / 58

HEX #556C4B

RGB 85 108 75

HSL 101.82, 0.18%, 0.36%

LAB 43.01, -15.37, 15.76

 

CMYK 31 / 6 / 0 / 58

HEX #4B656C

RGB 75 101 108

HSL 192.73, 0.18%, 0.36%

LAB 41.03, -7.75, -7.07

 

CMYK 9 / 31 / 0 / 58

HEX #624B6C

RGB 98 75 108

HSL 281.82, 0.18%, 0.36%

LAB 35.42, 16.42, -15.38

 

Description

Color code: HEX #6C524B | qconv.com Color code: HEX #6C524B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 82 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 82 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 31 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 31% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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